The Memory Collectors by Kim Neville

My home is filled with heirlooms and mementos, each associated with a person or time from my past. Wherever we moved, settling these things into the house transformed it into a home.

Some of these things make me a little sad, but most make me happy. I have good memories of the student lamp from Great-Grandma's house, the 1842 ogee clock we bought at our first auction, the cracked glass miniature vases Mom set on her knick-knack self, the fourth generation back heirloom Blue Flow soup bowls, the embroidery mom made for me, the Japan figures gifted to my husband on his birth. 

Very few people look at these things and feel the things I feel when I see them.

But...what if the emotions people feel could attach to their things and be sensed by others? What if these emotions changed those who encounter the objects? What if some people could sense this emotional baggage and use it for harm or health?

Kim Neville's debut novel The Memory Collectors imagines people with the special ability to sense the emotions that cling to things. 

Ev tries to control it, suppressing the effects of the 'stains' on things. She saw how her father fell victim to dark stains. She was unable to save her parents from the evil that overtook him. She has tried to protect her younger sister, Noemi, who flits in and out of her life. 

Harriet has hoarded these stained things. They are overwhelming her and affecting her neighbors, too. Perhaps she could make a museum filled with good feelings, a place of healing? When she mets Ev, she knows she has found the person who can help her.

We can hide from the past, suppress it, reject it. We can become enslaved to the past so it inhibits our growth. We can shape the past into works of art. And we can rise above the past to become changed and whole people.

The Memory Collectors is a fantastic story that uses fantasy to explore our common human struggle with the past and the lingering emotions that inhibit our growth. 

I received a free ARC from the publisher in exchange for a fair and unbiased review.

The Memory Collectors

Kim Neville

Expected publication: March 16, 2021
Atria Books
ISBN: 1982157585 (ISBN13: 9781982157586)
Paperback $17.00

from the publisher

Ev has a mysterious ability, one that she feels is more a curse than a gift. She can feel the emotions people leave behind on objects and believes that most of them need to be handled extremely carefully, and—if at all possible—destroyed. The harmless ones she sells at Vancouver’s Chinatown Night Market to scrape together a living, but even that fills her with trepidation. Meanwhile, in another part of town, Harriet hoards thousands of these treasures and is starting to make her neighbors sick as the overabundance of heightened emotions start seeping through her apartment walls.

When the two women meet, Harriet knows that Ev is the only person who can help her make something truly spectacular of her collection. A museum of memory that not only feels warm and inviting but can heal the emotional wounds many people unknowingly carry around. They only know of one other person like them, and they fear the dark effects these objects had on him. Together, they help each other to develop and control their gift, so that what happened to him never happens again. But unbeknownst to them, the same darkness is wrapping itself around another, dragging them down a path that already destroyed Ev’s family once, and threatens to annihilate what little she has left.

The Memory Collectors casts the everyday in a new light, speaking volumes to the hold that our past has over us—contained, at times, in seemingly innocuous objects—and uncovering a truth that both women have tried hard to bury with their pasts: not all magpies collect shiny things—sometimes they gather darkness. 

A Shot in the Moonlight: How a Freed Slave and a Confederate Soldier Fought tor Justice in the Jim Crow South by Ben Montgomery

"With these facts I made my way home, thoroughly convinced that a Negro's life is a very cheap thing."`~from A Shot in the Moonlight

 

Several years ago I went to a local church to hear a Metro Detroit fiber artist talk about her quilt. The quilt was huge, a stark black with thousands of names embroidered on it. 

April Anue, the artist, told us how God hounded her to make this quilt, and what it cost her, the anguish and tears that accompanied every name she embroidered. She talked about the horror of making the nooses that ornament the quilt.

The 5,ooo names on the quilt are those of African Americans who had been lynched in America between 1865 and 1965. The title of the quilt is Strange Fruit.

Strange Fruit by April Anue

Five thousand human beings, beaten, tortured, and murdered. Anue researched every name, now memorialized for all to read.

In the Jim Crow South there were black Americans who were harassed, beaten, their homes and livelihoods taken from them, their families traumatized; they were denied protection under the law by the authorities and the courts. How many tens of thousands have been forgotten, their names lost?

Ben Montgomery has brought one man back to life. A freed slave whose white neighbors gathered on moonlit night to demand he leave his hard-earned, modest home and farm. Twenty-five men who claimed to be 'friends.' A man who disguised his voice and wore a handkerchief to hide his identity called to him to come out of his home. When this black man had the audacity not to comply, shots bombarded his home, wounding him. And to protect his home and family, this man shot out his window into the crowd, killing a white man.

His name was George Dinning. He fled into the fields to hide as the white men took their fallen comrade away. The next morning, Dinning's house and barn were burned to the ground. George turned himself into the authorities when he heard that he had killed a man.

The story of that night, Dinning's trial, and what happened afterwards is devastating and moving. And, it is perplexing, for the story of Dinning protecting the sanctity of his home brought a surge of support, including that of a prominent veteran of the Confederate Army who built memorials to Confederate heroes while supporting organizations to benefit freed slaves. He was "foremost in work of charity among our race," one black minister said. 

A Shot in the Moonlight  incorporates historic documents in a vivid recreation of the events of that night, the trial, and the unexpected twists of fortune afterward. Dinning stood up to power in the courtroom, asking for reparation for his loss. Everything was stacked against him, and when he was denied justice, a deluge of editorials were printed in his defense.

In his book What Unites Us, Dan Rather talks about building consensus on the shared values we all hold dear. The sanctity of home and a man's right to protect his home and family raised sympathy of for Dinning, for every American could sympathize with protecting one's home and family.   

This is an amazing story of a brave man, a horrendous tale of hate and racism, and a revelation of race relations in America that brought chills and tears. 

I received a free book from Little, Brown Spark. My review is fair and unbiased.

I previous read Montgomery's book The Man Who Walked Backwards: An American Dreamer's Search for Meaning in the Great Depression, which I reviewed here.

A Shot in the Moonlight: How a Freed Slave and a Confederate Soldier Fought for Justice in the Jim Crow South
by Ben Montgomery

Publication January 26, 2021
ISBN-13: 9780316535540 hardcover USD: $28/CAD: $35
ISBN-13: 9780316535564 ebook USD: $14.99 /CAD: $19.99

from the publisher

The sensational true story of George Dinning, a freed slave, who in 1899 joined forces with a Confederate war hero in search of justice in the Jim Crow south. “Taut and tense. Inspiring and terrifying in its timelessness.”(Colson Whitehead, Pulitzer Prize-winning author of The Underground Railroad )

Named a most anticipated book of 2021 by O, The Oprah Magazine

Named a "must-read" by the Chicago Review of Books

One of CNN's most anticipated books of 2021 

After moonrise on the cold night of January 21, 1897, a mob of twenty-five white men gathered in a patch of woods near Big Road in southwestern Simpson County, Kentucky. Half carried rifles and shotguns, and a few tucked pistols in their pants. Their target was George Dinning, a freed slave who'd farmed peacefully in the area for 14 years, and who had been wrongfully accused of stealing livestock from a neighboring farm. When the mob began firing through the doors and windows of Dinning's home, he fired back in self-defense, shooting and killing the son of a wealthy Kentucky family.

So began one of the strangest legal episodes in American history — one that ended with Dinning becoming the first Black man in America to win damages after a wrongful murder conviction.

Drawing on a wealth of never-before-published material, bestselling author and Pulitzer Prize finalist Ben Montgomery resurrects this dramatic but largely forgotten story, and the unusual convergence of characters — among them a Confederate war hero-turned-lawyer named Bennett H. Young, Kentucky governor William O'Connell Bradley, and George Dinning himself — that allowed this unlikely story of justice to unfold in a time and place where justice was all too rare.

About the author

Ben Montgomery is author of the New York Times-bestselling 'Grandma Gatewood's Walk,' winner of a 2014 Outdoor Book Award, 'The Leper Spy,' and 'The Man Who Walked Backward,' coming fall 2018 from Little, Brown & Co. He spent most of his 20 year newspaper career as an enterprise reporter for the Tampa Bay Times. He founded the narrative journalism website Gangrey.com and helped launch the Auburn Chautauqua, a Southern writers collective.

In 2010, he was a finalist for the Pulitzer Prize in local reporting and won the Dart Award and Casey Medal for a series called "For Their Own Good," about abuse at Florida's oldest reform school. In 2018, he won a National Headliner award for journalistic innovation for a project exploring police shootings in Florida. He was among the first fellows for Images and Voices of Hope in 2015 and was selected to be the fall 2018 T. Anthony Pollner Distinguished Professor at the University of Montana in Missoula.

Montgomery grew up in Oklahoma and studied journalism at Arkansas Tech University, where he played defensive back for the football team, the Wonder Boys. He worked for the Courier in Russellville, Ark., the Standard-Times in San Angelo, Texas, the Times Herald-Record in New York's Hudson River Valley and the Tampa Tribune before joining the Times in 2006. He lives in Tampa. 

Lady Bird Johnson Hiding in Plain Sight by Julia Sweig

In 2013, The Rachel Carson Award was posthumously awarded to Lady Bird Johnson for her "outstanding contributions to the conservation and environmental movement." If this surprises you, like it does me, it is because Bird's environmental agenda had been tweaked to the more acceptable "beautification" project. 

In Lady Bird Johnson Hiding in Plain Sight, Julia Sweig explains how people like me remember the roadside wildflower plantings and attack on roadside bill boards and not the deeper issues Bird was promoting--issues of environmental justice and racial equality. 

Every biography offers some new slant, some new insight. And Julia Sweig did not disappoint me with a new understanding of Lady Bird, her relationship with LBJ, and their experience during a tumultuous time.

Sweig does not mince words. She calls white supremacy by it's name. We see history, the landmark legislation, the white backlash, the Civil Rights movement, the riots, and the domestic terrorism from a 21st c. perspective.

Sweig presents Bird as a strong, determined, committed, intelligent woman who was necessary to her husband's well being and career. Bird's work of transforming urban environments for physical and mental health, from eliminating pollution to the beautification of  schoolyards, leaves us impressed by Bird's deep knowledge, dedication, and passion. 

Bird was a workaholic like her husband. She campaigned across the country, edited LBJ's speeches and acted as a sounding board. As First Lady she brought together talent and money to develop her dream of healthy neighborhoods, and she mothered two daughters on the verge of adulthood.  

It was interesting to learn about the private contract between Bird and LBJ concerning his running for another term of office, and how their daughters reacted to his decision.

It is thrilling to read a book that does not diminish Lady Bird to an abused, underappreciated, complicit wife. Sweig shows us a true partnership of equals--or perhaps I should better say, the balanced and insightful woman necessary to her man's success.

I received a free egalley from the publisher through NetGalley. My review is fair and unbiased.

Lady Bird Johnson on Remember the Ladies
by Nancy A. Bekofske

Lady Bird Johnson: Hiding in Plain Sight

by Julia Sweig
Random House Publishing Group - Random House
Pub Date March 16, 2021  
ISBN: 9780812995909
hardcover $32.00 (USD)

from the publisher

A magisterial portrait of Lady Bird Johnson, and a major reevaluation of the profound yet underappreciated impact the First Lady's political instincts had on LBJ’s presidency.

“An inviting, challenging, well-told tale of the thoroughly modern partner and strategist Lady Bird Johnson, whose skill and complexity emerge fully in this rich tale of history and humanity.”—John Dickerson, author of The Hardest Job in the World

 “This riveting portrait gives us an important revision of a long-neglected First Lady.”—Blanche Wiesen Cook, author of Eleanor Roosevelt, vol 1-3

In the spring of 1964, President Lyndon B. Johnson had a decision to make. Just months after moving into the White House under the worst of circumstances—following the assassination of President John F. Kennedy—he had to decide whether to run to win the presidency in his own right. He turned to his most reliable, trusted political strategist: his wife, Lady Bird Johnson. The strategy memo she produced for him, emblematic of her own political acumen and largely overlooked by biographers, is just one revealing example of how their marriage was truly a decades-long political partnership.

Perhaps the most underestimated First Lady of the twentieth century, Lady Bird Johnson was also one of the most accomplished and often her husband's secret weapon. Managing the White House in years of national upheaval, through the civil rights movement and the escalation of the Vietnam War, Lady Bird projected a sense of calm and, following the glamorous and modern Jackie Kennedy, an old-fashioned image of a First Lady. In truth, she was anything but. As the first First Lady to run the East Wing like a professional office, she took on her own policy initiatives, including the most ambitious national environmental effort since Teddy Roosevelt. Occupying the White House during the beginning of the women's liberation movement, she hosted professional women from all walks of life in the White House, including urban planning and environmental pioneers like Jane Jacobs and Barbara Ward, encouraging women everywhere to pursue their own careers, even if her own style of leadership and official role was to lead by supporting others.

Where no presidential biographer has understood the full impact of Lady Bird Johnson’s work in the White House, Julia Sweig is the first to draw substantially on Lady Bird’s own voice in her White House diaries to place Claudia Alta "Lady Bird” Johnson center stage and to reveal a woman ahead of her time—and an accomplished politician in her own right.

How Beautiful We Were by Imbolo Mbue

One angry woman did everything, and she failed.~from How Beautiful We Were by Imbolo Mbue

I read Imbolo Mbue's first novel Behold the Dreamers as a galley and for book club. I jumped at the chance to read her second novel, How Beautiful We Were. 

Was money so important that they would sell children to strangers seeking oil?~from How Beautiful We Were by Imbolo Mbue

The novel is about an African village struggling for environmental justice, powerless, caught between an American oil company and a corrupt dictatorship government. 

They are a proud people, connected to the land of their ancestors. They have lived simple, subsistence lives, full of blessings. Until the oil company ruined their water, their land, their air. A generation of children watch their peers dying from poisoned water. Their pleas for help are in vain. 

School-aged Thula is inspired by books, including The Communist Manifesto, Pedagogy of the Oppressed, and The Wretched of the Earth. "They were her closest friends," spurring her into activist causes when she goes to America to study. In America and becomes an activist. Meanwhile, her peers in her home village lose faith in the process and take up terrorism. 

How could we have been so reckless as to dream?~from How Beautiful We Were by Imbolo Mbue

The fictional village, its inhabitants and history, is so well drawn I could believe it taken from life. The viewpoint shifts among the characters.

We wondered if America was populated with cheerful people like that overseer, which made it hard for us to understand them: How could they be happy when we were dying for their sake?~from How Beautiful We Were by Imbolo Mbue

The fate of the village and its country are an indictment to Western colonialism and capitalism. Slaves, rubber, oil--people came and exploited Africa for gain. The village loses their traditions and ancestral place as their children become educated and take jobs with Western corporations and the government.

This story must be told, it might not feel good to all ears, it gives our mouths no joy to sat it, but our story cannot be left untold.~from How Beautiful We Were by Imbolo Mbue

This is not an easy book for an American to read. It reminds us of the many ways our country has failed and continues to fail short of the ideal we hope it is. And not just abroad--we have failed our to protect our children here in America.

I was given access to a free ebook by the publisher through NetGalley. My review is fair and unbiased.

How Beautiful We Were
by Imbolo Mbue
Random House Publishing Group - Random House
Pub Date: March 9, 2021
ISBN: 9780593132425
hard cover $28.00 (USD)

from the publisher:

We should have known the end was near. So begins Imbolo Mbue’s powerful second novel, How Beautiful We Were. Set in the fictional African village of Kosawa, it tells of a people living in fear amid environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of cleanup and financial reparations to the villagers are made—and ignored. The country’s government, led by a brazen dictator, exists to serve its own interests. Left with few choices, the people of Kosawa decide to fight back. Their struggle will last for decades and come at a steep price.

Told from the perspective of a generation of children and the family of a girl named Thula who grows up to become a revolutionary, How Beautiful We Were is a masterful exploration of what happens when the reckless drive for profit, coupled with the ghost of colonialism, comes up against one community’s determination to hold on to its ancestral land and a young woman’s willingness to sacrifice everything for the sake of her people’s freedom.

Wonderworks: The 25 Most Powerful Inventions in the History of Literature by Angus Fletcher

I was intrigued by the idea of "literary" inventions. 

Angus Fletcher has studied and dissected how the psychological impact of literature, and what literature does to achieve that impact.

It's what first drew me to books. As a girl, I recognized how books widened my knowledge and understanding, but mostly I was impressed by how they could make me FEEL. Books could make me cry. Make me laugh. Cause all kinds of ideas to spark in my head. I was awed by that power.

In Wonderworks, Fletcher takes readers on a historical tour of the great moments in literature, showing the advances in literary tools and how the human brain reacts to cause emotional responses that can heal and enlarge our individual lives.

I have never read anything like it. 

Fletcher's vast knowledge shines as he leads us through his thinking, from one literary achievement to another, showing the development of each "invention". He then parses the reactive brain chemistry that causes the reader's reactions.

I enjoyed reading the book one invention at a time. Some inventions were easy to grasp; others took effort. I was familiar with much of the literature used as examples, but was happy to encounter new ones. Like the ancient papyrus text The Wisdom of Ptahhotep, which advises "For as long as you life, follow your heart." At the chapter's end, Fletcher includes books and movies that offer the same psychic  value as the literature he has discussed.

This is a radical, innovative way of looking at literature. It is provoking. 

I received a free egalley from the publisher through NetGalley. My review is fair and unbiased.

Wonderworks: The 25 Most Powerful Inventions in the History of Literature

by Angus Fletcher
Simon & Schuster
Pub Date March 9, 2021 
ISBN: 9781982135973
hardcover $30.00 (USD)

from the publisher

A brilliant examination of literary inventions through the ages, from ancient Mesopotamia to Elena Ferrante, that shows how writers have created technical breakthroughs—rivaling any scientific inventions—and engineering enhancements to the human heart and mind.

Literature is a technology like any other. And the writers we revere—from Homer, Shakespeare, Austen, and others—each made a unique technical breakthrough that can be viewed as both a narrative and neuroscientific advancement. Literature’s great invention was to address problems we could not solve: not how to start a fire or build a boat, but how to live and love; how to maintain courage in the face of death; how to account for the fact that we exist at all.

Wonderworks reviews the blueprints for twenty-five of the most powerful developments in the history of literature. These inventions can be scientifically shown to alleviate grief, trauma, loneliness, anxiety, numbness, depression, pessimism, and ennui—all while sparking creativity, courage, love, empathy, hope, joy, and positive change. They can be found all throughout literature—from ancient Chinese lyrics to Shakespeare’s plays, poetry to nursery rhymes and fairy tales, and crime novels to slave narratives.

An easy-to-understand exploration of the new literary field of story science, Wonderworks teaches you everything you wish you learned in your English class. Based on author Angus Fletcher’s own research, it is an eye-opening and thought-provoking work that offers us a new understanding of the power of literature.

The Hospital: Life, Death, and Dollars in a Small American Town by Brian Alexander

American healthcare was an absurdist game of Jenga. 

~From The Hospital by Brian Alexander

The Hospital: Life, Death and Dollars in a Small American Town by Brian Alexander is the portrait of a Byran, Ohio hospital between 2018 and 2020. Alexander followed management, staff, and patients, investigating the complexities of healthcare in America in one small town. The news headlines we have all seen is presented in a personalized narrative that is deeply affecting; you want to rant, or cry. Likely both.

What America did have was a jumble of ill-fitting building blocks: the doctoring industry, the hospital industry, the insurance industry, the drug industry, the device industry. ~from The Hospital by Brian Alexander

Alexander follows the Bryan hospital's struggles to keep in the black when other small hospitals were being consolidated or put out of business by larger hospitals. And he shows how medical care has become a profit-making business. 

I was surprised to learn that deductibles were not always a part of health insurance. The rationale was that people would not abuse insurance if they had to pay a portion out of pocket. Affordable insurance comes with a high deductible, and people think twice before using it. Consequently, people go without preventative care and medications and treatment for illnesses. 

It could have been my family when we had to forward paid bills to the health care provider for reimbursement--after we met the deductible. Our baby suffered from continual ear and sinus infections and we often met the deductible by the end of January, which meant a huge decrease in available income for other bills and necessities at the start of every year.

The patients in the book exemplify the danger of skipping care. Those who can't afford medications pay a higher personal and economic cost when disease or illness progresses. Some pay with their lives, some become disabled and permanently lose jobs and income, and many are hopelessly mired in debt. 

Alexander writes that America has struggled with the crisis in medical care costs for a hundred years. Citizens resisted health insurance  a hundred years ago the way they resisted the Affordable Care Act later. Health insurance was, an is, considered unAmerican and socialist by some--even those who benefit from Medicare and other governmental programs.  

"Health...is a commodity which can be purchased," Alexander quotes the president of a utility company, and major employer, in 1929. "The difficulty now is its cost is beyond the reach of a great majority of people." 

Almost a hundred years later, it remains true.

In 1963, my dad sold the business his father had built in Tonawanda, NY, and came to Detroit to look for work in the auto industry. Mom had an autoimmune disease. They needed health insurance. My folks were very lucky. They went from struggling to a nice home, two cars, health insurance to treat mom's crippling rheumatoid arthritis and, later, dad's non-Hodgkins lymphoma, plus my folks paid for my first two years of college.

Today, my son has to purchase his own health insurance. He has to invest his own money in a retirement account. Of course, he has school loans, too. 

We have gone backwards. 

Alexander touched on Michigan hospitals, like William Beaumont Hospital, the Royal Oak, Michigan based hospital where my parents and grandparents were treated. A few years back they tore down an the aging shopping center of my youth and built a new one. It did seem strange to me that a hospital was in real estate. When Covid-19 hit and Michigan went into lockdown, hospitals lost elective surgery patients. Like my husband, who was considering shoulder replacement surgery a year ago. Beaumont laid off thousands and eliminated 450 jobs. During a pandemic. 

The book brought back a lot of memories of our seven years living along the Michigan-Ohio border. I had been to the towns Brian Alexander writes about.  

After fifteen years living in Philadelphia, we moved back to Michigan so our son could grow up knowing his extended family. Neither of us had lived in a small town before. There were under 9,000 people in Hillsdale, and about 40,000 in the entire county. There was a turnover of doctors; our first family doctor, one of the few who delivered babies, left family practice, demoralized after lawsuits. We did have a small hospital at the end of our street. When our son was three, he came down with pneumonia and we were glad the hospital was so close. 

Small town life was an adjustment. We left a racially eclectic city neighborhood for a county with five African Americans; one was my ob/gyn, one his nurse wife, and one his daughter who was in my son's class in grade school. I was surprised by rural poverty. Our son told us that half his kindergarten class did not have a phone and most had no books in their homes. We took took day trips antiquing in small Ohio towns like Pioneer and I took my Bernina sewing machine for cleaning in Bryan, OH. 

I am pleased that the publisher offered me a free egalley in exchange for a fair review. I found this to be an immersive, thought-provoking book.

read an excerpt at https://us.macmillan.com/books/9781250237354

The Hospital: Life, Death, and Dollars in a Small American Town
by Brian Alexander
St. Martin's Press
Pub Date March 9, 2021 
ISBN: 9781250237354
hardcover $28.99 (USD)

from the publisher

An intimate, heart wrenching portrait of one small hospital that reveals the magnitude of America’s health care crises.

“With his signature gut-punching prose, Alexander breaks our hearts as he opens our eyes to America’s deep-rooted sickness and despair by immersing us in the lives of a small town hospital and the people it serves. “ —Beth Macy, bestselling author of Dopesick

By following the struggle for survival of one small-town hospital, and the patients who walk, or are carried, through its doors, The Hospital takes readers into the world of the American medical industry in a way no book has done before. Americans are dying sooner, and living in poorer health. Alexander argues that no plan will solve America’s health crisis until the deeper causes of that crisis are addressed.

Bryan, Ohio's hospital, is losing money, making it vulnerable to big health systems seeking domination and Phil Ennen, CEO, has been fighting to preserve its independence. Meanwhile, Bryan, a town of 8,500 people in Ohio’s northwest corner, is still trying to recover from the Great Recession. As local leaders struggle to address the town’s problems, and the hospital fights for its life amid a rapidly consolidating medical and hospital industry, a 39-year-old diabetic literally fights for his limbs, and a 55-year-old contractor lies dying in the emergency room. With these and other stories, Alexander strips away the wonkiness of policy to reveal Americans’ struggle for health against a powerful system that’s stacked against them, but yet so fragile it blows apart when the pandemic hits. Culminating with COVID-19, this book offers a blueprint for how we created the crisis we're in.

The Arsonists' City by Hala Alyan

 

"We deserve our secrets."~from The Arsonists' City by Hala Alyan

Secrets. Everyone has them. We keep secrets out of shame, out of fear, to protect loved ones, to protect ourselves. 

Keeping a secret can destroy. Guilt that alienates from others and eats at your soul. Suspicion that wracks relationships. 

Some families balance on the edge of a well-hidden secret, and when it is outed, life tumbles like dominoes.

Hala Alyan's family saga The Arsonists' City is a big book, with a big family, following forty years of their lives. I made a family tree to keep track of them! Their journey crosses the ocean, from Beirut and Damascus to America. It is a journey not only across time and space, it delves into the depths of love and grief.

I became obsessed with the novel. Foreshadowing brought me to guess some secrets and conflicts to come. I didn't know if the story was coming to a car wreck or redemption, resolution and growth or despair and endings.

At the heart of the story is Mazna, the beautiful Syrian who aspires to be an actress. When Idris sees her on stage, he is smitten and pursues her, taking her on day trips to his hometown of Beirut. When Mazna meets his dearest friend Zakaria, a poor boy from the Palestinian camps, she is drawn to him.

Forty years later, after his father's death, Idris is determined to sell his ancestral Beirut home, setting off a firestorm in the family. The family gathers one last time, Idris and Mazna, their three children, and a daughter-in-law. 

Idris, not handsome enough, not sure enough, had pursued the beautiful Mazna, a poor Damascan girl with powerful stage presence in the local theater. She dreams of going to London and then American to become the next Ava Gardner or Vivian Leigh. She poses as a friend to his sister Sara. Their marriage was rushed; he caught her "when she was broken." Idris gained a residency in America. They begin in poverty until he established a career as a cardiologist surgeon.

The eldest child, Ava, lives in New York City, married to the American Nate. She comes with their three children, Nate claiming a work trip keeps him from joining her. 

Next is Mimi, living in Texas with his American fiance Harper. Although he runs a successful restaurant, he is frustrated over his tottering music career and aging out of being 'cool'.

And there is Naj, the youngest, who stayed in Beirut. She is a wildly successful violinist, a media sensation, but self-destructive, angry and heartbroken.

Gathering mementos for the patriarchs memorial service, the children discover hints to their parent's secret past. 

The Beirut home takes its place as an important 'character', more than a backdrop to the scenes that play out there. It is a link, a reminder, a legacy. When one of the cherished almond trees is nearly cut down, it is a symbol of the family's frailty. But the other trees still remain, the house still stands.

The family drama is universal in its appeal and message. It is the setting and background that allows American readers like me to see through another lens. "We all come from tribes," Zakaria tells Mazna early on. "People don't need much of a reason to hate each other."

And that tribal hate manifests itself in the act that sends Idris and Mazna spiraling into a future neither expected.

Checkpoints, sectarian violence, the continual war, colors the scenes in Lebanon. 

"The war continued to chug along like a faithful engine, destroying the city. It's like background nose, Sara said once." ~From The Arsonists' City by Hala Alyan

Once in America, the family discovers they are 'brown', other, victims of mockery and hate. "Neighborhoods are arranged by skin. Jobs, schools." Mazna learns. The beautiful Mazna can not find acting roles, passed by because of her accent, her otherness. She blames Idris for ruining all her chances. 

But it is a small mercy, how time distills what we know, how it fictionalizes it.~ from The Arsonists' City by Hala Alyan

The characters struggle with their pasts, their relationships, their guilt and their desires. But over the summer in the ancestral home, they find truth and new understanding, family ties are ultimately strengthened. 

I received an ARC from the publisher through Amazon Vine. My review is fair and unbiased.

The Arsonsits' City 
by Hala Alyan
HMH
Publication Date: March 3, 2021 
ISBN-13/EAN: 9780358125099
ISBN-10: 035812509X
Price: $14.99 ebook, $26.99 hardcover

from the publisher

“The Arsonists’ City delivers all the pleasures of a good old-fashioned saga, but in Alyan’s hands, one family’s tale becomes the story of a nation—Lebanon and Syria, yes, but also the United States. It’s the kind of book we are lucky to have.”—Rumaan Alam

A rich family story, a personal look at the legacy of war in the Middle East, and an indelible rendering of how we hold on to the people and places we call home

The Nasr family is spread across the globe—Beirut, Brooklyn, Austin, the California desert. A Syrian mother, a Lebanese father, and three American children: all have lived a life of migration. Still, they’ve always had their ancestral home in Beirut—a constant touchstone—and the complicated, messy family love that binds them. But following his father's recent death, Idris, the family's new patriarch, has decided to sell.

The decision brings the family to Beirut, where everyone unites against Idris in a fight to save the house. They all have secrets—lost loves, bitter jealousies, abandoned passions, deep-set shame—that distance has helped smother. But in a city smoldering with the legacy of war, an ongoing flow of refugees, religious tension, and political protest, those secrets ignite, imperiling the fragile ties that hold this family together.

In a novel teeming with wisdom, warmth, and characters born of remarkable human insight, award-winning author Hala Alyan shows us again that “fiction is often the best filter for the real world around us” (NPR).

About the author 

HALA ALYAN is the author of the novel Salt Houses, winner of the Dayton Literary Peace Prize and the Arab American Book Award and a finalist for the Chautauqua Prize, as well as the forthcoming novel The Arsonists' City and four award-winning collections of poetry, most recently The Twenty-Ninth Year. Her work has been published by TheNew Yorker, the Academy of American Poets, LitHub,the New York Times Book Review, and Guernica. She lives in Brooklyn with her husband, where she works as a clinical psychologist.