Wednesday, July 12, 2017

Singer Make-Over Guide

Another recent find at the Royal Oak Flea Market was this Singer Make-Over Guide, Ideas and Instructions for Renewing, Altering, and Restyling Clothing and Fabric Furnishings. The booklet was published in 1942 and 1943.

During World War II rationing meant ladies were unable to purchase new clothes to keep up with style changes or children's growing bodies. Instead of passing worn clothing to younger children this booklet showed women how to alter and refit clothes.

It first showed instructions for darning, patching, and mending using the Singer sewing machine.

Restoring sweaters showed how to restore a garment's shape, alter it, and repair holes. Cutting off arms and altering the neck for a V-neck opening could turn a small sweater into a stylish vest. Appliqueing floral motifs over holes and bands of fabric to make stripes also could cover mars.

Blouses could be altered into dickeys. Torn sleeves could be replaced with new.
Below you can see how a dress was altered for bitter fit and to offer higher style.


A dress that had shrunk could be remade into a jumper or coat dress with inserts, reversing the dress, altering the neckline and sleeves, or adding back center panels.

Little girls who insist on growing taller were problem children. The suggestion was inserting bands of fabric in the skirt and even in the midriff of the dress.
Combining two dresses to make two new ones sounded too complicated for me! But converting a coat sounded easier. Here they show an old coat with a new lining, padded shoulders, reversed inserted panels in the front, color, and cuffs.

Quilted inner coats could be layered with an outer coat or worn as a robe or stylish evening wear coat. Fur coats could be remade with new sleeves or with cloth gore sides to make the new swing coat shape.

A man's shirt could make TWO shirts for the kids.
I have read that used clothing is a real trash problem. We toss away more clothing than can be used for charity, and recycling it is a problem since most fabrics in clothing manufacturing today consist of man-made fiber. Microfiber is especially a concern, with particles appearing throughout the environment.

It is suggested that we use clothes longer, buy natural fibers of wool or silk or linen, and 100% cotton where we can find it.

Or, we can learn from our foremothers and make-over clothes for longer use!

Tuesday, July 11, 2017

Abe Lincoln and Joshua Speed Star in Perish From the Earth

When I saw that Doris Kearns Goodwin enjoyed Jonathan F. Putman's first Lincoln and Speed mystery novel, I decided to request the second in the series, Perish From the Earth. The idea of a mystery involving circuit court lawyer Abe Lincoln and his bunkmate Joshua Speed intrigued me.

The action takes place in St. Louis in 1837, at a time when Abolitionists were considered radical lawbreakers.


Joshua Speed, our narrator, accepts slavery although he is disturbed by scenes of abuse. Abe supports it as constitutional but hopes that it will be phased out over time.

1837 saw the inauguration of Martin Van Buren and the Panic of 1837, a financial crisis. Oberlin College became the first in the nation to accept female students. (Michigan also became a state!)

Speed is on the War Princess, a Mississippi paddleboat owned by his father, investigating why it has not been a profitable venture. While he is on board, a man goes missing and his body is afterward found by Speed and Lincoln. A rival in love, the artist George Bingham, is accused of his murder and Lincoln agrees to represent him in court.

As Speed and his intrepid sister Martha investigate, the reader learns about American society at the time: slavery, plantation life, abolition, the newfangled justice and prison system, and life on a paddleboat.

Events and persons are based in history. A mob murders an abolitionist newspaperman, based on the real Elijah Lovejoy. Other characters drawn from history include the gambler Devon, George Bingham, and persons in the legal system. Likewise taken from history is the prison in Alton. Robert E. Lee shows up, managing a project for the War Department's Engineering Corps.

Lincoln had a deep commitment to the law and an abhorrence of mob rule. We see Lincoln as a trial lawyer, employing his gift of storytelling and turning his failures into successes.

I liked the characters and enjoyed the vivid descriptions that brought the historical time period to life. Everything felt probable and in keeping with what we know of Lincoln. This was an enjoyable read.

I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.


Jonathan F. Putnam is a writer and attorney. A graduate of Harvard College and Harvard Law School, he is a nationally renowned trial lawyer and avid amateur Lincoln scholar. He currently lives with his family in London, England. This is his second Lincoln and Speed mystery following These Honored Dead.

Perish from the Earth: A Lincoln and Speed Mystery
Jonathan F. Putnam
Crooked Lane Books
Publication Date: July 11, 2017
$25.99 hardcover
ISBN: 9781683311393

Monday, July 10, 2017

Central Station by Lavie Tidhar: Fantastic Yet Familiar

Central Station imagines a world where divisions have blurred between man-created and biological entities and corporate and personal memory. Conversation has shifted from personal one-on-one dialogue to universal eavesdropping and vicarious experience available through an implanted node.

Central Station is the interstellar port that rises above Jewish Tel Aviv and Arab Jaffa where people "still lived as they had always lived." We will recognize aspects of their lives, the human need for love, the seeking of answers through faith and escape through drugs, the vilification of those who are different. And yet this world, this society, is totally a new imagining.

Originally a series of short stories about individuals whose ancestors came to build the station or fight in the old wars, this is not a plot-driven book but is still compulsive. Long explanations do not burden the tale; you take the strange and new by faith and context, growing into understanding.

Some of the characters and their stories include:

Boris Chong and Miriam Jones had once been young and in love. Boris worked in the labs that created human life but left to work on Mars. He has returned to Central Station with a Martian aug, a parasite, having learned his father's memory was failing. Miriam has adopted a strange child born in Boris's lab.

Boris is followed by an ex-lover named Carmel, a data vampire who is shunned and dangerous. Carmel becomes lovers with one of the few humans without a node, Achimwene, a man she cannot feed on and who cannot become addicted to the dopamine high stimulated by her theft of their memory data. Sometimes he wonders what it was like to be "whole," growing up part of the Conversation, for a human without a node was a 'cripple'. His passion is for mid-twentieth century pulp fiction books, the cheap paperbacks crumbling and yellowed. Their story and search for answers was one of my favorite sections.

"Just another broken-down robotnik, just another beggar hunting the night streets looking for a handout or a fix or both."

Miriam's sister Isobel Chow is in love with Motl, an ex-soldier who was mechanically rebuilt over and over until he is more machine than man. Robots haven't been made for a long time and these veterans end up on the street begging for replacement parts to keep going. He no longer recalls what wars he had fought, but the vision of war and death remain. He is an ex-addict of the faith drug Crucifixion. Now his parts are breaking down, but his feelings are strong.  "Sometimes you needed to believe you could believe, sometimes you had to figure heaven could come from another human being and not just in a pill."

"This part of the world had always needed a messiah."

R. Brother Patch-It is a robo-priest and part-time moyel. "We dream a consensus of reality," he preaches. It feels tired, old, his parts wearing out, and sometimes he is envious of the human trait of sensation and stimulation. "To be a robot, you needed faith, R. Patch-It thought. To be a human, too."

On the flip side, Ruth Cohen longs to be part of something bigger, a total immersion in The Conversation, the linked awareness made possible through the node implant. "Are you willing to give up your humanity?" she is asked.

Behind these otherworldly characters are still basic stories of humanity's essence: the search for love and meaning.

"It is, perhaps, the prerogative of every man or woman to imagine, and thus force a shape, a meaning, onto that wild and meandering narrative of their lives by choosing genre. A princess is rescued by a prince; a vampire stalks a victim in the dark; a student becomes the master. The circle is complete. And so on."

"There comes a time in a man's life when he realizes stories are lies. Things do not end neatly."

My son, blog writer of Battered, Tattered, Yellowed and Creased, raved about Tidhar's book (read his review here) which motivated me to request it through NetGalley. Central Station has won multiple awards and huge recognition. It is sure to be a classic. I thank the publisher for the ebook in exchange for a fair and unbiased review.

Central Station
Lavie Tidhar
Tachyon Publications
ISBN: 9781616962142
$15.95

Sunday, July 9, 2017

The Velveteen Daughter: "Genius Touched with Madness"

The Velveteen Rabbit is a well known and well-beloved children's book by Margery Williams Bianco. That Margery's daughter, Pamela, was a child prodigy in art has been forgotten, but a new book by Laurel Davis Huber will soon correct this lapse of collective memory.

Huber's novel is compelling and affecting, the story of a girl who yearns for love. As in her mother's book, she seeks the love that will make her 'real'.

Margery and Pamela both speak in the novel, with chapters skipping back and forth in time in a paced revelation.

Pamela's father pushed her into the art world as a child genius; Margery tried to hold him back so Pamela would have a normal childhood, developing her talent organically. Pamela wanted to please her father. Her art was displayed when she was twelve; she was a sensation.

"This wonderful child," Gabriel D'Annunzio wrote after seeing a sketch she had done, aged eight, "whose name is like the name of a new flower. The drawings of a phenomenal girl artist are like flowers, delicate, fragile, wind-blown, sprung from the enchanted soil of fairy land."
When a girl she developed an attachment to Richard Hughes, a charismatic young poet who became close to the Bianco family. She created a fantasy that they would marry. When the much older Richard became engaged it caused a crisis for the emotionally fragile Pamela and resulted in hospitalization.

Over the next years her fixation on Hughes suffered many ups and downs until it became clear he had no intention of marrying Pamela. Hughes is known for his novel A High Wind in Jamaica.

While pursuing her art in New York City during the 1920s Pamela fell in with a young man and as a lark they married, resulting in a child, although they never lived together.

Pamela struggled with mental illness, causing great lapses in her artistic output. Late in life married and supported by her husband returned to art.

In the background is the story of Margery's sister and her disastrous marriage to Eugene O'Neil. Pamela encounters art world denizens including Pablo Picasso and Gertrude Whitney Vanderbilt.

Huber's meticulous research has resulted in historical fiction that has great emotional appeal.

The Velveteen Daughter
Laura Davis Huber
She Writes Press
Publication Date: July 11, 2017
$16.95 paperback
ISBN: 9781631521928

Saturday, July 8, 2017

Nancy and Gary Burn Out

Kensington was the birthplace of American industry, particularly for textiles. It is where John Hewson set up the first textile factory in America; his chintz prints are well known to quilt historians. Quaker Lace,  Rose Mills, and Stetson Hats also had factories in Kensington. Irish Catholics came for the jobs and worker's rowhouses were built to accommodate them. This is where Anti-Catholic Nativist Riots broke out in 1844. Along the Delaware River, just south in Fishtown, is where William Penn signed the treaty with the Native Americans.

Gary and I about 1981
We moved into the Kensington parsonage on July 1, 1980, on a typical Philadelphia summer day, the weather hot and humid. The parsonage was a porchfront rowhouse dating to the early 1900s, known as "Doctor's Row," upscale houses once near the city limits. People were still alive who recalled when there were cow pastures just north of the railroad.

A snapshot of me with the parsonage in the background, the second from the left.
The house third from the left has the original porch. 
The neighbor kids who lived in the rental house next door peeked in the open door as the movers brought in our household goods. They told me the house was pretty. I invited them in and they "ogled and ahhed over the smallest things." The kids said that the previous pastor was 'a gay bird' and 'someone had hit the front door with an M-80'. This is the first we had heard there had been trouble.

I was furious. The house was filthy. There was carpet in the kitchen that was tobacco colored, except close to the cabinets were it was shades lighter. There were nice wood floors in some rooms and I hoped to take up the horrid carpet. And the paint and wallpaper were ancient and faded. The old fashioned fuses kept blowing. We could not use the hair dryer if the bedroom window AC was on, or the toaster if the radio was on. The screen door needed repairing, and the parishioner who did the work said the door had "been abused with a hammer."

The enclosed front porch opened to a long, narrow living room that led to a dining room and an eat-in kitchen. Off the kitchen was a small cement yard which led to the garage and the back alley. Homeless people left evidence that they slept in the garage at night.
View from the back door to the garage (ours on the right)
and the factory on the next street over.

Our VW in front of the garage; Dad's truck is in the garage.
Upstairs was a large front bedroom, a bathroom, and two small bedrooms with the original clothes closets with shelves, dating from when people folded their clothes instead of hanging them. The middle bedroom window opened to the neighbor's house window just a few yards away.
Back bedroom with old fashioned closet

The view from the back windows showed an industrial area in decay.



Allegheny Avenue had heavy traffic. Philly was never a very clean city, but here the sidewalks sparkled with broken glass as well as blowing trash.
View from our front door looking east
Directly across the street was John B. Stetson middle school, named for the hatmaker. I learned that police walked the teachers in and out every day. Every corner had a bar and a mom and pop store for essentials like cigarettes, beer, and milk and bread. At night we heard the booming of the jukebox from the bar a half block away. We were lucky my grandmother had given us an ancient air conditioner which we used in the bedroom, or I would never have slept during the summer.
Kensington retail row. Photo by Gary.

Photo by Gary from El
Needless to say, we had more cockroaches than ever, and mice, too. One parishioner laughed about the mouse that jumped out of her toaster one morning. It was just life in the inner city. Every day I washed dishes and cleaned the oven and stove top before I used them. Otherwise, when I turned on the oven I smelled roasting mouse turds or the acrid smell of urine. I found roaches in the medicine cabinet and they ate holes in my sweaters. One night I woke when a roach ran across my face.

The streets our parishioners lived on were built for the factory workers. The Stetson hat factory and Quaker Lace factories had once been big employers but were now empty shells. Workers commuted to the suburbs for jobs. Their houses were valued at a few thousand dollars so they could not afford to move. Instead, they went on cruises and spent weekends at the Jersey Shore. After Atlantic City casinos were built, people took the casino buses which included $5 in quarters and a free lunch. 

Local Kensington street where Gary's parishioners lived.
Photo by Gary.
There was no off street parking or lawns or trees or parks or playgrounds. In the evening people sat on the 'stoop', the front steps, to visit and chat. Teens and young adults gathered at the street corners under the street light to talk, drink and smoke weed. Without jobs or housing, young people coupled and had babies while still living with their parents. Unlike downtown Darby, here we were surrounded by families.

When Gary walked to Mt. Pisgah people would greet him, "Hello, Father." Parishioners would invite him in for beer or a glass of wine. Church meetings were held around kitchen tables in a haze of cigarette smoke.

Kensington Ave., 1980. Photo by Gary.
A few blocks walk away was Kensington and Allegheny where the main shopping district was located. The Franklin Elevated train ran overhead. This was the neighborhood the movie Rocky was filmed in.

My brother Tom, me, and Gary on Kensington Ave.
There was a Chinese restaurant that made the most amazing egg rolls. They would be lined up on tables to cool when we went in.

Gary had a two-point charge. Providence UMC at Front and Allegheny was the larger of the two churches. 
Providence UMC at Front and Allegheny Ave, 1980

Providence UMC, Front & Allegheny. 1980. Photo by Gary.
Mt. Pisgah UMC was nestled in the middle of rowhouses at Kip and Cambria.

Mt Pisgah UMC at Kip and Cambria, 1980. Photo by Gary.
The churches were part of the ten church Kensington Area Group Ministry, united in shared ministry and support. On move-in day the founding director of the group ministry and another group pastor stopped by to greet us. 
That evening the director took us on a tour of the group's churches and to dinner in Chinatown. This group offered support to both Gary and me during our tenure in Kensington.

July 4 was hot and humid. We went downtown and saw a free play on Dolley Madison and had ice cream at On the Porch at Head House Square. There was a hot air balloon lift off. We walked to Independence Mall to hear the Philly Pops and see the fireworks display then took the El home. We were lucky; those who drove downtown and parked in the underground garage suffered from monoxide fumes because of the long backup getting out. It was 83 degrees at 11 pm. 

July 5 was our first day of church. Two churches meant two services, two receptions, and two sets of people to get to know. We were given a plant and flowers and leftover cake from the receptions. A parishioner took us to lunch. Our calendar was booked for weeks with all the invites we received. People were very informative, telling Gary about the parish and its history and the needs. 

The previous pastor was a single man who became over-involved with a teenage boy. There had been accusations of inappropriate behavior, but we did not know anything except we heard through the grapevine that the pastor was in therapy. 

The neighbor kids would greet us at the door. The boy said he believed the kids who set off the M-80 would like us better, which tipped me off that these were the kids behind that incident!

A teen youth group member told us that the motto of the street was "don't get mad; get even." Our pacifist beliefs brought smug smiles as they knew we had lived in a bubble. It was hard to deal with their racial prejudice and outdated views of women. And yet the women of Mt. Pisgah were strong church leaders.

It took weeks to get settled in. Temps rose to 99 degrees, and there was no shade, just the sun reflecting off the cement. I was drained of energy and was frustrated that I had no time to write. I was not practicing my music or art either. My whole routine was off. 

We painted the entire parsonage with the churches footing the cost of paint. We tore up the kitchen carpet and vinyl flooring was laid, and we replaced the kitchen wallpaper. I bought new curtains and a bedspread for the master bedroom and made a shower curtain and bathroom window curtains with Marimekko sheets.

That fall I found work as a part-time church secretary to one of the first ordained Lutheran women pastors. I took the El north to Frankfort. I ran off the bulletin on an ancient mimeograph machine. My boss had previously been an editor for the Lutheran publishing house. She told me that when she was working there a divorced man proposed a trade of sexual favors for job advancement. She declined, but another woman who was married accepted. 

With the rest of my day, I was finally writing again, poetry and even a historical fiction novel based on the Munsterite Rebellion.

The Blind Man and the Child at the Window
1980 

Child, what do you see?
The dappled starling and homely sparrow
timid among the leaves and winter residue.
Child, what do you see?
The mourning of the naked trees
exposed to this late winter sorrow.
Child, again, what do you see?
The vagrant in his clownish clothes
come sowing vaporous songs
while shuffling he goes.
Child, and now what do you see?
A decayed and unkempt vanity
where scattered lie the shells
of what was once worn so well,
and a hungry mouth filled with milk
overflowing, and last,
the nations’ deepening sleep.

Around this time I first heard of Stephen Hawking on a news show.

Day By Day Living
for Stephen Hawking

We learn to live day by day
the way a child learns to walk
step by step
giving over familiar things for a mystery
our solid stance for a risk of wings.

Icarus strove to exceed man’s limit,
but toppled back to earth again;
why, then, do we forget these things?

Vain man,
worming galoshes over shoes
a tedious task for a slight protection
against spring’s thaw
and the brisk wash of April.

There is a genius in the frailest frame
that will not be contained.
The blind take up their canes
and venture to learn the street.
A man’s unresponsive body strains
to verbalize in pain
visions which will stun the world.

One day I was waiting on the El platform. I was to meet Gary who was at a church meeting in lower Kensington. A man in a camel coat came up and asked me for the time. I told him. He took off the coat and draped it over his arm, and came back and asked me what time it was again. He stood closer to me this time. I was alert but was unwilling to stereotype him based on color. After a while he asked a third time, this time leaning over close to look at my watch. Then he left the platform. He had picked my wallet from my purse. I had perhaps $2 cash. My idealism had left me an easy mark and perhaps gave the thief some practice. The wallet was found by a schoolgirl and returned but I had already replaced my driver's license and cancelled the bank card.

It was easy to get downtown from Kensington, taking the El into Center City. It was the best thing about Kensington--it was easy to leave for someplace else. We went to the Philadelphia Museum of Art, the symphony, movies at the Ritz Theater, and to eat out. 

We drove to Reading Terminal to shop for fresh veggies, fish, meat, and Amish homemade cottage cheese. There was a bakery in Old Kensington with the most delicious Hamantashen, my favorite kinds being prune and poppyseed. 

We went to repertoire movie theaters in local neighborhoods like Mayfair to see $1 movies. The theaters dated to the 1930s. One had strange Art Deco murals on the walls that looked like a combination of Greek mythology and futuristic sci-fi.

We continued singing with the Mastersingers. In fall of 1980, we performed A Ceremony of Carols by Britten and The Holy City by Vaughn Williams. The selections in 1981 were amazing: The Coronation Mass and Requiem by Mozart and the Manzoni Requiem by Verdi. We went to the Mann Music Center to see Sherrill Milnes and Mozart's 35th Symphony and Tosca with Luciano Pavarotti.

I was writing city-inspired poetry. A historical tour of Kensington taught me about its history.

The City Dead

A hot, humid Sunday in late July, the atmosphere
an elixir of chemical smells.
No human voice breaks the stillness of hazy air.
Here is only the arid stretch of concrete,
the glare of sun on trolley tracks,
the vacant, lidless, terrible black holes
of abandoned factories
whose broken walls spew silent sighs
into deaf, empty streets.
The sky is faded to a worn blue-gray
cloudless under the early strong sun.

The people gather in the chapel,
choose a seat, and wait,
desiring only the luxury of a distraction,
a moment's shelter from the sun.
The organ fills the silence,
the ritual is comforting and known.

On such a morning can be seen
mirages wavering in the air, ghosts
of the city dead re-enacting wasted lives
tied to the mechanisms of mills long silent.
Pale, spare faces of women earning meager wages
working long days, then, weary, walking the long way to home
where a supper of potatoes and flour gravy awaits them.
Men snared by ignorance, their fear turning them tyrannical.
Whispered are things we had forgotten
or never knew:
the mass burials of the victims of cholera and yellow fever,
summer visitors whose holiday wrecked havoc;
the bloated still bellies of women
whose luckless life left their living children
to be raised by some other woman.

Under blackened bricks of rowhouses a hundred years old
fossil cells of antique illnesses recount a history of loss.
Apparent now again, the names stamped upon the bricks:
Donovan. Jones. Campbell. Nicholson. Milnor. Turner.
Reilley. Guenther. The Irish, the German, the English
the Scotch, men and women who came
seeking happiness, now content with a long rest.

At twelve o'clock, the sanctuary empties.
The people walk home in the scorching heat,
imagining neighbors walking the boardwalk at the shore
enjoying the salty ocean breeze.
The children are opening the hydrants,
running through the water, mindless
of the broken glass and trash of the gutters.
In the early evening the bars will fill.
The gaiety of the German beer halls stilled
back during prohibition, today they will watch TV
and talk about sex or crimes committed.
The people will drink until the air cools
to seventy-nine degrees, then return home
for a restless sleep until dawn.
Roused by early harsh sun glare,
they will return to the factory docks
and the warehouses. Monday, and
the endless cycle begins again.

Every shopping mall had a pet store full of puppy mill dogs. When Gary was a teen his parents adopted a mill dog, a red dachshund. He always wanted another. One day we stopped in a pet store and played with a dog who crawled into my winter coat sleeve and fell asleep. We fell in love with him.
 Gary named him Peregrine Took and we called him Pippin.
Pippin was our 'baby' dog who loved to cuddle. He was high energy and loved to play fetch, too.
We tried to adopt a shelter dog to keep Pippin company. She kept running away from us, and she bit me. We took her back.
Me and the dogs at our front 'stoop'
Walking the dogs in Kensington
We took Pippin camping with us on a trip to the Finger Lakes, Watkins Glen, and Letchworth State Park. He also went with us on a trip to Acardia National Park. He would run ahead down the paths on our walks, then run back to us again.
Me and Pippin in the Finger Lakes

One day there was a fire in an abandoned factory down Allegheny Avenue. I was terrified the fire would spread. When the Phillies won the 1980 World Series there was a huge celebration in the 'hood, with gun shots all around. 

The neighbor on our other side kept to themselves. Their teenage son was disturbed. I would go out the back door into the cement yard and the boy would jump from his roof to his yard, landing on his feet. I knew he was trying to get a rise out of me and I would not give him the pleasure, so I would just say 'hi' and carry on. The pastor's wife who followed me told me that boy broke into the parsonage and stole from them. And a few years later we read a horrifying news story; the boy had beat his girlfriend and then beat his own head in with his car door and died.

One day I was walking to the El to work and I saw a nine-year-old boy smoking a cigarette. Realizing he would disregard any advice, I quipped, "You are smoking! Wonderful! Cancer by age thirty!"

Gary ran into conflict with church members. He changed Mt. Pisgah's order of worship and was threatened physically if he didn't change it back. The offering had to be early in the service so the counters were done by the end of the sermon. Strangely, that same man and his entire family came to like Gary and me very much, our biggest fans. Providence had illusions of being 'better' and were jealous of time we spent with the smaller Mt. Pisgah. 

A year passed and Gary was still feeling uncertain about his calling. Mt. Pisgah liked him, and he was impressed by their wonderful outreach ministries. They sent teens from the street to church camp where for the first time they saw stars and woods and discovered silence. It unnerved them! The church also hosted mentally impaired people for a social time and meal every week. Providence parishioners were jealous of our time spent at Mt. Pisgah but they did not have an outreach ministry. I had stopped going to both services weekly. One week I sang in the Providence choir, and the next week I attended Mt. Pisgah.

Gary could not rally from his malaise and self-doubt dating to Darby. We were tired of fighting the vermin and walking our dog along the glass shard littered streets. We longed to have a home of our own. Gary was 30 and I was 29 years old. We needed a change.

I saw an ad for an outside sales rep with a Center City office supply company. Seeing a salary of $20,000 a year I got starry eyed. And I always did swoon over paper and pens. My sales experience amounted to running to seminary bookstore, but I got the job with a base salary of $12,000. In these days female outside sales persons were still rare. Gary searched for a house we could afford and was hired for a sales position in a life insurance company. 

After a year and a half at Kensington, Gary went on a leave of absence from full-time ministry. The Mt. Pisgah parishioners were very sad. They said Gary was the best pastor they had ever had. The rental neighbors were sad to see us go. They said we were the nicest neighbors they ever had.

Kensington  later became a vibrant Hispanic community, but by 2011 had declined with the highest drug and prostitution crime in the city. 



The Children

Our children are dying.
Their eyes, full of broken wings, haunt me,
their questions sear the air like exhaust fumes.

How can we shatter such purity so?

Childhood's haven destroyed,
there is left no serene rock 
upon which to root and grow.
They learn to walk on the jagged edges
of broken dreams, and to feast
on the small parcel of silence
between abuse and misuse.

And who we cannot kill, we strip
of immunity, prey of disease, 
the lure of easy money.
Playing on their porches
they are victims of war.
In the school yard
dogs are let loose on them
or sprays of bullets.

I have seen them on the streets
longing for a place to belong to,
knowing the world is a hard place,
learning to be hard to survive.
Dwarfed, afraid, they murder,
enacting dreams of power and control
over things too big to ever control,
filled with visions of Hollywood glory.

And this is the generation we will age under.

Years hence when we are confronted in anger
we cannot plead innocence:
These children alone are innocent.
Our children are dying.


Friday, July 7, 2017

Reading with Patrick: The Memoir of an Idealistic Teacher

Michelle Kuo is a Chinese-American who grew up in West Michigan. I've lived in West Michigan. I lived in an entire county with only a handful of African Americans. I don't think there was one Asian person out of the 40,000. So it is understandable that Kuo grew up feeling alienated, identifying with the African American experience.

I admire how Kuo struggled with her immigrant parent's dreams for her and her personal desire to dedicate her talent to human rights. And I appreciated her honesty in admitting her failures and steep learning curve about the limits of what she could accomplish. It recalled to mind the idealism my husband and I once held and the pain and disappointment when faced with reality.

Reading with Patrick is her story of two years teaching English in one of the poorest counties in America, working in a school for troubled students. Success was not immediate, but she persisted. Her kids realized she was a teacher who cared.

She leaves under pressure to continue her education, planning a career in law. Several years later one of her best students is in jail for manslaughter. Kuo puts her personal life on hold to be with Patrick. They start back at square one. He has to physically relearn how to write legibly and read with understanding. Over seven months he becomes a gifted creative writer.

The story of how she discovers how to awaken his mind and set his spirit free is heartwarming and also devastating. I thought of the old television commercials for supporting black colleges: A mind is a terrible thing to waste. But of course, these children born in poverty, with little opportunity, do lead wasted lives. Kuo discovers many of her students have also ended up in jail or pregnant and it makes her reconsider her own estimation of her legacy.

Patrick accepts a plea bargain and serves his time. And then discovers all the doors are closed to him. As Kuo points out, the justice system has moved from trials to settlements, but the jail sentences permanently impair futures. The justice system and public education, and the legacy of racism behind them are addressed with thoughtful insight.

It is Kuo's self-revelatory journey that sets this book apart.  And I loved reading how students, and in particular Patrick, responded to literature and poetry.

I won this book on a giveaway. Thank you to LibraryThings and the publisher.

Random House
Publication Date July 11, 2017
$27
ISBN: 978-0-8129-9731-6

Thursday, July 6, 2017

Grace by Paul Lynch: The Story of a Girl Surviving The Great Hunger

2 million people died in The Irish Potato Famine when blight destroyed three years of potato crops between 1845 to 1851.

In his novel Grace, Paul Lynch recreates Ireland during the famine. The writing is gorgeous, the protagonist, Grace, memorable, the descriptions of what she experiences while on the road crushing.

Think of a journey story set in a Dystopian world, such as The Road by Cormac McCarthy. Consider that the story is history, that the starvation, despair, disease, and the ever-present threat of death are historical.

Realize that government and the wealthy could have alleviated the suffering. It is a disturbing realization of how those of means and comfort justify their selfish self-interest. Then consider the great need in the world today, in America, in your own hometown, and know that nothing has really changed. We still turn a blind eye and hold to 'truths' about self-reliance and just deserts.

Grace's mother provides a cottage for her children through an arrangement with Boggs, who visits her as payment for his largess. But as Grace nears puberty, Boggs notices the girl. One night Grace is roused and her mother shears off Grace's hair and orders her to dress in men's clothing. The next day her mother insists she eats a rare meal of meat and orders her out of the house to find work as a man, hopefully to return with full pockets.

Confused and unwilling, Grace hangs around and is joined by her younger brother Colly. Colly instructs Grace on manliness, how to smoke a pipe to damp the hunger, and his chatter fills the void. They seek out empty huts or animal sheds for shelter, shivering in the cold. After an accident takes Colly, his voice and comments are still heard by Grace, become a part of her, and she answers back in whispers.

Grace journeys from town to town, picking up work where she can. She mimics men's behavior while noticing the swelling of her breasts. She passes through villages where the starving hawk their shreds of clothing and emaciated children stand listless. She finds herself with rough company, thieves, men who have detected her sex and follow her, and finally Bart, who becomes her protector.
"This is no way to live."
Bart and Grace travel across the country, to people and places from his past, hoping to find work, to learn there is nothing left of the Ireland he had known.

"Don't you see what is going on around you? The have-it-alls and well-to-doers who don't give a fuck what happens to the ordinary people," Bart tells Grace. "The people are living off hope. Hope is the lie they want you to believe in. It is hope that carries you along. Keeps you in your place. Keeps you down. Let me tell you something. I do not hope. I do not hope for anything in the least because to hope is to depend on others. And so I will make my own luck. I believe there are not rules anymore. We are truly on our own in all this." And at the last, "The gods have abandoned us, that's how I figure it. It is time to be your own god."

Grace is nearly dead when she is rescued by a disturbed religious cult leader, then must find the strength to escape her rescuer. She returns to find her family home deserted. The book ends with Grace, age nineteen, the famine over, pregnant and living with a man she trusts, with hope for the future.

Lynch has accomplished something remarkable in this historical novel, for he not only has created a memorable protagonist and a story of growing up, not only a vivid picture of Ireland during The Great Hunger, but he has given readers a book that raises our awareness of suffering and how, in the past and in the present, every one of means who turns away is responsible.

I found this one of the most memorable novels I have read this year.

I received a free ebook from the publisher in exchange for a fair and unbiased review.

Grace
by Paul Lynch
Little, Brown & Company
Publication July 11, 2017
$26 hard cover
ISBN: 9780316316309