Saturday, February 16, 2019

Helen Korngold Diary: February 10-16, 1919

Helen Korngold, December 1919, New York City
This year I am sharing the 1919 diary of Helen Korngold of St. Louis, MO.

February

Monday 10
Wellston. Rotten lesson. Class. Munillo [?] sitting. Home. Answers to all my questions with long newspaper clippings & a letter from Ruth. She’s so clever. Beautiful folder from J. Koloditsky of Ashville, N.C.

Tuesday 11
Wellston—good lesson. Class. Practiced basket ball. Home—beautiful cards & a letter from J.K. Lecture—Joe Raskas & Summer came up. Home to bed.

Wednesday 12
Wellston—good lesson. Class. Practice Basket Ball. Pledged to Pi Omicron Pi—blue & pink. I don’t know what it is. Home.  Fair proofs from Munillo. Study.

Thursday 13
Wellston—Wells came out—he said I made a successful teacher, said I understood children. I should worry. Class—Dr. Usher said I did well in class work. Teased Pauline. Home—wrote a playlet for Junior Council.

Friday 14
Wellston—Valentines from kids. Class—started Macbeth in Dr. Mackenzie’s class. Hear Max Rosen play violin at symphony concert. Aunt Beryl & I met him. He’s a sweet chap—lovely character—blue eyes—pink cheeks & plays to sweetly—has a finished style & is very musical. Met Gussikoff—don’t like him.

Saturday 15
Class—Dr. McCourt absent. Junior Council Board meeting 2:30-6 p.m. Had a delightful time with the girls & Mrs. Halpern. Home.

Sunday 16
Helped all morning. At 11:30 Ellenburg called up. I thought he was squelched. He’s too much for me. I insisted that I won’t see him. At 2 PM I got a box of candy from him. Will have to return it this evening by Charles. Gee, its such good stuff, but I can’t keep it.
*****
Notes:

February 12

Pi Omicron was a national educational sorority.

February 14

Helen heard an all Tschaikowsky program at the Odeon including the Pathetique. The St. Louis Dispatch critic called Rosen a 'good looking, wholesome' boy able to 'play the notes' without much interpretation.

Max Rosen was born in Romania and came to the United States as a child. His father was a Rumanian Army bandmaster who gave him a violin when a child. Max was discovered by a social worker while at the Music Settlement School and found him patrons for his education.  He studied abroad until 1917 and played Carnegie Hall in 1918 and returned in 1919. 
Max Rosen

http://publishing.cdlib.org/ucpressebooks/view?docId=ft838nb58v;chunk.id=d0e9408;doc.view=print) 

Music News Article on the concert: Max Rosen is still another wonder child is a rosy-cheeked bright-eyed boy of 19. There is no question as to his maturity as artist. Not only did he perform all the difficulties terrific concerto presents with ease and aplomb but he showed in every phrase that he what he was about from a musical standpoint. His tone is clear and penetrating with a scratch even in the most strenuous. The audience raved over him. He scored and with good reason. The boy is virtuoso right and will make a place for St Louis Times Symphony Concert BY WEGMAN Critic of The St Louis Times. 

1918 Opera News article: MAX ROSEN ARRIVES FROM EUROPE OTHER MUSICAL ITEMS ARRIVING in New York from Christiania on the day after Christmas. Max Rosen the newest young violin genius to come from the great Professor Auer is making his first visit to his native land since his departure for Europe five years ago. In that period this remarkable boy, who is now only 17 years old, and who went to Europe as a student, has become one of the most famous violinists of the present day winning the most extravagant praise from all the European critics. His American debut which will take place with the New York Philharmonic Orchestra at Carnegie Hall on Saturday evening, January 12, has already aroused intense interest and will be notable for the fact that an absolute exception is made to the general rules of having a soloist play but once on the program. Mr Rosen is being accorded the unusual distinction of not only playing the Goldmark concerto with orchestra but will also be heard in a group of pieces for violin and piano as well. 


Michel Guskioff
Michel Gusikoff (born in 1893) was a violinist who became Concertmaster of the St Louis Symphony under Max Zach. In 1925 he left to become Concertmaster of the Philadelphia Orchestra, joining his brothers Benjamin, Charles, and Isadore who were all orchestra musicians. He did not find favor with Stokowski and left the following year for the New York Symphony. 

Here he performs To A Wild Rose: http://www.youtube.com/watch?v=oaSMprIdngw

Here is a link for information on the Gusikoff brother's careers with the Philadelphia Orchestra: http://www.stokowski.org/Philadelphia_Orchestra_Musicians_List.htm#G

Here is an article where Gusikoff stood in for an ailing Fritz Reiner as director of the Pittsburgh Symphony Orchestra: http://news.google.com/newspapers?nid=1129&dat=19390204&id=_7hRAAAAIBAJ&sjid=f2kDAAAAIBAJ&pg=2335,2731599

No comments:

Post a Comment