We attended concerts around Philly and bought recordings and listened to WXPN on the radio, discovering favorite singers.
One name we heard was Odetta, Odetta, and we knew she was a queen who had once ruled and was still worshipped.
I was a child in the 1950s, cushioned in my working class white neighborhood, unaware of things beyond my front door when Odetta was breaking into songs that stirred souls and feed movements and engendered a whole generation of singers whose names filled the airwaves of my sixties teenage years.
I knew so little about her.
Ian Zack's Odetta: A Life in Music and Protest is a wonderful biography of Odetta that presents her life, her art, and her legacy.
Odetta's amazing voice spurred teachers to encourage training and her mother scrimped to find the funds for voice lessons. After high school, Odetta worked menial jobs days and studied European classical music nights, singing in the Verdi Requiem and Bach's Mass in B Minor. Odetta loved opera and art songs but knew her career options were nil because of her color.
Odetta was cast for a revival of Yip Harburg's Finian's Rainbow in 1950 which led to her work with Turnabout Theater Jr.
Folk music was the new big thing, The Weavers success spurring an interest in folk songs. Friends took Odetta to hear a concert including Lead Belly songs and it "touched the core of me," she said. It changed the twenty-year-old's life.
The shy girl whose voice was a powerful instrument sang with her eyes closed as she inhabited the songs of her people.
She eschewed straightening her hair, cutting it short and leaving it natural, unwittingly engendering a movement.
Pete Seeger became her biggest fan and promoter. Generations claimed Odetta as their spiritual mother including Joan Baez and Bob Dylan, Carly Simon, The Kinks, Grace Slick, and Janis Ian.
There are so many interesting stories in these pages. Odetta was on the TV Western Have Gun--Will Travel because Richard Boone was a fan. The script was a "clear endorsement of black rights," Zack writes.
With the arrival of the Beatles, popular music took a new turn and Odetta struggled to attract the new audience--basically, my generation. She had a series of flops. Her love life had its ups and downs, mostly downs, with a failed marriage and unsustainable relationships.
And yet with age, she became more comfortable with herself, confident on stage, celebrating her African American heritage. President Clinton awarded her the National Medal of the Arts and Humanities, confessing that she had inspired him as a boy.
I enjoyed this biography as a vehicle for learning more about this iconic singer and the role of folk music in American history. It was also a nostalgic trip 'down memory lane', recalling the first time I heard many of the artists who inform the story.
I was given access to a free ebook by the publisher through Edelweiss. My review is fair and unbiased.
Odetta: A Life in Music and Protest
Ian Zack
Beacon Press
Publication Date: April 14, 2020
ISBN 9780807035320, 0807035327
Hardcover $28.95 USD, $38.95 CAD, £22.50 GBP
from the publisher:
The first in-depth biography of the legendary singer and “Voice of the Civil Rights Movement,” who combatted racism and prejudice through her music.
Odetta channeled her anger and despair into some the most powerful folk music the world has ever heard. Through her lyrics and iconic persona, Odetta made lasting political, social, and cultural change.
A leader of the 1960s folk revival, Odetta is one of the most important singers of the last hundred years. Her music has influenced a huge number of artists over many decades, including Bob Dylan, Janis Joplin, the Kinks, Jewel, and, more recently, Rhiannon Giddens and Miley Cyrus.
But Odetta’s importance extends far beyond music. Journalist Ian Zack follows Odetta from her beginnings in deeply segregated Birmingham, Alabama, to stardom in San Francisco and New York. Odetta used her fame to bring attention to the civil rights movement, working alongside Joan Baez, Harry Belafonte, and other artists. Her opera-trained voice echoed at the 1963 March on Washington and the Selma to Montgomery march, and she arranged a tour throughout the deeply segregated South. Her “Freedom Trilogy” songs became rallying cries for protesters everywhere.
Through interviews with Joan Baez, Harry Belafonte, Judy Collins, Carly Simon, and many others, Zack brings Odetta back into the spotlight, reminding the world of the folk music that powered the civil rights movement and continues to influence generations of musicians today.
