My Literary Quilts: Portraits of the Poets

In 2016 I woke and a quilt flashed into my head. I went to the local quilt shop, bought fabric, and by day's end had the quilt designed and started. I finished it the next day.

My William Shakespeare portrait quilt started me on a new quilt series. 

I sketched the image on a large sheet of paper and cut it out for templates for the head, hair, and body. 

The portrait was made with snipped fabrics fused to a black background. I then cut the portrait out, leaving some of the black which I folded over and hemmed. Then I placed the portrait on the background. I printed Sonnet 116  on fabric to include. The flowers in the foreground were also lined are folded for a three-D effect.

It was so much fun that I next made an Edgar Allen Poe portrait quilt. I made the image the same way, hand snipping prefused fabrics to build the face. I made a pieced background and added a 'silken purple curtain' of gently folded fabric. I attached the portrait onto the background, adding Poe's poem Annabel Lee and a real feather in the inkwell.

For T. S. Eliot I searched for cat fabrics. I printed his portrait to the size I wanted and traced it onto my fabric. I used permanent marker pens to create the portrait. I found an image of a cat and then reversed. And printed out The Names of Cats on fabric.

I typed the names of the cats in the poem and printed it on fabric which is used in the pieced background.

I have been reading quite a few books on the Brontes and a few years back read all their novels and poetry. 

I used the image of the sisters painted by their brother Branwell as my model for the Bronte Sisters quilt. 

This time I directly fused the fabrics onto the Jane Sassaman fabric background, then fussy cut flowers from Sassaman and Kaffee Fassett fabrics. I wanted to show the women's romantic and wild sides.

I have been working on an Emily Dickinson quilt but need more fabrics and I haven't found what I want. Since the pandemic I have only shopped online.

My idea was to show the many images we have of the poet: the recluse in white, the lover of flowers and gardens, her darker side that wrote about death and pain, and the romantic lover and writer of Valentine poems.

My techniques include fusible applique and permanent marker and colored pencil. I have a lace overlay to represent a curtain at her window.

This has been a fun series to make. 

OurStory Quilts: Human Rights Stories in Fabric

I opened the book to flip through the pages for a first look. When I came to the image for Jesus Wept, I stopped. And I just cried. 

The quilt made by Michelle Flamer of Philadelphia, PA, reproduces the 16th Street Baptist Church stained glass window after it was bombed in 1963, killing four little girls. The window was intact, save for the face of Jesus.

Quilts can tell a story with power and impact. It's not the first time a quilt brought me to tears. 

Quilts also inform and inspire.

I am currently reading a new biography of Eleanor Roosevelt. This uninformed, damaged woman who accepted the status quo understanding of people of color self-invented herself and became a champion for peace, civil rights, and forgotten men and women. 

Gabriele Di Tota of Melbourne, FL, used Eleanor Roosevelt's Universal Declaration of Human Rights as the background to her portrait. The former First Lady chaired the United Nations commission that created this document.

Quilts create empathy.

Ryleigh was designated male but identified as a girl. Birgit E. Ruotsala of Green Bay, WS, portrays a joyful Ryleigh embracing her identity. 6% of the population identify as transgender, but they struggle to be "free to be me." 

Quilts celebrate iconic leaders. Meryl Ann Butler of Norfolk, VA chose to portray the 14th Dalai Lama, champion for peace and human rights.  Butler used an amazing fabric pointillism technique.

OurStory Quilts: Human Rights Stories in Fabric by Susanne Miller Jones is filled with beautiful and impressive art quilts that champion the struggle for inclusiveness, equality, and fairness. Today hard-won gains are being threatened at home and across the world. The fight to protect and expand human rights is an ongoing process. 

The book is divided into sections. 

The first addresses the basic needs, common to all people. 

The second spotlights basic rights. 

The third considers the disenfranchised whose rights have been denied. 

The fourth honors iconic leaders in the human rights movements. 

The fifth celebrates Human Rights Events that spurred action. 

The Sixth tells the personal tales of the artists and the seventh celebrates diversity and similarities.

I was thrilled to see so many of my personal heroes appear among the juried quilts. Each quilt is presented on a full page with a full page essay about its subject. I am always interested in learning more about the artists techniques in creating the quilts.

Like her previous book, HerStory Quilts, OurStory raises awareness of the struggle for inclusive rights and celebrates achievements through thoughtful and inspiring art quilts. 

I was given a free book in exchange for a fair and unbiased review.

OURstory Quilts: Human Rights Stories in Fabric

by Susanne Miller Jones

Schiffer Publications

115 color photos

hardcover $34.99

ISBN 13: 9780764357978 

from the publsher

Today’s renewed interest in our basic rights has become part of popular culture and breaking news. From the Mexican border to the #MeToo movement, these images made in fabric are amazing, colorful, and thought provoking. The images offer a new perspective and answer the new demand for attention. These 65 quilts focus on the history of the battles for human, civil, and political rights, and the continuing developments today. They also celebrate the heroes. The heroes who fought for rights, as well as the events that have drawn the attention of news media and the public. Personal stories offer moving reminders and encouragement for future rights successes. The quilts are created by 47 artists from six countries.

About the author

Susanne Miller Jones has been creating art all her life. Fiber art opened many doors and introduced her to fiber artists around the world who have become friends through the magic of social media. Her work is in private collections, has been exhibited in national shows, and has been featured in several books. She is the author of Fly Me to the Moon: An Art Quilt Journey and HERstory Quilts: A Celebration of Strong Women. Jones is a member of Studio Art Quilt Associates and of the Quilt Alliance and serves on the Sacred Threads committee.

Inspired by Endangered Species: Animals and Plants in Fabric Perspectives

Inspired by Endangered Species: Animals and Plants in Fabric Perspectives by Donna Marcinkowski DeSoto combines stunning art quilts with educational essays on animals and plants in peril of extinction.

This big, oversized art book offers hours of interesting reading on the importance of preserving wildlife and wilderness.

Getting to know the vanishing species will spur interest in the work of the organizations working to preserve them, including the Sea Turtle Conservancy and to the WILD Foundation which are funded by a portion of the proceeds from the sale of this book.

As a quilter and fabric lover, I enjoy looking at the details of the quilts. The artists show great skill and discretion in the use of preprinted fabrics.

Each species is given a large photograph presenting its representational art and its binomial nomenclature, description, habitat, and threat level.

I love the use of three-dimensional elements in some of the quilts. For fiber artists, there is a wealth of inspiration to be found in these quilts.

The contents include

• Forwards by biologist Kim O'Keefe Beck, member of Board of Directors of Defenders of Wildlife, and professor and author J. Drew Lanham, also a Board of Director member of the Audubon Society  
• Conservation and the IUCN (International Union for Conservation of Nature and Natural Resources) by Wendy Strahm
• Introduction by the author explaining the origin of the book and how species become identified as endangered
• 182 quilts of endangered animals and plants
• Biodiversity and the Firecrown by Peter Hodum
• What About the Wetlands? by John Overland
• On Mammals and Reviving Species by Janet Rachlow and Jim Witham
• Art and Heart: Our Place in the Story

Fiber artists and quilters will love this book. I also envision it as a gift (especially from a quilter) to younger readers with an interest in nature and wildlife.

With its broad scope of interest, I plan on donating my copy to my local library to sit alongside DeSoto's previous book Inspired by the National Parks, which I reviewed here and donated to our library. Some books are meant to be shared.

I received a free book from the publisher in exchange for a fair and unbiased review.

Inspired by Endangered Species: Animals and Plants in Fabric Perspectives
by Donna Marcinkowski DeSoto
Schiffer Publishing
Size: 8 1/2″ x 11″ | 182 color images | 280 pp
ISBN 13: 9780764357893
hard cover $34.99

from the publisher

Lively, colorful, and skillfully made fabric “portraits” of 182 endangered species bring them to real, vibrant life. Each portrait features fascinating animal and plant facts from rescuers, scientists, conservationists, and more: where they live, what their superpowers are, why they are at risk, and how we can help. Dedicated and passionate people who work to protect endangered species share details of their roles and specialties, the planning behind conservation measures, threats to healthy habitats, and inspiring success stories. This book fosters eco-awareness and responsibility with a hopeful and positive tone, not only educating but inspiring action. 

Deeds Not Words

cover Deeds Not Words

Deeds Not Words features art quilts that appeared in an exhibition commemorating the 100th anniversary of the Nineteenth Amendment to the U.S. Constitution. The traveling, juried exhibition included twenty-nine award-winning quilt artists.

Over eighty years, women fought to gain the vote. The title of this book comes from Emmeline Pankhurst who in 1903 used the slogan "Deeds Not Words" for the Women's Social and Political Union. An accompanying essay addresses the history of the movement and another offers insight into the artists at work.

The book includes photos of early and history quilts that incorporated visual references to the movement.

Each quilt is presented with an artist's comment that explains the history behind her chosen theme and a brief bio of the artist. The quilts are presented in large photographs of the whole and in detail. The methods represented are diverse and represent each artist's unique style.

This is art that inspires and educates. From Arturo Alonzo Sandoval, I learned about Detroit suffragist Ethel Willimans Harkless and the racist element of the Sufferage movement. I had no idea that the FBI called Jane Addams "a most dangerous woman" because of her work as a social reformer, feminist, and pacifist. Addams won the Nobel Peace Prize in 1931. Laura Wasilowski portraits Addams 'mug shots' in her quilt.

Read more about the artist on her quilt First Ladies 

In the Appendix, there is a list of all the women whose names appear in Caryl Bryer Fallert-Gentry's quilt First Ladies, women who were the first to accomplish what had only been done by men or who "moved equality forward for others." It is an impressive list! Also is a list of women featured on Sandoval's quilt of Africa-American Suffragists and Colored Women's Clubs.

Deeds Not Words will interest a wide range of readers and will spur an interest in learning more about these brave and inspiring women.

I received a free ebook through NetGalley in exchange for a fair and unbiased review.

Sara Bard Field by Martha Wolfe

Nasty Women Keep Fighting by Sue Bleiweiss

about the authors:

Sandra Sider, a studio quilt artist since the 1980s, has led critique workshops for Studio Art Quilt Associates (SAQA) since 2005. She holds an MA in art history from the Institute of Fine Arts, New York University. Between 2010 and 2013, Sider served as president of SAQA, and today she is editor of SAQA's Art Quilt Quarterly as well as curator of the Texas Quilt Museum. She has written or edited more than a dozen books concerning contemporary quilt art. www.sandrasider.com

Curator of the New England Quilt Museum, Pamela Weeks has been a quilter, fiber artist, quilt historian, and state-juried member of the League of New Hampshire Craftsmen. For eight years she was the executive director of ABC Quilts, where the mission was to send handmade quilts to babies and young children born HIV-positive or drug affected, around the world. Weeks lives in New Hampshire.

Deeds Not Words 
by Sandra Sider and Pamela Weeks
Schiffer Publications
March 28, 2020
ISBN 9780764359170, 0764359177
96 pages, softcover
$19.99 USD

Exploring Your Artistic Voice in Contemporary Quilt Art by Sandra Sider

"How do I develop my artistic voice, and what exactly is that?" is the second most asked question in Sandra Sider's art quilt critique workshops. Inspired by the closing statement in Michelle Obama's memoir Becoming, "there's power in allowing yourself to be known and heard, in owning your unique story, in using your authentic voice," Sider was motivated to take the risk of sharing her quilts and journey as an artist in the public platform of a book. 

Stir Crazy by Sandra Sider, 60 x 42 in. Cyanotype photograms, paint on cotton

Sider begins with childhood memories of quiltmaking in her family and her early traditional quilts. In the 70s she saw quilt exhibitions that included "outsider art" that broadened her view of quiltmaking. A friend who wanted to learn to make quilts combined cyanotype images on fabric for quilts and this technique spoke to Sider and started her on her art quilt journey.

Sider shares the quilts she made over her career, explaining her growth in technique and artistic eye. She was not interested in traditional "pretty" quilts, but art that evoked a response.

Stem Cells by Sandra Sider

Sider shares what she has learned.

"Artistic voice" is not a goal, but a process, Sider writes. We sometimes get lost in the process or making a piece. We are warned to keep the purpose of your art piece in mind. Editing is important; too much machine quilting can obscure, fabric color choices may not match the message, over embellishing can create confusion.

Art education is ongoing for the artist, always trying new techniques and materials. Viewing art exhibitions can lead to new insights and inspiration. Draw from everything in your life. Keep a notebook of ideas, listen to critiques. Self-promotion is a part of a quilt artist's success.

Road Rage, digitally manipulated images of a Utah License plate,
was inspired by a solo cross-country drive

Sider's book will inspire quilt artists in their journey. Her ability to self-critique makes her a sympathetic and approachable teacher.

I was given access to a free egalley by the publisher through NetGalley. My review is fair and unbiased.

Chapters:

• How Many Things Do You Know?
• How Many Things Can You Do?
• Does Your Art Education Ever End?
• You Call Yourself an Artist
• Why Critiques Can Be Helpful
• Using Your Voice

Read Sider's bio here.

Read an interview with Sider at Create Whimsy here.

Images are from the author's website.

Exploring Your Artistic Voice in Contemporary Quilt Art
by Sandra Sider
Schiffer Publishing Ltd.
Pub Date 28 Jan 2020
112 pages 60 color images
ISBN: 9780764358876
$16.99 (USD) paperback

from the publisher:This compact guide will make a huge impact on how you choose to express yourself in quilt art. Think of the artists whose work you admire, individuals with a distinctive style or perhaps several styles developed over the years. You might like their use of color, materials, craft expertise, and subject matter. But above all, you recognize in these makers an authenticity, a confident approach to the quilt medium. That is their artistic voice. Develop your own unique artistic voice, see your work mature, and become confident and happy with what you are doing in the studio. Renowned quilt artist Sandra Sider acts as a companion along the path to discovering your voice, and offers photos of dozens of her own quilt design successes and failures as examples to learn from. Even blind alleys, detours, and the road not taken can lead to developing one’s voice as a quilt artist—indeed, as any sort of creative maker. Topics include how to write a powerful artist's statement for yourself, when to stop experimenting, and using your voice once you own it. Looking to broaden your quilting experience, or simply curious about the concept of an artistic voice? Look no further—this is the perfect guide for you!

Visioning Human RIghts in the New Millenium: Quilting the World's Conscience

I was inspired to write this book because of my admiration for Eleanor Roosevelt and my belief that if women were fully empowered, they would transform the world into a peaceful place." Dr. Carolyn L. Mazloomi

Visioning Human Rights in the New Millenium: Quilting the World's Conscience exemplifies the legacy of quiltmaking as a political vehicle, how in the hands of artists, fiber and thread are employed to create powerful political and humanitarian statements. 

Dr. Mazloomi's preface begins, "Visioning Human Rights in the New Millenium is a call for action in the global struggle for human rights, Through artistic expression, utilizing the canvas of quilts, the artists here interpret the thirty articles of the Declaration of Human Rights." The Declaration grew out of the United Nations in 1948, a reaction to World War II, written by a committee led by Eleanor Roosevelt. It was her crowning achievement.

The 91 quilts interpret the thirty Articles in the Declaration ranging from "We Are Born Free and Equal" to "No One Can Take Away Our Human Rights." 

These are quilts that make us uncomfortable, that prick our conscience.

Article 19. Everyone has the right to freedom of opinion and expression; this right includes freedom to hold opinions without interference and to see, receive and impart information and ideas through any media and regardless of frontiers. Do You Know Me? By Peggie Hartwell 

Article 3. Everyone has the right to life, liberty and security of person. Cruelty Come for Us All, James Mardis, including images of a lynching tree, Rubin Stacey, Emmett Till, and Trayvon Martin.

Article 13. (1) Everyone has the right to freedom of movement and residence within the boundaries of each state. (2) Everyone has the right to leave any country, including his own, and to return to his country. The Monarch Butterfly by Deanna Tyson

On my first opening the book and glancing through the pages I learned one can't turn away from these images. Each quilt arrests attention; they tell a story that wants to be heard.

Many of the stories are heartbreaking.

There is an image of a woman pushing against a bull dozer's bucket, her teeth clenched in anguish and struggle. Behind her is a house, partly demolished, and a map of Hamtramck in Detroit Michigan. "Hamtramck, My Home" by Sharon Ray tells the story of a city governance determined to evict a black population and one woman who stood up to power. The city determined to tear down black residential neighborhoods to build new housing, but the displaced people would not be able to afford the new housing. Read about the 1971 ongoing court case here.

Article 17: (1)Everyone has the right to own property alone as well as in association with others. (2) No one shall be arbitrarily deprived of his property.

There are quilts that celebrate the enjoyment of the rights in the Declaration.

On This Special Day by Gwendolyn Brooks is a celebration. Thoughtful use of fabrics, embellishments, and painting illustrate the joy and pride of marriage.

Article 16 (1) Men and women of full age, without any limitations due to race, nationality or religion, have the right to marry and to found a family. They are entitled to equal rights as to marriage, during marriage, and at its dissolution. 

And you will find hope in these quilts.

Imagine a World by Nancy Cash exemplifies the kind of world we can choose to have. It is at once an ideal Utopia and an achievable goal. Education is the first step to equality in all its manifestations: equality under the law, in the distribution of wealth, opportunity, health, and access to clean water.

 Article 26. (1) Everyone has the right to education.

This remarkable book proves again the power of quilts. It is a wonderful testament to the ongoing struggle we wage to achieve the high standards set out in the Declaration.

I previously reviewed Dr. Mazloomi's book And Still I Rise, my review found here.

I received a free book from the publisher in exchange for a fair and unbiased review.

Visioning Human Rights in the New Millennium: Quilting the World’s Conscience
Carolyn L. Mazloomi
Schiffer Publishing
ISBN13: 9780764357404
$34.99 hardcover

A Celebration of HERstory Quilts Strong Women

Here's to the strong women.

May we know them.

May we be them.

May we raise them.

unknown. 

Suzanne Miller Jones presents 108 juried quilts celebrating women who impacted the world. Some are universally known and some are forgotten. They include women who stood up to power and women who brought laughter into our homes. Most were 'firsts' in their field. 

Each quilt has a full-page color photograph and a full-page artist's statement with a history of the woman celebrated in the quilt, a quote from the subject, and artist information.

The quilt artists use every technique and fabric available, including painting and thread painting, fusible applique and piecing, fabric dying and commercial fabrics, computers and scanners and fabric printing. The descriptions of how the artist made the quilt is as interesting as the subject of the quilt.

Subjects include women from history and women changing the world today. International and American women are represented.

The book is divided into sections: Suffragists, Strong Women, Groups, and Personal Heroes.

I was pleased to see such a diversity of women honored. Some of my favorites include:

• Sally Ride (1951-2012), the first female American astronaut.  Deb Berkebile's portrait shows Sally's well-known wide smile, the Space Shuttle in the background.
• Mary Blair (1911-1978) was a favorite illustrator when I was a child for her book I Can Fly. As a Disney artist, she created the concept art for well-beloved animated films and It's a Small World. Tanya Brown sketched, scanned, and printed her image on fabric then densely stitched it.
• I was pleased to see writers represented, including the late poet Mary Oliver (1935-2019). Barbara Dover offers a pictorial landscape quilt representing Oliver's poem The Summer Day. 
• Fannie Lou Hamer (1917-1977) fought for voting rights in the Jim Crow South, withstanding beatings and jail. Carol Vinick's fabric collage portrait rises above a lunch counter with women of all colors waiting to be served.
• Misty Copland (1982-) is the first African American ballet dancer to be a principal dancer in the American Ballet Theatre. Nneka Gamble shows a young Misty in ballet school, the only girl of color.
• One of my personal favorites among the lesser-known women is Emily Carr (1871-1945), a Canadian artist who studied the Native Americans of British Columbia. I first learned about Carr in Susan Vreeland's novel The Forest Lover. Maggie Vanderwelt honored Carr with a quilt depicting one of the totem poles Carr documented.

HERStory Quilts is an uplifting and inspiring book, educating us about women's history while delighting our eyes as a collection of art.

I received a book from the publisher in exchange for a fair and unbiased review.

HERstory Quilts: A Celebration of Strong Women
Susanne Miller Jones
Size: 8 1/2″ x 11″ | 114 color images | 240 pp
ISBN13: 9780764354601
$34.99 hardcover

from the publisher: 

A long-overdue tribute to a selection of women who have shaped history through herstory, this rich collection of 108 mixed-media fiber art pieces celebrates extraordinary women who cracked glass ceilings, made important discoveries, or shook the world by breaking into fields dominated by men. The subjects of these exquisite quilts, by 85 artists from 7 countries, include politicians and scientists, environmentalists and entertainers, activists and artists, athletes and authors—and even a fictional heroine. The quilting medium mirrors the advances these women have made, as the art quilt movement has inspired women to express their creativity in a whole new way.

Creating Art Quilts with Panels by Joyce Hughes

The ladies in my weekly quilt group love to work with preprinted panels. I have never thought seriously about buying a panel, even though I have seen some nice ones.

Until now. Now I can't wait to get my hands on some panels!

Creating Art Quilts with Panels by Joyce Hughes showed me how marvelous preprinted panels can be as the basis for art quilts. She embellishes the fabric with thread painting, sometimes replacing backgrounds or rearranging the elements to create a new image.

A friend recently took a class in thread painting in which they used a photo printed on fabric. Why not use a printed panel?

typical preprinted panels from Creating Art Quilts with Panels

Joyce Hughes came to use panels while teaching as a time saver so students could jump into technique.

In her book, we learn how to select a good panel.  Joyce covers all the supplies needed including sewing machine needles and feet, threads, fusible, batting, rulers and marking tools. She shows us how to prepare the panel including rearranging elements with fusible applique.

details of thread painting from Creating Art Quilts

Then she shows us the techniques for free motion quilting and thread painting with detailed photos and complete instructions and hints.

using an overlay from Creating Art Quilts from Panels

creating a new background for a panel from Creating Art Quilts with Panels

Other techniques covered include trapunto, use of an overlay, three-D effects, bobbin work, couching, and embellishments. Finally, she shows how to add a border, block and bind off the quilt, and add a sleeve.

landscape panel with quilting in colored threads from Creating Art Quilts with Panels

I was stunned by the finished quilts.

a finished panel art quilt from Creating Art Quilts with Panels

Joyce offers six projects: a flower, embellished tree, flag, a landscape, winter birds, and the heron seen above.

Last of all there is an inspiration gallery of art panel quilts of all types, from pillows to wall hangings.

The detail in the book is fantastic. Between the photos and instructions, I feel I could tackle my own project with success. What needle to use for different techniques, how to layer threads by color, how to fuse large pieces with less fusible--there are so many things I will take into my projects.

Now...its time to go shopping for panels!

I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.

Creating Art Quilts with Panels: Easy Thread Painting and Embellishing Techniques to Create Your Own Colorful Piece of Art From Panels
by Joyce Hughes
Fox Chapel Publishing
Pub Date 10 Dec 2018 
ISBN: 9781947163164
Paperback: $24.99 (USD)