Sunday, March 4, 2018

Flower Handkerchiefs for Spring



While we are eagerly waiting for spring to come to Michigan, we are planning to expand our flower garden. The daffodils are coming up already. The tulips were all eaten by the squirrels, but we will soon see the crocus and hyacinth sprouting.

In the meantime, I thought I would share some of the floral handkerchiefs from my collection.


















This caladium isn't a flower but the colors are amazing!
 After the flowers bloom, the butterflies will come.

I can't wait until we can enjoy the lovely flowers of summer!

Saturday, March 3, 2018

Works in Progress and Books On the Table

I received two new review books in the mail today. From Blogging for Books, my choice was Patriot Number One American Dreams in Chinatown by Lauren Hilgers. A Goodreads friend's review prompted my interest in this book about a family of Chinese immigrants.
I won Gayle Forman's I Have Lost My Way from Bookish. I read an excerpt and wrote an impression review to enter to win. This will be my first read by this author.
I used a discount coupon from Simon and Schuster to purchase Janesville by Amy Goldstein. It is a study of the effect on the community after the closing of a GM plant.

I am reading too many books right now:
  • An American Quilt by Rachel May, the secret history behind a hexagon 1830s quilt from Edelweiss
  • Fun scrap quilt patterns in Oh, Scrap by Lissa Alexander, from Edelweiss
  • Tomorrow Will Be Different by Sarah McBride, the story of transgender rights, from NetGalley
  • Gateway to the Moon by Mary Morris, about a family's forgotten Jewish diaspora roots dating to the 16th c, from NetGalley
  • Erica Robuck's satire #Hockeystrong, a Kindle purchase
  • A new translation of The Canterbury Tales, a Goodreads win
  • High Noon in Hollywood by Warren Adler, an ebook from the publisher

On my TBR NetGalley shelf:
  • Waking Lions by Ayelet Gundar-Goshen
  • The River by Starlight by Ellen Notbohm
  • Our Homesick Songs by Emma Hooper whose 2015 novel Etta and Otto and Russell and James was a favorite of mine
  • The Mercy Seat by Elizabeth H. Winthrop
  • Invitation to a Bonfire by Adrienne Celt
  • Limelight by Amy Poeppel
And lots of reviews are scheduled for the coming months:
  • First Ladies of the Republic by Jeanne E. Abrams considers how the early president's wives created their role
  • Laura & Emma by Kate Greathead--a funny comedy of manners novel on mothers and daughters
  • The Italian Teacher by Tom Rachman--I loved this book about the world of art 
  • The Italian Party by Christina Lynch--American newlyweds with secrets, set in 1950s Italy
  • Whistler's Mother delves into the personal life of the woman behind the iconic painting
  • Southern Quilts by Mary Kerr explores the rich heritage of Southern quiltings
  • Maria in the Moon by Louise Beech
  • The Opposite of Hate by Sally Kohn--a probing look at why we hate and how to overcome it
  • After Anna by Lisa Scottoline, an engaging courtroom drama
  • West by Carys Davies, a lyrical historical fiction novel
  • The Right To Be Cold by Sheila Watt-Cloudier--fighting to preserve the Inuit culture
  • Journeys: An American Story, 73 essays on the immigrant experience 
  • The amazing civil rights leader Pauli Murray's autobiography
  • Circe by Madeline Miller--the Greek myths are revisited in a mesmerizing novel
I made new yellow curtains for the bedroom, so of course, I need to make a matching quilt. The curtain fabric is a rose print in yellow and gray. I decided to make a rose sampler applique quilt in the same colors. Here are the blocks I have finished already.



What are you working on? What books are on your table?

Wednesday, February 28, 2018

Austen Finishes

This month I finished my Austen Family Album quilt, a sampler pattern of the month offered by Barbara Brackman. I took me two winters to hand quilt it! It was too big and warm to quilt in summer.

On the same day, I also finished Jane Austen the Secret Radical by Helena Kelly.

Brackman's quilt block patterns represented members of Jane Austen's family, her friends, and her society. There was a Flickr group where quilters could share their versions of the blocks. Everyone had such brilliant interpretations. And I made several friends in the group.

Here are some of the finished blocks. I had a stack of MODA fabrics in deep red, a gray-green, cream, and pale gray. I added a few other fabrics from my stash.

 I added some applique bits to the block above.

 And fussy cut now and then, like the corner pieces in the star block above.

Austen Family Album by Nancy A. Bekofske
I did not use all of the blocks shared by Brackman, but added my own touch with silhouettes of the Austen family, made in reverse applique. I embroidered the name of the person each block represented.

The Jane Austen silhouette I used is used on the cover of Kelly's book.

Kelly shakes our view of Jane up...a lot! Jane's younger family members grew up in the Victorian Age and tweaked Jane's image to fit the ideal of a pious, quiet, unassuming, Christian woman.

Through a deep reading of Jane's novels, Kelly concluded that Jane was a secret radical whose books addressed issues that her first readers would have recognized: slavery, poverty, enclosure, war, feminism, changing societal values, the hypocrisy of the church.

One might think it is a matter of seeing what one wants to see in a book, but I will warn you that Kelly builds her case based on the texts and family letters and a thorough knowledge of Austen's life, time, and place.

In Northanger Abbey, published after Austen's death and years too late for the audience it was intended for--readers who were well versed in the Gothic novel of the 1790s--Kelly sees "The Anxieties of Common Life."

"The Age of Brass" finds Kelly's reading of Sense and Sensibility as a book about "property and inheritance--about greed and the terrible, selfish things that families do to each other for the sake of money."

In Pride and Prejudice, that sparkling and delightful novel so beloved today, Kelly finds a "revolutionary fairy tale, a fantasy of how, with reform, with radical thinking, society can be safely remodeled" without the revolution that had wracked France.

Mansfield Park is about "The Chain and the Cross," referring to Fanny's amber cross from her brother and the chain gifted her by her cousin Edmund. (Inspired by Austen's own amber cross from her sailor brother.) It also refers to British wealth from slave plantations in the Caribbean and how the Christian church profited from them.

Enclosure was the turning of common lands into privately held lands for use by the rich only. "Gruel" is Kelly's chapter on Emma, in which Jane references how wealth was concentrated into the hands of a few while workers starved, unable to afford British wheat. The Corn Laws kept the price artificially kept high; good for farmers and disastrous for the working poor.

The Lyme cliffs hold a treasure chest of fossils. The characters in Persuasion make a visit to Lyme where a series of events change their lives. "Decline and Fall" places the novel in perspective of Jane's personal life and the alteration in British society. The book takes place in a brief moment of peace with France, just before Napoleon escapes from Elba.

After reading this book, you will realize that Jane is not the person you thought you knew.

Austen Family Album by Nancy A. Bekofske, 2018

Sunday, February 25, 2018

Behemoth: A History of the Factory and the Making of the Modern World

Joshua B. Freeman's Behemoth: A History of the Factory and the Making of the Modern World was more than an intellectual experience, for I was reading about the forces behind my personal family history.

My Greenwood ancestors were cotton mill workers in Lancashire, England, at least going back to my great-great-great grandfather.

My grandfather worked at Standard Steel in Burnham, PA as a teenager to money for college. During WWII, Gramps and his family lived in a 'temporary' housing project when he worked at  Chevrolet Aviation Engine Division of GMC testing airplane struts. He later relocated to Detroit to work for GM.

My dad's mother worked at Remington Rand in Tonawanda, NY, as did my mom. My brother is a Ford engineer.

While in college, my husband worked summers as a welder at Buick. His father worked for Fisher Body in Flint. And his widowed grandmother worked at GM, the only female on the factory floor. When she was wanted, the men called out for "Girl" and that became her family nickname. She brought food to strikers during the famous GM sit-down strike and was a proud union member.

When Dad was hired by Chrysler in 1963, about 24% of American workers were employed in manufacturing, but only 8% today. How did we evolve to now, with overseas mega-factories paying abysmal wages and the struggle for young adults to retain their parents' middle-class status?

What happened? Once factories were associated with progress, modernity, and social betterment. Today we think of empty ruins in the Rust Belt, or overseas cheap labor turning out Apple iPhones and expensive running shoes with logos.
Like the empty Quaker Lace and Stetson Hat and other factories in Kensington, Philadelphia where we lived in 1980.

The book left me overwhelmed, in a good way. Each chapter sent my head spinning with information and insights. Some things I knew about, like the Lancashire mills where my Greenwood ancestors worked, or the New England Mills that many quilt historians write about. And of course, Detroit's auto factories and war effort manufacturing, and the Detroit Institute of Arts famous mural by Diego Rivera of Detroit Industry.

It was satisfying to know more details about these aspects of the history of the factory. But what really caught me by surprise was how interesting the later chapters were on issues such as how America helped the Soviets build factories after WWI and how mass merchandizing's demand for cheap products led to the growth of factories in countries with cheap labor sources.

The book brought together information in a narrative that helped me to better understand the Modern world.

I thought this would be a fascinating book when I requested it from the publisher through NetGalley. It kept my interest to the end.

I received a free ebook from the publisher through Edelweiss in exchange for a fair and unbiased review.

Behemoth:
A HISTORY OF THE FACTORY AND THE MAKING OF THE MODERN WORLD
Joshua B. Freeman
Publication Date: February 2018
ISBN 978-0-393-24631-5
$27.95

My Family and Factories

I live in my childhood home, a modest suburban ranch home, made possible because my Dad worked in the auto industry.

In 1963 he sold the gas and service station his father built in the 1940s to move to Detroit. He found work at the Chrysler road test garage and later he worked at the Highland Park plant as an experimental mechanic in the Windshield Wiper and small motor labs. Overtime pay, health benefits, and a good retirement offered my family a comfortable working-class life.
Dad at work at Chrysler

Dad's mother Emma Becker was working in the North Tonawanda, NY Remington Rand factory when she met my grandfather Al Gochenour. After graduating from high school my mother worked a comptograph at Rand.

Mom's father worked at Standard Steel in Burnham, PA before he went to college in 1923. He wrote about how as a child, nearby textile mills dumped dyes into the local creek, which ran different colors on different days. Burnham was a town built around the steel mill to house workers.

During WWII Gramps tested airplanes at the Chevrolet Aviation Engine Division of GMC in Tonawanda-Kenmore, N.Y. After the war, he was a stress engineer of frames, suspensions, brakes, etc. on Chevy trucks in Warren, Mich. His son worked on the line for GM, as did one of my cousins.
My grandfather at the Chevrolet Aviation Engine Division of GMC in Tonawanda, NY in 1952.

In fact, three generations of my family have worked for the Detroit auto companies, for my brother is a Ford engineer.

But my family roots as factory workers go back even further. At least three generations of my Greenwood ancestors worked in the cotton mills in Lancashire, England.

The 1891 Census for Newchurch, Lancashire shows my great-grandfather Cropper, age nine. (A Cropper in the textile industry was a highly skilled worker who used hand shears to cut and even the surface on woven wool.) His father William, age 48, was a warper; that meant he set up the long parallel warp yarns on the looms. The eldest son, David H. (Hartley) at age 15 was a weaver; he later ran a garden. When older, the girls had jobs as machinists in factories.
William Cropper and family
Cropper's grandfather Hartley Greenwood (b. 1803) also worked in the mills. In 1851 he was a cotton warp sizer; the census shows at age 74 he was a cotton twister living up in the Union Workhouse. The 1861 census shows his son John was also a cotton warp sizer, daughter Sarah was a cotton power loom weaver, and sons Hartley, age 12, and Cropper, age 10, were cotton mill operatives and scholars. Cropper's great-grandfather John Greenwood (b. 1762) was a cotton weaver.

My father-in-law had a white-collar, non-union job with Fisher Body in Flint; after his retirement, the factory closed and then was torn down. His widowed mother worked for GM. The family called her Girl, a nickname she picked up when she was the only female on the factory floor. The men would call "Girl" and give her orders. She was involved with the famous sit-down strike, delivering food to the strikers. She was a proud Union member.

Even my husband worked as a welder at the GM factory summers while in college. The men encouraged him in his studies.