Showing posts with label Hannah Kent. Show all posts
Showing posts with label Hannah Kent. Show all posts

Thursday, September 27, 2018

Burial Rites by Hannah Kent


Burial Rites by Hannah Kent was my book club's September book. We had a great hour-long discussion.

I immensely enjoyed the book. Set in 1829-1830 in Iceland, I felt transported to a distant land where nothing was familiar. Windows held fishskin panes and women gathered moss to boil, the names were unpronounceable and exotic, the landscape gray and harsh. Kent's attention to detail permeated the novel. 

Historical documents offered the skeleton upon which Kent imagined her story of the last execution in Iceland in 1830. After Agnes was convicted of murdering her lover, she spent time jailed in a dark cell. When she is released, she is transported to a distant and inhospitable area to be housed with a family while waiting out her time. Agnes is unwanted and feared, treated like a servant. A priest is sent to help her repent and save her soul. He elicits her story, a heartbreaking tale of neglect, poverty, and abuse. In reaching for love, Agnes is betrayed, but she did not murder her love for revenge. 

We do stereotype people and draw away and judge people. But when we hear their stories we can have compassion and understanding. The family that housed Agnes undergo that transformation and it is marvelous to watch.

Agnes and her mother and other servants in the story are powerless pawns in the hands of their male employers. Their alternative is to be unsheltered and unfed in the cruel ice and snow. For all its otherworldliness in time and space, Agnes's story is all too familiar: A neglected and abandoned child is lured by the prospect of love into an abusive relationship.

When I read Kent's second book The Good People, which I very much enjoyed, I read many reviewers who raved over Burial Rites. Read my review of The Good People here.

from the publisher:

Inspired by a true story, Hannah Kent’s Burial Rites was shortlisted for The Baileys Women’s Prize for Fiction, The Guardian First Book Award and The International IMPAC Dublin Literary Awards.

In northern Iceland, 1829, Agnes Magnúsdóttir is condemned to death for her part in the brutal murder of her lover.

Agnes is sent to wait out her final months on the farm of district officer Jón Jónsson, his wife and their two daughters. Horrified to have a convicted murderer in their midst, the family avoid contact with Agnes. Only Tóti, the young assistant priest appointed Agnes’s spiritual guardian, is compelled to try to understand her. As the year progresses and the hardships of rural life force the household to work side by side, Agnes’s story begins to emerge and with it the family’s terrible realization that all is not as they had assumed. And as the days to her execution draw closer, the question burns: did she or didn't she?

Based on actual events, Burial Rites is a moving novel about the truths we claim to know and the ways in which we interpret what we’re told. In beautiful, cut-glass prose, Hannah Kent portrays Iceland’s formidable landscape, in which every day is a battle for survival, and asks, how can one woman hope to endure when her life depends upon the stories told by others?

See photos of Iceland and learn about the upcoming movie here.

Sunday, September 17, 2017

The Good People by Hannah Kent

They were familiar with death, these valley people who shared blood and tradition and an understanding of a world moored in the old ways.

Living in brutal subsistence poverty, the folk shared dwellings with their livestock, whose butter and milk paid the rent, and walked barefoot in frigid mud to save their shoes.

They knew the Good People, the fairy folk, who must be appeased, staved off, and feared. They knew people who had been swept, taken by the Good People. The Good People, called thus so as not to offend them.

Set in 1826, in a small Irish village removed from the encroaching modern world, the people are steeped in their shared belief in herbal cures and potions, blessings and magical rituals.

Nora's daughter had married and gave birth to a son, a fair, normal child. Then her daughter became ill and was swept by The Good People; afterward, the grandchild became ill. A paralytic, shriveled, insensible child is left in Nora's care. When Nora's husband suddenly dies, the child becomes a burden, screaming and incontinent, unable to show love, but with insatiable need.

The doctor and priest tell Nora she must care for the cretin but offer no aid or consolation. She hires an impoverished girl, Mary, to care for the child. And asks for the help of aged Nance, a woman schooled in the ways of The Good People, an herbal healer.

Nora and Nance agree that the child is a changeling, and try charms to make the Good People reclaim their own and return Nora's true grandchild. Only Mary feels compassion for the child.

Under pressure from the priest to give up her heathen practice, Nance believes she needs to prove her skill and value; she needs a win. Nora is desperate for respite and, turning the child into an 'it', agrees to more desperate means, threatening harm to the boy in hope of forcing the Good People to take him back.

A dark and relentless book of a people crushed by poverty, clinging to inherited ways of trying to control their world, The Good People was inspired by a true story. The historical setting is vivid and engrossing. The land and the society are beautifully drawn. Kent gives Nance a true love of nature's beauty, even as she live in lonely filth and pain. We enter her mind, learn her backstory, and understand her world.

Nora's grief over her husband's death and the loss of her daughter feeds into her rejection of the child. The Christian priest admonishes Nora to "blind yourself no longer to the sin of pagan delusion." And yet she still hopes to find her grandson returned, unable to separate superstition from science. We cannot approve of Nora's wish, but we understand what brought her to the crisis.

This is not a fast reading, plot driven book, but a character study of a time and a people. There is propulsion to know how the end plays out.

I found myself reflecting on how our world paradigm limits our understanding. Conflicts worldwide are rooted in tribal or religious values coming into conflict with each other or with modern 21st c worldviews.

If a parent does not believe in vaccinations because of religion--or fake news-- and their child dies of a preventable disease, should they be culpable for the child's death? Was Jim Henson's death of a preventable disease a suicide because he refused treatment based on his religion?

This past week the news reported a local doctor performed genital surgery on seven-year-old girls. We consider it mutilation. In spite of education reforms and making it illegal, the ritual persists. It is a cultural norm in African societies, including Muslim, Christian, and Ethiopian Jews. Some say the girls accept it as a part of being a woman. Today I read in the newspaper women's accounts of the horror and pain they endured.

What we believe is not rational. It never has been based on science or logic. Does it exonerate us for the harm we inflict out of our best intentions?

Hannah Kent offers us The Good People, the imagining of a historical event. May it open our eyes.

I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.

The Good People
Hannah Kent
Little, Brown & Co.
Publication Date: Sept 19, 2017
$27.00 hardcover
ISBN:9780316243964