Sunday, March 4, 2018

Flower Handkerchiefs for Spring



While we are eagerly waiting for spring to come to Michigan, we are planning to expand our flower garden. The daffodils are coming up already. The tulips were all eaten by the squirrels, but we will soon see the crocus and hyacinth sprouting.

In the meantime, I thought I would share some of the floral handkerchiefs from my collection.


















This caladium isn't a flower but the colors are amazing!
 After the flowers bloom, the butterflies will come.

I can't wait until we can enjoy the lovely flowers of summer!

Saturday, March 3, 2018

Works in Progress and Books On the Table

I received two new review books in the mail today. From Blogging for Books, my choice was Patriot Number One American Dreams in Chinatown by Lauren Hilgers. A Goodreads friend's review prompted my interest in this book about a family of Chinese immigrants.
I won Gayle Forman's I Have Lost My Way from Bookish. I read an excerpt and wrote an impression review to enter to win. This will be my first read by this author.
I used a discount coupon from Simon and Schuster to purchase Janesville by Amy Goldstein. It is a study of the effect on the community after the closing of a GM plant.

I am reading too many books right now:
  • An American Quilt by Rachel May, the secret history behind a hexagon 1830s quilt from Edelweiss
  • Fun scrap quilt patterns in Oh, Scrap by Lissa Alexander, from Edelweiss
  • Tomorrow Will Be Different by Sarah McBride, the story of transgender rights, from NetGalley
  • Gateway to the Moon by Mary Morris, about a family's forgotten Jewish diaspora roots dating to the 16th c, from NetGalley
  • Erica Robuck's satire #Hockeystrong, a Kindle purchase
  • A new translation of The Canterbury Tales, a Goodreads win
  • High Noon in Hollywood by Warren Adler, an ebook from the publisher

On my TBR NetGalley shelf:
  • Waking Lions by Ayelet Gundar-Goshen
  • The River by Starlight by Ellen Notbohm
  • Our Homesick Songs by Emma Hooper whose 2015 novel Etta and Otto and Russell and James was a favorite of mine
  • The Mercy Seat by Elizabeth H. Winthrop
  • Invitation to a Bonfire by Adrienne Celt
  • Limelight by Amy Poeppel
And lots of reviews are scheduled for the coming months:
  • First Ladies of the Republic by Jeanne E. Abrams considers how the early president's wives created their role
  • Laura & Emma by Kate Greathead--a funny comedy of manners novel on mothers and daughters
  • The Italian Teacher by Tom Rachman--I loved this book about the world of art 
  • The Italian Party by Christina Lynch--American newlyweds with secrets, set in 1950s Italy
  • Whistler's Mother delves into the personal life of the woman behind the iconic painting
  • Southern Quilts by Mary Kerr explores the rich heritage of Southern quiltings
  • Maria in the Moon by Louise Beech
  • The Opposite of Hate by Sally Kohn--a probing look at why we hate and how to overcome it
  • After Anna by Lisa Scottoline, an engaging courtroom drama
  • West by Carys Davies, a lyrical historical fiction novel
  • The Right To Be Cold by Sheila Watt-Cloudier--fighting to preserve the Inuit culture
  • Journeys: An American Story, 73 essays on the immigrant experience 
  • The amazing civil rights leader Pauli Murray's autobiography
  • Circe by Madeline Miller--the Greek myths are revisited in a mesmerizing novel
I made new yellow curtains for the bedroom, so of course, I need to make a matching quilt. The curtain fabric is a rose print in yellow and gray. I decided to make a rose sampler applique quilt in the same colors. Here are the blocks I have finished already.



What are you working on? What books are on your table?

Wednesday, February 28, 2018

Austen Finishes

This month I finished my Austen Family Album quilt, a sampler pattern of the month offered by Barbara Brackman. I took me two winters to hand quilt it! It was too big and warm to quilt in summer.

On the same day, I also finished Jane Austen the Secret Radical by Helena Kelly.

Brackman's quilt block patterns represented members of Jane Austen's family, her friends, and her society. There was a Flickr group where quilters could share their versions of the blocks. Everyone had such brilliant interpretations. And I made several friends in the group.

Here are some of the finished blocks. I had a stack of MODA fabrics in deep red, a gray-green, cream, and pale gray. I added a few other fabrics from my stash.

 I added some applique bits to the block above.

 And fussy cut now and then, like the corner pieces in the star block above.

Austen Family Album by Nancy A. Bekofske
I did not use all of the blocks shared by Brackman, but added my own touch with silhouettes of the Austen family, made in reverse applique. I embroidered the name of the person each block represented.

The Jane Austen silhouette I used is used on the cover of Kelly's book.

Kelly shakes our view of Jane up...a lot! Jane's younger family members grew up in the Victorian Age and tweaked Jane's image to fit the ideal of a pious, quiet, unassuming, Christian woman.

Through a deep reading of Jane's novels, Kelly concluded that Jane was a secret radical whose books addressed issues that her first readers would have recognized: slavery, poverty, enclosure, war, feminism, changing societal values, the hypocrisy of the church.

One might think it is a matter of seeing what one wants to see in a book, but I will warn you that Kelly builds her case based on the texts and family letters and a thorough knowledge of Austen's life, time, and place.

In Northanger Abbey, published after Austen's death and years too late for the audience it was intended for--readers who were well versed in the Gothic novel of the 1790s--Kelly sees "The Anxieties of Common Life."

"The Age of Brass" finds Kelly's reading of Sense and Sensibility as a book about "property and inheritance--about greed and the terrible, selfish things that families do to each other for the sake of money."

In Pride and Prejudice, that sparkling and delightful novel so beloved today, Kelly finds a "revolutionary fairy tale, a fantasy of how, with reform, with radical thinking, society can be safely remodeled" without the revolution that had wracked France.

Mansfield Park is about "The Chain and the Cross," referring to Fanny's amber cross from her brother and the chain gifted her by her cousin Edmund. (Inspired by Austen's own amber cross from her sailor brother.) It also refers to British wealth from slave plantations in the Caribbean and how the Christian church profited from them.

Enclosure was the turning of common lands into privately held lands for use by the rich only. "Gruel" is Kelly's chapter on Emma, in which Jane references how wealth was concentrated into the hands of a few while workers starved, unable to afford British wheat. The Corn Laws kept the price artificially kept high; good for farmers and disastrous for the working poor.

The Lyme cliffs hold a treasure chest of fossils. The characters in Persuasion make a visit to Lyme where a series of events change their lives. "Decline and Fall" places the novel in perspective of Jane's personal life and the alteration in British society. The book takes place in a brief moment of peace with France, just before Napoleon escapes from Elba.

After reading this book, you will realize that Jane is not the person you thought you knew.

Austen Family Album by Nancy A. Bekofske, 2018

Sunday, February 25, 2018

Behemoth: A History of the Factory and the Making of the Modern World

Joshua B. Freeman's Behemoth: A History of the Factory and the Making of the Modern World was more than an intellectual experience, for I was reading about the forces behind my personal family history.

My Greenwood ancestors were cotton mill workers in Lancashire, England, at least going back to my great-great-great grandfather.

My grandfather worked at Standard Steel in Burnham, PA as a teenager to money for college. During WWII, Gramps and his family lived in a 'temporary' housing project when he worked at  Chevrolet Aviation Engine Division of GMC testing airplane struts. He later relocated to Detroit to work for GM.

My dad's mother worked at Remington Rand in Tonawanda, NY, as did my mom. My brother is a Ford engineer.

While in college, my husband worked summers as a welder at Buick. His father worked for Fisher Body in Flint. And his widowed grandmother worked at GM, the only female on the factory floor. When she was wanted, the men called out for "Girl" and that became her family nickname. She brought food to strikers during the famous GM sit-down strike and was a proud union member.

When Dad was hired by Chrysler in 1963, about 24% of American workers were employed in manufacturing, but only 8% today. How did we evolve to now, with overseas mega-factories paying abysmal wages and the struggle for young adults to retain their parents' middle-class status?

What happened? Once factories were associated with progress, modernity, and social betterment. Today we think of empty ruins in the Rust Belt, or overseas cheap labor turning out Apple iPhones and expensive running shoes with logos.
Like the empty Quaker Lace and Stetson Hat and other factories in Kensington, Philadelphia where we lived in 1980.

The book left me overwhelmed, in a good way. Each chapter sent my head spinning with information and insights. Some things I knew about, like the Lancashire mills where my Greenwood ancestors worked, or the New England Mills that many quilt historians write about. And of course, Detroit's auto factories and war effort manufacturing, and the Detroit Institute of Arts famous mural by Diego Rivera of Detroit Industry.

It was satisfying to know more details about these aspects of the history of the factory. But what really caught me by surprise was how interesting the later chapters were on issues such as how America helped the Soviets build factories after WWI and how mass merchandizing's demand for cheap products led to the growth of factories in countries with cheap labor sources.

The book brought together information in a narrative that helped me to better understand the Modern world.

I thought this would be a fascinating book when I requested it from the publisher through NetGalley. It kept my interest to the end.

I received a free ebook from the publisher through Edelweiss in exchange for a fair and unbiased review.

Behemoth:
A HISTORY OF THE FACTORY AND THE MAKING OF THE MODERN WORLD
Joshua B. Freeman
Publication Date: February 2018
ISBN 978-0-393-24631-5
$27.95

My Family and Factories

I live in my childhood home, a modest suburban ranch home, made possible because my Dad worked in the auto industry.

In 1963 he sold the gas and service station his father built in the 1940s to move to Detroit. He found work at the Chrysler road test garage and later he worked at the Highland Park plant as an experimental mechanic in the Windshield Wiper and small motor labs. Overtime pay, health benefits, and a good retirement offered my family a comfortable working-class life.
Dad at work at Chrysler

Dad's mother Emma Becker was working in the North Tonawanda, NY Remington Rand factory when she met my grandfather Al Gochenour. After graduating from high school my mother worked a comptograph at Rand.

Mom's father worked at Standard Steel in Burnham, PA before he went to college in 1923. He wrote about how as a child, nearby textile mills dumped dyes into the local creek, which ran different colors on different days. Burnham was a town built around the steel mill to house workers.

During WWII Gramps tested airplanes at the Chevrolet Aviation Engine Division of GMC in Tonawanda-Kenmore, N.Y. After the war, he was a stress engineer of frames, suspensions, brakes, etc. on Chevy trucks in Warren, Mich. His son worked on the line for GM, as did one of my cousins.
My grandfather at the Chevrolet Aviation Engine Division of GMC in Tonawanda, NY in 1952.

In fact, three generations of my family have worked for the Detroit auto companies, for my brother is a Ford engineer.

But my family roots as factory workers go back even further. At least three generations of my Greenwood ancestors worked in the cotton mills in Lancashire, England.

The 1891 Census for Newchurch, Lancashire shows my great-grandfather Cropper, age nine. (A Cropper in the textile industry was a highly skilled worker who used hand shears to cut and even the surface on woven wool.) His father William, age 48, was a warper; that meant he set up the long parallel warp yarns on the looms. The eldest son, David H. (Hartley) at age 15 was a weaver; he later ran a garden. When older, the girls had jobs as machinists in factories.
William Cropper and family
Cropper's grandfather Hartley Greenwood (b. 1803) also worked in the mills. In 1851 he was a cotton warp sizer; the census shows at age 74 he was a cotton twister living up in the Union Workhouse. The 1861 census shows his son John was also a cotton warp sizer, daughter Sarah was a cotton power loom weaver, and sons Hartley, age 12, and Cropper, age 10, were cotton mill operatives and scholars. Cropper's great-grandfather John Greenwood (b. 1762) was a cotton weaver.

My father-in-law had a white-collar, non-union job with Fisher Body in Flint; after his retirement, the factory closed and then was torn down. His widowed mother worked for GM. The family called her Girl, a nickname she picked up when she was the only female on the factory floor. The men would call "Girl" and give her orders. She was involved with the famous sit-down strike, delivering food to the strikers. She was a proud Union member.

Even my husband worked as a welder at the GM factory summers while in college. The men encouraged him in his studies. 

Wednesday, February 21, 2018

Learn How To Make Landscape Art Quilts, Step-by-step, with Anne Loveless


Michigan quilters are proud of our own Ann Loveless who won the 2013 Grand Rapids ArtPrize for her Sleeping Bear Dune Lakeshore landscape quilt (seen on the book cover) as well as a viewer's choice award. The dunes quilt is constructed in 5 'x 5' panels. But Ann's techniques also create smaller quilts, and in this book she shares her methods.
Ann Loveless with her prize-winning quilt
Most of Ann's quilts are inspired by Michigan scenes, places, forests and flora: Trillium, sand dunes, Pictured Rocks along Lake Superior, lighthouses, the Mackinac Bridge, birch forests, quiet ponds.

The book is in three parts:
  • Planning, designing, and preparing to make your art quilt
  • A Photo Gallery of Collage Quilts
  • Constructing and finishing your art quilt
Ann also shares her quilt story and resources.

Ann's own quilts help to illustrate basic concepts of color theory and color value, and she covers composition, selection of inspiration photo, and photo transfer methods. She covers fabric choices and threads, supplies, and quilting options.

Ann's approach is improvisational. She does not create patterns, but freeform cuts fabric and places her pieces. The raw edge applique is machine quilted. The result is an "impressionistic" look. She also creates "confetti" quilts with pre-fused fabrics on a fused mosaic background.

Now, for many quilters that sounds impossible. But it is how I created my Shakespeare and Edgar Allan Poe portrait quilts. I hand drew the face, cut out the background face fabric, and free hand cut and placed pre-fused pieces. You have to trust your instinct.
Detail of William Shakespeare by Nancy A. Bekofske

from Landscape Art Quilts by Ann Loveless
Many of the Gallery quilts include her inspiration photographs and details of the quilt. At her website you can see her small mosaic, collage, impressionistic, and large fabric mosaic quilts currently for sale at her shop State of the Art Framing and Gallery in Beulah.

In Part Three, Ann walks you through duplicating one of her art quilts. Lake Collage, 14" x 18", is a typical Michigan view of the lake seen from a sandy lakeshore framed by trees. Photographs and text explain every step in great detail, right through making the binding and rod pocket. It is the best step-by-step guide I have seen.

I highly recommend this book for quilters who want to learn how to make landscape quilts.

I received a free ebook from the publisher in exchange for a fair and unbiased review.

Landscape Art Quilts, Step-by-Step
Learn Fast, Fusible Fabric Collage with Ann Loveless
Ann Loveless
Kansas City Star Quilts
ISBN: 978-1-61169-145-0
 Book ($27.95)
 eBook ($19.99

Monday, February 19, 2018

How Democracies Die: How Elected Leaders Subvert Democratic Process and How To Stop It


My photo of How Democracies Die  by Steven Levitsky and Daniel Ziblatt may be a visual joke, but this book is a sobering consideration of how democratic governments have, through subtle and even legal steps, evolved into authoritarian states. If American norms--political interactions not legislated but tacitly agreed upon--continue to be eroded we, too, could quickly find ourselves watching the last days of a democratic America.

The authors present the histories of countries that were democracies and became authoritarian, highlighting the strategies used by populist leaders to bring the system into their control. Later chapters consider the history of our political parties as gatekeepers as well as the source of conflict. A sad reality is that consensus has only occurred in America when the racist elements have been appeased.

And I am not just talking about slave owning states bulking up their political power by making slaves 3/5ths of a person, or the later repression of voting rights. As my readings in late 20th c political history have taught, the repression of African American, and the poor, is active to this day. I was a young adult when I heard our politicians call for 'law and order' and the end of 'welfare queens' and 'young bucks' drawing the dole. If after the mid-century Civil Rights protests we could not be above board with racism, it morphed into new language.

I was shocked not to have noticed before that recent anti-immigration movements are rooted in a desire to weaken the Democratic party, since most immigrants, along with people of color, vote Democratic. I knew it was overt racism, just missed that connection.

After leading readers through history the authors turn to today's political situation, evaluating the administration's tendency toward authoritarianism. As by the end of 2017, the system of checks and balances appear to be working. BUT, if the Republican party is complicit, the breakdown can and happen here.

In the end, the authors offer how the Democratic party should respond to the crisis--not by imitating the Tea Party methods, or by giving up 'identity politics' and letting the disenfranchised flounder, but by committing to consensus politics, forming a broad coalition, and restoring the basic norms that worked in the past: mutual toleration and forbearance.

I think this is one of the most enlightening books I have read recently. I highly recommend it.

I received a free book through Blogging for Books in exchange for a fair and unbiased review.

How Democracies Die
By Steven Levitsky and Daniel Ziblatt
Hardcover $26.00
Published by Crown
ISBN 9781524762933

Read an interview with the authors, excepts which appears below, at
https://www.penguinrandomhouse.com/books/562246/how-democracies-die-by-steven-levitsky-and-daniel-ziblatt/9781524762933/


 We think two norms in particular carry a lot of weight in the American political system. The first is “mutual toleration”—not treating political rivals as existential enemies, but rather as fellow loyal Americans. The second is “forbearance,” or restraint—by which we mean that leaders don’t “play politics to the max,” using all the legal power you have a right to in order to destroy your rivals.
But there is something else that ordinary Americans must do: Try to build broader coalitions in defense of democracy. To ensure democracy’s survival, we must build alliances that extend beyond traditional party lines.


Hear an interview on Fresh Air at
https://www.npr.org/2018/01/22/579670528/how-democracies-die-authors-say-trump-is-a-symptom-of-deeper-problems

Read an excerpt at New Republic at
https://newrepublic.com/article/145916/democracy-dies-donald-trump-contempt-for-american-political-institutions

Read a review at the Wall Street Journal at
https://www.wsj.com/articles/review-polarized-societies-and-how-democracies-die-1516836739

“We live in perilous times. Anyone who is concerned about the future of American democracy should read this brisk, accessible book. Anyone who is not concerned should definitely read it.”
—Daron Acemoglu, co-author of Why Nations Fail

Sunday, February 18, 2018

The Rise and Fall of Adam and Eve by Stephen Greenblatt

I found great enjoyment in reading The Rise and Fall of Adam and Eve by Stephen Greenblatt.  He examines the stories humans have created of our first parents, from prehistory's myths to the challenge of scientific evidence shaking a literal reading of the Bible.

Adam and Eve is one of the great stories in Western literature, a tale that has morphed from folklore to Christian canon to inspiration for artistic and literary masterworks and finally become relegated again to myth--a story with meaning--it's historic veracity disproved by science.

In the beginning we humans created stories to explain the world and our place in it. Stories from societies immemorial have come down to us via clay tablets, the Enuma Elish and the epic Gilgamesh. These known four-thousand-year-old tales are but 'later' contributions in human history.

In the Western world, the biblical story of Adam and Eve had its roots in the earlier myths but soon displaced them with the spread of Christianity. Early theologian St. Augustine insisted on a literal reading of the story. Renaissance art focused on Biblical stories, bringing Adam and Eve come to life as real people. John Milton, a radical in many ways, wrote his masterpiece Paradise Lost, which consolidated Christian's vision of the 'real' Adam and Eve.

Greenblatt contends that this very elevation of the story of Adam and Eve from a story with meaning to 'historic truth' was in fact its downfall. There are too many questions that arise. I recall, back in the early 1980s, when a man asked, "Where did Cain get a wife? " He told me he figured that Cain took an ape as wife and that is where people of color come from. This is the awful kind of problem that literalism leads to!

Darwin's observations during his time on the HMS Beagle led to his life's work proving and testing the theory of evolution. Theologians scrambled to reconcile science and the literal reading of the Bible.

I was taught (auditing a seminary class) that a myth is a story with meaning, humanity's endeavor to put into words the unknowable. It is not diminished because it is not literally true. Science holds the Theory of Evolution as a theory, the best understanding that scientific evidence and observation and testing can offer us at this time. Oddly, DNA evidence offers us an "Eve"-- a common first human ancestor.

I enjoyed how Greenblatt brought everything together into a rich narrative.

I received an ARC from the publisher in exchange for a fair and unbiased review.

The Rise and Fall of Adam and Eve
Stephen Greenblatt
W.W. Norton
Hardcover $27.95
ISBN: 978-0-393-24080-1