A Mixed Bag of Mini-Reviews

Thanks to the local library I was able to read Jesmyn Ward's Sing, Unburied, Sing.

As I read Sing, Unburied, Sing, I kept worrying that something horrendous was going to happen, something I could not bear. The feeling of impending tragedy was ominous. The characters were well drawn, their stories heart-rending. They will live with me for a long while.

#Hockeystrong by Erika Robuck

My family was never into sports. We were given tickets to see several hockey games at Michigan State but that is my sum experience with the sport. But I can appreciate a good social commentary.

This book dissects the crazy things parents will do when their kids enjoy a sport, making a game into a fetish and giving up all control to the machinations of an obsessed coach. I’d have laughed at the extreme things they do...except I was so appalled. Over the top, hilarious, and disturbing—the novel left me grateful we were never #Hockeystrong.

I purchased an ebook.

Book Club Reads

Both my book clubs have recently read Behold the Dreamers by Imbolo Mbue much to my pleasure. Overall, everyone enjoyed the book. Here is the review I wrote after reading it in 2016:

I was thrilled to win Behold the Dreamers on Goodreads Giveaways! After reading it, I am grateful to have won it. It is a beautifully written, deep, and thoughtful exploration of the oldest theme in American literature: The American Dream. What makes this treatment stand out is the juxtaposition of the dreamers who hope to achieve the dream against the family who already lives the dream.

Jende and Neni have come to New York City hoping for a better life. Neni is a strong-willed woman who defied her father to marry Jende. She is determined to get an education and a career. Jende was forbidden to marry Neni, and when she became pregnant her father had Jende imprisoned. In 2007, now together and living in Harlem, Neni is in school and Jende has landed a posh job as a chauffeur to a Lehman Brothers executive. They are full of hope for the future. All they need is to become permanent residents.

Jende's boss Clark and his wife Cindy are successful, rich, beautiful people, who have come up from the lower and middle classes. In truth Clark is a workaholic whose moral sense must be suppressed as he conforms to the business ethics of Lehmans, while Cindy obsesses over fitting in, passing as one of the 1% to maintain her status.

As the two couples struggle with their personal demons, watching their dreams unravel, choices are made that will alter their lives forever.

I enjoyed this book on so many levels. Mbue is a wonderful storyteller, her characters are vivid and unforgettable. The treatment of the immigrant experience and American immigration law is relevant and revealing.

I loved how Jende and Neni were hard-working idealists about America. The battle between Clark's Midwest values and the realities of Wall Street destroy him while his wife escapes into the oblivion of drugs and alcohol. Cindy and Clark's son Vince understands the spiritual death of American society, dropping out to find a life worth living. I loved the ending as Jende and Clark meet a final time, no longer boss and servant, but as men recognizing their mutual struggle to do what is best for their families.

It impressed me that Mbue, born in Cameroon and living in America for ten years, has a masterful writing style and a deep and intelligent insight into the psyche of both immigrant and American. This is her first book, and I can't wait to read more from Mbue.

I received a free book from Random House in exchange for a fair and unbiased review. (less)

Another book club selection this month was Barbara Kingsolver's 2001 book Animal Vegetable Miracle: A Year of Food Life.

Had I read this when it came out it would have made a bigger impact on me. Most of my library book club was not inspired and many did not finish the book. Several of us admitted the information was no longer fresh. The inserted essays seemed to put people off from reading it.

I commend the message of the book to eat local, to raise your own food, and to be concerned about the impact of factory farming and processed foods.

A Turn-of-the-Century Log Cabin Quilt Top

Around 1979 my friend Martha purchased a quilt top at a quilt show. She had hoped some day to finish it. This past weekend she gave it to me.

The block pattern is the traditional Log Cabin set in a Fields and Furrows setting. The block traditionally has a red center square, representing the hearth of the cabin, with strips in light and dark values building out from it. It was also traditionally hand pieced, as this quilt is. The pattern seems to date to the mid-1860s in America.

The fabrics in this quilt date to the turn of the century, between the late 1900s and pre-World War One era.

The central red blocks is an interesting diaper print, an interlocking pattern.
In the photo below you can see a black and white print and a butternut calico print then at the left outer edge a brown print.

 I love the poison green print, seen below.

There are a variety of shirting prints in salmon pink and pale blues. Also, below, note the purple print with a serpentine design in white and the indigo blue with a white circular print.

Black and white prints were popular during this time period and are called Mourning prints.

 More shirting prints, with a golden brown check.

The border was machine sewn on and is a dotted maroon print. 

The back shows the hand stitched blocks and machine stitched borders.

The quilt top was washed by the seller. I cut off lots of tangled threads from the back. There are some small worn spots and holes and the fabrics, overall, are brittle. I think the fabrics are too fragile to finished into a quilt.

Free online instructions for making Log Cabin blocks can be found at:

http://blog.modafabrics.com/2013/09/two-tricks-for-perfect-log-cabin-blocks/

http://www.allpeoplequilt.com/quilt-patterns/log-cabin-quilt-patterns

http://civilwarquilts.blogspot.com/2011/02/7-log-cabin.html

http://delawarequilts.com/BOMs/LogCabin/index.html

Maria in the Moon by Louise Beech

It was "Read an Excerpt" that clinched it. I read the opening pages and was enchanted by the voice:

‘Long ago my beloved Nanny Eve chose my name. Then one day she stopped calling me it. I try now to remember why, but I just can’t.’

Catherine has lost her memory of the year she was nine. She is haunted by a bushy-bearded man. She can't stay in a relationship. Her mother died at her birth and her father when she was eight, leaving her to her step-mother's care. The year she broke her grandmother's pretty Virgin Mary statue, the year she set loose her beloved pet rabbit, was the year she became Catherine and not Catherine-Maria.

 'But there was something else; something I couldn't remember. Something as black as feverish, temperature-fuelled nightmares. Something that couldn't be fixed or replaced.'

Catherine volunteers at crisis lines, and weeks after leaving her last call center position--and the love affair with her co-volunteer there-- she is accepted to the Flood Crisis hotline. Like many homes in Hull in 2007, Catherine's home has been devastated by the flood. She and a newly divorced friend are sharing a cramped space.

Catherine has a good relationship with her step-mother's new husband, but there is no love shown between her and her step-mom or her step-father's daughter Celeste. All she recalls is the criticism and rejection she faced after her father's death, the disappointment her step-mom has shown.

She is warned not to get involved with callers, but she can't help it. One elderly man, Sid, becomes especially dependent on her. Her coworker Christopher has come to like her and has shown he wants to take their friendship to another level.

But every night the nightmares come, and the questions plague her: what happened when she was nine years old that changed her life and haunts her, cripples her, to this day?

Maria in the Moon is a moving read about pain and resilience, and how by confronting our past and forgiving those who have harmed us we are freed and can move on in life.

I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.

Maria in the Moon
by Louise Beech
Trafalgar Square Publishing/ Orenda Books
Pub Date 01 Apr 2018
Paperback $14.95
ISBN: 9781495628160

1952 Good Housekeeping Magazine: Fashions

"A first lady chooses a universally flattering, wonderfully wearable coatdress of Ames wool. The narrow white tracing of trim is Angora. Dress also comes in red or black. Sizes 10 to 18;
about $40. Kay Wynne."

Today I am sharing the fashions from the October 1952 Good Housekeeping magazine.

"She's so tiny she makes the average height look towering. She chooses long lines, scaled to her size details, something eye-catching close to her feet. Middy dress with cuffed hip line and neckline. In rayon and acetate crepe. Also green or back. Petite sizes 10 to 19. About $45"

"She dresses in crepe-a triumphant revival this season. She loves the coatdress look, the pretty trim at throat and hip line. Onondaga acetate and rayon crepe. Also in mink or black. Sizes 10 to 20. Leonard Arkin. Hat by Betman."

The lead article was fashion for The First Ladies, starting, "There's a first lady in every American home. She comes in assorted sizes, ages, and temperaments. She answers to such varied names as Mrs., Mom, and Darling."

"He's particularly partial to the deceptively simple cut of this shirtwaist dress, the very rich look of its bronze-colored fabric. And he likes the delicate detailing, the little tucks and collar and cuffs. It's of rayon brocade. Also in gold or pale blue. Sizes 10 to 16; about $50. Kasper for Penart Fashions."

The fashions illustrated in the article were from B. Altman & Co., NY and Marshall Field & Co, Chicago.

"When she asks, "What shall I wear tonight?" he always requests the same dress--the one with the portrait neckline, the criss-cross trim, the shining star buttons. Tawny yarn-dyed acetate rayon taffeta. Also in rouge or slate blue. Sizes 10 to 18; about $45. Miguel Dorian for Arnold and Fox."

"When a First Lady as a date to Meet Him at Five"...they suggest the coatdress pictured below.

"They're off to tea--he very proud, she very pretty in a coatdress of Bloomsburg acetate faille with revers faced in acetate and rayon satin. In black, brown, or navy. Sizes 10 to 20; about $40. Ben Barrack."

"In larger sizes, she chooses a filigree of lace. Her figure is rounded and feminine. She elects to minimize her hips with a softly breaking skirt; to camouflage her short waist with long, smooth lines; to half-conceal her arms and shoulders with a dramatic bodice of Chantilly lace backed with a band of pastel acetate satin. The dress is acetate and rayon crepe. In black, gray, or sugar-brown. Sizes 14 1/2 to 24 1/2. About $40. Fashion Wearables by Mayda Williams."

"The First Lady Pampers the Man in her Life," which according to this fashion advice means purchasing stripped shirts, argyle sweaters, and checked sportscoats.

 And, of course, ironing those Arrow Shirts for "handsomer husbands."

"Shopping magic!" this ad starts, "my REALSILK nylons walk in the door."

Suncraft Shirts, "most versatile blouses in your wardrobe," pledged to iron "hanky fast."

The Good Housekeeping Fashions section also shared new sewing patterns from Simplicity.

Simplicity coat 4021, skirt 4013, and blouse 4010
"We used Forstmann's new pebbly-surfaced wool coating in bright red for the skirt and coat. Blouse is of red and white Security wool jersey."

"Make Much of Your Wardrobe," readers were advised.

"Above. Pretty party dress cut in a flattering V neckline. We used a "Cromsepun" fabric by Ameritex in grey and black checked acetate taffeta brightened with Lurex. Simplicity Printed Pattern 4000.
Left: Button trimmed dress with a big bowed detachable dickey. We chose black and white pin-checked Botany worsted wool for our version, added smart stripes at the throat. Simplicity Printed Pattern 3994."

Two versions of Simplicity Printed Pattern 4007 made in blue acetate rayon and wool faille by William Skinner.

How were ladies making these fashions in 1952? With their Singer sewing machine and a GE steam iron.

The home seamstress had lots of La Mode buttons to chose from.

This roomy housecoat has HUGE pockets. Imagine what you could keep in them.

 "Once in a blue moon, we run across a dress design that's becoming to practically everyone--the older woman as well as the younger person, the large figure as well as the slimmer one." Simplicity 3950 had a four-gore skirt and diagonally placed tucks for fullness over the chest. Sizes 12 to 44. Theirs was made in a sheer wool fabric of deep royal blue.

For $9 women could buy a Rite-Fit dress of the month.

 One of the new fabrics was Celeanese, an acetate Tricocel knitted fabric, her shown in a peignoir and gown from Carter's  selling at $15 for the set.

A lady needed shoes to complete her wardrobe.

 And to protect her shoes, Rain Deers clear plastic boots.

Maternity fashions in nylon tricot from Kickernick included panties with elastic, expandable, shirring.

With swing coats this full, The First Lady could hide that baby bump for months.

 How to dress the kids? The magazine had ads for that, too.

I hope you enjoyed this trip down 'memory lane.'

The Surprising Life Behind Whistler's Mother

Whistler's Mother by by Daniel E. Sutherland and Georgia Toutziari relates the life of Anna McNeil Whistler (1804-1881), immortalized by her son James McNeil Whistler in his 1871 portrait Arrangement in Gray and Black No. 1--commonly referred to as Whistler's Mother.

Detailed information gleaned from Anna's diaries and letters, as well as previous biographies, show that she lived a more interesting life than her Victorian apparel and demure pose in the painting would indicate. She was a well-traveled woman with a wide, international social network.

She held Confederate-leaning sensibilities along with Christian pietism while exemplifying Christian values; she socialized with Russian peasants and her son's Pre-Raphaelite friends and distributed church pamphlets. 

A pious Episcopalian, Anna was born in the American South among slave owners but was raised in the North. Sixteen-year-old Anna was quite taken with her brother's handsome friend from West Point, George Washington Whistler, but he married another. After the early death of his wife, George and Anna met again. They married and Anna helped raise his children from his first marriage as well as their own children. George became America's leading engineer--who gave the locomotive it's whistle! His work meant frequent moves, including to Britain and St. Petersburg.

Anna endeavored to embody Christian virtues of reverence, charity, and patience in her daily life. She warned her children against the vanities of the world. And yet, she accepted slavery as a "benevolent" institution. Her own family was kind toward their slaves, and one member had several slave 'wives' and families that were well provided for.

Even after the death of her husband, Anna was always on the move, visiting family across America and the Continent. Her sons Willie and 'Jemmie' (John McNeil Whistler) were a 'handful.' Willie finally settled on a career in medicine and Jemmie in art.

Anna made friends everywhere whether participating in charitable activities or dining with Bohemian artists. Through Jemmie she met Mazzini, Garibaldi, the Rossettis, and Swinburne. Thankfully, she was ignorant of some things, such as Jemmie's long-term association with a mistress.

The place of the painting in art history and its reception over time is presented. Whistler's work was too modern for his time. He endeavored to move away from the Victorian preference for art that told a story, a moral, or to convey emotion.

"Art should be independent of all clap-trap--should stand alone, and appeal to the artistic sense of eye or ear, without confounding this with emotions entirely foreign to it, as devotion, pity, love, patriotism, and the like,"he later told a journalist..."Take the picture of my mother...Arrangement in Grey and Black. Now that is what it is." 

The painting we know as Whistler's Mother became famous in America in the early 20th c. In the 1930s it toured the country, drawing two million viewers. President Roosevelt endorsed the use of the painting in a stamp to commemorate Mother's Day.

The painting became one of the most iconic and popularly known in America. Cole Porter and other songwriters referenced the painting in popular music. It was exploited in cartoons, satire, and became a symbol in movies and literature.

It is amazing how much Anna packed into her lifetime.

I received a free e-book from the publisher through NetGalley in exchange for a fair and unbiased review.

Whistler's Mother: Portrait of an Extraordinary Life
Daniel E. Sutherland and Georgia Toutziari
Yale University Press
Publication: March 27, 2018
254 pages, 60 color + b/w illus.
Hardcover: $25
ISBN: 9780300229684