Tuesday, April 8, 2014

War, Revolution and Terror: Elihu Washburne's Ambassadorship in Paris

Elihu Washburne
Elihu Washburne: the Diary and Letters of America's Minister to France during the Siege and Commune of Paris by Michael Hill

Several years ago I read The Greater Journey by David McCullough, an author well known and whose books are well reviewed. It was a very enjoyable and enlightening book, and I especially was interested in the American writers, painters, physicians and thinkers who spent time in Paris.

Then I got to the third part of the book. I was totally ignorant of the Siege of Paris when the Prussian Army led by Bismarck surrounded the city for 131 days, nor had I known of the collapse of Napoleon III, the rise of the Third French Republic, and the government takeover by radicals called The Commune. And I had never heard of the American ambassador to France, Elihu Washburne.

After finishing The Greater Journey I wanted to know more about Washburne and found and ordered Hill's book. Hill is a researcher who has worked with McCullough, as well as Nathaniel Philbrick (Mayflower, The Last Stand, The Heart of the Sea), and Ken Burns (Baseball, The Civil War). The book uses excerpts from the diary and letters written by Washburne during the ordeal.

Washburne was born in Maine to a hard working subsistence farmer. He knew he wanted more in life and decided to study law. He went West where opportunity offered quick wealth. He and his two brothers all served in Congress at the same time. Washburne was an abolitionist who was in close contact with President Lincoln during the Civil War.

After years of Washington politics he was offered the posh spot in Paris by his old friend, the newly elected president Ulysses S. Grant. Washburne thought it would be a wonderful way to serve out his last years before retirement. He and his family, hobnobbing with the Emperor and Empress in Paris of the Second Empire, the most lush and glorious civilization in the world!

Things did not work out that way. Instead France went to war with Germany. Washburne's wife and children left Paris, except for his son Gratiot who stayed to volunteer with the American Ambulance. Often ill, lonely, and bombarded with people seeking aid, Washburne put in long days.

Washburne was one of the few foreigners who did not leave the city. He not only protected American interests, he worked to save the Germans in Paris, many arrested as hostile aliens; others lost their jobs and income. He provided food for the starving, sometimes from his own pantry. The price of a half bushel of potatoes rose to $155 in today's dollars. The poor were reduced to eating horsemeat, dog and even rats. Washburn sent firewood to the families who were freezing in one of the coldest winters remembered.

"Oh, this horrid war...I have had enough of all this terrible business and I begin to hate Paris...It is not living [,] It is simply a wretched, fearful, almost unendurable existence." Dec. 8, 1870 letter to Adele Washburn

After the Germans won the war they entered Paris for two days of occupation, then left town. Washburne's family returned, hoping for that lovely sojourn they had dreamt of....and everything changed again.

After the death of Napoleon III, The Third French Republic allowed a few radicals to cease control of the country. The leader, Raoul Rigault, was a psychopath who wanted to resurrect the French Revolution just for the fun of it. A new Reign of Terror descended upon Paris.

"Anarchy, assassination, and massacre hold high carnival..." March 25, 1871 letter to Secretary Of State Fish in Washington, D.C.

The damage done by the Commune, the people they killed, the destruction of monuments and buildings, the arrest and murder of Catholic priests, was more horrifying than the war. Arbitrary arrests and the takeover of personal property was rampant. Anyone who dared express sympathy toward the victims was turned upon by the crowds. And killed.

Washburne was called upon by the Vatican to help save the life of Archbishop Darboy, the beloved elderly priest who stayed in Paris to help the people during the Siege. But before the fall of the commune, all the imprisoned were put to death. Including Darboy and 70 other priests.

Washburne is a forgotten hero of a forgotten war. His commitment to his job, his country, and to helping people was remarkable. When most fled the country or thought only of themselves, he risked his life and health to do his duty. He was a real American hero.

https://www.youtube.com/watch?v=Xk2f1b9207M is a nice interview from CSPAN with Michael Hill

Sunday, April 6, 2014

Songs My Mother Sang Me: 1940s Novelty Songs


When I was a kid Mom was always singing snippets of songs she grew up with in the 1940s. Such as One Meatball by the Andrews Sisters.


One Meatball
A Little Man walked up and down,
He found an eating place in town,
He read the menu through and through,
To see what fifteen cents could do.

One meatball, one meatball,
He could afford but one meatball.
He told the waiter near at hand,
The simple dinner he had planned.
The guests were startled, one and all,
To hear that waiter loudly call, "What,
"One meatball, one meatball?
Hey, this here gent wants one meatball."

The little man felt ill at ease,
Said, "Some bread, sir, if you please."
The waiter hollered down the hall,
"You gets no bread with one meatball.

"One meatball, one meatball,
Well, you gets no bread with one meatball."

The little man felt very bad,
One meatball was all he had,
And in his dreams he hears that call,
"You gets no bread with one meatball.
"One meatball, one meatball,
Well, you gets no bread with one meatball."

Another song I remember her singing was this silly little tune:

Three Little Fishes


Down in the meadow in a
little bitty pool
Swam three little fishies
And a mama fishie too
"Swim," said the mama fishie,
"Swim if you can."
And they swam and they swam all
over the dam

Boop boop diten datem whatem choo
Boop boop diten datem whatem choo
Boop boop diten datem whatem choo
And they swam and they swam
right over the dam

"Stop!" cried the mama fish,
"Or you will get lost."
But the three little fishies
didn’t want to be bossed
The three little fishies
went off on a spree,
And they swam and
they swam right out
to the sea

Boop boop diten datem
Whatem choo
Boop boop diten datem whatem choo
Boop boop diten datem whatem choo
And they swam and they swam
And they got lost in the sea

"Help!" cried the fishies,
"Look at the whale."
And quick as they could,
They turned on their tails
And back to the itty bitty
pool they swam
And they swam and
they swam
Back over the dam

Boop boop diten datem
whatem choo
Boop boop diten datem
whatem choo
Boop boop diten datem whatem choo
And they swam and they swam
Right over the dam

Boop boop diten datem whatem choo
And they swam and they swam
right over the dam
Mom loved Boogie Woogie, and bought a piano book hoping the piano teacher could learn me some jive, but I have no rhythm and it was a failure. I remember she'd sing snatches of this song:

Boogie Woogie Bugle Boy
He was a famous trumpet man from out Chicago way
He had a boogie style that no one else could play
He was the top man at his craft
But then his number came up and he was gone with the draft
He's in the army now, a-blowin' reveille
He's the boogie woogie bugle boy of Company B

They made him blow a bugle for his Uncle Sam
It really brought him down because he couldn't jam
The captain seemed to understand
Because the next day the cap' went out and drafted a band
And now the company jumps when he plays reveille
He's the boogie woogie bugle boy of Company B

A-toot, a-toot, a-toot-diddelyada-toot
He blows it eight-to-the-bar, in boogie rhythm
He can't blow a note unless the bass and guitar is playin' with 'I'm
He makes the company jump when he plays reveille
He's the boogie woogie bugle boy of Company B

He was some boogie woogie bugle boy of Company B
And when he plays the boogie woogie bugle he was busy as a "bzzz" bee
And when he plays he makes the company jump eight-to-the-bar
He's the boogie woogie bugle boy of Company B

Toot toot toot-diddelyada, Toot-diddelyada, toot-toot
He blows it eight-to-the-bar
He can't blow a note if the bass and guitar isn't with 'I'm
Ha-ha-hand the company jumps when he plays reveille
He's the boogie woogie bugle boy of Company B

He puts the boys to sleep with boogie every night
And wakes 'em up the same way in the early bright
They clap their hands and stamp their feet
Because they know how he plays when someone gives him a beat
He really breaks it up when he plays reveille
He's boogie woogie bugle boy of Company B



Mom (Joyce Ramer) and her best friend Doris Waterson
Sometimes Mom would just burst out with a line or two: “Yes! We Have NO Bananas, we have no bananas today!” Or “Shave and a haircut, two bits.”

Now I have to admit I learned this bad habit and have done the same thing. Say I am playing Uno and the card color to play is blue. I would sing out, “It's a blue world without you.” Heaven knows what other songs my son will remember his mom singing as he grew up.

Mom was a real jitterbug era Dancing Queen, never without dance partners at the Project dances. She loved the Big Band music, especially Glen Miller, but also liked Country and Classical. She collected a set of classical recordings from the grocery store, basically classical 'pops" and from those records, I learned to love many an orchestral piece. Some of my earliest memories are of Mom paying 45 records when I was not even five. Later in life, I identified several of those records as The Poor People of Paris and Cherry Pink and Apple Blossom White. I still love that music when I hear it.

So thanks to Mom for teaching me a love of music. And a love of silliness.

Thursday, April 3, 2014

Mid-Cenury Value Life Lessons From Our Childhood Bookshelf

9780307977618
Everything I Need to Know I Learned From A Little Golden Book was just too cute to pass up. Bound like a classic Golden Book, complete with gold printed spine, the book was only $9.99. It is filled with great illustrations from the books.

I was a toddler when Mom started bringing home Golden Books from the grocery store. I would run excitedly to met her to see what she had brought me. Looking back, it was quite a luxury because we did not have a lot of money.

The illustrations alone kept my attention for hours, even when Mom was not reading the book to me. I had amassed a long shelf full of Golden Books before childhood ended. I went away to college and they disappeared. When our son was born I started recollecting classic and new titles.

 Some of my favorite books included:

I Can Fly by Mary Blair, an artist who is well known for her concept art work for Disney animated films including Alice in Wonderland, Peter Pan and Cinderella. She designed Disneyland rides like It's a Small World. Blair's work has garnered much attention in recent years.
mary blair
I Can Fly by Mary Blair

Frosty the Snow Man. The kids looked like me and my cousins, at least that's what Mom told me as she read it. I thought it was truly about us kids--Linda, Stevie, Elaine and I.

Frosty the Snow Man illustrated by Corinne Malvern

The Blue Book of Fairy Tales has some of the most marvelous illustrations.

The Blue Book of Fairy Tales illustrated by Gordon Laite
Lucky Mrs Ticklefeather has a pet puffin who goes to great lengths to fulfill her sickbed wish.
I loved J. P. Miller's art in all the Golden Books.

Lucky Mrs Ticklefeather by Dorothy Kunhart and illustrated by J. P. Miller
 Pantaloon has high hopes to become a pastry chief. The illustrations were some of my favorites.

Pantaloon by Kathryn Jackson and illustrated by Leonard Weisgard
An article with pictures from the books can be found at:
http://americanhistory.si.edu/documentsgallery/exhibitions/goldenbooks/

For information on the illustrators:
http://www.thesantis.com/who_who/illustrators___authors.htm

Diane Muldrow is a Random House editor for Little Golden Books. She looked at the world today and thought that we needed to revisit the basic values found in the Golden Books of our childhood.

She chose classic illustrations from the books and added tips for life.
"Is your life starting to feel like a circus? Don't panic...Today's a new day!"

As she wrote in the forward: "Maybe these books can help you. After all, Golden Books were first published during the dark days of World War II, and they've been comforting people during trying times ever since."

Don't Let the Parade Pass You By

Here Comes the Parade cover art
Richard Scary illustrator
  Be open to making new friends...even if you are very, very shy.

Those words from The Shy Little Kitten by Cathleen Schurr and illustrated by Gustaf Tenggren must have been written for me, for I was a very shy child.

I dare say I took this advice to heart. I spent many an hour day dreaming!

Day Dream
from I Can Fly by Mary Blair



Monday, March 31, 2014

Swiss Family Robinson



Johann David Wyss (1743 - 1818) was a Swiss pastor who wanted to teach his sons specific character strengths, including self-reliance. Wyss died leaving a disjointed collection of stories. The book was arranged and completed by Wyss's son Johann Rudolf Wyss (1781 – 1830).

The main character is a pastor who with his family were on their way to New Guinea when a storm over took their ship. They become stranded on a deserted island, but after devising ways to remove the animals and every useful item from the ship, they recreate civilization.

Since its initial publication in 1812 it has been translated and rewritten many times and was the basis for a Disney film and a television series.

I read the book several times when a girl and loved the Disney movie. Overall, this is a can do, positive, upbeat book. The characters never met a disaster or crisis they cannot handle. They seem to have read every book ever written on exploration, primitive cultures and their material world and industry, and every book on flora and fauna of the known universe.

Among the prickly stalks of the cactus and aloes, I perceived a plant with large pointed leaves, which I knew to be the karata. I pointed out to the boys its beautiful red flowers; the leaves are an excellent application to wounds, and thread is made from the filaments, and the pith of the stem is used by the savage tribes for tinder.

"How happy it is for us," said she [the other], "that you have devoted yourself to reading and study. In our ignorance we might have passed this treasure, without suspecting its value."

One problem after another is solved by the resourceful father and sons. Mother suffers a fall from the treehouse, one son suffers a serious burn and another son is shot, a hurricane destroys their fruit trees, and mom and a son are abducted by cannibals from the next island over. All crises are met head on and solved. Dad even makes rubber boots!
Warning: wild boar coming!

The second half of the book concerns Father and his older sons returning to find mother and the younger son missing. They fear that cannibals have abducted them. The menfolk sail to an island and after many adventures with 'savages' and a priest they are reunited.

Goodreads comments on the book are mostly negative, especially because the boys sometimes go around shooting animals willy-nilly.

The next morning, Ernest had used my bow, which I had given him, very skilfully; bringing down some dozens of small birds, a sort of ortolan, from the branches of our tree, where they assembled to feed on the figs. This induced them all to wish for such a weapon...I gave my boys leave to kill as many ortolans as they chose, for I knew that, half-roasted, and put into casks, covered with butter, they would keep for a length of time, and prove an invaluable resource in time of need.

We are today repelled by the sense that all creation is there for mankind to use. We know what happened to many species and to our environment as an outcome of that sad attitude towards creation.

We know that ostriches, wild boar, bears and penguins do not live side by side not to speak of kangaroos, pineapples, water buffalo and a multitude of other things the Robinsons find on their island. It is pretty absurd by today's knowledgeable readers.

The book is pre-novel in the way Robinson Crusoe is, episodic and without depth of character, lots of life instruction and little sense of plot. Wyss was to have told the book as a series of stories or tales.

Prayers for safe delivery
There is a strong religious ground to the novel, and 18th c values are clear. Mom is revered and loved, a paragon of virtue. Father is a fount of wisdom, strength, and knowledge and clearly is in charge. The family always gives thanks to God their preserver, defender, and guide. The sons represent different personalities and are accepted and esteemed for the gifts God gave to them. Education and self-improvement are esteemed. And in all things they hold strong to their faith in God.

Our path became every instant more intricate, from the amazing quantity of creeping plants which choked the way, and obliged us to use the axe continually. The heat was excessive, and we got on slowly, when Ernest, always observing, and who was a little behind us, cried out, "Halt! a new and important discovery!" We returned, and he showed us, that from the stalk of one of the creepers we had cut with our axe, there was issuing clear, pure water. It was the liane rouge, which, in America, furnishes the hunter such a precious resource against thirst. Ernest was much pleased; he filled a cocoa-nut cup with the water, which flowed from the cut stalks like a fountain, and carried it to his mother, assuring her she might drink fearlessly; and we all had the comfort of allaying our thirst, and blessing the Gracious Hand who has placed this refreshing plant in the midst of the dry wilderness for the benefit of man.

Another aspect that upsets moderns sensibilities is the attitude towards the local indigenous people, the 'savages' who are just becoming Christianized. Just the use of the word savage sets one's teeth on edge.

So why did I love this book as a girl? It is clearly a 'boy's' book, with many adventures and more knowledge about how to identify and prepare edible vegetative matter than any fiction book ought to have in it.

1. It starts with a shipwreck---a storm has raged for six days already, and on the seventh day the ship strikes a rock. What can be more exciting than that?

2. Father and Mother are models of strength and courage. Every child believes their parents are--or wants to trust that their parents are--strong protectors they can rely on.

"Take courage," cried I, [the father] "there is yet hope for us; the vessel, in striking between the rocks, is fixed in a position which protects our cabin above the water, and if the wind should settle to-morrow, we may possibly reach the land."

This assurance calmed my children, and as usual, they depended on all I told them; they rejoiced that the heaving of the vessel had ceased, as, while it lasted, they were continually thrown against each other. My wife, more accustomed to read my countenance, discovered my uneasiness; and by a sign, I explained to her that I had lost all hope. I felt great consolation in seeing that she supported our misfortune with truly Christian resignation.

"Let us take some food," said she; "with the body, the mind is strengthened; this must be a night of trial."

3. They have adventures, suffer hardships, and are pressed to solve huge problems but prevail and flourish. Wish fulfillment! Illusions of superhuman ability! What child can resist!

4. The boys all have a special pet animal. They get to ride animals. They have two dogs. Kids love animals.

5. They live in a treehouse! They build a grotto in a cave. They live in a tent. What could be grander?

6. The boys are respected for their contributions to the welfare of the family. The older boys are relied upon to do adult work.

I don't expect to ever read Swiss Family Robinson again. But after rereading Robinson Crusoe, and as I have been revisiting childhood favorite books, it seemed fitting.

For an overview on the author, developent of the novel, and influences see:


Project Gutenberg's free ebook with illustrations can be found at:

http://www.gutenberg.org/files/11703/11703-h/11703-h.htm

Saturday, March 29, 2014

The Heretic's Daughter by Kathleen Kent

Front cover

Kathleen Kent's book "The Heretic's Daughter" is set during the infamous Salem witch trials of 1692. She envisions the story of her ancestor Martha Carrier who was called "The Queen of Hell" by the Rev. Cotton Mather. To confess and name other witches allowed some mercy from the court. Of the 200 men and women arrested for witchcraft, Martha was the only person who would not perjure herself by confessing falsely to being a witch.

The Carrier family were free-thinkers, something that Puritan society held in suspicion. Thomas is a huge man of silent strength who inspires fear in his neighbors. Rumor has it that he was a murderer in old England when he served Oliver Cromwell, the Puritan leader that took over the government, resulting in the death of Charles I.

Martha is a distant and stern mother with a backbone of steel and a literal iron rod. She has three boys and two daughters. The middle child Sarah feels alienated from her family, especially after a sojourn with her cousin and her story-telling father and gentler mother. The novel is told through Sarah's eyes.

The Carriers have come to Andover to live with Martha's mother, not knowing they have also brought smallpox. Thirteen people die. After Grandma's death Thomas and Martha stay on the farm, which causes trouble with Martha's sister's family who had believed they should inherit the property.

Martha's surety and aloofness makes her no friends. Petty squabbles arise and community conflict escalates. Meanwhile in Salem young girls have been naming women as witches...and the Andover girls decide to join the movement. It becomes a way to get even with Martha and Sarah.

Martha is arrested for witchcraft, plunging the family into turmoil and disorder. One by one the children are also taken into custody as witches.

Kent spent five years researching this novel. The descriptions of home and prison life are detailed, and often disturbing. Their life is harsh, enduring the brutal winter cold and scathing summer heat. The boys take up the yoke to pull the plow. Cleanliness is a luxury. The fear of an Indian attack is always with them.

The suffering of the imprisoned women, whose family must provide their food and even pay for the manacles they are bound with, is exquisitely painful to read. A four year old child is jailed along with her mother, and left in jail after her mother's execution....because her father could not pay to have his daughter released.

The novel made me think about how groups will gather and attack those who don't fit in, who are different, who don't conform to the norm, who think freely. But also how one or two people can influence a way of thinking that escalates into a movement, for good or for bad.

I myself have seen modern day witch hunting in action. The gathering of a group of like-minded people reinforcing their shared beliefs, justifying their actions. The targeting of the person or persons believed to be a threat. The vicious attacks, the rumor mongering, the campaigning for others to join them. That scene in Disney's Beauty and the Beast where Gaston leads the villagers to attack the Beast, selling a vision of the threat the Beast posses, well, it happens outside of cartoons.

We know that McCarthyism was a 20th c. witch hunt. The pressure to name names is right out of old Salem. The passivity of bystanders during Hitler's rise to a power based on racial superiority and genocide is viewed today as remarkable. The Civil Rights movement was met with hatred and prejudice and fear. The Suffragettes were mocked, jailed, and abused because they asked for voting rights. All around the world tribal warfare, genocide, and repression occur.

Civilization is a process that does not follow a straight line. Human enlightenment is not a march as much as a dance that circles back before moving forward. What witch hunts are we willing to join today?

Thursday, March 27, 2014

Gruesome Recollection from a Hundred Years Ago: Hog Butchering

I was always fascinated by my grandfather's article remembering hog butchering on his aunt and uncle's farm. Being a child of the 1950s suburbs and the wide aisles of modern grocery stores, it was hard for me to believe that a little boy was witness to such a bloody and gruesome scene, none the less participating in the event. It makes me glad I am a vegetarian!

Lynne at Six Years
In 1960 my grandfather Lynne O. Ramer (1903-1971) wrote a series of articles for the Lewistown Sentinel, the local paper for his hometown of Milroy, PA. Gramps wrote close to 200 articles that were published in the Sentinel and other newspapers, many recounting tales of farm life in the early 20th c.
 
Gramps was orphaned before he was nine. After the death of his grandmother "Nammie" (Rachel Barbara Reed Ramer, second wife of Joseph Sylvester Ramer) he lived with his Uncle Charles and Aunt Annie Ramer Smithers or Uncle Ed and Aunt Carrie Ramer Bobb.

Lynne with his cousin

Gramps was very smart and in the 1920s went to Susquehanna University and was ordained in the Evangelical Lutheran church.  He took teacher's training at Columbia University along with his friend and fellow Susquehanna U alumni Roger Blough who would go on to become president of U.S. Steel company.

Gramps taught at Hartwick Seminary in New York State where he met my grandmother, and they moved to Kane, PA where he taught in the high school. My mom was born there.

Lynne in 1952 at work
During WWII Gramps was an engineer in the Chevrolet aviation factory in Tonawanda, NY  and in his 'spare time' earned his Masters in Mathematics from the University of Buffalo. At this time he was ordained a deacon in the Episcopal church.

Around 1960 he moved to Michigan and taught Calculus and Trig at Lawrence Technological University while still working for Chevy.

He became very interested in research conducted by Lamont Geological Survey by Ewing and Donn and obtained a grant from Blough's steel company for their research.

But he never forgot those early days. So here is the story Gramps wrote on hog butchering:

*************
Getting Early Start

Before dawn cracked or even came close to cracking, all hands were on deck. Regular chores were down in double time—milking, feeding, watering, separating.

Breakfast was bolted down in a whistle. Pig sty was given last cleaning out and washing, while the roused porkers eyed the activity with deep resentment and suspicion. “What! No feed today!”

Then the farm boy started pumping water, carried it in pails, filled three, four copper and or cast iron kettles and filled dozens of milk cans besides.

Kindling was doused with kerosene and fires were lighted and soon crackling and burning. Showers of sparks ascended in the dark or maybe as rosy-tinted dawn spread her first fingers—and the frosty air was set in circulation by the sudden invasion of thermal currents.

Wind barriers were readjusted to give maximum vertical output. Soon the water began to simmer and it was a full time job keeping the fires roaring. The stored woodpiles began to diminish in height and more was scoutched [sic] up, just to play safe.

From many directions the butchering helpers began to arrive, in buggies and in spring wagons. Neighbors and relatives, some from the cities. Merry greetings were passed. Then the forces moved on to their places of occupation: Women folks to the kitchen and shanties to prepare foods for the dinner, and the pots, pans and crocks for the puddin’ meat and the ponhos, while the men took their assignments from Uncle Ed, the boss butcher.

Shootin’ and Sitckin’

The men descended on the pigsty, armed with rifle and deer knife for sticking, while the young ones were told to stay back and keep the fires going. “You’re too little to watch shootin’ and stickin’.”

Soon you’d hear the crack of a rifle and maybe dead silence, but more likely an unearthly squealing. Perhaps the sty door would be opened and the dead pig dragged out. or maybe he’d come out “standing,” gushing blood from the severed jugular.

Maybe he’d drop dead all of a sudden, but like as not he’d take off up through the apple orchard with two, three hands in a merry chase. No one liked that, for it may mean a hundred yards dragging the carcass to the scalding barrel. Unusual work was undesired—usual work was sufficient.

“Get the water in the barrel!” All hands rushed to do so. It had to be real scalding hot to make bristle removal easy, yet not too scalding as to start the porker to cookin’.

“Refill the kettles!” And you’d do so, from the reserved milk cans. Or, run like blazes to the pump to get more in a hurry.

“More wood on the fire!” And hands and feet were really flying!

Into the barrel they shoved the head end of the now extinct porker, and sloshed him around. Water slopping on the ground melted the frost.

Testing the Bristles

“Pull him out, boys, and upend him!” Then they dipped the tail end. It was time for Uncle Ed to test the bristles. If they came out easily the “dip” was successful. If not, more scalding water was added until the bristles did come off just right.

“Up and over!” And so Pig No. 1 was ready for scrapping. Meanwhile the killers and stickers had another pig en route to the scalder—never a dull moment. Snout hooks and tendon hooks were used to handle the slippery porker, from scalder to scrapping table.

Then in a few moments scrapping knives began to clean off the bristles until the pig’s carcass was white and pink and gleaming, that is, from the ears backward.

“Okay, boys, on the head and at the feet.” These were choice areas reserved for the younger boys and grandfathers.

It was really an art to scrape the stiff, shorter bristles from the wrinkles around the pig’s snout and beady eyes, and from the deep wrinkles of his fat jowls and under his chin. Also from the creases of his stubby feet.

And these just had to be clean, for from them came the ponhos ingredients and choice pickled tidbits and for the souse. (Barbers could do better with Uncle Ed’s stubble, since his pink cheeks were at least a bit flexible.)

Heave Ho! Up You Go!

Within a few minutes all carcasses were promptly stretched out, inverted, on the ground, and leg tendons were freed for insertion of the tree hooks. With these inserted securely, there came the order, “Heave ho! And up you go!”

In a trice the pigs were swinging, pendulum-like, from the tripods. A deft slash of the knife in the belly area and the large intestines were removed and carted away in the wheelbarrow to the barnyard.

Soon every fowl and every bird, pigeon, swallow and sparrow on the farm was picking away at the odorous mess, as you hastened back for the next load.

Then the carcasses were washed thoroughly with pails of lukewarm water. Viscera and vital organs were deftly severed and removed, being placed in proper containers for further cleansing, trimming and cutting before cooking as ingredients for the choice dishes that grace the farm breakfast tables.

Specialists At Work

Then the head butcher, man of steady hand and keen eyes and of long experience, takes a double-bitted axe, previously sharpened by the farm boy, and deftly splits the disemboweled carcasses down both sides of the pig’s backbone.

Like all Gaul, the pig swings into three parts, whence now the sub-butchers each takes his parts to the trimming tables and proceeds to exercise his private specialty. One, the ham trimmer; one the flitch trimmer and rib-stripper; and one the shoulder man.

Each of the sides quickly becomes three parts, and each of these parts begins to assume familiar shapes and contours. Off come the feet, out come the ribs. The flitch, ham and shoulder get their artistic shapes under the practiced hands of masters, as each steps back to view the details of chiseling, shipping and trimming.

“More wood on the fires! More water in the kettles! Get out the lard cans and trimming cans from the stockpile. Come on there, boy, get moving!” Never a dull moment.

The division of labor now assumes new proportions. There are soft under-belly slabs of leaf lard—slippery as an eel and just as hard to hold and chop into squares. Stingy membranes to remove and cut through—of course that’s the boy’s job.

Then the nice firm fatty places must also be chipped. And the vital organs trimmed and cleansed. The meat scraps and firm suet-like pieces are sorted out for the sausage meat. Small intestines are drained and washed and taken into the shanty for “Nammie” to scrape, turn, scrape again and turn, wash scrape again—until every loose membrane is removed. Then these casings for the sausage are ready for the stuffing.

No barber with straight razor could ever approach the skill of the “Nammies” in intestine-scraping. They come out clean and clear as finest plastic, with nary a cut or even a pinhole, in yards of yards of the product.

Merrily the work went on. The play and the exchange of jokes saved for the occasion flew fast. Plans for the winter’s programs (even church suppers) all went hand-in-hand with the trimming and chipping and cutting.

“Nammie’s” Pigtails

Pig tails were traded from kinder to gown-up, but inevitably one or more found its way to “Nammie’s” skirt, as if she didn’t know it was affixed there while she wagged and wiggled for purposeful entertainment!

Meanwhile in the kitchen the air was blue and white with gossip and filled with savory odors of roasting stuffed chickens, beans and beets and cabbages and carrots and potatoes boiled. All simmered tantalizingly on every lid of the cast iron cooking ranges—one in the kitchen, another in the shanty.

Hands and tongues flew with abandon and soon the table was bent and buckled from the mounds of mashed spuds, bowls of giblet gravy and vegetable dishes, as well as celery and cabbage salad and cole slaw and pickles and eggs devilled in red beet juice and piccadilli and stuffed pickled peppers and spiced crabapples.

“Dinner is ready!” In flock the “hands” to the pump and basin—of nice cold water. Hands and faces find dry spots and places on the harsh linen roller towels. Out of the ovens come the roast chickens, the escalloped oysters, the baked squash and divers other items.

Grace is said and from there on you can use your imagination, since this is a butcherin’ dinner. Peach, pear, plum, cherry and apple pies with a variety of cakes are all standing by on every available shelf and table.

The little farm girls wait hand and foot on the men at the tables, sometimes giving some peculiar and special attention to certain farm boys of their choosing.

Meanwhile the cooks sit in the rockers and exchange quips and stories with the men and with one another. After the men are gone back to the butcherin’, they and the girls will eat at the second table.

Yards of Sausage

“Okay men, let’s go!” And out they troop, to wind up the work. “Fresh wood on the fires. Say, tame down those lard-kettle fires or you’ll burn the lard.” The lard stirrers begin to supervise the stirring and the fire-stoking so as to maintain just the correct heat for the simmering and rendering.

The puddin’ meat and ponhos cookers test the degree of doneness of the livers, hearts, tongues, kidneys, meat strips and head meat and the pig’s feet. “Boy! Taste that liver! Is it done enough to suit you?” And it usually is, but seems to require a good-sized chunk just to make sure.

Meanwhile as the chunk of liver cools, you are busy grinding the sausage meat, while “Pappy” salts and flavors and samples. Then he takes a tubful and starts the stuffing, stripping yards on the spot, yards and yards of smaller intestines. The press is turned and out flows the sausage.

“Nammie stands by and as the sausage emerges she kneads and squeezes and coils the product into another waiting tub. “Watch where you’re spitting tobacco juice, you old buzzard! We don’t want none in our stuffed sausage!”

Ponhos and Lard

Then the pig’s feet are extracted from the ponhos kettle and the chunks of vital organs are ground in the sausage grinder. The mess is stirred back into another waiting kettle. “Nammie” adds the spices and corn meal in just the right proportions—“a little of this and a little of that.” She keeps sampling the ponhos with over-sized wooden spoons just to be sure.

“Sausage stuffing all finished! Bring on the lard! Careful now!  Don’t get scalded.” And the dippers and pails full of nicely toasted and rendered lard chunks go splashing into the sausage grinder, which this time has a large-holed inner liner to capture the lard chunks.

Press and squeeze till every bit of precious amber-fluid is out of the crispy brown pieces and gathered into the waiting lard cans. Then the pressed cakes are removed and stacked for the chickens to feed on this winter. (But are sampled quite extensively when cool enough!)

The brimful lard cans are allowed to cool a bit, then lids are placed on firmly. Then the ponhos, thoroughly cooked and just the right color, is poured into crocks and pans and a small quantity of lard poured on to seal the batch from the air. Each helper and neighbor, as well as city visitor, had bought his own pan for a helpin’.

Come Again Next Year

The chilled hams, shoulders, backbone chunks, flitches, et alia, are carried into the proper storage facility where further treatment such as pickling, smoking and preserving will occupy odd moments for following days and hours.

Clean up, wash up pails and pans and knives. Wipe up and scrape the tables and the cutting boards. Sweep up the bristles to dry and later be burned far away from dainty noses.

Douse the fires, clean the kettles. Store the hooks and the hangers and empty and wash out the scalding troughs and barrels.

“Okay now, boys! Let’s have a snifter of dandelion wine! And thanks a million. Be sure to stay for supper and also come again next year!” The helpers and neighbors thin out, to go home and do their own regular chores: feeding, watering, milking, separating.

The embers die down. The woodpile had disappeared. All is quiet. The butcherin’ has ended.

Lynne
*****
The articles appeared in Ben Meyer's column "We Notice That". Ben responded in the paper with this follow-up:

Dear Lynne:

Congratulations! That was a bang-up job of remembering the many varied details of a family butcherin’ such as was so common place hereabouts a generation or so back.

Our old-time readers, and doubtless many of the younger fry, will take keen delight in reading and re-reading your story of  Uncle Ed and Aunt Carrie’s farm in Armagh Township.

Some of the old guard family butchers still do business at the old stand. But their number dwindles as time goes on. You may be sure their products are in great demand. People’s mouths drool just at the very thought of being presented with a mixture consisting of a ring of sausage in skins, a pan of ponhos (the main ingredients) and some side dishes like a generous slab of puddin’ meat, souse, et cetera.

Back in the old days we used to call such a present a “metzelsoup” down in Dauphin County where we came from. All the hands that so willingly pitched in and worked so hard found that such a hand-put as they departed for their homes that evening well repaid them for all the time and labor expended. Fortunate indeed were outsiders, such as neighbors who hadn’t participated, if they were remembered when one of the farm boys brought a metzelsoup to the door and said, “Here’s a present form pop ‘n mom!”

Certain of the old line butchers have parleyed the family butcherin’ into Big Business. They are the ones who supply home-made pork products in quantity, at wholesale rates to the local markets, including and especially the super-markets.

The Modern Version

Maybe some day while helping yourself at the magnificent display of packaged meats in the counter at the super-duper, you’ll see employees walking past with huge quantities of ponhos, sausage, puddin’ meat. They are being unloaded from a farm truck that’s backed up to the delivery door outside.

People around here still keenly relish the old-time flavor of home-made butchered goods so they demand it rather than to have the stuff shipped in from some packing house where they wouldn’t have the knack of making the stuff right anyhow.

Seems there’s one item in particular you can’t buy in most local retail stores and that is home-made souse. Only souse obtainable is some coarse, tough kind, very much commercialized and nothing like the real thing. Doesn’t taste any more like the real thing than shoe leather compared with a gold brown buckwheat cake!

Correction: Certain neighborhood stores still carry the home-made kind. Some of the local butchers operate little factories in their back yards. They can supply you with the real wiggly jiggly souse including plenty of pork and not bits of rind and bone and pig skin.

Yes, all of the things you mention are to be obtained too at Farmer’s Market where the vendors still include a small handful of Amish farmers. Thanks again, Lynne, for your masterpiece! Oh, yes you employed all the technical terminology of an old-time butchering, or almost all, but one work was missing—“cracklin’s!”
**************
Lynne Oliver Ramer's retirement announcement was not the end of his work life, as he continued teaching at LIT.

Chevrolet Engineering Retirement Announcement, July 23, 1965

This is to announce the forthcoming retirement of Lynne O. Ramer in the Design Analysis activity [electronics computers], which becomes effective September 1, 1965, ending an association of more than thirteen years of service with the Chevrolet Engineering organization.

Following his graduation from high school at Milroy, PA, Lynne attended Susquehanna University where he received a degree in Liberal Arts. Lynne later received a Masters degree in Math from the University of Buffalo. He also received a Bachelor of Divinity degree from Susquehanna University Theological Seminary and began teaching at Hartwick Academy. He was ordained a Lutheran minister in 1926.

Lynne started in the public school teaching profession as a teacher of history and math at Kane High School in Kane, PA 1920-30. From June 1942 to January 1946 Lynne was employed at the Chevrolet Aviation Engine Plant in Tonawanda, NY as an Engine Test Operator. He then returned to school teaching at the University of Buffalo and West Seneca High School. In January 1952, Lynne transferred to the Chevrolet Aviation Engine Plant as an Experimental Engineer. He was transferred to the Holbrook Test Laboratory in November 1953. In March 1955, Lynne was promoted to Senior Project Engineer. in January 1961, he became a Senior mathematician programmer, and in October 1962 was reassigned as a Senior Analyst, the position from which he will be retiring.

Lynne has also been a part time teacher since 1942. He has taught various night school, including University of Buffalo, Wayne State, and Lawrence Tech. He has also been very active in the church since June 1950 when he was ordained a perpetual deacon.

His future plans include teaching at Lawrence Tech and continuation as a Deacon in the church.

Operation Hanky: The Uncommon Story Behind a Common Hanky

One rarely finds a duplicate handkerchief but there is one hanky that can be found in antique malls, on eBay, and at flea markets. It features simple embroidered girls with braids on a teeter-totter. The girls wear a long dress or robe. The floss colors are bright blue, red, and yellow. It often has a sweet scallop corner edge. There may be a label that reads "Cottage Industry Program; Hand Embroidered in Korea."


I had no idea why there so many of these handkerchiefs could be found. Then one day I was perusing eBay and found the hanky with a brochure and letter for auction. I bought it and discovered the amazing story behind this simple hanky.

In 1957 a priest was assigned to Busan, Korea.

Father Al Schwartz was born in 1930 in Washington, D.C. during the Depression. His family struggled to make ends meet but still actively helped their neighbors who were worse off. He attended Catholic school and went to Seminary and college, obtaining his Theology degree in 1957.

As a young man he committed himself to the mission field where he could live and work among the poor and disadvantaged. He arrived in Korea with a deep commitment to help the poor.

The Korean War ended in 1952, but refugees still flooded the streets. Unemployment in Korea was about 40% and poverty abounded. Within a few months of arriving in Korea Father Al came down with hepatitis and was returned to the United States.

Back home he felt conflicted by the wealth in America compared to the bitter poverty of Pusan. He talked about Pusan and started collecting money for the mission. He organized Korean Relief inc. and by the time he returned to Korea had raised over $100,000.

Father Al had worked for the Fuller Brush company as a youth. That experience contributed to his idea to offer a premium or gift with his letter of appeal in hope that it might garner a larger response. He started a cottage industry in the slums of Pusan, employing up to 3,000 women. The women distributed, collected, and embroidered handkerchiefs to be included with the appeal mailings.


By 1964 over a million cottage industry embroidered handkerchiefs and table scarfs had been mailed out. And the proceeds built a hospital, two dispensaries, an orphanage, a home for the elderly, and a technical school for boys! Then came a day care center, a cooperative farm system, and an irritation system. Money was sent to support hospitals, leper colonies, schools and orphanages all over Korea. Later he started Boystowns and Girlstowns.

This is just part of all that Father Al accomplished during his lifetime. He is in process of beautification.

Now when I see one of these handkerchiefs I want to take people aside and tell them the story behind it. The priest who dedicated his life to helping orphans and the poor. The Korean woman who so carefully cut the fabric, the woman who hemmed the edges and embroidered the children at play. And how that little piece of cloth helped change the lives of thousands. Thanks to Father Al.

http://www.rmaf.org.ph/newrmaf/main/awardees/awardee/profile/256
http://en.wikipedia.org/wiki/Aloysius_Schwartz
http://www.rmaf.org.ph/newrmaf/main/awardees/awardee/profile/256
http://www.facfi.org.ph/facfi_page.php?tag=ABOUT_US
http://holynameparishdc.org/community/father-aloysius-Schwartz
https://www.youtube.com/watch?v=XpOEdhUfsiA