John Keats: Poetry, Life and Landscapes by Suzie Grogan

I will never get to England. I had dreamed of it when I was in my twenties and thirties. I wanted to see the places that inspired the literature I loved. Now, I am content to remain an armchair traveler. 

Suzie Grogan's biography John Keats is a real treat, a wonderful way to meet John Keats and learn about his life and work and travels. Grogan discovered Keats as a teenager, memorizing his poetry and studying his life. She makes readers love Keats, too.

I will admit that I had a limited knowledge of the Romantic writers, a deficit I have tried to make up for in my mature years. I had come across Keats while reading about other Romantic era writers. It was time to become more familiar with his poet. 

Keats studied to be a doctor but decided to dedicate his life to poetry. As a teenager, Keats had nursed his mother who was dying from TB. And he had taken care of his brother who also died of TB. As a physician, he knew he had tuberculosis, and it drove him to give up the woman he loved. Keats himself tragically died of TB at age 25.

Severn's portrait of Keats dying of TB

Before his death, he managed a strenuous walking tour, although troubled by a sore throat. Grogan follows Keats's walking journey across north England and Scotland, describing what Keats would have seen and the modern view of the same scenes. The tour helped to inspire some of his best poetry. 

Illustrations enrich the book: Keats's beautiful, refined face, the houses and cottages where he lived or visited, the cathedrals and the streets he knew, statues and art portraying him.

Grogan includes the iconic poems she discusses in the volume, and reading them was an important part of my appreciation.

I received a free egalley from the publisher through NetGalley in exchange for a fair and unbiased review.

John Keats: Poetry, Life and Landscapes
by Suzie Grogan
Pen & Sword History
Pub Date: January 31, 2021 
ISBN: 9781526739377
PRICE: £19.99 (GBP)

from the publisher

John Keats is one of Britain’s best-known and most-loved poets. Despite dying in Rome in 1821, at the age of just 25, his poems continue to inspire a new generation who reinterpret and reinvent the ways in which we consume his work.

Apart from his long association with Hampstead, North London, he has not previously been known as a poet of ‘place’ in the way we associate Wordsworth with the Lake District, for example, and for many years readers considered Keats’s work remote from political and social context. Yet Keats was acutely aware of and influenced by his surroundings: Hampstead; Guy’s Hospital in London where he trained as a doctor; Teignmouth where he nursed his brother Tom; a walking tour of the Lake District and Scotland; the Isle of Wight; the area around Chichester and in Winchester, where his last great ode, To Autumn, was composed.

Far from the frail Romantic stereotype, Keats captivated people with his vitality and strength of character. He was also deeply interested in the life around him, commenting in his many letters and his poetry on historic events and the relationship between wealth and poverty. What impact did the places he visited have on him and how have those areas changed over two centuries? How do they celebrate their ‘Keats connection’?

Suzie Grogan takes the reader on a journey through Keats’s life and landscapes, introducing us to his best and most influential work. In many ways a personal journey following a lifetime of study, the reader is offered opportunities to reflect on the impact of poetry and landscape on all our lives. The book is aimed at anyone wanting to know more about the places Keats visited, the times he lived through and the influences they may have had on his poetry. Utilising primary sources such as Keats’s letters to friends and family and the very latest biographical and academic work, it offers an accessible way to see Keats through the lens of the places he visited and aims to spark a lasting interest in the real Keats - the poet and the man.

A Heart Lost in Wonder: The Life and Faith of Gerard Manley Hopkins by Catharine Randall

A Heart Lost in Wonder by Catharine Randall is part of the far ranging Library of Religious Biography. Gerard Manley Hopkins poetry is unique and memorable, full of vivid images, but I knew little about his career as a priest or his life and how it affected his poetry.

Hopkins viewed everything through his faith, finding the divine in every tree and mountain.

Hopkins developed a personal and unique philosophy to explain the power of beauty in this world through the lens of faith. The draw of beauty was so powerful, he believed it might eclipse the divine. He would go weeks with his eyes fixated on the ground in self-denial.

Drawn by the traditions of the Catholic church he converted and he believed he was called to the priesthood. 

It seems like the absolute wrong choice that Hopkins would become a Jesuit--in effect, an itinerant teacher. I can personally attest that no one can who has not lived it can fully comprehend the sacrifices of itinerary, to be removed from a place that feeds one and set in a place that kills one's soul.

A perfectionist, he the work of grading papers and teaching wore Hopkins out and allowed no personal time for his poetry or an internal life.

He responded to the beauty of Wales and the rural assignments but the cities with their poverty and ugliness were soul-destroying. He denied himself poetry but rhapsodized in his journals.

Randall's book delves into the theologies that inspired Hopkins and shows how to interpret his poetry through the lens of his faith.  I am not Catholic and I am not deeply familiar with Newman or Loyola but she presents them very well. 

It is very interesting, but difficult to comprehend Hopkin's unique view of poetry. Cooper discusses the poems as vehicles for Hopkins's theology. 

Hopkins suffered a faith crisis in his later life and died an early death.

I enjoyed the book but do not feel I could comprehend it in one reading. It is dense and deserves a deeper study.

I received a free ebook from the publisher through NetGalley. My review is fair and unbiased.

A Heart Lost in Wonder: The Life and Faith of Gerard Manley Hopkins
by Catharine Randall
Wm. B. Eerdmans Publishing Company
Pub Date 28 Jul 2020
ISBN: 9780802877703
paperback $22.00 (USD)

Emily Dickinson Part Two A Loaded Gun by Jerome Charyn

This February I began reading books about Emily Dickinson and  The Complete Poems of Emily Dickinson in preparation for making a quilt for the author.

I had this quilt in mind for several years as part of my series that has included William Shakespeare, Edgar Allan Poe, and T. S. Eliot, and the Bronte sisters. My original idea seemed a horrible cliche'--the poet hidden behind a curtained window--and I stalled. I needed a new vision for my quilt.

I was finally set back into motion after reviewing the galley of These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson by Martha Ackmann.

Next, I ordered A Loaded Gun: Emily Dickinson for the 21st Century by Jerome Charyn (The Perilous Adventures of the Cowboy King, Cesare). Charyn's essays draw from Dickinson's writings and scholarly studies in a search to finally pin down the slippery poet. Every time we think we have her pegged we find we are holding a void. She will not, can not, be categorized and shelved.

I couldn't let it go. I'd spent two years writing a novel about her, vaporizing her letters and poems, sucking the blood out of her bones, like some hunter of lost souls.~ Author's Note, A Loaded Gun by Jerome Charyn

Charyn's novel The Secret Life of Emily Dickinson (on my TBR pile) did not offer him a sense of closure. "I knew less and less the more I learned about her," he admits.

In this book, he begins with my first encounter with Dickinson: Julie Harris's performance as The Belle of Amherst which I watched many times on a small black and white television. It was my first impression of the poet.

Charyn considers all the poet's relationships, from her companion Carlo, a Newfoundland dog, to her late in life love affair with Judge Otis, with all the thunderstruck men and heartbreaking women in between.

Emily's letters and poems show her deep passions. The spinster was no prude. She had strong loves, earth shattering heartbreaks, and was more than acquainted with despair.

Some chapters take us into roundabout side trips as Charyon explores the multiple influences of the poet. Relax, enjoy the ride.

I loved the chapter Ballerinas in a Box, beginning with the early 20th c poets who discovered Dickinson, to her love affair with Kate Scott, to the art of Joseph I. Cornell, to ballerinas, exploring the nature of art.

Charyn casts his net deep and wide, considering psychology and biography and retellings and imaginings.

Only to conclude that Emily wears too many masks to truly know her. She remains a mystery beyond our ken.

And we, like ghouls, try to toy with her biography, to link her language with her life. We cannot master her, never will, as if her own words skates on some torrid ice that is permanently beyond our pale, yet we seek and seek, as if somehow that soothes us, as if we might crack a certain code, when all we will ever have is "A Woe/of Ecstasy."~ from A Loaded Gun by Jerome Charyn

A Loaded Gun: Emily Dickinson for the 21st Century
by Jerome Charyn
Bellevue Literary Press
Trade Paper US $19.95
ISBN: 9781934137987
Ebook
ISBN: 9781934137994

Read the 'missing chapter' at Stay Thirsty magazine
https://www.staythirstymedia.com/201601-091/html/201601-charyn-emily.html

*****

Previously I had skipped around the Complete Poems of Emily Dickinson. I decided to start from the beginning of the volume. I noted her use of flowers, nature, and color in the early poems, sources to be considered for use in my quilt. 

I read into some of my favorites, such as this poem segment I shared on #SundaySentence hosted by @ImDavidAbrams on Twitter:

I got so I could take his name--
Without--Tremendous gain--

That Stop sensation--on my Soul--
And Thunder--in the Room--

I got so I could walk across
That Angle in the floor,

Where he turned so, and I turned--how-
And all our Sinew tore--

*****

I have decided to use a fusible collage technique on my quilt to make multiple portrait blocks, inspired by Charyn's comment about Dickinson's many masks. I can see the Victorian ideal of the retiring spinster writing about flowers, the mad woman dressed in white who would not leave her home, the dark woman who challenged convention and religion, the passionate woman of many loves, and the poet obsessed with words.

A poet with so many sides can't be contained in one image.

These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson

In her Author's Note, Martha Ackmann tells of her first encounter with Emily Dickinson's poetry in high school English when she read, "After great pain, a formal feeling comes--"* Ackmann said she "woke up" and spent a lifetime trying to understand the poem and its effect on her. It's one of my favorite Dickinson poems.

Sadly, the selections in my high school American Lit textbook did nothing for me. When a college friend said he liked Dickinson, I shuddered.

It was Steve Allen's Meeting of Minds that changed my mind. The 1977 episode paired the poet with Charles Darwin, Atilla the Hun, and Galileo. Emily Dickinson recited, "I cannot live with You--" ending with, "So We must meet apart--/You there--I--here--/With just the Door ajar/That oceans are--and Prayer--/And that White Sustenance, Despair."** I stood up to attention. Wait! This couldn't be Dickinson! This was amazing stuff.

I bought her complete poems and soon became a fan.

Ackmann's These Fevered Days condescends Emily's life into ten moments that give insight into her life and work. Drawing from Emily's letters and poems, photographs and new understandings, she creates a vivid and fresh portrait of the poet.

Readers encounter Emily's strong, original, and independent mind.

She preferred the struggle of doubt over unexamined certainty, unwilling to profess her faith, regardless of social pressure at Mount Holyoke Seminary.

I loved learning that Emily dove into learning to play the piano, which taught her "style", and how she played late into the night, inventing her own "weird and beautiful melodies."

The vision of a girl with dandelions in her hair taught her how "one image could change everything."

We come to understand Emily's ambition, her life-long love affair with words, her dedication to perfecting her art. She strove to understand the impact of words on others, the responsibility of the writer, and how to remain anonymous while sharing her work. She created fascicles, hand sewn booklets of her poems, kept in her maid's room, unknown until revealed her death.

She enjoyed her costly Mount Holyoke education--$60 a year--learning algebra, astronomy, and botany. When other girls hoped to teach or become missionaries, and of course marry and raise a family, Emily had no vocation but poetry. She was summoned back to Amherst and became mired in deadly household duties. She did enjoy bread making.

Duty is black and brown.~Emily Dickinson

Amherst is not portrayed as a back-water safe zone during the Civil War; we see how the war impacted the community, the shared losses, and Emily's deep anxiety.

I had not known about the vision issue that threatened her sight that brought Emily to Boston for treatment.

Emily's friendships are there: Sue, who married Emily's brother, Austin Dickinson; her school friend and fellow author Helen Hunt Jackson; Samuel Bowles who published Emily's poems clandestinely shared with him; Carlo, her beloved dog.

Emily died a spinster, but she loved the special men in her life.

There was the Rev. Charles Wadsworth, the brilliant preacher Emily met in Philadelphia, "my closest earthly friend" she wrote, who one day unexpectedly came to her door.

Emily sent poems to Thomas Wentworth Higginson (who with Mabel Loomis Todd, a family friend and Austin's lover, would publish the first volume of Emily's poetry.) During the Civil War, Col. Higginson lead the first Negro regiment of Union soldiers and when wounded was returned home by Louisa May Alcott. When they finally met, Emily talked and a dazzled Higginson listened.

Other relationships are cloaked in mystery: the secret love between Emily and her father's peer Otis Phillips Lord, and the mysterious Master to whom she wrote unsent letters.

After Emily's early death at age 55, her family discovered her fascicles of nearly 2,000 poems--and the unsent Master letters. Emily had instructed her papers be burned after her death, but her sister Vinnie could not do that.

Emily comes alive through these ten moments, along with her family and friends and her beloved Amherst.

The book is illustrated with photographs of Emily's family, friends, and homes.

I was given access to a free ebook by the publisher through NetGalley. My review is fair and unbiased.

These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson
by Martha Ackmann
W. W. Norton & Company
Publication: Feb. 25, 2020
ISBN 9780393609301
PRICE $26.95 (USD)

The poems:

*After Great Pain- 341

After great pain, a formal feeling comes –
The Nerves sit ceremonious, like Tombs –
The stiff Heart questions ‘was it He, that bore,’
And ‘Yesterday, or Centuries before’?

The Feet, mechanical, go round –
Of Ground, or Air, or Ought--
A Wooden way
Regardless grown,
A Quartz contentment, like a stone –

This is the Hour of Lead –
Remembered, if outlived,
As Freezing persons, recollect the Snow –
First – Chill – then Stupor – then the letting go –


**I cannot live with You (640)
Emily Dickinson - 1830-1886

I cannot live with You –
It would be Life –
And Life is over there –
Behind the Shelf

The Sexton keeps the Key to –
Putting up
Our Life – His Porcelain –
Like a Cup –

Discarded of the Housewife –
Quaint – or Broke –
A newer Sevres pleases –
Old Ones crack –

I could not die – with You –
For One must wait
To shut the Other's Gaze down –
You – could not –

And I – Could I stand by
And see You – freeze –
Without my Right of Frost –
Death's privilege?

Nor could I rise – with You –
Because Your Face
Would put out Jesus' –
That New Grace

Glow plain – and foreign
On my homesick Eye –
Except that You than He
Shone closer by –

They'd judge Us – How –
For You – served Heaven – You know,
Or sought to –
I could not –

Because You saturated Sight –
And I had no more Eyes
For sordid excellence
As Paradise

And were You lost, I would be –
Though My Name
Rang loudest
On the Heavenly fame –

And were You – saved –
And I – condemned to be
Where You were not –
That self – were Hell to Me –

So We must meet apart –
You there – I – here –
With just the Door ajar
That Oceans are – and Prayer –
And that White Sustenance –
Despair –

Rilke in Paris: Rainer Maria Rilke and the Writing of The Notebooks of Malte Laurids Brigge

"I am in Paris; those who learn this are glad, most of them envy me. They are right. It is a great city; great and full of strange temptations." from The Notebooks of Malte Laurids Brigge by Rainer Maria Rilke

I was in my late 20s when I discovered Rainer Maria Rilke. Although I have revisited his poetry over the years and read biographies and books about Rilke it has been forty years since I last read The Notebooks of Malte Laurids Brigge, the composition of which figures in Rilke in Paris.

I opened up my copy of Notebooks and was amazed to find underlinings and notations and bent pages and bookmarks. How could I have forgotten this book?

"I have succumbed to these temptations, and this has brought about certain changes, if not in my character, at least in my outlook on the world, and, in any case in my life." from The Notebooks of Malte Laurids Brigge by Rainer Maria Rilke

Rilke in Paris focuses on Rilke's time in Paris beginning in 1902 when he was a young man. By 1926 he had died of leukemia. Betz plumbs letters and excerpts from Rilke's works to illustrate the city's influence on Rilke, forming his artistic vision, especially as related to his writing of the highly personal Notebooks.

Also included is Rilke's poem essay Notes On the Melody of Things. 

The book is a concise overview of Rilke's life from the young poet seeking a mentor through his development as a writer, including his influences. I was interested to read how Nietzsche's The Birth of Tragedy influenced Rilke.

Beautiful black and white photographs of Rilke's Paris illustrate the text.

An entirely different conception of all things had developed in me under these influences; certain differences have appeared that separate me from other men, more than anything heretofore. A world transformed. A new life filled with new meanings." from The Notebooks of Malte Laurids Brigge by Rainer Maria Rilke

We encounter Rilke as a solitary whose quest for authenticity separated him from others so that even when they were in the same city he only dined with his wife weekly. He believed his mentor, the sculptor Rodin, when he preached that artists must give up personal life and happiness for their art. Rilke had presented himself to Rodin and was taken in, working as a personal secretary in exchange. A break forced Rilke on his own and he took residence in Paris, and over the next twenty years, he returned to "the same Paris" between his wanderings across Europe.

Rilke spent time in the Luxembourg Gardens, observing and learning from the beauty and the ugliness he saw. I recalled one of my favorite paintings from the Philadelphia Museum of Art, In the Luxembourg Gardens by John Singer Sargent, painted in 1879. I always wanted to be transported into that scene.

In the Luxembourg Gardens by John Singer Sargent, PMA

"For the moment I find it a little hard because everything is too new. I am a beginner in my own circumstances." from The Notebooks of Malte Laurids Brigge by Rainer Maria Rilke

I love to learn how writers work. Betz offers us a detailed look into the "genesis" of The Notebooks. First came Rilke's encounter with the story of a poet who had lived in Paris for some time, and feeling a failure, died at age thirty-two. Rilke saw the Notebooks as a "sequel to The Stories of God." He became haunted by his imagined poet Malte.  He worked on the book for years; "Prose must be built like a cathedral," he wrote Rodin.

"My God, if any of it could be shared! But would it be then, would it be? No, it is only at the price of solitude." from The Notebooks of Malte Laurids Brigge by Rainer Maria Rilke

The Notebooks "is a confession and a lyrical novel of sorts, a study in psychology and a treatise on the interior life," Betz wrote, "a moving example of maturation through solitude and lucid contemplation of the loftiest problems in life." I am glad to have read Rilke in Paris for it has brought The Notebooks back into my life.

I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.

Rilke in Paris
by Rainer Maria Rilke and Maurice Betz*
Translated by Will Stone
Steerforth Press/Pushkin Press
Published 06/25/2019
$15.95 paperback
ISBN: 9781782274742

*Maurice Betz was Rilke's translator.

The Story of Charlotte's Web by Michael Sims

I was a few months old when E. B. White's classic children's book Charlotte's Web was published. My First Grade teacher read the book aloud to my class. As a girl, I read it many times, and when our son was born I read it to him as well. And the older I become the more I realize the impact the story had on my life.

Knowing my esteem for the book, my son gifted me Michael's Sims book Charlotte's Web: E. B. White's Eccentric Life in Nature and the Birth of an American Classic for Christmas. It was a lovely read, entertaining and enlightening.

White had a love of nature and animals. As a child, his family spent their summers in Maine, and in spite of his allergies, it was the highlight of the year. As an adult, he and his wife Katherine purchased a farm in Maine--with a view of Mount Cadalliac on Mt. Desert Isle across the water. My husband and I spent many summers camping at Acadia National Park! It is a beautiful area.

White admired the popular columnist Don Marquis who created the characters Archy--a cockroach--and Mehitible--a cat. White liked how Marquis kept his animal characters true to their nature while using them for social satire. Archy inspired the character of Charlotte.

Archy

I was a teen when I discovered Marquis on a friend's parent's bookshelf. I borrowed the book and later bought my own copy.

White's first children's book was the best-selling Stuart Little, illustrated by Garth Williams who was just beginning his career. Williams was established by the time he contributed his art to Charlotte's Web.  He created beloved illustrations for Little Golden Books and authors like Margaret Wise Brown and Laura Ingalls Wilder.

I enjoyed the details about White's writing process. He worked on the novel over a long period, carefully considering every aspect, even setting it aside for a year. He researched spiders in detail. He sketched his farm as a model. He thought carefully about what words Charlotte would spin into her web. White hated rats, and kept Templeton's nature intact without a personality change. Fern was a later addition.

Sims reproduces the text from the manuscripts with White's editing. I am always fascinated by seeing an author's edits and the development of a story.

White's name was also well known to me as it appears on The Elements of Style, which started as a pamphlet written by White's professor Strunk!

White's wife Katherine wrote a column on gardening, Onward and Upward in the Garden, which was published in a book form after her death--and which I had read upon its publication!

See Garth Williams original drawings here.

The Man Who Wrote the Perfect Novel--John Williams, Stoner, and the Writing Life

I was fascinated by the life of author John Williams as told by Charles J. Shields in The Man Who Wrote the Perfect Novel. Learning about William's life and influences helps me to better understand and appreciate his work. 

I discovered William's book Stoner after purchasing a Kindle when I received an email of ebooks on sale. I was drawn to the novel by the cover, a detail of Thomas Eakins's painting The Thinker, Portrait of Louis H. Kenton. And I was drawn by the description of the novel.

I loved Stoner and it became one of my all-time favorite novels. It was about this time in 2013 that Stoner was labeled "The Greatest American Novel You've Never Heard Of" by Tim Krieder in the New York Times.

On December 23, 2013, I reviewed Stoner on my blog and this past winter I reread the book with my local library book club. I raved about Stoner so much that my son bought me Augustus as a Christmas gift, the book for which Williams won the National Book Award in conjunction with John Barth's Chimera.

Who was this man, this John-Williams-not-the-composer, this writer who I never heard about? I read Barth in an undergraduate college class, including his Chimera. Why had I not heard of Williams before?

I was very pleased to read the e-galley of The Man Who Wrote the Perfect Novel by Charles J. Shields, which answered my questions, how Williams was overlooked and later rediscovered, and how readers and book clubs have brought Stoner to its proper place in the canon.

Williams shared attributes with his protagonist Stoner; they both came from humble roots and grew up poor and worked in academia. Both were smitten with language and poetry. Both had unhappy marriages and an affair (or more, for Williams). Both stayed true to their ideals. Both died without the recognition they deserved.

But in other ways, Williams was very different from his character. Stoner stuck with his one, failed, unhappy marriage; Williams married multiple times. Williams thrived in an academic network based on alcohol and drinking. Williams's father abandoned his family and his stepfather was a drinker who was lucky to snag a New Deal job. And whereas Stoner never completed his thesis, Williams published three novels after several failed attempts.

The literary influences on Williams were diverse, from pulp magazines filled with adventure and romance to Thomas Wolfe. Williams was inspired by Eugene Gant in Look Homeward, Angel. (Wolfe was my favorite as well when I first read him at age 16.)

Seeing the movie A Tale of Two Cities starring Ronald Coleman impacted Williams also, and he tried to channel Coleman's style and panache, down to the thin mustache.

Williams became involved with theater (as did Wolfe before he turned to novels). He then discovered Conrad Aiken and psychological fiction, and then Proust, altering his writing style.

Dropping out of college, Williams became a radio announcer and jack of all trades in radio broadcasting. A whirlwind romance sped into marriage. Then, in 1942, faced with the draft, Williams enlisted in the air corps and became a radio technician. He ended up on planes flying over the Himalayas to bring supplies to General Chaing Kai-shek. He received a 'Dear John' letter.

In 1945 Wiliams returned to the States and found work at a radio station in Key West, Florida. Here he wrote his first novel, Nothing But the Night, "steeped in psychological realism" and filled with pathologies. He sent the manuscript to Wolfe's last editor Edward Aswell of Harper and Brothers, who rejected it.

Alan Swallow of Swallow Press in Denver, CO also found much to critique in the novel but also saw in Williams a spark of genius. Swallow was part of the New Criticism movement. He suggested that Williams come to the University of Denver. Williams was admitted and then was married a second time. His writing still suffered from "a lag between thought and emotion." Marriage No. 2 also ended and soon after Williams married a third time.

The work and philosophy of Yvor Winters, who held to a classical style of writing over the modern tendency of self-expression and obscurity, influenced Williams and he declared himself a 'Winterarian." Williams realized his writing was "overwrought" and embellished.

Williams turned his attention to the myth of the West and began researching for a novel about a young Romantic who experiences the real West. The book was promoted as a Western, a dismal and fatal choice that upset Williams. It never found its proper audience.

John had several affairs, including a woman who became his next, and last, wife. Meanwhile, he was working on the novel that became Stoner. The literary world was going in other directions, but Williams stuck to his ideals. Bestsellers included The Moon-Spinners by Mary Stewart and Daphne du Maurier's The Glass Blowers. Up and comers included Saul Bellow, Ken Kesey, and Thomas Pynchon. Stoner was "unfashionable." It lacked emotion, was too understated.  Williams's agent warned his book would never sell well. That wasn't his goal. The novel was quite overlooked for a year when a review finally hailed it.

Williams began thinking about "the paradoxes of power" and about Cesar Augustus. By this time, in the late 60s, the counterculture was making its mark on academia. In 1971 Stoner was republished. In 1972 Augustus was finally published and won the National Book Award in 1973. Williams' drinking was becoming a problem but he started on a new novel set during the Nixon years. A lifelong smoker, he was on oxygen. He won awards and his books were brought back into print. In 1986 at a farewell dinner Williams read from his manuscript, a book he couldn't finish. In 1994 Williams died of respiratory failure.

But his novels kept popping up as new readers discovered them. In 2006 the New York Review of Books Classics reprinted Stoner and "Stonermania" took the literary world. The novel was first popular in Europe, Waterson named it Book of the Year in 2013. In America, readers began sharing the book with each other.

Williams was a complicated man with a complicated personal life. Like his protagonist, he stuck to his ideals. He learned to write the hard way, by writing unsellable novels before writing the novel that would sell a million copies worldwide.

I received a free ebook from the publisher through Edelweiss in exchange for a fair and unbiased review.

*****

from the publisher:

Charles J. Shields is the author of Mockingbird: A Portrait of Harper Lee, a New York Times bestseller, a Literary Guild Selection, and a Book-of-the-Month Club Alternate. His young adult biography of Harper Lee, I Am Scout, was chosen an ALA Best Book for Young Adults, a Bank Street Best Children's Book of the Year, and a Junior Literary Guild Selection. In 2011, Shields published And So It Goes: Kurt Vonnegut, A Life, a New York Times and Washington Post Notable Nonfiction Book of the Year.

The Man Who Wrote the Perfect Novel is an expert uncovering of an American master who deserves the larger audience this biography will help give him. With his characteristic insight into the ligatures between life and art, and in his own enviable prose, Shields brings Williams into full-color relief. This is a major accomplishment by a major biographer, a gift for which Williams’s admirers will be most grateful." -William Giraldi, author of Hold the Dark and The Hero’s Body

"Charles Shields’s biography of John Williams is every bit as impressive as his subject’s book, the not-so-underground classic (and international bestseller) Stoner, a gripping and compulsively readable tale of an ‘unremarkable man.’ Shields brilliantly recreates Williams’s outwardly ordinary life as an English professor eager to balance his scholarship with a creative writing career, revealing fascinating psychological depths in a man who on the surface doesn’t seem to have any. The reader is carried along by this masterful, finely honed biography."-Mary V. Dearborn, author of#xA0;Hemingway: A Biography

"A masterful depiction of the generation of burnt-out alcoholic American writers who survived WWII. Shields comes about as close as humanly possible to recreating the crucible of chance, devotion, genius, and circumstance that produced ‘the greatest novel you have never read.’ His brisk, fluent biography will change this." -J. Michael Lennon, author of Norman Mailer: A Double Life

The Man Who Wrote the Perfect Novel
by Charles J. Shields
University of Texas Press
Publication Date: October 15, 2018
ISBN: 9781477317365, 1477317368
Hardcover $29.95 USD

J. D. Salinger and the Nazis by Eberhard Alsen

While researching for the 2013 film Salinger and the accompanying oral biography, Eberhard Alsen became interested in why, unlike other Jewish American writers of his generation, Salinger avoided Jewish themes and writing about the Holocaust, even though he had personally seen the horrors of a concentration camp shortly after the end of World War II. This aspect of Salinger was not addressed in the movie.

Eberhard Alsen's book J. D. Salinger and the Nazis is drawn from detailed and exhaustive research and challenges myths about Salinger's experience in the service and the German woman he married.

Through an analysis of sixteen of Salinger's short stories about soldiers, The Catcher in the Rye, and unpublished wartime letters and documents, Alsen offers a correct history of Salinger's wartime experience, showing how major catastrophic events and flawed leadership shaped Salinger's attitude toward the American army.

Interestingly, Salinger was part of the Counter Intelligence Corps who job was to track down and arrest Nazis and Alsen's own father was a Nazi arrested by Salinger's Twelfth Infantry Regiment at the end of the war.

Getting Personal

I first read Salinger at age fourteen in a Ninth Grade English class; we needed parental permission to read The Catcher in the Rye which was banned until a classmate's librarian mother challenged it.

I had been reading the classics--Edgar Allan Poe, Jane Eyre, even Lord Jim. Holden's voice was something new for me and I was obsessed. That summer, I read all of Salinger in print and anything I could about the author. In 1967, there was no Internet or Wikipedia or Google so what I found was limited.

Years later I bought the bootlegged short stories when they came out. And although it has been some years since I read Salinger's stories, they were vivid enough in my mind to recall them as Alsen discussed them. What surprises me now is how little I thought about Salinger as being a war writer when I first read him! My favorite Salinger short story has always been To Esme, With Love and Squalor.

Because I was so familiar with Salinger's work, Alsen's book was 'easy' reading. Also, he has a good writing style that is not academic and dry.

Salinger's short stories were very autobiographical. Alsen believes Salinger's nervous breakdown, understood today as PTSD, fell somewhere between that of Sergeant X in "For Esme" and Seymour Glass in "A Perfect Day for Bananafish."

One aspect of Alsen's understanding of Salinger could be the basis for another study all together: his relationship to women. Alsen suggests Salinger suffered from borderline personality disorder, "a pattern of unstable and intense personal relationships characterized by alternating between extremes of idealization and devaluation." This, along with avoidant personality disorder, and PTSD, had to impact his personal relationships in a negative way.

I found this study to be fascinating.

I received a free ebook from the publisher through Edelweiss in exchange for a fair and unbiased review.

J. D. Salinger and the Nazis
by Eberhard Alsen
April 17, 2018
ISBN 9780299315702, 0299315703
Hardcover |  168 pages
$24.95 USD,

Eberhard Alsen is a professor emeritus of English at Cortland College, State University of New York. He is the author of several books, including A Reader's Guide to J.D. Salinger and Salinger's Glass Stories as a Composite Novel.