I Ride an Old Paint
Drill Ye Tarriers, Drill
Big Rock Candy Mountain
The Erie Canal
On Top of Old Smokey
Paddy Works on the Railway
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Michael, Row the Boat Ashore
Kumbaya
If I Had a Hammer
Little Boxes
We heard the songs on the radio and played them on our record players and hi-fis and cassette players and CD players.
This Land is your Land
Good Night, Irene
Turn! Turn! Turn!
Kisses Sweeter Than Wine
Tom Dooley
Guantanamo
Generations of musicians have recorded the songs.
Where Have All the Flowers Gone
Wimoweh
Sloop John B
I sang St. James Infirmary and Leatherwing Bat as bedtime songs.
In a live concert at Penn's Landing in Philadelphia, Pete Seeger taught the crowd The Garden Song.
The music sang and recorded by Pete Seeger definitely imparted certain values. And that is exactly what Pete Seeger, Ronnie Gilbert, Lee Hays, and Fred Hellerman intended. "Cultural equity and global harmony" were the suspect values lurking behind the Weaver's music. It doesn't sound dangerous, just mainstream liberal-progressive stuff. Except those values had led Pete and Ronnie and Lee and Fred to join the Communist party and although they had dropped out, they could not escape the association. And being pro-union, anti-war, globalists extolling the common man in those days was just as bad as wearing a big red "S" for Socialist.
Wasn't That a Time by Jesse Jarnow is the story of the Weavers and the early folk music scene, presenting their battles with the House Un-American Committee and Blacklisting.
It was an age of fear. President Eisenhower had denounced Communists as traitors and a threat. Idealists like Pete Seeger, Ronnie Gilbert, and Lee Hayes were attracted to the Communist party for its high ideals of equality. Events in the USSR disquieted American communists and they drifted away from the Party. But they held onto the values which in time became mainstream progressive liberal values.
Meanwhile, the Weaver brought Folk Music from square 'ethnic' music to mainstream, dominating the airwaves and influencing a generation of younger musicians, even while turning it into counter-culture protest music.
Music--Art--was a weapon, Pete Seeger believed. And his goal was to impact how Americans thought, through music, changing our values.
Although not strictly a biography, we learn about the Weaver's personal lives, their demons and struggles, the arc of their careers. We learn how their music changed as they struggled to walk the fine line between commercial success and staying true to their values. Pete left the group and several talented young men replaced Pete, but in the end, the group broke up.
So many folk singer's names appeared: Huddie Ledbetter, Josh White, Malvina Reynolds, Paul Robeson, Oscar Brand, Harry Belafonte, Joan Baez, Bob Dylan, Dave Von Ronk, Alan Lomax, The Kingston Trio, Peter, Paul and Mary, Alan Arkin, Will Geer, Holly Near--and of course, Woody Guthrie and his son Arlo.
Seeger became an environmentalist activist with the Clearwater Hudson River restoration. We loved singing with the songs on the Clearwater album--"You can't eat the oysters in New Haven Harbor, you can't eat the oysters that live in the bay, 'cause New Haven sewage is dumping down on 'em, if I were an oyster I'd get out today."
As I read the book I realized how deeply the Weavers music changed America. I remembered the last time we saw Seeger live, thousands under a huge tent along the Delaware River, hanging on his every word, being taught new songs and singing along with his standards. We felt a community of spirit in the singing. How many of us knew or remembered that Seeger had appeared before the House and was convicted of perjury?
I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.
Wasn't That a Time: The Weavers, the Blacklist, and the Battle for the Soul of America
by Jesse Jarnow
Perseus Books, Da Capo Press
Pub Date 06 Nov 2018
Hardcover $27.00 (USD)
ISBN: 9780306902079
read an article with Jarnow at
https://www.dacapopress.com/articles/a-talk-with-jesse-jarnow-author-of-wasnt-that-a-time/
from the publisher
The dramatic untold story of the Weavers, the hit-making folk-pop quartet destroyed with the aid of the United States government--and who changed the world, anyway.
Following a series of top 10 hits that became instant American standards, the Weavers dissolved at the height of their fame. Wasn't That a Time: The Weavers, the Blacklist, and the Battle for the Soul of America details the remarkable rise of Pete Seeger's unlikely band of folk heroes, from basement hootenannies to the top of the charts, before a coordinated harassment campaign at the hands of Congress's House Un-American Activities Committee and the emergent right-wing media saw them unable to find work and dropped by their label while their songs still hovered on Billboard's lists.
Turning the black-and-white 1950s into vivid color, Wasn't That a Time uses the Weavers to illuminate a dark and complex period of American history. Emerging while a highly divided populace was bombarded and further divided by fake news--and progressive organizations and individuals found themselves repressed under the pretenses of national security--the Weavers would rise, fall, and rise again. With origins in the radical folk collective the Almanac Singers and the ambitious People's Songs, both pioneering the use of music as a transformative political organizing tool, the singing activists in the Weavers set out to change the world with songs as their weapons.
Using previously unseen journals and letters, unreleased recordings, once-secret government documents, and other archival research, veteran music journalist and WFMU DJ Jesse Jarnow uncovers the immense hopes, incredible pressures, and daily struggles of the four distinct and often unharmonious personalities at the heart of the Weavers. With a class and race-conscious global vision of music that now make them seem like time travelers from the 21st century, the Weavers would transform material from American blues singer Lead Belly ("Goodnight Irene"), the Bahamas ("Wreck of the John B"), and South Africa ("Wimoweh") into songs that remain ubiquitous from rock clubs to Broadway shows.
Featuring quotes about the Weavers' influence from David Crosby, the Beach Boys' Al Jardine, and the Byrds' Roger McGuinn, Wasn't That a Time explores how the group's innocent-sounding harmonies might be heard as a threat worthy of decades of investigation by the FBI--and how the band's late '50s reformation engendered a new generation of musicians to take up the Weavers' non-violent weaponry: eclectic songs, joyous harmonies, and the power of music.
