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Edgar Allan Poe portrait
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It is one of the saddest biographies I have ever read. A genius with everything against him, a man who achieved great heights and died with nothing. Had he been born in a different time, would his fate have been happier?
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My Grandfather's set of Poe
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I first read Poe in my grandfather's 1926 paperback 101 Famous Poems in which I discovered The Raven, The Bells, and To Helen. Then, I discovered a complete set of Poe on gramp's shelves and borrowed the volumes so often, he told me to just keep them. This was almost 57 years ago!
Like my own grandfather, Poe's father had abandoned his mother and with her death was an orphan. Like my grandfather, Poe was taken to be raised by a family without formal adoption. Like my grandfather, Poe was sent into the world without enough financial support to live on. Like Poe, my grandfather was an engineer, a writer, relentlessly working three jobs to support his family. Unlike my grandfather, Poe had been raised by a wealthy family and had expectations of being supported to continue that lifestyle. Plus, he had inherited the family problem of alcoholism.
Poe embraced two interests: the advancement of a distinct American literature that could rival Europe's, and an interest in science and technology. His classical education, training at West Point, deep reading, and relentless pursuit of financial security and fame was derailed by his inability to handle alcohol, which was almost impossible to avoid in society or business.
He took on his aunt and cousin as family, his love for both deep and sincere. They starved with him and followed him from home to home. He married his child bride cousin, who died of tuberculosis, perhaps the inspiration for his poem Annabel Lee.
Poe lived in an age when science and pseudoscience and faith clashed. He reacted to the new scientific ideas that precluded purpose and meaning to existence.
Tresch begins and ends with Poe's lecture Eureka! which presented radical ideas that later were seen as foreshadowing current theories accepted in the scientific community. He neither envisioned a universe controlled by a deity, or abandoned by a deity, or once created remained unchanged. His universe was dynamic and evolving. He saw that science had its limits in understanding the human experience and place in the universe. Poe lived during the rise of the magazine, and he relentlessly wrote articles of every kind, published in magazines such as Graham's Ladies and Gentleman's Magazine; forty years ago I bought an 1841 bound volume in a Maine antique shop which included numerous works by Poe, articles on cryptography and autography (analyzing signatures), The Colloquy of Monos and Una, and the poems Israfel and To Helen.
It was so interesting to read Tresch's comments on these articles and poems. The Colloquy, he comments, includes lines that foretold the future: "Meantime huge smoking cities arose, innumerable. Green leaves shrank before the hot breath of furnaces. The fair face of Nature was deformed as with the ravages of some loathsome disease.[...]now it appears that we had worked out our own destruction in the perversion of our taste, or rather in the blind neglect of its culture in the schools." He continues, "Taste along could have led us gently back to Beauty, to Nature, and to Life."
With my new insights into Poe, I really must return and reread his work.
I received a free galley from the publisher through NetGalley. My review is fair and unbiased.
My Edgar Allan Poe quilt features a raven and his handwritten Annabel Lee manuscript printed on fabric.
The Reason for the Darkness of the Night: Edgar Allan Poe and the Forging of American Science
by John Tresch
Farrar, Straus and Giroux
Pub Date June 15, 2021
ISBN: 9780374247850
hardcover $30.00 (USD)
from the publisher
An innovative biography of Edgar Allan Poe—highlighting his fascination and feuds with science.
Decade after decade, Edgar Allan Poe remains one of the most popular American writers. He is beloved around the world for his pioneering detective fiction, tales of horror, and haunting, atmospheric verse. But what if there was another side to the man who wrote “The Raven” and “The Fall of the House of Usher”?
In The Reason for the Darkness of the Night, John Tresch offers a bold new biography of a writer whose short, tortured life continues to fascinate. Shining a spotlight on an era when the lines separating entertainment, speculation, and scientific inquiry were blurred, Tresch reveals Poe’s obsession with science and lifelong ambition to advance and question human knowledge. Even as he composed dazzling works of fiction, he remained an avid and often combative commentator on new discoveries, publishing and hustling in literary scenes that also hosted the era’s most prominent scientists, semi-scientists, and pseudo-intellectual rogues. As one newspaper put it, “Mr. Poe is not merely a man of science—not merely a poet—not merely a man of letters. He is all combined; and perhaps he is something more.”
Taking us through his early training in mathematics and engineering at West Point and the tumultuous years that followed, Tresch shows that Poe lived, thought, and suffered surrounded by science—and that many of his most renowned and imaginative works can best be understood in its company. He cast doubt on perceived certainties even as he hungered for knowledge, and at the end of his life delivered a mind-bending lecture on the origins of the universe that would win the admiration of twentieth-century physicists. Pursuing extraordinary conjectures and a unique aesthetic vision, he remained a figure of explosive contradiction: he gleefully exposed the hoaxes of the era’s scientific fraudsters even as he perpetrated hoaxes himself.
Tracing Poe’s hard and brilliant journey, The Reason for the Darkness of the Night is an essential new portrait of a writer whose life is synonymous with mystery and imagination—and an entertaining, erudite tour of the world of American science just as it was beginning to come into its own.
