Showing posts with label biographical historical fiction. Show all posts
Showing posts with label biographical historical fiction. Show all posts

Sunday, August 9, 2020

Bronte's Mistress by Finola Austin



The Bronte family history is filled with so much drama it would make a bingeable television mini-series. Charlotte, Emily and Anne are well known. Their only brother Branwell is not.

Branwell felt the loss of his mother and two older sisters keenly.  Branwell and his younger sisters created an alternate reality, detailed in books and drawings. His father homeschooled him with a Classical education while his sisters went away to school.

Branwell was a product of the Romantic Era, and inspired by poets and painters, he hoped to make his mark as a poet or artist. 

As too often happens to precocious geniuses, Branwell never  achieved his best at anything. In fact, he failed in everything. His last years were spent in ill health, alcohol and drug addiction complicating his tuberculosis, despairing over unrequited love while his sisters cared for him. Charlotte Brontë wrote in a letter, 'the faculty of self-government is, I fear almost destroyed in him.'

Famously, Branwell painted a group portrait of his sisters and himself, then later painted out his image. That portrait inspired my Bronte Sisters quilt.


Branwell's last position was as a tutor for the family where his sister Anne was governess. Over those 30 months, Branwell and his charge's mother, Lydia Robinson, had a love affair. Her husband was sickly and she was a charming woman of 43. Branwell, like his famous sisters, was small, fair with red hair, a prominent nose on which sat spectacles--nothing like the typical romantic hero. 

In her biography of Charlotte Bronte, Elizabeth Gaskill paints Mrs. Robinson as a wicked women. After her husband's death, she did not run to Branwell's arms. She married a wealthy man of 75. Whatever she may have felt for Branwell, money and a safe social status was more important. Branwell died heartbroken.

In Bronte's Mistress , Finola Austin imagines Mrs. Robinson telling the story of her love affair with Branwell.

In the novel, Lydia Robinson sought the attention and affection of the man she married and gloried in their early passionate affection. Throughout the novel, she still seeks his attention. Lydia struggles with aging, and worried about the loss of her beauty, she craves affirmation of her continued attractiveness.

To complicate her life, Lydia has contentious relationships with her teenage daughters and her overbearing mother-in-law.

Lydia can be cold and imperious toward her daughters. She married for love but does not countenance her daughters doing the same; she knows how unreliable love is, while money lasts.

Mr. Robinson treats governess Anne Bronte with dignity, but Lydia does not care for her. The feeling is mutual. Anne thinks her mistress is vain and shallow and ill-tempered.

When Mr. Robinson hires Anne's brother Branwell to tutor their son, Lydia notes his spirit, his intelligence, and his good looks. Attraction grows between them, and Branwell being a true Romantic, throws himself into the fire of love. Lydia revels in the attention, teaching her young lover how to please her.

Austin's portrait of Lydia Robinson is interesting and complex. Austin uses the character of Lydia Robinson to explore the constraints the Victorian Age placed on women, particularly their sexuality. In seeking their own destiny, the daughters show they share their mother's spirit if not her values.

Austin's portrayal of Branwell portrays his charms and his demons, and his inexperienced naivety. She incorporates his poetry into the novel. Lydia comes to realize that Branwell is weak, unreliable, and not as great a talent as he made out.

I wish that Mr. Robinson's motives were clarified. Why has he rejected Lydia's advances? Was it the death of their youngest child? Did he want to avoid another pregnancy, knowing he was ill? Did his illness affect his ability to fulfill his wife's needs? Clarification would turn him from cold villain to frail human.

Austin shows Anne incorporating her experiences into her novels, and imagines Lydia Robinson's second marriage as inspiration for Charlotte Bronte.

Austin's deeply flawed characters are desperate for love. In his time, Branwell's addictions would have been considered character flaws, weakness. And Lydia's sexual desire an aberration.

As someone who loves 19th c fiction and the Bronte's novels, I enjoyed Bronte's Mistress. I look forward to reading more by the author.

I received a free ebook from the publisher through NetGalley. My review is fair and unbiased.

from the publisher
Yorkshire, 1843: Lydia Robinson—mistress of Thorp Green Hall—has lost her precious young daughter and her mother within the same year. She returns to her bleak home, grief-stricken and unmoored. With her teenage daughters rebelling, her testy mother-in-law scrutinizing her every move, and her marriage grown cold, Lydia is restless and yearning for something more.
All of that changes with the arrival of her son’s tutor, Branwell Brontë, brother of her daughters’ governess, Miss Anne Brontë and those other writerly sisters, Charlotte and Emily. Branwell has his own demons to contend with—including living up to the ideals of his intelligent family—but his presence is a breath of fresh air for Lydia. Handsome, passionate, and uninhibited by social conventions, he’s also twenty-five to her forty-three. A love of poetry, music, and theatre bring mistress and tutor together, and Branwell’s colorful tales of his sisters’ elaborate play-acting and made-up worlds form the backdrop for seduction.
But Lydia’s new taste of passion comes with consequences. As Branwell’s inner turmoil rises to the surface, his behavior grows erratic and dangerous, and whispers of their passionate relationship spout from her servants’ lips, reaching all three protective Brontë sisters. Soon, it falls on Lydia to save not just her reputation, but her way of life, before those clever girls reveal all her secrets in their novels. Unfortunately, she might be too late.
Meticulously researched and deliciously told, Brontë’s Mistress is a captivating reimagining of the scandalous affair that has divided Brontë enthusiasts for generations and an illuminating portrait of a courageous, sharp-witted woman who fights to emerge with her dignity intact.
Bronte's Mistress
by Finola Austin
Atria Books
Pub Date September 2, 2020 
ISBN: 9781982137236
hardcover  $27 US, $12.99 ebook

Sunday, February 23, 2020

The Girl in White Gloves by Keri Maher: A Novel of Grace Kelley

I am a life-long lover of classic films.

It started when I was a girl watching old movies on our black and white television. In those days, I preferred Gene Autry, Andy Hardy, and Ma and Pa Kettle. When we moved to Detroit I discovered Bill Kennedy's Showtime. I was hooked all summer long. Jimmy Stewart became my favorite actor, but I watched swashbucklers, too.

My folks didn't have money to take us to movie theaters but we did go to the drive-in theater. When the sun went down, I was supposed to fall asleep on the back seat. Instead, I was riveted to the movie. The Incredible Shrinking Man, The Birds, and Marnie were some of the most memorable.

I became a Hitchcock fan, watching his television series, and I even had a book of scary stories with Hitch on the cover. Later in life, I watched every television broadcast of his movies. And that is how I first saw Grace Kelley--in Rear Window and To Catch a Thief.

My husband's favorite movie is High Noon, starring Kelley in her first movie role. And he was a Clark Gable fan back in the day, so I saw Kelley in Mogambo.

It was not until a few years ago that I saw Kelley in her Oscar-winning performance in The Country Girl. There was this beautiful, young actress made up plain and dowdy, her emotion so concentrated I could see the flames shooting from her eyes. Wowzer! This was not the elegant model offering Cary Grant a chance to handle her jewels.

I knew that Kelley was from Philadelphia. We had driven on Kelley Drive. And I knew that Kelley had died in a tragic car accident of unknown origin. And that she had married a prince and had two beautiful daughters who were sometimes the news.

That's it, folks. That was all I knew. And what better way to learn more than by reading Wikipedia and IMBD---kidding. What better way to learn more than by reading a historical fiction novel that imagines the hidden stories?

Several times I skipped over The Girl in White Gloves (PLEASE--no more 'girl' titles, people!) by Keri Maher when I saw it on NetGalley, but each time it caught my attention. I try hard to keep my requests in line as I am committed to doing justice to every title I get. I caved--what's one more book to the pile?

In the first chapter, I learned that Kelley had been offered the title role in Hitchcock's Marnie and was unable to accept! MARNIE! The movie that I watched from the back seat of the car, that disturbed me and made me return to it again and again to 'get it'. I read Winston Graham's Marnie a few years back after a chance to see the movie at a local repertoire theater when Tippi Hendron visited and told the audience about the movie. How could a princess accept a role about a troubled woman leading a double life, with a hatred of men and a penchant for theft? Who was made love to by a young Sean Connery?

Okay. That was enough to keep me turning pages.

In a few chapters, I learned that Kelley had played Tracy Lord in a musical remake of The Philadelphia Story! One of my very favorite movies! How did I get to be in my sixth decade without having seen High Society? Arrggh!

At the end of the story, I learned that at age forty-seven, Kelley became involved with poetry festivals, reciting poems! Including Maya Angelou.

I might also mention that Kelley was a knitter.

Maher admits to a dearth of sources for critical times in Kelley's life, like her long correspondence with Prince Rainier after their first meeting in Monaco. She 'took many liberties' for 'dramatic compression', which translates to providing a 'good read', and she speculates on the details of her relationships with men, her family, and the cause of her death. Hey, it's fiction. Get over it.

The story hits on all of the major events and films of Kelley's career. It also portrays Kelley as a woman driven to achieve excellence but conflicted by parental expectations that a woman's goal is to marry and bear children. You've had a bit of freedom, played make-believe, now it's time to grow up and become a responsible adult as a real June Cleaver, supporting your husband and bearing his children. Well, that role did not suit Kelley; Maher takes us into the marriage bed and it was positively Arctic.

Well, I gave up wanting to be a princess before I was five years old. Between Kelley and Princesses Diana and Sarah, it is quite clear the downsides far outweigh the perks.

I read a free ebook from the publisher through NetGalley. My review is fair and unbiased.

The Girl in White Gloves: A NOVEL OF GRACE KELLY
By KERRI MAHER
Feb 25, 2020
ISBN 9780451492074