Thursday, October 1, 2015

Thirteen Days in 1962: A Place We Knew Well by Susan Carol McCarthy


I am excited to be a part of my first Blog Tour! The publisher is hosting a Rafflecopter book giveaway. You can enter to receive one of five books here. 

I wanted to read A Place We Knew Well because it was a family drama set during the Cuban Missile Crisis. I was just ten years old in 1962 and had little understanding of world politics. I only knew that the adults in my life were fixated on the small black and white television screen and I knew they were frightened and worried. So I was worried. It was years later that I associated those days of fear with the Crisis.

Author Susan Carol McCarthy had her own memories of those thirteen days which inspired her to write this book. In her own words,
Where do books come from? I can’t speak for anyone else but, I know for sure, each of my three books grew out of very specific, very personal life events.
Inspiration for my first book, Lay That Trumpet In My Hands, arrived in a manila envelope containing clippings from The Orlando Sentinel, about a series of shocking race crimes that occurred in my central Florida hometown the year I was born, and an 8-page letter from my father saying, “Everyone in town knew the local KKK was involved, but no one was willing to do anything about it. I want you to hear, from the horse’s mouth, what I did and why.”
My second book, True Fires, grew out of the first, when I discovered, with my father’s help, the one time that the powerful racist sheriff in the county north of ours, a minor character in Trumpet, was forced, by strong women in his community, to do the right thing. It may have been the only time during his 28-year reign that the love of power capitulated to the power of love. I was genuinely inspired and privileged to tell that story. 
My third and newest book, A Place We Knew Well, was, in all seriousness, a nightmare—a recurring nightmare which I began to have soon after the events of September 11, 2001. In that dream, I was desperately afraid and powerless because the end of the world was at hand; but oddly, I was back in Florida with my parents and only ten/eleven years old. It took me awhile to realize that my subconscious had somehow melded my childhood memories of the Cuban Missile Crisis with the attack on the Twin Towers. Nearly four decades apart, my response to 9/11—shock and outrage, anxiety and fear—sent me back to a place that I, and anyone who was in Florida in late October 1962, knew all too well.
So many books have been written about the Cuban Missile Crisis from the political, military, and historians’ perspective. My inspiration was to capture what it was like to be an ordinary family trapped in the swath of that extraordinary, uniquely terrifying time. This book began as a way of setting down my own vivid childhood memories of the Cuban Missile Crisis, but it would never have been finished without the generosity of so many others, whose shared recollections helped me grasp the larger, communal story. I’m truly grateful to them for their insights; and to you, kind reader, for your interest in this seminal time.  


The novel starts in 2009 with a woman returning to what was her father's gas station, now closed after his death. She notes the "lingering smells of petroleum, cigarettes, and strong coffee that, as long as I can remember, meant "Dad's work." She sees the cash register and the red-and-green Texaco star, finds her father's work jacket which smells of Old Spice and oil. The woman is jolted to October 1962, her senior year in high school.

The description of the station jolted me back to the gas station my father ran until 1963 when he sold the business. I wrote about The Station in a post you can read here.


For my family the Cuban Missile Crisis passed and was never spoke of. McCarthy was older at the time and her novel is a cathartic work to organize and control the experience of the events of October 19, 1962 and the thirteen days that followed.

Wes Avery runs his gas station in Orlando, Florida, not far from McCoy AFB. Wes was a navy pilot in WWII; he understands that unusual things are going on. Such as the arrival of  top-secret U-2s at the field and an alert of DEFCON 2, meaning imminent war with the Strategic Air Command.

His wife is active in promoting fall out shelters. She is frustrated and depressed, popping pills to fight a nervous breakdown. Wes had flown over Japan after the atomic bomb attack and saw the destruction. He knows there is no surviving an atomic war.

Meantime, Wes's daughter is on the Homecoming Court at school. Her date is a Cuban refugee his once wealthy family remain in Cuba. He hates Castro but encounters prejudice because he is Cuban and poor.

On top of everything else Wes is visited by someone who is supposed to be 'dead' and who threatens to destroy his family just as surely as Fidel Castro threatens to destroy America.

I liked Wes Avery. He is a good man who sees things straight but is forced to prevaricate to protect his family. He wants to protect his daughter from knowledge that her world may be about to end, allowing her to enjoy the simple pleasures of being on the Homecoming Court. And he must protect his wife from knowing that a person from her past is returned, a person who could destroy his family.

The novel delivers a lot of history and background information on the political and social climate of the time. Wes's flashbacks do become intrusive and slow the momentum of the story. McCarthy has a lot she wants us to know, but not all of it fits seamlessly into the story. It is my main criticism of the novel.

For readers younger than we Boomers, the novel offers insight into a time when mainland America first felt the threat of war on their home turf, long before the attacks of 9-11. They will wonder at America's nativity. As Peter Pan told Wendy, "You see, children know such lot now." A sad wisdom indeed.


I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.

A Place We Knew Well
Susan Carol McCarthy
Random House-Bantom Dell
Publication Date September 29, 2015
$27.95 hard cover
ISBN: 9780804176545

Tuesday, September 29, 2015

Too Good To Be True: The Heart Goes Last by Margaret Atwood


What are you willing to give up for security? Would you give up your free will?

Margaret Atwood's new novel The Heart Goes Last  is part of her Positron series, the first I have read. It has twists and turns that swept me into the plot line, and even when things got very icky I kept reading to discover what the heck was going on.

The novel is about Stan and Charmaine, a couple who have lost everything in an economic collapse. They are living in their car, fearful of night time attacks for theirs is a society were murder is common in the struggle for limited resources. Charmaine sees an advertisement for the Positron Project in the town of Consilience, offering full employment, a home, and work. They attend the marketing session. and are accepted. Charmaine buys into the dream world and Stan wants to let her have it.

The society is based on people willing to work one month in 'prison' for one month of normalcy.

The reader knows something is not right here and we want to find out what is behind this ideal society. It involves a complete loss of personal control, smarmy and immoral business practises, and scientific marvels that benefit the rich and powerful.

I warn you that there are very seedy things going on. Sex is used for control, and sexual desire and addiction is the motivation for some amazing technological developments.

Our couple learn they are pawns in a convoluted and bizarre scheme that will impact the future of Positron. Murder, threat of 'termination', loss of will, posing as robots--what these poor people endure!

In the end Charmaine and Stan get their just rewards, find peace, and learn how to love each other and enjoy what the heart has to offer.

I thank the publisher and NetGalley for a free ebook in exchange for a fair and unbiased review.

The Heart Goes Last
Margaret Atwood
Penguin Random House
Publication Date Sept. 29, 2015
Hardcover $29.95
ISBN:9780385540360

Monday, September 28, 2015

Cafe Curtains for my Retro Kitchen!

It took months for me to find the right fabric or curtains for my new kitchen. When I saw High Tea by Michael Miller I ran and got my hubby, who was reading on the quilt shop's husband chair. Was I crazy, or was this 'the one'? I found the fabric at Sew Elegant in Port Huron on our trip 'up the St Clair River' last month. I bought a yard of the fabric, took it home, loved it, and the shop shipped me more yardage.

I had determined to made old fashioned tiered cafe curtains on rings. Finding the hardware was another long search. I wanted the rings, and I wanted a white or silver colored rod. And the rod holder had to extend out past the sunshades already on the windows. The windows are 70" wide and I wanted two long rods. Who'd a thought it would be that hard? Well, I could have bought something right away...for over $70. And I couldn't bring myself to buy the set, it was too much money and too fancy.

Two nights ago we dined at a local Greek Street Food restaurant (I had a hankering for Spinach Pie). We went to W*****t, a store I never shop at, and they had the rods I needed. For under $35. Sold.

I had wanted to do scallop topped, lined curtains but gave up and just did simple, lined cafe curtains. I like the ability to close or open the top and bottom as this is a west facing window and also faces the neighbor's deck.

We finally have the final touch to the kitchen!




Saturday, September 26, 2015

American Export: Contemporary Quilts in Japan

Japanese Contemporary Quilts and Quilters: The Story of an American Import by Teresa Duryea Wong shows how the American quilt revival sparked a revolution in Japanese fabric arts, and presents contemporary Japanese Quilt Artists who transformed the quilt world.

American quilters well know that quilts from Japan display remarkable technical and creative skills. Wong explains the rigorous and exacting Iemoto system of education. Students learn in a classroom setting under a master teacher. A long term commitment is required as students master the craft, progressing from basic to instructor level. Emphasis is on hand workmanship, a highly valued skill with a long tradition in Japan.

The result of this traditional form of apprenticeship is evident by the many awards taken by Japanese quilters at international venues.

Alternately, some quilt instructors, not certified in the Iemoto system, teach in the 'American' way, allowing students to work at their own pace, acting as a mentor. Long-arm quilting is more prevalent in these schools.

Part One of the book covers:
  • Japan's Quilting History: A Heavy Dose of American Influence, including the Whitney Museum pivotal quilt show in 1971 to the American television show "Little House on the Prairie" which showed quilt-making and quilts
  • Learning to Quilt in Japan: Two Schools of Thought, the Iemoto system and quilters like Noriko Endo who are 'outsider' artists
  • 1990: The Year of the Quilt, the year of Quilt Nihon and the first All-Japanese quilt show
  • Japan's Gross National Cool and the J-Quilt
Kabuki by Katagiri, winner of 1st Quilt Nihon Show
Part Two presents eight contemporary Japanese quilters representing various styles:

  • Yoko Saito and her Japanese Taupe color theory
  • Yoshiko Katagiri who uses kimono silks in her appliqué quilts; see her quilts at Quilt Inspiration
  • Noriko Endo who uses 'confetti' fabric scraps to make amazing quilts like those seen here
  • Chiaki Dosho whose fiber art pushes the boundary of 'quilt' as seen here
  • Yoshiko Kurihara, anime artist turned quilter uses the iconography of Harlequin clowns as seen here
  • Keiko Goke whose colorful interpretations of traditional blocks are delightfully 'off kilter.' See her DoubleWedding Ring here

The book is oversized with 200 full color photographs on every page. It is an elegant book, down to the type font and layout.

Altogether, it is an informative and inspirational book that quilters and art lovers will enjoy.

Visit Wong's blog here.

I received a free book from Schiffer Publishing in exchange for a fair and unbiased review.

Japanese Contemporary Quilts and Quilters: The Story of an American Import
Teresa Duryea Wong
Schiffer Publishing
$34.99 hard cover
ISBN13: 9780764348747


Thursday, September 24, 2015

1963 Advice For Decorating Small Rooms

The September 1963 Woman's Day "How to Decorate" was about 
A Small Room
Dining room, light and open as a terrace, looks cool and airy. Sunny yellow walls, see through iron furniture and glass topped table, flagstone, patterned vinyl floor and growing plants relate the room to the outdoors.


Study-Guest room with a window wall of built-ins to frame a studio couch, is modern and streamlined. Wood lattice is decorative, engages rather than stops the eye; maps bring in the whole world. Fresh colors against white and light rattan furniture are visual space-makers.
 Bedroom keyed to a matching narrow-striped wallpaper and ticking, is delightfully feminine. The strip is good because it is lively but not insistent. The sheer curtains, painted chest and lacy white wrought iron and glass wall console and mirror are suitably delicate.
Sitting room arranged for adult conversation, has a quiet elegance. Two reasons: colors are rich, glowing, closely related; furniture is graceful, small in scale. The one heavy piece, the chest with mirror above, fits neatly into recess formed by built-in storage cabinets.


Wednesday, September 23, 2015

Lady Fall, Pumpkin Pie Complete, and Book Reviews to Come

Lady Fall
When Lady Fall makes her debut,
Jack Frost in adoration
Tints trees and vines with every hue,
Adorns the whole creation.

Bids ripened nuts fall down to earth,
Gives grapes an added flavor,
Bids welcoming fires illume the hearth, And all to win her favor.

from A Year With the Fairies, Anna M. Scott, 1914

It is Autumn, once my favorite season of the year due to the glorious colors of the changing leaves.
At my age, it is a bittersweet reminder of the coming winter, with all its hazards that keep me inside. I haven't been sewing much. I'd rather be near the window listening to the birds and seeing the daylight and feeling the cooling air. I can spend my time under artificial light later when the skies are cloudy and dark.
*****
I finished my Pumpkin Pie quilt and it adorns the living room wall. It is from Bunny Hill and such a cute pattern!



My walking foot is defunct. I was not happy sewing on the borders and binding without one. I know better, but was lazy and didn't take my time. And I didn't quilt the polka-dot border either. I may go back later and take it apart and fix it. I should have ironed it, as already it creased from sitting folded on a chair for a few days.

I am lazy because yesterday my husband underwent his second cataract surgery; both were successful and he can see again. I am still recovering, lol, unused to being on the road at 7:30 am to drive in rush hour traffic. It's been many a long year since I had to do that. And my Suki wakes me up every night about midnight. Our apple trees produced hundreds of apples again this year, and all the critters in the neighborhood come to feed. Suki knows they are out there and needs to check things out.
*****
I have been reading and reviewing like crazy. I asked, and received, loads of ARCs. Coming up are:

September
Seven Women and the Secret of Their Greatness by Eric Mataxes
The Heart Goes Last by Margaret Atwood

October
A Place We Knew Well by Susan Carol McCarthy
The First King of Hollywood: The Life of Douglas Fairbanks by Tracey Goessel
Wilkie Collins by Peter Ackroyd
The Rilke of Ruth Speirs
The Magic of Beverly Sills by Nancy Guy
Corrupted by Lisa Scottoline
The Year of Lear by James Shapiro
Brand Luther by Andrew Pettegree


November
The Remarkable Rise of Eliza Jumel by Margaret Oppenheimer
The Improbability of Love by Hannah Rothschild
The Last Words of the Holy Ghost by Matt Cashion
Hear My Sad Story by Richard Polenberg
White Eskimo by Stephen R. Brown

PLUS, still on my shelf to read, most to be published early next year, are:

  • Lady Bird and Lyndon by Betty Caroli
  • My Name is Lucy Barton by Elizabeth Stout (author of Olivia Kitteridge)
  • The Longest Night by Andrea Williams
  • A Doubter's Almanac by Ethan Canin
  • From Stray Dog to WWI Hero by Grant Hayter-Menzies
  • Brooklyn by Colm Toibin 
  • Radioactive! By Winifred Conklin
  • All of Us and Everything by Bridgit Asher

AND, I am still reading Behind the Beautiful Forevers by Kathleen Boos for the new library book club.

NOT TO MENTION...I have Japanese Contemporary Quilts and Quilters sitting next to me! That review should be up in the next few days as well. AND, I took advantage of C&T's big sale and bought four quilt books, and there is the one I got at Grand Rapids AQS..

It's gong to be quite a fall.








Tuesday, September 22, 2015

September 1963 High Fashion Knits, Aprons, and Dresses for Girls

The cover article for the September 1963 issue of Woman's Day was on "new" knit dresses, suits and coats.
Cable Shift features one long cable, front and back; balance done in stockinette stitch. 
"As more and more women have discovered the marvel of knits, they have become as basic and indispensable as the proverbial little black dress."

Skirt quilt in a novelty ribbed stitch, set-in sleeves with button cuffs. Chanel checked quilt with 10% mohair.
Pleated shift in mohair and Orlon
Shetland and wool jacket dress; White wool dress with 10% mohair; Sweater dress of waffle stitched mohair.
Cobble tweedcoat of 100% wool with matching fringed scarf.
Sports coat of mohair and nubby tweed yarn. 
  It was about this time that my grandmother knit a suit.
My grandmother in her knit suit; Mom with the cigarette. 
Even aprons had gone 'high fashion'. "Bib aprons take on a new look with embroidery, appliqué, ribbons and buttons in a variety of colorful, washable fabrics ranging from organza to hopsacking.

 It was a time when even little girls were fashionably dressed.
Jumper dress with 'new low waisted look.' Simplicity 5133.
French Smock Simplicity 5045
Classic Alpine dress Simplicity 5132. Basque dress with Bertha collar, Simplicity 5137. 
A very elegant blouse.