Showing posts with label graphic biography. Show all posts
Showing posts with label graphic biography. Show all posts

Tuesday, April 20, 2021

Why She Wrote: A Graphic History of the Lives, Inspiration, and Influence Behind the Pens of Classic Women Writers


Why She Wrote lifts up the stories of women writers of the 19th c., highlighting the contributions they made and the challenges they faced. In these pages, the women become super-heroes of their time, breaking down barriers. 

Presented in groups of three writers under a specific theme, the authors share a brief biography followed by an illustrated episode from their life. A full reading list is offered that includes each author's works and books about them for further reading.

It is a combination of a traditional biographical sketch with the graphic novel form, which I expect would appeal to younger readers. 

I wholeheartedly approve of any venture that brings classic writers--especially women writers--to the attention of readers.

I was given a free egalley by the publisher through NetGalley. My review is fair and unbiased.

Why She Wrote: A Graphic History of the Lives, Inspiration, and Influence Behind the Pens of Classic Women Writers
by Hannah K. Chapman and Lauren Burke, Illustrated by Kaley Bales
Chronicle Books
Pub Date:  April 20, 2021   
ISBN: 9781797202099
hardcover $19.95 (USD)

from the publisher

In Why She Wrote, dive into the fascinating, unexpected, and inspiring stories behind the greatest women writers in the English language.

This compelling graphic collection features 18 women—including Jane Austen, Louisa May Alcott, Alice Dunbar Nelson, Anne Lister, and more—and asks a simple question: in a time when being a woman writer often meant being undervalued, overlooked, or pigeonholed, why did she write?

Why did Jane Austen struggle to write for five years before her first novel was ever published? How did Edith Maude Eaton's writing change the narrative around Chinese immigrant workers in North America? Why did the Brontë sisters choose to write under male pennames, and Anne Lister write her personal diaries in code?

Learn about women writers from the 18th, 19th, and early 20th centuries, from familiar favorites to those who have undeservedly fallen into obscurity, and their often untold histories, including:

• The forgotten mother of the gothic genr
• The unexpected success of Little Women
• The diaries of the ""first modern lesbian""
• The lawsuit to protect Little Lord Fauntleroy
• The personal account of a mastectomy in 1811
• Austen's struggles with writer's block
• And much, much more!

Why She Wrote highlights a significant moment from each writer's life and retells it through engaging and accessible comics, along with biographical text, bibliographies, and fun facts. For aspiring writers, literary enthusiasts, and the Janeite who has everything, this new collection highlights these incredible women's hardships, their influence, and the spark that called them to write.



Thursday, October 26, 2017

Mini-Reviews: Martin Luther, Renegade to Hoffman's Practical Magic

Martin Luther: Renegade, The Graphic Biography is one of dozens of books that have come out on the 500th anniversary of the Protestant revolution, which began when Luther dared to stand up to church corruption. Although I was tempted to read several of these new books, I could not fit them into my tight reading schedule.

I read Martin Bainton's biography of Luther, Here I Stand, several times, albeit in the 1970s. At Temple University I had a course on the Reformation. Our professor called Luther a cultural icon, a game changer, who freed the common people's minds with a Bible they could read. The result was a peasant uprising against all in power. In a seminary course on The Book of Romans we learned about its influence on Luther.  Most recently I reviewed Brand Luther by Andrew Pettigrew. I have at least a foundation of understanding.

The oversize book of 154 pages is illustrated by Andrea Grosso Ciponte. The art is beautiful, often with striking light and dark contrasts. Some pictures appear painted over photographs. The story by Dacia Palmerino tells Luther's faith journey. Life was brutal in Luther's time, with disease, poverty, and the abuse of power by governmental and church authorities. People turned to faith and the hope of escaping eternal damnation through works-- acts of piety, including church donations called indulgences.

Luther struggles over justification in God's eyes and with the easy buy out offered by indulgences. Reading the Bible he becomes his own theologian and realizes that we are justified in God's eyes by faith, and faith alone, and that works without faith is meaningless.

Luther is excommunicated and goes into hiding for a while, protected by the local prince. He uses the newfangled printing press to great advantage. The peasants rise up and are mowed down by the army. Luther frees the priesthood from celibacy and consents to marry.

I would not suggest this graphic biography for younger readers. It is very dark, even if it did skip Luther's self-flagellation, and the theology and historical milieu would be confusing.

And I am concerned about the portrayal of Luther's later years and emphasis on his talk about the Jews needing to come into the fold now he has reformed the church to a purer state. I would hate it to spur a justifiction of Anti-Semitism.

The end of the biography highlights how Luther ended the power of the Catholic Church over government, for each Prince was free to choose his faith.

I won Renegade from Plough Publishing House through a Publishers Weekly giveaway.

I so enjoyed The Rules of Magic by Alice Hoffman that I checked out Practical Magic through Overdrive. Rules is a prequel to Practical. The elderly witchy aunts in this book appear as teenagers in the prequel.

This first book about the Owens women was very popular and became a movie. I have not seen the movie.

Plot wise, it is a simple story. Sisters become complicit in hiding one's dead lover. In the end each finds true love. What sets the novel apart are the otherworldly occurrences and the reality of magic in their world.

I could see how Hoffman has grown as a writer in the time between the two books. Practical Magic has a lot of 'magic' rules which gave the novel a specific tone, but slowed the action. The tale is told, with very little dialoge or action. I will warn that the language is also grittier and the plot line involves an abusive lover.