"The evening star, multiplied by undulating water, like bright sparks of fire continually ascending." The River by Starlight, from the Journal of Henry David Thoreau, June 15, 1852
Annie made the quilt for her future husband, for his eyes only.
There was a block with a sliver of chrome orange moon and a fabric with a chrome yellow shower of stars. The twilight sky was represented with a dark sapphire with a swirl of white dots and a cadet blue shot with white. At the bottom curved a river in green fabric. She called it River By Starlight.
In 1911 Annie Rushton had received a letter from her older brother Cal, inviting her to come to Montana where he had settled. At age 26, Annie was living with her mother after postpartum psychosis destroyed her marriage and separated her from her baby daughter.
Annie hopes that Montana will bring the freedom she craves and the new beginning she desperately needs. Annie travels light, only taking her ivory knitting needles, her Emily Dickinson inscribed "with everlasting love" by her ex-husband, and her grandmother's rose glass jar.
She never expected that Montana would bring a man who would claim her, body and soul, or imagine the ecstasy and the crippling pain and loss their love would endure, driving Annie to a desperate choice.
Ellen Notbohm's novel The River by Starlight is based on true events which she spent years researching. Notbohm wanted to give voice to the women, who a hundred years ago and with few resources, suffered mental health issues in a male-dominated health and justice system.
Annie is an amazing character, strong and feisty, quick-witted and quick-tempered. I loved the dialogue between the characters. Although Annie suffers many losses, she also is resilient and a survivor. The misunderstandings between men and women and the compromises they make ring true. The writing is gorgeous.
Readers will be swept back in time and won't soon forget the vivid characters.
I received a free book through NetGalley in exchange for a fair and unbiased review.
The River by Starlight
by Ellen Notbohm
She Writes Press
Publication: May 8, 2018
$16.95
ISBN: 9781631523359
Learn more about the publisher, She Writes Press, at
https://shewritespress.com/about-swp/
Sunday, May 6, 2018
Saturday, May 5, 2018
Quilt Projects in Progress & a Vintage and New Singer Sewing Box
My quilting has been on near total hiatus while my poor fingertips recovered from all the abuse of needle and fabric during the winter weather. But now I am up and back at finishing my applique projects.
The Peter Pan quilt, inspired by the Riley Blake fabric Neverland, is also nearing completion. I used some of Marie Cheever Whiteside Newton's vintage applique patterns. I have another outer border of pieced blocks to do--just adding them to the sides of what I have to make the quilt wider. The corner blocks in the border will have embroidery with quotes from Barrie's original book.
There are two blocks left to applique on my yellow rose sampler and then I have to add embroidery on the last six blocks.
I will set the blocks together, perhaps with sashing in the background fabric, and add borders made with the yellow fabric in the matching drapes. Still determining that part!
This week Karen Smiley Morrison visited the weekly quilt group to show her new vintage find--a Singer sewing box from the 1980s.
The sides fold down...
...and it has a place for everything! The box came filled with thread and supplies.
It turned out that our quilt group member Alex has the brand new version of this sewing box!
The Peter Pan quilt, inspired by the Riley Blake fabric Neverland, is also nearing completion. I used some of Marie Cheever Whiteside Newton's vintage applique patterns. I have another outer border of pieced blocks to do--just adding them to the sides of what I have to make the quilt wider. The corner blocks in the border will have embroidery with quotes from Barrie's original book.
There are two blocks left to applique on my yellow rose sampler and then I have to add embroidery on the last six blocks.
I will set the blocks together, perhaps with sashing in the background fabric, and add borders made with the yellow fabric in the matching drapes. Still determining that part!
This week Karen Smiley Morrison visited the weekly quilt group to show her new vintage find--a Singer sewing box from the 1980s.
The sides fold down...
...and it has a place for everything! The box came filled with thread and supplies.
It turned out that our quilt group member Alex has the brand new version of this sewing box!
Thursday, May 3, 2018
Limelight by Amy Poeppel
The Story
When the Brinkley family left Dallas for Manhattan, Allison had stars in her eyes, dreaming of the excitement and romance of living in the city.
Reality soon set in: their apartment was cramped, the kids had adjustment problems, and finding work as a teacher proved problematic. Even her fashion sense is out of sync.
While her husband Michael appears on Humans of New York, Allison struggles with one problem after another. The moms gathering at the school shut her out. Her one NYC friend from college days is her opposite: single, childless, fierce, self-confident, inappropriate, and brass. But she also knows what it takes to survive in the city.
"But here we were, barely over a week in, and so far, life in Manhattan was making one kid a pervert, one a depressive, and the other an asshole."
Then, an accident brings Allison crashing into the life of spoiled, teenage pop star Carter Reid and her motherly instincts take over. Allison finds her Teacher-Mom inner superhero.
Can good parenting, discipline, tough love, and a support system turn around the alcohol- and drug-addled, promiscuous, angry boy? Carter is under contract to perform in a new musical based on Charles Chaplin's movie Limelight, but he is on track to crash and burn.
"All I knew...was that there was a badly injured, wildly famous teenager who was completely unsupervised and alone...What I wanted to know was why wasn't anyone looking after him."
My Reaction
Poepple has written a very funny novel, with some hilarious scenes and character insights. "The subway smelled like pee," Allison thinks, and I was transported back to my mass transit days. I could smell those subway steps.
The further into the novel I got, the more addicted I was. I loved the characters along the way, such as the 'butler' Owen, pronounced 'Wen, and Allison's adult student Howard who doesn't understand poetry. Daughter Charlotte plays a major role as a teenager unimpressed by Carter's fame but who can speak his language.
Along the way, she extols the virtues of family, positive support, educating for content, and understanding the teenage mind by looking past the behavior to discover the conflict beneath.
Getting Personal
Moving, well, as much as I hate using the word, moving sucks. I know. I moved as a child, then twelve times as an adult, plus I saw our son's adjustment to a move. Relocation involves starting over in a foreign territory, creating a new support system of friends by breaking into concrete-set cliques.
The Brinkley family's experience rings true. Was it a good idea? What happened to my kid's grades, why the behavior problems? Why don't my skills and experience translate into the new work culture? In my experience, it takes two years to adjust. The Brinkley's did it in one.
I did not know any of the pop music quotes at the chapter beginnings. But I am very familiar with Charles Chaplin's 1952 movie Limelight.
Mom had a 45 record of an orchestral presentation of The Song From Limelight, the Terry Theme 'Eternally.' I loved it, the wistful and hopeful rise of the music, the violin's plaintive voice just before the end. As a young adult, I had the chance to see the film on the large screen at a West Philadelphia repertoire movie theater near the University of Pennsylvania.
Sheet music for the Academy Award-winning Theme from Limelight |
Calvero: That's all any of us are: amateurs. We don't live long enough to be anything else. from LimelightFame, celebrity, and show business are at the heart of Limelight. An aging thespian, played by Chaplin, discovers Terry, played by Claire Bloom, a wannabe ballerina, who has tried to kill herself because she could no longer walk. He nurses her back into health and mental wholeness. She believes she loves him. Chaplin has a chance at a comeback but finds the role is an act of charity. Meanwhile, he learns that Terry had helped a struggling musician, played by Sidney Chaplin, who loves her.
Carter Reid was hired to play the romantic, young musician, who he considers a loser.
"Life can be wonderful if you aren't afraid of it." Calvero in Limelight
Claire Bloom and Charles Chaplin in Limelight https://www.moma.org/explore/inside_out/2012/04/24/charles-chaplins-limelight/ |
Chaplin's movie has its comic moments, beginning with Calvero's drunken walk home, an act Chaplin had perfected as a youngster in the Music Halls. But the overall impression is serious and personal, a look into the soul of the actor.
"Time is the great author. It always writes the perfect ending," a character in Poepple's novel quotes from Limelight.
And Poepple's Limelight has a perfect ending, too.
I received a free ebook from the publisher through NetGalley.
I have the author's previous novel Small Admissions on my Kindle and now I can't wait to read it!
Limelight: A Novel
by Amy Poeppel
Atria Books
Pub Date 01 May 2018 |
ISBN 9781501176371
PRICE $26.00 (USD)
Wednesday, May 2, 2018
An American Quilt: The Hidden History Behind an 1830s Quilt
Rachel May, an Assistant Professor at Northern Michigan University, was shown an 1830s hexagon quilt top with backing papers that revealed a glimpse into its history. In ornate handwriting were the dates 1798 and 1813 and the words rum, casks, West Indies, shuger.
Fascinated by this quilt, May, a quiltmaker and author of Quilting with a Modern Slant, researched the quilt's heritage and historical background. It took her on a six-year journey deep into a history we have conveniently forgotten, the economic roots of New England wealth based on the slave trade and slave labor.
Family letters and genealogical research helped May create an understanding of the Crouch-Williams-Cushman family behind the quilt, raising questions about racism throughout American history.
The makers of the quilt top were Susan McPherson Sibley Williams (1813-1902), whose mother rented a room to Brown University medical student Hasell Wilkinson Crouch (1809-1836). Susan married Hasell and they moved to Hasell's native Charleston, South Carolina. The couple worked on the hexagons together. One hundred years later, Susan's grandnephew Franklin discovered the top. He created a notebook with sample fabrics, some noted as "probably for slave gowns," and transcribed the family letters.
Susan's two brothers went South to begin their careers. One brother became committed to the Confederate cause, defending the economic advantage, and luxurious life, based on an enslaved labor force. Wasn't the North an abolitionist mecca? How could Susan not have seen the human suffering behind the "servants" who cared for her family's needs? How did a Rhode Island family, transplanted to the South, so readily adapt to the role of slave owners?
What shocked May was the realization that the North was complicit with slavery.
I remembered the song Molasses to Run to Slaves from the musical 1776 which we had seen performed live in Philadelphia during the Bicentennial. It was my first understanding of the Triangular Trade.
Who sails the ships out of Guinea
Ladened with bibles and slaves?
'Tis Boston can boast to the West Indies coast
Jamaica, we brung what ye craves
Antigua, Barbados, we brung bibles and slaves!
Molasses to rum to slaves
Who sail the ships back to Boston
Ladened with gold, see it gleam
Whose fortunes are made in the triangle trade
Hail slavery, the New England dream
With the names of the enslaved women--Minerva, Eliza, Jane, and Juba--and references in letters and historical documents, May imagines their lives. She traveled across the country to understand the world they lived in, visiting historic sites and forgotten places. It was an emotional journey, soul-wracking. Throughout the book, she mixes a deep understanding of American history with her research to construct fictionalized stories of the woman's probable lives.
In the end, May concludes that we each must decide how to live in a country built on genocide, enslavement, land theft, and racism. She urges us to consider how we participate in injustice today. What stories should we be telling? What choices should we make to not support modern businesses built on enslaved labor and modern indentured servants working in horrific conditions? How do we respond to human trafficking today?
An American Quilt is more than the story of a quilt or genealogy research on a family or even a recreation of the lives of enslaved persons. May questions the foundations of our heritage, the misconceptions we hold and challenges us to reevaluate how we today participate in supporting unjust economic systems.
I received a free ebook from the publisher through Edelweiss in exchange for a fair and unbiased review.
An American Quilt: Unfolding a Story of Family and Slavery
by Rachel May
Pegasus Books
Publication Date: May 1, 2018
Hardcover $27.95 USD
ISBN 9781681774176, 1681774178
Fascinated by this quilt, May, a quiltmaker and author of Quilting with a Modern Slant, researched the quilt's heritage and historical background. It took her on a six-year journey deep into a history we have conveniently forgotten, the economic roots of New England wealth based on the slave trade and slave labor.
Family letters and genealogical research helped May create an understanding of the Crouch-Williams-Cushman family behind the quilt, raising questions about racism throughout American history.
The makers of the quilt top were Susan McPherson Sibley Williams (1813-1902), whose mother rented a room to Brown University medical student Hasell Wilkinson Crouch (1809-1836). Susan married Hasell and they moved to Hasell's native Charleston, South Carolina. The couple worked on the hexagons together. One hundred years later, Susan's grandnephew Franklin discovered the top. He created a notebook with sample fabrics, some noted as "probably for slave gowns," and transcribed the family letters.
friendship sloop schooner invest fame dear sister maintained Havana Barbados barrels seaman Carolyna Newport government incident kindness
Hexagon pieces, mostly19th c reproduction fabrics, which I used in my Charles Dickens quilt |
What shocked May was the realization that the North was complicit with slavery.
I remembered the song Molasses to Run to Slaves from the musical 1776 which we had seen performed live in Philadelphia during the Bicentennial. It was my first understanding of the Triangular Trade.
Who sails the ships out of Guinea
Ladened with bibles and slaves?
'Tis Boston can boast to the West Indies coast
Jamaica, we brung what ye craves
Antigua, Barbados, we brung bibles and slaves!
Molasses to rum to slaves
Who sail the ships back to Boston
Ladened with gold, see it gleam
Whose fortunes are made in the triangle trade
Hail slavery, the New England dream
With the names of the enslaved women--Minerva, Eliza, Jane, and Juba--and references in letters and historical documents, May imagines their lives. She traveled across the country to understand the world they lived in, visiting historic sites and forgotten places. It was an emotional journey, soul-wracking. Throughout the book, she mixes a deep understanding of American history with her research to construct fictionalized stories of the woman's probable lives.
In the end, May concludes that we each must decide how to live in a country built on genocide, enslavement, land theft, and racism. She urges us to consider how we participate in injustice today. What stories should we be telling? What choices should we make to not support modern businesses built on enslaved labor and modern indentured servants working in horrific conditions? How do we respond to human trafficking today?
An American Quilt is more than the story of a quilt or genealogy research on a family or even a recreation of the lives of enslaved persons. May questions the foundations of our heritage, the misconceptions we hold and challenges us to reevaluate how we today participate in supporting unjust economic systems.
I received a free ebook from the publisher through Edelweiss in exchange for a fair and unbiased review.
An American Quilt: Unfolding a Story of Family and Slavery
by Rachel May
Pegasus Books
Publication Date: May 1, 2018
Hardcover $27.95 USD
ISBN 9781681774176, 1681774178
Hexagon quilt, late 19th c, owned by Diane Little
Tuesday, May 1, 2018
The Right to be Cold: One Woman's Fight to Protect the Arctic and Save the Planet from Climate Change
She shares her story of growing up in Nunavik, learning her people's traditional way of life, hunting and preparing 'country food'. Young people were taught how to survive in the harsh climate. Igloos were stronger than tents and offered protection from both weather and polar bears. Sled dogs were smart and capable and reliable.
Then she was sent to the 'South' for her education and was exposed to modern, Western life. She lost fluency in her native language.
Returning to her Arctic home she became involved in education. She saw how Southern colonialism was destroying her people's culture, resulting in a rise of addiction and suicides.
Sheila became an activist for her people, first in education and culture preservation, and later in the environment and climate change. The warming of the Arctic, caused by Southern use of fossil fuels, also means the destruction of her people's way of life, the animals they depend upon, and the very land
they live on. Her work led to being considered for the Pulitzer Prize.
Sheila's childhood memories offer a great understanding of her native culture, and her early experience in the South informs readers how traditional knowledge is lost. Her chapters on her activism and achievements are detailed and sometimes overwhelming; I can't imagine how she maintained the energy and strength to do what she has done.
I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.
The Right to Be Cold: One Woman's Fight to Protect the Arctic and Save the Planet from Climate Change
by Sheila Watt-Cloutier
University of Minnesota Press
Publication Date: May 1, 2018
Paperback $22.95
ISBN: 9781517904975
from the publisher:
For the first ten years of her life, Sheila Watt-Cloutier traveled only by dog team. Today there are more snow machines than dogs in her native Nunavik, a region that is part of the homeland of the Inuit in Canada. In Inuktitut, the language of Inuit, the elders say that the weather is Uggianaqtuq—behaving in strange and unexpected ways.
The Right to Be Cold is Watt-Cloutier’s memoir of growing up in the Arctic reaches of Quebec during these unsettling times. It is the story of an Inuk woman finding her place in the world, only to find her native land giving way to the inexorable warming of the planet. She decides to take a stand against its destruction.
The Right to Be Cold is the human story of life on the front lines of climate change, told by a woman who rose from humble beginnings to become one of the most influential Indigenous environmental, cultural, and human rights advocates in the world. Raised by a single mother and grandmother in the small community of Kuujjuaq, Quebec, Watt-Cloutier describes life in the traditional ice-based hunting culture of an Inuit community and reveals how Indigenous life, human rights, and the threat of climate change are inextricably linked. Colonialism intervened in this world and in her life in often violent ways, and she traces her path from Nunavik to Nova Scotia (where she was sent at the age of ten to live with a family that was not her own); to a residential school in Churchill, Manitoba; and back to her hometown to work as an interpreter and student counselor.
The Right to Be Cold is at once the intimate coming-of-age story of a remarkable woman, a deeply informed look at the life and culture of an Indigenous community reeling from a colonial history and now threatened by climate change, and a stirring account of an activist’s powerful efforts to safeguard Inuit culture, the Arctic, and the planet.
Monday, April 30, 2018
LBJ's 1968: Power, Politics, and the Presidency in America's Year of Upheaval by Kyle Longley
LBJ's 1968 by Kyle Longley caught my interest right away. I have been reading about President Johnson ever since Doris Kearns Goodwin's book LBJ and the American Dream came out.
LBJ has fascinated me for the complexity of his character. He was a truly empathetic man who strove to better the lives of Americans. He understood power and how to use it. He could be cruel and undignified. And he was blind to his own flaws.
While contending with one crisis after another, Longley shows how President Johnson's strength under pressure and thoughtful consideration helped him deal successfully with the U.S.S. Pueblo while his fatal flaw, a prideful lack of self-examination and denial of error, led to his failure to end the war in Vietnam.
LBJ abused his power regarding Supreme Court nominations, which the Republicans would not approve, setting a dangerous precedent. Johnson was unwilling to give over party leadership, negatively impacting the Democratic platform and Vice President Humphrey's campaign.
But he also responded to the death of Rev. King and the resulting rioting across the nation with empathy and understanding, pushing the 1968 Fair Housing Act.
LBJ had supported gun control ever since the assassination of President Kennedy. In February 1968 he submitted the Safe Streets and Crime Control Bill. He wanted to ban mail order sales, interstate sales, sales to prison inmates, and sales to minors--but the NRA opposition squashed the bills. And a few weeks later, RFK was shot. The president proposed a commission on violence.
The Gun Control Act of 1968 did end mail order sales, sales to minors, and importation of guns but failed on licensing and registration.
When the Nixon camp secretly worked to stall Johnson's peace talks, Johnson elected to suppress the evidence rather than create a crisis if the president-elect was outed as treasonous. As Longly points out, that crisis was only delayed until the Watergate break-in was discovered.
As if the Vietnam war and problems of Communist China were not enough, LBJ had to respond to the 1968 Soviet invasion of Czechoslovakia.
Every issue we deal with today can find its twin in 1968. I enjoyed both the in-depth story of 1968 both as history and as a revelation of how we "got to here."
The Republican response to Civil Rights, Environmentalism, and the Great Society was immediate; the dismantling Johnson's legacy, even the publicly popular programs, continues to this day. We have a renewal of racial tension and hate groups. We still struggle with Southeast Asia, China, and the Soviets.
I found LBJ's 1968 to be an emotional as well as intellectual read, as both a snapshot in time and informing today's political scene. I would recommend it to those interested in American history, presidential history, and also to those of us who grew up during this time period.
I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.
LBJ's 1968: Power, Politics, and the Presidency in America's Year of Upheaval
by Kyle Longley
Cambridge University Press
Publication April 1, 2018
ISBN 9781107193031
PRICE $29.99 (USD)
I voted for LBJ in a junior high mock election after a classmate told me about the Great Society. A few years later my peers were chanting LBJ, how many kids did you kill today.
1968 was such a tumultuous year that I spent years trying to encapsulate it in a short story, 16 in '68. I was still fifteen at the time of the assassinations of the Rev. Martin Luther King, Jr and Robert F. Kennedy. I returned from school to televised images of the war in Vietnam and body counts.
My husband vividly remembers watching President Johnson announcing his withdrawal from candidacy for reelection.
My mom and I watched the 1968 Democratic Convention together on our black and white television.
In the meantime, my family was dealing with a health crisis, mom hospitalized for weeks while I 'held down' the fort at home for my little brother. And between the assassinations of public leaders, a boy at school sat in a car in his family garage, door closed, with the engine running.
Both my personal world and the public world were overwhelming.
On my first wedding anniversary, we learned that on the day we were being married in a quaint, New England style church surrounded by red rose bushes, President Nixon's 'plumbers' were planning a break in that night.
Reviews
'Countless historians have picked apart 1968, but Kyle Longley is the first to go inside the head of the man who, more than anyone else, defined that year - and with a style and precision that somehow makes an account of a terrible time a joy to read.'
Clay Risen - The New York Times
'1968 was a turbulent year in our country and a year when President Lyndon Johnson encountered what seemed like an endless series of crises. Kyle Longley has depicted the tone of the times and captured the dilemmas and decisions of LBJ in this compelling book that should be read by any student of that eventful year.'
Larry Temple - Special Counsel to President Lyndon Johnson in 1968, Chairman of the LBJ Foundation
'Like King Lear, Lyndon Johnson gave away his power before the end of the play. Kyle Longley's Texas-size epic reveals the tragedy, comedy, pathos, and heroism in the extraordinary events that followed that fateful year, 1968, as seen through the eyes of an American giant.'
Elizabeth Cobbs - author of American Umpire
'From the Pueblo crisis to the Chennault affair, 1968 was a year like no other, and Kyle Longley's fast-paced, richly detailed narrative splendidly captures the ups - and mostly downs - from the vantage point of LBJ's White House.'
George C. Herring - author of The American Century and Beyond
'Kyle Longley has penned a vivid and insightful portrait of one of the most tumultuous and significant years in American history.'
Randall B. Woods - University of Arkansas
'Kyle Longley offers an insightful portrayal of arguably the most complex American president of the Cold War era. What emerges is a fresh appraisal of Lyndon Johnson, a tragic figure contesting the forces of history. In an innovative biographical approach, Longley takes us inside LBJ’s White House during the tumultuous year of 1968. An outstanding work by a master storyteller.'
Gregory A. Daddis - Chapman University, California
LBJ has fascinated me for the complexity of his character. He was a truly empathetic man who strove to better the lives of Americans. He understood power and how to use it. He could be cruel and undignified. And he was blind to his own flaws.
While contending with one crisis after another, Longley shows how President Johnson's strength under pressure and thoughtful consideration helped him deal successfully with the U.S.S. Pueblo while his fatal flaw, a prideful lack of self-examination and denial of error, led to his failure to end the war in Vietnam.
LBJ abused his power regarding Supreme Court nominations, which the Republicans would not approve, setting a dangerous precedent. Johnson was unwilling to give over party leadership, negatively impacting the Democratic platform and Vice President Humphrey's campaign.
But he also responded to the death of Rev. King and the resulting rioting across the nation with empathy and understanding, pushing the 1968 Fair Housing Act.
LBJ had supported gun control ever since the assassination of President Kennedy. In February 1968 he submitted the Safe Streets and Crime Control Bill. He wanted to ban mail order sales, interstate sales, sales to prison inmates, and sales to minors--but the NRA opposition squashed the bills. And a few weeks later, RFK was shot. The president proposed a commission on violence.
"My fellow citizens, we cannot, we just must not, tolerate the sway of violent men among us. We must not permit those who are filled with hatred...to dominate our streets and fill our homes with fear...Let us put an end to violence and to the preaching of violence. Let the Congress pass laws to bring the insane traffic in guns to a halt, as I have appealed to them time and time again to do. That will not, in itself, end the violence, but reason and experience tell us that it will slow it down; that it will spare many innocent lives."
The Gun Control Act of 1968 did end mail order sales, sales to minors, and importation of guns but failed on licensing and registration.
When the Nixon camp secretly worked to stall Johnson's peace talks, Johnson elected to suppress the evidence rather than create a crisis if the president-elect was outed as treasonous. As Longly points out, that crisis was only delayed until the Watergate break-in was discovered.
As if the Vietnam war and problems of Communist China were not enough, LBJ had to respond to the 1968 Soviet invasion of Czechoslovakia.
Every issue we deal with today can find its twin in 1968. I enjoyed both the in-depth story of 1968 both as history and as a revelation of how we "got to here."
The Republican response to Civil Rights, Environmentalism, and the Great Society was immediate; the dismantling Johnson's legacy, even the publicly popular programs, continues to this day. We have a renewal of racial tension and hate groups. We still struggle with Southeast Asia, China, and the Soviets.
I found LBJ's 1968 to be an emotional as well as intellectual read, as both a snapshot in time and informing today's political scene. I would recommend it to those interested in American history, presidential history, and also to those of us who grew up during this time period.
I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.
LBJ's 1968: Power, Politics, and the Presidency in America's Year of Upheaval
by Kyle Longley
Cambridge University Press
Publication April 1, 2018
ISBN 9781107193031
PRICE $29.99 (USD)
Getting Personal
I voted for LBJ in a junior high mock election after a classmate told me about the Great Society. A few years later my peers were chanting LBJ, how many kids did you kill today.
1968 was such a tumultuous year that I spent years trying to encapsulate it in a short story, 16 in '68. I was still fifteen at the time of the assassinations of the Rev. Martin Luther King, Jr and Robert F. Kennedy. I returned from school to televised images of the war in Vietnam and body counts.
My husband vividly remembers watching President Johnson announcing his withdrawal from candidacy for reelection.
My mom and I watched the 1968 Democratic Convention together on our black and white television.
In the meantime, my family was dealing with a health crisis, mom hospitalized for weeks while I 'held down' the fort at home for my little brother. And between the assassinations of public leaders, a boy at school sat in a car in his family garage, door closed, with the engine running.
Both my personal world and the public world were overwhelming.
On my first wedding anniversary, we learned that on the day we were being married in a quaint, New England style church surrounded by red rose bushes, President Nixon's 'plumbers' were planning a break in that night.
Reviews
'Countless historians have picked apart 1968, but Kyle Longley is the first to go inside the head of the man who, more than anyone else, defined that year - and with a style and precision that somehow makes an account of a terrible time a joy to read.'
Clay Risen - The New York Times
'1968 was a turbulent year in our country and a year when President Lyndon Johnson encountered what seemed like an endless series of crises. Kyle Longley has depicted the tone of the times and captured the dilemmas and decisions of LBJ in this compelling book that should be read by any student of that eventful year.'
Larry Temple - Special Counsel to President Lyndon Johnson in 1968, Chairman of the LBJ Foundation
'Like King Lear, Lyndon Johnson gave away his power before the end of the play. Kyle Longley's Texas-size epic reveals the tragedy, comedy, pathos, and heroism in the extraordinary events that followed that fateful year, 1968, as seen through the eyes of an American giant.'
Elizabeth Cobbs - author of American Umpire
'From the Pueblo crisis to the Chennault affair, 1968 was a year like no other, and Kyle Longley's fast-paced, richly detailed narrative splendidly captures the ups - and mostly downs - from the vantage point of LBJ's White House.'
George C. Herring - author of The American Century and Beyond
'Kyle Longley has penned a vivid and insightful portrait of one of the most tumultuous and significant years in American history.'
Randall B. Woods - University of Arkansas
'Kyle Longley offers an insightful portrayal of arguably the most complex American president of the Cold War era. What emerges is a fresh appraisal of Lyndon Johnson, a tragic figure contesting the forces of history. In an innovative biographical approach, Longley takes us inside LBJ’s White House during the tumultuous year of 1968. An outstanding work by a master storyteller.'
Gregory A. Daddis - Chapman University, California
Sunday, April 29, 2018
Southern Quilt Traditions, History, and Designs
Southern Quilts by Mary W. Kerr includes articles by thirteen quilt historians, profusely illustrated with 270 color photographs, demonstrating the rich heritage of quilting across the South.
The heritage of quilts was influenced by Scots-Irish and German settlers as well as by African American traditions, and demonstrate regionally popular quilt patterns, a preference for complicated quilt block incorporating tiny pieces, and specific color palettes.
The Forward by Laurel Horton discusses Southern Roots, Southern Patterns, and the roots of Southern quilting from the British Isles, later impacted by waves of immigrants who migrated south from Pennsylvania.
Southern cotton was milled in New England, the plentiful American-made fabrics leading to the Golden Age of American quilt making during the mid-1800sand into the twentieth century. The development of new dyes and colors and quit block patterns, and inexpensive fabrics, led to the creation of suburb examples, while utility quilts included scrap sewing, the use of feed sacks, large quilt stitching, and heavy cotton batting.
Chapters include:
Farmer's Fancy is a circular pattern, with an inner design similar to a sunburst or compass block, surrounded by several rings of triangles. Jordan notes the earliest documented Farmer's Fancy block dates to 1846. The pattern was later called Pyrotechnics in the 1930s.
This quilt is often found in red and cheddar yellow, and sometimes with a background of blue, cheddar, or green. In another chapter, Lynn Lancaster Georges discusses the Pennsylvania German impact on the Southern color palette. As seen in Pennsylvania Dutch Fraktur art and earthenware pottery, they tended toward teal blue, orange, and oxblood. Zig-zag borders are often found on the Shenandoah Valley quilts.
The West Virginia State Documentation Project found this pattern throughout the Shenandoah Valley and neighboring areas first settled by German Mennonites and Scots-Irish. My Gochenour family were German-speaking Swiss Brethren, a branch of the Anabaptist faith which includes the Mennonites and Amish. (My ancestors became Baptist after a few generations.)
I may be daydreaming, but I would love to make my own version of Farmer's Fancy! I bought acrylic templates from John Flynn's company. His way of construction should make it easier for me.
Southern Quilts will appeal to those interested in quilt history and to quilters who enjoy making Reproduction quilts.
I received a free e-book from the publisher through NetGalley in exchange for a fair and unbiased review.
Southern Quilts: Celebrating Traditions, History, and Designs
by Mary W. Kerr
Schiffer Publishing Ltd.
Pub Date 28 Apr 2018
Hardcover $29.99
ISBN: 9780764355028
The heritage of quilts was influenced by Scots-Irish and German settlers as well as by African American traditions, and demonstrate regionally popular quilt patterns, a preference for complicated quilt block incorporating tiny pieces, and specific color palettes.
The Forward by Laurel Horton discusses Southern Roots, Southern Patterns, and the roots of Southern quilting from the British Isles, later impacted by waves of immigrants who migrated south from Pennsylvania.
Southern cotton was milled in New England, the plentiful American-made fabrics leading to the Golden Age of American quilt making during the mid-1800sand into the twentieth century. The development of new dyes and colors and quit block patterns, and inexpensive fabrics, led to the creation of suburb examples, while utility quilts included scrap sewing, the use of feed sacks, large quilt stitching, and heavy cotton batting.
Chapters include:
- Making Do- a Southern Tradition by Mary W. Kerr
- Alabama Pine Burr by Mary Elizabeth Johnson
- Alamance Applique by Kathlyn Sullivan
- Circles and Spikes by Teddy Pruett
- Cotton Boll by Kathlyn Sullivan
- Crown of Thorns by Merikay Waldvogel
- Double Wedding Ring by Sherry Burkhalter
- Farmer's Fancy by Bunnie Jordan
- The Impact of the Feedsack on Southern Quilts by Sarah Bliss Wright
- Pieced Pine But by Mary W. Kerr
- Rattlesnake Quilts by Marcia Kaylakie
- Seven Sisters by Sandra Starley
- Southern Florals by Lisa Erlandson
- Tricolor Quilts: How the Germans of Pennsylvania Influenced a Color Palette and Style in the South by Lynn Lancaster Gorges
- Whig's Defeat by Gaye Rick Ingram
Farmer's Fancy quilt circa 1880, from the collection of Taryn Faulkner, Pinterest image |
This quilt is often found in red and cheddar yellow, and sometimes with a background of blue, cheddar, or green. In another chapter, Lynn Lancaster Georges discusses the Pennsylvania German impact on the Southern color palette. As seen in Pennsylvania Dutch Fraktur art and earthenware pottery, they tended toward teal blue, orange, and oxblood. Zig-zag borders are often found on the Shenandoah Valley quilts.
The West Virginia State Documentation Project found this pattern throughout the Shenandoah Valley and neighboring areas first settled by German Mennonites and Scots-Irish. My Gochenour family were German-speaking Swiss Brethren, a branch of the Anabaptist faith which includes the Mennonites and Amish. (My ancestors became Baptist after a few generations.)
I may be daydreaming, but I would love to make my own version of Farmer's Fancy! I bought acrylic templates from John Flynn's company. His way of construction should make it easier for me.
Southern Quilts will appeal to those interested in quilt history and to quilters who enjoy making Reproduction quilts.
I received a free e-book from the publisher through NetGalley in exchange for a fair and unbiased review.
Read my reviews of Mary Kerr's previous books Recycling Vintage Hexie Quilts and Twisted .
Southern Quilts: Celebrating Traditions, History, and Designs
by Mary W. Kerr
Schiffer Publishing Ltd.
Pub Date 28 Apr 2018
Hardcover $29.99
ISBN: 9780764355028
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