Music brings a deep association with the events and places I have experienced. When I hear a song I can place myself in a specific place and point in time. The Green Berets by Barry Sadler came out when I was fourteen. It had pride of country and was an appealing march. I bought a ceramic green beret pin at a drug store counter.
But the patriotic support of the war was short-lived and the backdrop of my teenage years was filled with anti-war music including Turn, Turn Turn, Where Have All the Flowers Gone? and Give Peace a Chance.
The music of my life tracked the social changes going on. The songs about women waiting for men became feminist anthems. Love of country was replaced by calls for justice and equity. Love songs were still popular, but cooler were the protest songs for social change with messages of universal love, peace, inclusion, anti-authority, and dropping out of the system.
The authors begin with pre-Revolutionary songs such as John Dickinson's 1768 The Liberty Song which rallied the colonies to unite in a righteous cause and move through history to Bruce Springsteen's protest anthem Born in the U. S. A. Each song placed in its historical and cultural setting.
The music discussed by Meacham and commented on by McGraw includes the well-known and well-beloved but also lesser-known songs that were influential in their day. They all represent America at a specific historical era: The Revolutionary War, the War of 1812, slavery and abolition, the Civil War, minstrel shows and racism, WWI and WWII, the social movements of Civil Rights and equal rights and voting rights, the reactive rise of the Klan and Jim Crow, the cultural division of the 1970s, and the political divisions of the last fifty years.
WWI saw patriotic music like America, Here's My Boy
with a mother offering her 'boy' to the cause...
|
and anti-war protest music like I Didn't Raise My Boy to be a Soldier. |
McGraw's contributions are inserted in text boxes. He addresses the songs from a musician's viewpoint and from a personal, emotional response.
Sinatra was one of McGraw's idols |
History is an argument without end, Meacham shares. Americans have argued and fought, and dissent and protest continue, but this book offers the promise that "America is not finished, the last notes have not yet been played," and calls us to lift every voice and sing in the continuing great national conversation.
I received an ebook from the publisher through NetGalley in exchange for a fair and unbiased review.
Songs of America: Patriotism, Protest, and the Music That Made a Nation
by Jon Meacham; Tim McGraw
Random House Publishing Group - Random House
Pub Date 11 Jun 2019
ISBN 9780593132951
PRICE $30.00 (USD)
All sheet music photographed are from my personal collection.