Nothing But the Night by John Wiliams

Arthur Maxley wakes in his room, which he thinks is like his soul--dirty and disarranged. Shrugging off that thought, he slaps cold water on his face and determines to go for a walk. But he never gets to his destination, sidetracked to a cafe. His egg makes him think of an evil eye and depressed by the little cafe and ends up back home, the windows in his building seeming to leer at him. Maxley's nerves are disturbed by memories. Everything he encounters is magnified in grotesque ways, like circus sideshow mirrors, reflecting his inner world.

Every word in John Williams' novel Nothing Like the Night reveals Maxley's claustrophobic and overwrought psyche, the story culminating in the revelation of the horror Maxley witnessed and his irrational acting out of his trauma.

Is this book by the same man who created William Stoner in Stoner, the novel so constrained and elegant, austere and yet moving? Both novels are dark, but Stoner's resolution is comforting in his final acceptance of his life. Night leaves the protagonist still lost in the dark. Violence becomes his speech and there is no health in him.

Nothing But the Night was Williams' first novel, written during the war when he flew supplies "over the hump" and saw his fellow soldiers die. Only a mentor with a small press believed in him enough to publish this novel. Williams learned from his mistakes and went on to write "the perfect novel" Stoner and the National Book Award winner Augustus.

It was fascinating to read this early novel, at once a failure and yet showing Williams ability with words and insight into human nature. The story is disturbing and memorable, a psychological noir more suited for 2018 than 1948.

I received a free ebook from the publisher through Edelweiss in exchange for a fair and unbiased review.

from the publisher:

Stoner author John Williams’s first novel is a searing look at a man’s relationship with his absent father, and how early trauma manifests throughout one’s life

John Williams’s first novel is a brooding psychological noir. Arthur Maxley is a young man at the end of his emotional rope. Having dropped out of college, he’s holed up in a big-city hotel, living off an allowance from his family, feeling nothing but alone and doing nothing but drinking to forget it. What’s brought him to this point? Something is troubling him, something is haunting him, something he cannot bring himself either to face or to turn away from. And now his father has come to town, a hail-fellow-well-met kind of guy. They’ve been estranged for years, and yet Arthur wants to meet—and so he does, reeling away from the encounter for a night of drinking and dancing and a final reckoning with the traumatizing past that readers will not soon forget.

Nothing But the Night includes an interview with Nancy Williams, John Williams’s widow.

Publication History: 1st pub 1948; OP since 1990

Nothing But the Night
by John Williams
NYRB Classics
On Sale Date: February 12, 2019
9781681373072, 1681373076
$14.95 USD, $19.95 CAD

Learn more about John Williams--

My review of The Man Who Wrote the Perfect Novel by Charles J. Shields can be found at
https://theliteratequilter.blogspot.com/2018/10/the-man-who-wrote-perfect-novel-john.html

Read my review of Stoner by John Williams at
https://theliteratequilter.blogspot.com/2018/02/favorite-new-classics-stoner-by-john.html

Read my review of Augustus by John Williams at
https://theliteratequilter.blogspot.com/2016/03/pax-romana-and-ephemeral-power-augustus.html

The Resurrection of Joan Ashby by Cherise Wolas

When I was nine years old my best friend asked me what I wanted to be when I grew up. I told her I wanted to be an author. In a few years, I was writing stories and then poetry. I tried to get published for a while, then didn't try but kept writing. Then the poems dried up.

What happened? Life. Marriage, jobs because we needed money, a child.

"If I told you the whole story it would never end...What's happened to me has happened to a thousand woman."--Ferderico Garcia Lorca, Dona Rosita la Soltera: The Language of Flowers

This quote appears at the beginning of The Resurrection of Joan Ashby, along with a quote from Olive Schreiner advising "live for that one thing" which is your aim in life. I recognized the story. I am one of the thousands who did not 'live for one thing.' But I do not regret my decision to put love first.

Joan Ashby, the heroine of Cherise Wolas' novel, was sidetracked away from her 'one thing,' that which she was born to be, which she had single-mindedly worked for and achieved before she allowed her life to be claimed by others and their needs.

This is the story of how Joan allowed love to determine who she was, and how love betrayed her, and the journey that brought her back to herself.

Within pages, I was mesmerized by Wolas' writing. The beginning of the novel recalled to mind an old movie, like Citizen Kane, with clips of news stories giving one an idea of the person they are going to explore. The novel begins with an article in Literature Magazine entitled "(Re)Introducing Joan Ashby" in which we learn that Joan was a prize-winning writer in her early twenties, a genius, but that it has been three decades since she last published. Next, we read several of Ashby's stories and excerpts from an interview with Joan.

"Love was more than simply inconvenient; it's consumptive nature always a threat to serious women." Joan Ashby 

When Joan meets Martin Manning she tells him right away that her writing will always come first and that she has no need to be a mother. Martin is smitten and appears to support her wholeheartedly. But when two months after their marriage Joan finds she is pregnant, Martin tells her, "I've never been so happy."

Martin makes her happy. Does Joan grant him this baby, which obviously will lead to another child? Or should she hold fast to her commitment and dedication to her art, have an abortion, even if it means losing her newly wed husband?

The decisions Joan makes over the next thirty years put her husband and children's needs before her own artistic life. She does love them, but they take everything she has and offer back little.

She feels a kinship with quiet Daniel and his love of books and story telling, but who opts for an unsuitable career. Eric is brilliant, testing the limits, achieving early success which he cannot handle. She is drained by their need, while longing to return to the one thing she wanted and needed above all else: the solitude of the creative life.

After a horrible betrayal, Joan packs up and leaves her life behind to find out who she is and what it is she wants. In India, practicing yoga, Joan contemplates her marriage and her children, and the role of motherhood in all its manifestations, slowly growing into an understanding of how she wants to spend the rest of her life.  The 500+ page book, for me, slows in this last third as Joan goes on an internal journey, including sections of the novel she is writing.

Joan's passivity and inability to carve out what she needed is a great part of her failed life. She is not completely a likable character when she accuses her husband of selfishness, for she did not stand up for herself and give him a chance to accommodate her needs. Their lack of communication indicates a flawed marriage. And Joan's need for secrecy about her writing life, novels and stories written in hours when she was alone, ends up harmful.

The Resurrection of Joan Ashby is an outstanding debut. I adored the nontraditional story telling which incorporated Joan's stories. The theme of the female artist's struggle to combine love and work will appeal to many women. I will be thinking about this book for a long time, and expect I will return to read portions as I grapple with my understanding of Joan.

I thank the publisher for a free ARC in exchange for a fair and unbiased review.

The Resurrection of Joan Ashby
Cherise Wolas
Flatiron Books
Publication August 29, 2017
Hardcover $27.99
ISBN: 9781250081438