Showing posts sorted by relevance for query the man from uncle. Sort by date Show all posts
Showing posts sorted by relevance for query the man from uncle. Sort by date Show all posts

Tuesday, March 3, 2015

I Was A Card Carrying Member of "U.N.C.L.E."

I have a small collection of vintage television star photographs. My cousin Debbie told me how to write to studios for autographed photos when we were in junior high.

My favorite television show in 7th grade was The Man From U.N.C.L.E. When other kids were going to the Boy-Girl Dance on Friday evening I was at home riveted to the television. The show was big, big, big among us kids. Most of the girls swooned over David McCallum but I preferred Robert Vaughn. McCallum was too cool.(These days I enjoy McCallum as Duckie, Dr. Mallard on N.C.I.S.-he can't get away from shows made up of initials!)

I got an envelope with two color photos and 'membership' card and rules.
No, the signatures are printed on the photo cards. The enclosed membership card reads,
United Network Command for Law Enforcement
This is to certify that _____has qualified for service with U.N.C.L.E. and may be called to active duty with his section on 12 hours notice. (Y3K7-Hazardous Duty)
Norman Felton, Section 1, Number a. Policy and Operations
Boris Ingster Section 2, Number 1 Operations and Enforcement
Note that the member is referred to as "he." Norman Felton was the producer of UNCLE as well as Dr. Kildare, starring Richard Chamberlain, which I watched with Mom.

Also included was a form to join the "Inner Circle."
**U.N.C.L.E. Inner Circle**
Classified Material +++Destroy if Nervous
Attention U.N.C.L.E. Enthusiasts!!! Otherwise known as fans of Robert Vaughn, David McCalum and Leo G. Carroll!!! Otherwise known as Napoleon Solo, Illya Kuryakim and Mr. Waverly!
Congratulations--You are now eligible to become a member of the U.N.C.L.E. Inner Circle!!! And received the following U.N.CL.E. goodies-- an autographed 8x10 color photo of secret agents Solo, Kuryakin and Waverly; an I.D. card in full color, proving your loyalty to U.N.C.L.E.; and a giant journal containing the inside story behind "The Man From U.N.C.L.E."
Plus...Photos and secret specifications of the fabulous U.N.C.L.E. gun, together with classified bulletins about upcoming shows throughout the year!!! And...you may be asked to help promote "The Man From U.N.C.L.E." in your neighborhood!!! How about that???
It's easy to join, too. Simpy mail your membership dues of $2.00 per year to Central headquarters and Squadron Leader Mark Whitsett, Re., Mild-mannered machine-gunner recently appointed to head this super-secret arm of U.N.C.LE. Inner Circle!!! You'll be sensational!!! (Last one to join is a T.H.R.U.S.H.!!!) Please allow sufficient time for delivery of your first goodies!!! 
Squadron Leader Mark Whitsett, Ret.
U.N.C.L.E. Inner Circle
Central Headquarters Box 704
Beverly Hills, California 90211
Foreign members may send 20 coupon response international available at your local post office. (Mexico and Canada use money orders)
Don't you love all those !!!!  I did not send in my $2.00. I doubt I could have scrapped up $2.00 in 1964. My allowance in high school was $2.00 a week; in junior high I likely didn't even get an allowance! According to The U.N.C.L.E. Timeline the Inner Circle was created in 1965.


Bewitched premiered in 1963 and I was a big fan. The show was funny and Samantha was amazing and beautiful and smart. Darrin was pretty lucky she gave him the time of day; he was snarky and old-fashioned and a wet blanket.This photo of Montgomery must have been for the men.

This pic is actually hand signed, "To Nancy, with my sincere best wishes, Tony Franciosa"! I remember he was on a TV show, but for the life of me I can't figure out what it was.


In 1963 Inger Stevens starred in The Farmer's Daughter . I kind of remember the show.

Who is Van Williams? And why did I send for his photograph? What was he in around 1963? I don't even KNOW. I see on IMBD he played a character named Ken Madison on Surfside 6 and also on Seventy Seven Sunset Strip (which I know I watched, I still remember the theme song). Otherwise I am a big blank. But hey, he's pretty cute.

My writing for television star photos was short lived. In Ninth Grade I decided to give up television! I had too much to do: play the piano, read books, day dream, write in my journal. Once in a while I did homework. I did watch one show: Star Trek. Yes--I was an original Trekkie from the beginning.

Live Long and Prosper
R.I.P. Leonard Nimoy

Thursday, March 27, 2014

Gruesome Recollection from a Hundred Years Ago: Hog Butchering

I was always fascinated by my grandfather's article remembering hog butchering on his aunt and uncle's farm. Being a child of the 1950s suburbs and the wide aisles of modern grocery stores, it was hard for me to believe that a little boy was witness to such a bloody and gruesome scene, none the less participating in the event. It makes me glad I am a vegetarian!

Lynne at Six Years
In 1960 my grandfather Lynne O. Ramer (1903-1971) wrote a series of articles for the Lewistown Sentinel, the local paper for his hometown of Milroy, PA. Gramps wrote close to 200 articles that were published in the Sentinel and other newspapers, many recounting tales of farm life in the early 20th c.
 
Gramps was orphaned before he was nine. After the death of his grandmother "Nammie" (Rachel Barbara Reed Ramer, second wife of Joseph Sylvester Ramer) he lived with his Uncle Charles and Aunt Annie Ramer Smithers or Uncle Ed and Aunt Carrie Ramer Bobb.

Lynne with his cousin

Gramps was very smart and in the 1920s went to Susquehanna University and was ordained in the Evangelical Lutheran church.  He took teacher's training at Columbia University along with his friend and fellow Susquehanna U alumni Roger Blough who would go on to become president of U.S. Steel company.

Gramps taught at Hartwick Seminary in New York State where he met my grandmother, and they moved to Kane, PA where he taught in the high school. My mom was born there.

Lynne in 1952 at work
During WWII Gramps was an engineer in the Chevrolet aviation factory in Tonawanda, NY  and in his 'spare time' earned his Masters in Mathematics from the University of Buffalo. At this time he was ordained a deacon in the Episcopal church.

Around 1960 he moved to Michigan and taught Calculus and Trig at Lawrence Technological University while still working for Chevy.

He became very interested in research conducted by Lamont Geological Survey by Ewing and Donn and obtained a grant from Blough's steel company for their research.

But he never forgot those early days. So here is the story Gramps wrote on hog butchering:

*************
Getting Early Start

Before dawn cracked or even came close to cracking, all hands were on deck. Regular chores were down in double time—milking, feeding, watering, separating.

Breakfast was bolted down in a whistle. Pig sty was given last cleaning out and washing, while the roused porkers eyed the activity with deep resentment and suspicion. “What! No feed today!”

Then the farm boy started pumping water, carried it in pails, filled three, four copper and or cast iron kettles and filled dozens of milk cans besides.

Kindling was doused with kerosene and fires were lighted and soon crackling and burning. Showers of sparks ascended in the dark or maybe as rosy-tinted dawn spread her first fingers—and the frosty air was set in circulation by the sudden invasion of thermal currents.

Wind barriers were readjusted to give maximum vertical output. Soon the water began to simmer and it was a full time job keeping the fires roaring. The stored woodpiles began to diminish in height and more was scoutched [sic] up, just to play safe.

From many directions the butchering helpers began to arrive, in buggies and in spring wagons. Neighbors and relatives, some from the cities. Merry greetings were passed. Then the forces moved on to their places of occupation: Women folks to the kitchen and shanties to prepare foods for the dinner, and the pots, pans and crocks for the puddin’ meat and the ponhos, while the men took their assignments from Uncle Ed, the boss butcher.

Shootin’ and Sitckin’

The men descended on the pigsty, armed with rifle and deer knife for sticking, while the young ones were told to stay back and keep the fires going. “You’re too little to watch shootin’ and stickin’.”

Soon you’d hear the crack of a rifle and maybe dead silence, but more likely an unearthly squealing. Perhaps the sty door would be opened and the dead pig dragged out. or maybe he’d come out “standing,” gushing blood from the severed jugular.

Maybe he’d drop dead all of a sudden, but like as not he’d take off up through the apple orchard with two, three hands in a merry chase. No one liked that, for it may mean a hundred yards dragging the carcass to the scalding barrel. Unusual work was undesired—usual work was sufficient.

“Get the water in the barrel!” All hands rushed to do so. It had to be real scalding hot to make bristle removal easy, yet not too scalding as to start the porker to cookin’.

“Refill the kettles!” And you’d do so, from the reserved milk cans. Or, run like blazes to the pump to get more in a hurry.

“More wood on the fire!” And hands and feet were really flying!

Into the barrel they shoved the head end of the now extinct porker, and sloshed him around. Water slopping on the ground melted the frost.

Testing the Bristles

“Pull him out, boys, and upend him!” Then they dipped the tail end. It was time for Uncle Ed to test the bristles. If they came out easily the “dip” was successful. If not, more scalding water was added until the bristles did come off just right.

“Up and over!” And so Pig No. 1 was ready for scrapping. Meanwhile the killers and stickers had another pig en route to the scalder—never a dull moment. Snout hooks and tendon hooks were used to handle the slippery porker, from scalder to scrapping table.

Then in a few moments scrapping knives began to clean off the bristles until the pig’s carcass was white and pink and gleaming, that is, from the ears backward.

“Okay, boys, on the head and at the feet.” These were choice areas reserved for the younger boys and grandfathers.

It was really an art to scrape the stiff, shorter bristles from the wrinkles around the pig’s snout and beady eyes, and from the deep wrinkles of his fat jowls and under his chin. Also from the creases of his stubby feet.

And these just had to be clean, for from them came the ponhos ingredients and choice pickled tidbits and for the souse. (Barbers could do better with Uncle Ed’s stubble, since his pink cheeks were at least a bit flexible.)

Heave Ho! Up You Go!

Within a few minutes all carcasses were promptly stretched out, inverted, on the ground, and leg tendons were freed for insertion of the tree hooks. With these inserted securely, there came the order, “Heave ho! And up you go!”

In a trice the pigs were swinging, pendulum-like, from the tripods. A deft slash of the knife in the belly area and the large intestines were removed and carted away in the wheelbarrow to the barnyard.

Soon every fowl and every bird, pigeon, swallow and sparrow on the farm was picking away at the odorous mess, as you hastened back for the next load.

Then the carcasses were washed thoroughly with pails of lukewarm water. Viscera and vital organs were deftly severed and removed, being placed in proper containers for further cleansing, trimming and cutting before cooking as ingredients for the choice dishes that grace the farm breakfast tables.

Specialists At Work

Then the head butcher, man of steady hand and keen eyes and of long experience, takes a double-bitted axe, previously sharpened by the farm boy, and deftly splits the disemboweled carcasses down both sides of the pig’s backbone.

Like all Gaul, the pig swings into three parts, whence now the sub-butchers each takes his parts to the trimming tables and proceeds to exercise his private specialty. One, the ham trimmer; one the flitch trimmer and rib-stripper; and one the shoulder man.

Each of the sides quickly becomes three parts, and each of these parts begins to assume familiar shapes and contours. Off come the feet, out come the ribs. The flitch, ham and shoulder get their artistic shapes under the practiced hands of masters, as each steps back to view the details of chiseling, shipping and trimming.

“More wood on the fires! More water in the kettles! Get out the lard cans and trimming cans from the stockpile. Come on there, boy, get moving!” Never a dull moment.

The division of labor now assumes new proportions. There are soft under-belly slabs of leaf lard—slippery as an eel and just as hard to hold and chop into squares. Stingy membranes to remove and cut through—of course that’s the boy’s job.

Then the nice firm fatty places must also be chipped. And the vital organs trimmed and cleansed. The meat scraps and firm suet-like pieces are sorted out for the sausage meat. Small intestines are drained and washed and taken into the shanty for “Nammie” to scrape, turn, scrape again and turn, wash scrape again—until every loose membrane is removed. Then these casings for the sausage are ready for the stuffing.

No barber with straight razor could ever approach the skill of the “Nammies” in intestine-scraping. They come out clean and clear as finest plastic, with nary a cut or even a pinhole, in yards of yards of the product.

Merrily the work went on. The play and the exchange of jokes saved for the occasion flew fast. Plans for the winter’s programs (even church suppers) all went hand-in-hand with the trimming and chipping and cutting.

“Nammie’s” Pigtails

Pig tails were traded from kinder to gown-up, but inevitably one or more found its way to “Nammie’s” skirt, as if she didn’t know it was affixed there while she wagged and wiggled for purposeful entertainment!

Meanwhile in the kitchen the air was blue and white with gossip and filled with savory odors of roasting stuffed chickens, beans and beets and cabbages and carrots and potatoes boiled. All simmered tantalizingly on every lid of the cast iron cooking ranges—one in the kitchen, another in the shanty.

Hands and tongues flew with abandon and soon the table was bent and buckled from the mounds of mashed spuds, bowls of giblet gravy and vegetable dishes, as well as celery and cabbage salad and cole slaw and pickles and eggs devilled in red beet juice and piccadilli and stuffed pickled peppers and spiced crabapples.

“Dinner is ready!” In flock the “hands” to the pump and basin—of nice cold water. Hands and faces find dry spots and places on the harsh linen roller towels. Out of the ovens come the roast chickens, the escalloped oysters, the baked squash and divers other items.

Grace is said and from there on you can use your imagination, since this is a butcherin’ dinner. Peach, pear, plum, cherry and apple pies with a variety of cakes are all standing by on every available shelf and table.

The little farm girls wait hand and foot on the men at the tables, sometimes giving some peculiar and special attention to certain farm boys of their choosing.

Meanwhile the cooks sit in the rockers and exchange quips and stories with the men and with one another. After the men are gone back to the butcherin’, they and the girls will eat at the second table.

Yards of Sausage

“Okay men, let’s go!” And out they troop, to wind up the work. “Fresh wood on the fires. Say, tame down those lard-kettle fires or you’ll burn the lard.” The lard stirrers begin to supervise the stirring and the fire-stoking so as to maintain just the correct heat for the simmering and rendering.

The puddin’ meat and ponhos cookers test the degree of doneness of the livers, hearts, tongues, kidneys, meat strips and head meat and the pig’s feet. “Boy! Taste that liver! Is it done enough to suit you?” And it usually is, but seems to require a good-sized chunk just to make sure.

Meanwhile as the chunk of liver cools, you are busy grinding the sausage meat, while “Pappy” salts and flavors and samples. Then he takes a tubful and starts the stuffing, stripping yards on the spot, yards and yards of smaller intestines. The press is turned and out flows the sausage.

“Nammie stands by and as the sausage emerges she kneads and squeezes and coils the product into another waiting tub. “Watch where you’re spitting tobacco juice, you old buzzard! We don’t want none in our stuffed sausage!”

Ponhos and Lard

Then the pig’s feet are extracted from the ponhos kettle and the chunks of vital organs are ground in the sausage grinder. The mess is stirred back into another waiting kettle. “Nammie” adds the spices and corn meal in just the right proportions—“a little of this and a little of that.” She keeps sampling the ponhos with over-sized wooden spoons just to be sure.

“Sausage stuffing all finished! Bring on the lard! Careful now!  Don’t get scalded.” And the dippers and pails full of nicely toasted and rendered lard chunks go splashing into the sausage grinder, which this time has a large-holed inner liner to capture the lard chunks.

Press and squeeze till every bit of precious amber-fluid is out of the crispy brown pieces and gathered into the waiting lard cans. Then the pressed cakes are removed and stacked for the chickens to feed on this winter. (But are sampled quite extensively when cool enough!)

The brimful lard cans are allowed to cool a bit, then lids are placed on firmly. Then the ponhos, thoroughly cooked and just the right color, is poured into crocks and pans and a small quantity of lard poured on to seal the batch from the air. Each helper and neighbor, as well as city visitor, had bought his own pan for a helpin’.

Come Again Next Year

The chilled hams, shoulders, backbone chunks, flitches, et alia, are carried into the proper storage facility where further treatment such as pickling, smoking and preserving will occupy odd moments for following days and hours.

Clean up, wash up pails and pans and knives. Wipe up and scrape the tables and the cutting boards. Sweep up the bristles to dry and later be burned far away from dainty noses.

Douse the fires, clean the kettles. Store the hooks and the hangers and empty and wash out the scalding troughs and barrels.

“Okay now, boys! Let’s have a snifter of dandelion wine! And thanks a million. Be sure to stay for supper and also come again next year!” The helpers and neighbors thin out, to go home and do their own regular chores: feeding, watering, milking, separating.

The embers die down. The woodpile had disappeared. All is quiet. The butcherin’ has ended.

Lynne
*****
The articles appeared in Ben Meyer's column "We Notice That". Ben responded in the paper with this follow-up:

Dear Lynne:

Congratulations! That was a bang-up job of remembering the many varied details of a family butcherin’ such as was so common place hereabouts a generation or so back.

Our old-time readers, and doubtless many of the younger fry, will take keen delight in reading and re-reading your story of  Uncle Ed and Aunt Carrie’s farm in Armagh Township.

Some of the old guard family butchers still do business at the old stand. But their number dwindles as time goes on. You may be sure their products are in great demand. People’s mouths drool just at the very thought of being presented with a mixture consisting of a ring of sausage in skins, a pan of ponhos (the main ingredients) and some side dishes like a generous slab of puddin’ meat, souse, et cetera.

Back in the old days we used to call such a present a “metzelsoup” down in Dauphin County where we came from. All the hands that so willingly pitched in and worked so hard found that such a hand-put as they departed for their homes that evening well repaid them for all the time and labor expended. Fortunate indeed were outsiders, such as neighbors who hadn’t participated, if they were remembered when one of the farm boys brought a metzelsoup to the door and said, “Here’s a present form pop ‘n mom!”

Certain of the old line butchers have parleyed the family butcherin’ into Big Business. They are the ones who supply home-made pork products in quantity, at wholesale rates to the local markets, including and especially the super-markets.

The Modern Version

Maybe some day while helping yourself at the magnificent display of packaged meats in the counter at the super-duper, you’ll see employees walking past with huge quantities of ponhos, sausage, puddin’ meat. They are being unloaded from a farm truck that’s backed up to the delivery door outside.

People around here still keenly relish the old-time flavor of home-made butchered goods so they demand it rather than to have the stuff shipped in from some packing house where they wouldn’t have the knack of making the stuff right anyhow.

Seems there’s one item in particular you can’t buy in most local retail stores and that is home-made souse. Only souse obtainable is some coarse, tough kind, very much commercialized and nothing like the real thing. Doesn’t taste any more like the real thing than shoe leather compared with a gold brown buckwheat cake!

Correction: Certain neighborhood stores still carry the home-made kind. Some of the local butchers operate little factories in their back yards. They can supply you with the real wiggly jiggly souse including plenty of pork and not bits of rind and bone and pig skin.

Yes, all of the things you mention are to be obtained too at Farmer’s Market where the vendors still include a small handful of Amish farmers. Thanks again, Lynne, for your masterpiece! Oh, yes you employed all the technical terminology of an old-time butchering, or almost all, but one work was missing—“cracklin’s!”
**************
Lynne Oliver Ramer's retirement announcement was not the end of his work life, as he continued teaching at LIT.

Chevrolet Engineering Retirement Announcement, July 23, 1965

This is to announce the forthcoming retirement of Lynne O. Ramer in the Design Analysis activity [electronics computers], which becomes effective September 1, 1965, ending an association of more than thirteen years of service with the Chevrolet Engineering organization.

Following his graduation from high school at Milroy, PA, Lynne attended Susquehanna University where he received a degree in Liberal Arts. Lynne later received a Masters degree in Math from the University of Buffalo. He also received a Bachelor of Divinity degree from Susquehanna University Theological Seminary and began teaching at Hartwick Academy. He was ordained a Lutheran minister in 1926.

Lynne started in the public school teaching profession as a teacher of history and math at Kane High School in Kane, PA 1920-30. From June 1942 to January 1946 Lynne was employed at the Chevrolet Aviation Engine Plant in Tonawanda, NY as an Engine Test Operator. He then returned to school teaching at the University of Buffalo and West Seneca High School. In January 1952, Lynne transferred to the Chevrolet Aviation Engine Plant as an Experimental Engineer. He was transferred to the Holbrook Test Laboratory in November 1953. In March 1955, Lynne was promoted to Senior Project Engineer. in January 1961, he became a Senior mathematician programmer, and in October 1962 was reassigned as a Senior Analyst, the position from which he will be retiring.

Lynne has also been a part time teacher since 1942. He has taught various night school, including University of Buffalo, Wayne State, and Lawrence Tech. He has also been very active in the church since June 1950 when he was ordained a perpetual deacon.

His future plans include teaching at Lawrence Tech and continuation as a Deacon in the church.

Thursday, June 17, 2021

The Cape Doctor by E. J. Levy

I read this novel in one day.

It was a windy, gloomy day. But that is not why I read it in one day. I read it in one day because I did not want to stop reading. 

I loved the narrative voice, the feeling of being transported back several centuries, the knowing wink to the style of the early 19th c in lines like "No one who had ever seen Margaret Brackley in her infancy would have supposed her born to be a heroine (or so Jane Austen might have written of her..."

I was interested in the questions the narrator struggled with, about choice and chance, gender identity, the gap between male and female autonomy and self-determination.

Which of us is undisguised, after all? Which of us reveals himself truly to the world. ~from The Cape Doctor by E. J. Levy

 

The Cape Doctor is based on the true story of a woman who posed as a man to gain an education and become the first female doctor. She performed the first recorded, successful Cesarean operation.
portrait of Dr. James Barry, inspiration for The Cape Doctor's protagonist

Levy's character is inspired by the historical Barry, but Levy gives her own spin to the story, concentrating on the feminist issues. Her Dr. Perry lives as a man, but identifies as female. (Another character is hermaphrodite, which some believe Barry was, while others believe Barry was transsexual. Those controversies do not affect my reading of this novel, as this is historical fiction inspired by true events, and not a biography.) 

Under Levy's hands, the imagined character Margaret Brackley becomes Dr. Jonathan Mirandus Perry. She tells her story of transformation from a subservient and invisible female to an authoritative and competent professional man of society.

In dire poverty, Margaret's mother sends her to beg aid from her uncle. There, she meets General Mirandus, who takes an interest in her brilliant mind. After her uncle's death, the general sends her to be educated in Edinburgh's esteemed medical school with plans for her to become his personal physician in Caracas.

Margaret cuts her hair and binds her breasts and dons a boy's clothing. She learns to lower her voice, to change her actions and her attitude, to mimic. She learns how to masquerade, how to pass.

As Dr. Perry, she becomes a successful army doctor in Cape Town, with at least one young lady falling in love with her.

When her true sex is discovered, she has a love affair and must chose between love and her career, and more importantly, "the right to think and speak and move as I chose, not as others bade me. To experience life on my own terms."

I thought of Mary Wollstonecraft, another brilliant woman who was also against marriage, whose love affairs were scandalous.

As a first-person narrative in the style of the early 19th c, Margaret/Perry speaks to issues of identity and freedom, often in pithy epigrams. And most are quite timeless. Including, "You can judge a culture by its medicine, by how it teats is most vulnerable--the ill." 

It is interesting to learn that the Cape Doctor is the name for a strong wind that today blows away the pollution over Cape Town and provides waves for perfect surfing, but which was believed to also blow away bad spirits, healing the town. And that fair weather comes after the blow. 

I received a free egalley from the publisher through NetGalley. My review is fair and unbiased.

The Cape Doctor
by E. J. Levy
Little, Brown and Company
Pub Date  June 15, 2021
ISBN: 9780316536585
hardcover $28.00 (USD)

from the publisher

A "gorgeous, thoughtful, heartbreaking" historical novel, The Cape Doctor is the story of one man’s journey from penniless Irish girl to one of most celebrated and accomplished figures of his time (Lauren Fox, New York Times bestselling author of Send for Me).
 
Beginning in Cork, Ireland, the novel recounts Perry’s journey from daughter to son in order to enter medical school and provide for family, but Perry soon embraced the new-found freedom of living life as a man. From brilliant medical student in Edinburgh and London to eligible bachelor and quick-tempered physician in Cape Town, Dr. Perry thrived. When he befriended the aristocratic Cape Governor, the doctor rose to the pinnacle of society, before the two were publicly accused of a homosexual affair that scandalized the colonies and nearly cost them their lives.
 
E. J. Levy’s enthralling novel, inspired by the life of Dr. James Miranda Barry, brings this captivating character vividly alive.

Saturday, February 18, 2017

Eugene Gochenour's Memoirs: Jokesters Join the Lab

Dad wrote about "New Blood" as the Air Conditioning Lab expanded in the 1980s, including two jokesters who loosened up the lab. These stories became legend in our family. 


Eugene Gochenour at work in the 1980s
"As the demand for air conditioners in automobiles increased, it became necessary to increase the size of our lab. The lab had always been serene, orderly, and fairly quiet (boring), but that was soon to change. One day two new mechanics transferred from another lab to ours.

Their names were Jim C. and Jay F. They were noisy and boisterous and not too respectful of us older mechanics. At first I resented their presence because they were so disruptive. Also, they were always thinking of ways to annoy me.

At lunch time I often took a nap since we had a 45 minute lunch break. Once when I awoke after the nap and tried to walk I tripped because they had tied my shoelaces together! If I removed my shoes while I slept they would hide them and when I awoke I had to walk around in my socks trying to find them.

Once when I was standing on my bench putting in a new light bub in a ceiling fixture and could not drop my hands, they loosened my belt and pulled my pants down. So, there I was, standing on my bench in my under drawers until I could finish what I was doing and pull my pants back up.

On the top of my bench was a small cabinet with drawers. It had many nuts, bolts, washers, and other small parts. Sometimes when they were both by my bench and I was talking to one of them the other would be dumping the drawers full of parts onto my bench. of course when I saw what they did, I chased the one who dumped the parts, but they both just laughed.

In the 1980s we got another new addition to our lab. Diana C. was an Electrical Engineer. She had graduated from the University of Michigan and was very sharp. Well, one of the mechanics had a small wooden statue of a naked man wearing a barrel that was hung from his shoulders by suspenders. it stood about six inches high and with his bare feet looked like some poor hillbilly. Some people would be inquisitive and lift the barrel, and when they did a huge penis wold pop out. We all got many laughs when that happened. But we decided to improve him. We drilled a hole in the penis and hooked up a hose and a water supply to it.
Jim C. and Dad in the lab
When Diana came into the lab one day we showed her the little wooden man and when she lifted the barrel we turned on the water and she got squirted. She was surprised and we all howled with laughter. Diana could have really raised hell for us, but she was a good sport, and never complained to our bosses. She learned fast what she was in for when she worked out in our lab.

One day a huge horsefly flew into our lab Jim C. chased it around until he caught it. He sprayed it with something from an aerosol can which knocked it out, then he came over to me and pulled a hair from my head. He put Crazy Glue on the hair and attached it to the back of the fly. He must have thought about this before because he had a small, quarter inch by three inch piece of toilet paper with the words "Eat at ARA" printed on it. The sign was attached to the other end of the hair on the fly. The ARA was of course the company that ran the Chrysler cafeteria.

Well, there happened to be a meeting going on at a conference room next to our lab with about ten people including our lab supervisor and some engineers and designers. When the fly revived, Jim opened the conference room door and set the fly loose.

So here's this fly cruising through the room advertising ARA with everyone watching and after a few trips around it land on the nose of Fred McC. who was looking up toward the ceiling. When Jim released the fly into the room it became quiet but soon after there was a roar of laughter. No one was ever reprimanded for this, but I think they knew who was responsible.

Setting on a cabinet by my bench was a small toy slot machine. Occasionally someone would come by and pull on the lever. The toy was at about face level and when the lever was pulled a little round funny head would pop up and squirt the person who had pulled the lever. There was always someone new to pull the lever so we got many laughs from it.

Even though we had a good time at work, everyone was a good worker and our lab accomplished much.

Jim C. was a hunter and he and I planned to take a weekend and go to my brother-in-law Don Ramer's cottage near Grayling, MI. I had spent a week helping Don and his wife Marie build the floor, walls, and roof panels of the cottage a few years before. Don had ten acres and his twin brother Dave had ten acres net to his. It was all heavily wooded.

After work on Friday, Jim and I loaded up the car with our guns and hunting equipment and headed north. When we were north of Bay City it was very dark. Parked at the side of the road was a van and as we approached we saw a man waving to us. So we stopped to see what he wanted.

The man told us they had hit a deer and heir van was disabled. He said the deer had a broken back and was lying by the road behind their van. He asked if we had a gun so we could stop the deer from suffering, and we said we did. Jim had brought along a pistol and he went and shot the deer. Then the man asked if we could run him into the next town for a tow truck. We, of course, said we would. There was another man and a woman in the van and they took down our names and our license plate number before we left. On the way to town the man said they had a load of apples in the van.

The first garage that we stopped at in the next town did not have a tow truck but they would take the deer. He said they lived on deer Up North. The next garage did have a tow truck, so we left the man there and continued on our way.

I don't know if it is legal to shoot an injured animal but we could not see it suffer.

On another trip, my son Tom, Jim C, and I stayed at Don's cabin to hunt.
Tom Gochenour and Jim C. at Uncle Don's cabin

Tuesday, August 16, 2016

Eugene Gochenour Memoirs Part III

I have been sharing Dad's memoirs over the past weeks. Today's excerpt continues his childhood memories from the Depression.
Gochenour family in late 1930s; Eugene is front right; his mother back right,
sister Mary back left and to her right is Al Gochenour.
"Military Road was built centuries ago for armies to travel from Buffalo to Niagara Falls. The road was elevated at the location where the house we lived in was built. On each side of the house was a gully. The strip of land where the farm house was placed was filled [with dirt] to the level of the road.

"The foundation of the house was about three feet thick, built of stone that probably came from a nearby quarry. When we first moved there the house had a dirt floor in the basement but later Dad and some friends put in a concrete floor. Huge logs with one flat side supported the floor of the house. Wooden pegs held the logs together. A cistern was located under the rear porch but of course it had not been used for dozens of years.
1865 Military Rd in the 1940s after Al Gochenour bought the
property and fixed it up. 
"The house sat quite far back from the road and one day as we sat on our front porch, to our amazement, we saw elephants walking past on the road. The elephants led a parade of horse-drawn wagons filled with lions, tigers, and other animals. Now as children we had never seen elephants, and we were amazed to see the size of them. The circus had come to town and this was their way of advertising it.
Circus passes down Military Rd at Ensminger Rd; an Ensminger family house in the background.
"The first photo shows the elephants as they passed by. Across the street is the Ensminger farm house. It sat at the corner of Military and Ensminger Roads.

"When we first moved there Ensminger Road was just a dirt road leading into the fields. The barn that sat behind the house had already been torn down, and soon [about 1960-61] the house would be intentionally be burned down to make room for a bowling alley. A childhood friend, Ridgely Ware, had lived there with his mother and aunt. As a child I remember drinking water from a well with a hand pump that was on their side lawn. I drank it with cupped hands and it was cold and delicious. Before the barn was torn down, two old horse carriages were parked in it. Ridgely was about two years older than I, but occasionally we did things together. Sometimes we would go into the barn and sit in the carriages and make believe we were driving them. There was also a well with a hand pump in the barn, but I was told that the water in that well was bad, so I never tried it.

"During the ‘40s the Ensminger barn was torn down then during the ‘50s the house was sold.

"One day early in the morning I looked out of my upstairs window and saw the Ensminger house burning. Rather than tear the house down the owners decided to have it burned down. So they got the firemen to set it afire and control it. It is an awesome sight to see a burning house with the flames reaching high into the sky. The heat was so intense it could be felt blocks away. A bowling alley was built on the lot next to where the house had been, and the house lot became a parking lot. Such is progress.
Circus parade with donkeys passing on Military Rd near Ensminger past
where a bowling alley would be built in the 1960s
"The next photo shows a donkey, pony, and horse. As you can see the previous animals had made their contribution to the highway and the fly population. Across the road is the field where there would soon be a bowling alley.
Circus parade traveling on Military Rd north towards City of Tonawanda;
the field would later house the Erie County Highway Department garage; foreground
later had a Texaco gas station and Schwinn Bicycle shop.
"The third photo shows the parade as it travels north toward the city of Tonawanda. The field across the street is where the Erie County Highway Department garage would be built. The lot on this side of the street is where a Texaco gas station and a bicycle shop would be built. The lot had once been a town dump.

"The old farmhouse had a basement only under part of the house. When we first moved there, it had only a dirt floor. The kitchen area had a crawl space under it, and when the water pipes would freeze during the winter father would have to crawl under there with a blow torch to thaw them out. Rats and mice had chewed passages through the walls and ceilings for a hundred years, and during the fall and winter you could hear them scurrying around. Our kitchen cupboards had many holes covered with tin can patches that had been nailed on probably from the time when tin cans were first made. But the rats would just chew another hole. One night a rat got into the house, and we saw it. Well, everyone went chasing it through the house trying to whack it with a broom or stick. We finally cornered and killed it. That was our excitement for that evening! A few years later when I was older, it was my job to go into the crawl space and retrieve any dead smelly rats that had ate the rat poison bait that we had set out for them. We eventually hired an exterminator who treated the house monthly.
Emma Becker Gochernour with Mary and Alice on left,
Gene on right, and Emma's brother Lee in center. Open land on right
would eventually be where Rosemont Ave. was built.
"As kids, we could always find something to eat. There was a house on Delaware Avenue that had a garage that sat quite far back from the street. There a person sat all day making the sugar cones used for ice cream cones. Broken cones were always left on the window sill for us to eat. They were like candy to us.

"Many people had fruit trees, strawberry patches, and grapevines in their yards, and we always knew when they were in season. We usually would raid them at night, but occasionally we would pull a daytime raid. The neighbors we took from probably did not even care, but to us it was exciting. We also had a Bartlet pear tree in our yard that had great pears.

"In the springtime, [my Uncle] Lee and I would pick and eat all the meadow mushrooms we would find in the fields. Eaten fresh and raw, they are very good. The second week of June is when the wild strawberries were usually ripe, and mother would spend hours in the fields picking them. She always took the dog along because she was afraid of snakes, and the dog would chase them away. Mother made jam from the strawberries. Mother would also pick dandelion leaves during the spring, and make a salad with it. Even I liked that salad.

"Near the airport and the dump was a golf driving range. During the late ‘30s some of us kids were hired to pick up golf balls from the field. We were paid ten cents for our work and we would give back five cents for our favorite candy bar, a Milky Way. We liked to go to the dump also. There we found what we thought was some neat stuff, and took it home. When our parents saw what we had hauled home, they made us put it out to the street so the rubbish man could haul it back to the dump. I often wonder if the rubbish man thought that some of those things seemed familiar!

"The Sheridan Park Golf Course had some nice hills where we could sled during the winter. One day I slid down the hill and ended in the creek. It was a long freezing walk home! There was also a pond where we ice skated on.

"When summer came, I would go to the fields next to the golf course to find golf balls that the golfers had lost. Then I would sell them back to them. One day I found and sold twelve dollars worth of balls, with which I bought a portable radio. Since they were new on the market at that time few people had them. The radio was large by today’s standards. I liked the smell of the plastic material that covered it. The plastic looked like leather, and the radio had large batteries. It was great to take anywhere and have music.

"During the '30s and '40s I had many ways to make money. I picked up pop and beer bottles from along the roadways and took them back to the store where I got two cents each for them. I had a paper route, cut lawns, worked in the field with John Kuhn, and got a weekly allowance of twenty-five cents from mother for my home chores. During the fall and winter, I went to the housing project where I received a dollar for each ton of coal I could carry from the street to the customer’s coal bin. My friend Dale Thiel and I would usually do the coal jobs together. We would use the customer’s trash cans to haul the coal. It took about 20 to 23 cans for the ton of coal. Also during the winter, I would shovel snow from people’s driveways and sidewalks, for two or three dollars.

"The nearby horse riding stables rented out horses to the public. They made many trails through the woods and fields that we would ride our bikes on. We literally had trail bikes in those days! Also in the woods, we would build tree houses from scrap wood we found."

Saturday, October 6, 2018

Over There: WWI Sheet Music

WWI songs reflect a spectrum of reaction to the Great War, from patriotism and support to homesickness,  mothers and children worried for their menfolk, and even pacifist songs.

One of the most well known WWI songs is Over There by George M. Cohen. An article from the Library of Congress gives the song's history:
George M. Cohan, a successful Broadway producer, playwright, performer, lyricist and composer, wrote "Over There" on his way into work. The headlines that inspired him the morning of April 6, 1917, were not ordinary. They announced that the U.S. had abandoned its isolationist policy and entered World War I on the side of the Allied Powers against the Central Powers (Germany, Austro-Hungary, Bulgaria and the Ottoman Empire).
Cohan’s gingery song took its opening verse "Johnny, get your gun" from a popular American song published in 1886. He based his music on a three note bugle call. Although Cohan tested the song on a group of military men at Fort Meyers, Florida, without much success, the general public loved it.

"Over There" was first performed publicly in the fall of 1917 by Charles King at a Red Cross benefit in New York. But it was the popular singer and comedienne Nora Bayes who made the song famous. Cohan, it is said, personally chose her to premiere his song on stage. Bayes also recorded "Over There" for the Victor Talking Machine Company on July 13, 1917 (in a 78 rpm format).
On June 29, 1936, President Franklin D. Roosevelt awarded Cohan the Congressional Gold Medal for this and other songs.

Listen to George M. Cohen sing Over There here.

The cover illustration is by Barbelle. See other covers by Barbelle here.
Johnnie get your gun, get your gun, get your gun
Take it on the run, on the run, on the run
Hear them calling you and me
Every son of liberty

Hurry right away, no delay, go today
Make your daddy glad to have had such a lad
Tell your sweetheart not to pine
To be proud her boy's in line.

CHORUS (repeated twice):
Over there, over there
Send the word, send the word over there
That the Yanks are coming, the Yanks are coming
The drums are rum-tumming everywhere

So prepare, say a prayer
Send the word, send the word to beware
We'll be over there, we're coming over
And we won't come back till it's over over there.
Over there.

Johnnie get your gun, get your gun, get your gun
Johnnie show the Hun you're a son of a gun
Hoist the flag and let her fly
Yankee Doodle do or die

Pack your little kit, show your grit, do your bit
Yankees to the ranks from the towns and the tanks
Make your mother proud of you
And the old Red White and Blue.

CHORUS (repeated twice):
Over there, over there
Send the word, send the word over there
That the Yanks are coming, the Yanks are coming
The drums are rum-tumming everywhere

So prepare, say a prayer
Send the word, send the word to beware
We'll be over there, we're coming over
And we won't come back till it's over over there.

Over there.
***
Hooray for Uncle Sam, 1917, words and music by Della Williams Paine, is another patriotic rabble-rouser with a march tempo. Uncle Sam is featured in many songs. This one is particularly interesting for its invocation of God and how it imagines the whole world singing Uncle Sam's praises.

We are the boys of the USA,
We stand for unity always,
We pledge ourselves to you,
the Red White and Blue
and to you we'll be true.
We love each star and stripe to day
As o'er our heads you proudly wave,
We are your sons so staunch and true
And we are proud to fight for you.

Chorus:
Then Hooray for Uncle Sam
The bravest in the land,
We all salute you ev'ry day
The glorious flag of USA,
And may you never cease to wave
O'er this land of the free and brave,
United all we stand or fall,
We will be ready when you call,
For we are loyal o'er this land
Then Hooray for our dear Uncle Sam.

We give our all to you to day
As soldiers of the USA
And we will loyal be
on land and on sea,
Sweet land of liberty
To thee we sing our songs of praise
And to thy God our voices raise,
We ask thy help and aid today
To save our brothers o'er the way .(chorus)

When we from war come marching home
And lay our victories at your throne
You will be proud to see
the flag of the free
Still floating on the breeze,
So glor'ous will it wave that day
That other nations all will say,
Three cheers for you, the USA
May God your noble work repay (chorus)


***
America Here's My Boy was introduced in 1917 as reflecting "the sentiment of every American Mother." The prolific Andrew B. Sterling had a song for every new development from Ragtime to wartime. The music was by Arthur Lange. Here the recording here, complete with a bugle introduction and martial music. The cover illustration is by Andre' De Takacs. See his wonderful covers here.
There's a million mothers knocking at the nation's door
A million mothers, yes and there'll be millions more
And while within each mother heart they pray
Just hark what one brave mother has to say

America, I raised a boy for you
America, you'll find him staunch and true
Place a gun upon his shoulder, he is ready to die or do
America, he is my only one, my hope, my pride and joy
But if I had another, he would march beside his brother
America, here's my boy!

There's a million mothers waiting by the fireside bright
A million mothers, waiting for the call tonight
And while within each heart there'll be a tear
She'll watch her boy go marching with a cheer

America, I raised a boy for you
America, you'll find him staunch and true
Place a gun upon his shoulder, he is ready to die or do
America, he is my only one, my hope, my pride and joy
But if I had another, he would march beside his brother
America, here's my boy!


***
Just a few years earlier in 1915 the song I Didn't Raise My Boy to Be a Soldier came out, with lyrics by Alfred Bryan and music by Al Piantadosi. It was the first pacifist anti-war songs plus it had a feminist bent. Teddy Roosevelt and Harry S. Truman hated the song and many parodied it. Listen to an Edison cylinder recording here. The subtitle is "A Mother's Plea for Peace." Read more about the music here.

My copy has a photo of Chel 'Toy of the Ching Ling Foo Co. What is a Chinese lady doing on this sheet music? The Ching Ling Foo Company was a traveling vaudeville magic act troop out of China in the last years of the 19th c and into the early 20th c. Read more here and here. Although Chinese were prohibited from immigrating to the United States Ching Ling Foo was considered an artist and allowed into the country. He started a craze for Chinese magic acts. 

The various issues of the song featured minorities on the cover: Chinese, Native American, and African America.
Ten million soldiers to the war have gone,
Who may never return again.
Ten million mothers' hearts must break
For the ones who died in vain.
Head bowed down in sorrow
In her lonely years,
I heard a mother murmur thru' her tears:

Chorus:
I didn't raise my boy to be a soldier,
I brought him up to be my pride and joy.
Who dares to place a musket on his shoulder,
To shoot some other mother's darling boy?
Let nations arbitrate their future troubles,
It's time to lay the sword and gun away.
There'd be no war today,
If mothers all would say,
"I didn't raise my boy to be a soldier."

What victory can cheer a mother's heart,
When she looks at her blighted home?
What victory can bring her back
All she cared to call her own?
Let each mother answer
In the years to be,
Remember that my boy belongs to me!

Repeat Chorus 2x
***
The boys were sent off to war 

So Long, Mother, 1917, lyrics by Raymond Egan and Gus Kahn with music by Egbert Van Alstyne, was made famous by Al. Jolson and it was advertised as "Al Jolson's Mother Song". I can't find a vintage recording but hear it here. Read about the music here.
Oh mother dear a little tear is gleaming in your eye
Your lips are all a tremble as you hear me say "goodbye"
The Stars and Stripes are calling now
On every mother's boy
From Maine to dear old Dixie
They shoulder arms with joy.

Chorus:
So long my dear old lady
Don't you cry
Just kiss your grown-up baby goodbye
Somewhere in France I'll be dreaming of you
You and your dear eyes of blue
Come let me see you smile before we part
I'll throw a kiss to cheer your dear old heart
Dry the tear in your eye
Don't you sigh
Don't you cry
So long, mother
Kiss your boy good-bye.

Oh mother dear each volunteer must say good-bye today
Some leave a love who may forget
When he has march'd away
But I leave one who'll not forget
That's why I'm mighty glad
For you're the only sweet-heart 
That I have ever had. (Chorus)
***
Once the boys were overseas their thoughts returned to dear old Mother. There's a Picture in My Old Kit Bag by Al Sweet .

A soldier boy was writing home to his Mother o'er the sea
Telling of the strange and awful sights in this war for humanity
He told his love for loved ones so dear
As he brushed a tear away
And through her tears a Mother read
these words for her alone.

There's a picture in my old kit bag, in a worn old leather frame
It's a dear to me as our grand old flag and I'll cherish just the same'
On the long, long trail to No Man's Land,
When my weary footsteps lag,
There's a cheer all the while in my Mother's smile
In that picture in my old kit bag.
***
For Your Boy and My Boy Buy Bonds! Buy Bonds! "Hear the Bugle Call!" was another WWI song written by Gus Kahn and Egbert Van Alstyne. Listen to a recording here.  War bonds allowed the government to borrow funds for the war effort.
Hear the bugle call
The call to arms for Liberty
See them one and all
They go to fight for you and me
Heroes we will find them
Ev'ry mother's son
We must get behind them
'Till their work is done

Chorus:
For your boy and my boy and all the boys out there
Let's lend our money to the U.S.A. 
And do our share
Ev'ry bond that we are buying
Will help to hold the fighting line
Buy Bonds
Buy Bonds
For Your Boy and Mine

Hear the bugle call
The call to those who stay at home
You are soldiers all
Tho'  you may never cross the foam
Keep Old Glory waving
Proudly up above
Praying working saving
For the ones you love
(chorus)
***
What Are You Going To Do To Help the Boys? Buy a Liberty Bond!, 1918, is another Gus Kahn and Egbert Van Alstyne song for war bonds. Hear a recording here. The lyrics



Your Uncle Sam is calling now on ev'ry one of you
If you're too old or young to fight there's something else to do
If you have done a but before don't let the matter rest
For Uncle Sam expects that ev'ry man will do his best

Chorus:
What are you going to do for Uncle Sammy?
What are you going to do to help the boys?
If you mean to stay at home
While they're fighting o'er the foam
The least you can do is buy a Liberty bond or two
If you're going to be a sympathetic miser
The kind that only lends noise
You're no better than the one who loves the Kaiser
So what are you going to do to help the boys?

It makes no difference who you are or whence you came or how
Your Uncle Sammy help'd you then and you must help him now
Your brothers will be fighting for your freedom over there
And if you love the Stars and Stripes then you must do your share.
(Chorus)
 ***
The super-patriotism of these last songs were not the only kind popular during the way. Some songs did reflect the pathos suffered by families whose menfolk were in harm's way. 

Just a Baby's Prayer at Twilight for her Daddy Over There, words by Sam M. Lewis and Joe Young, and music by M. K. Jerome, 1918, has a Barbelle illustrated cover of a girl praying for her daddy. Hear Henry Burr sing it here. It is a sentimental and sweet song.
I've heard the prayers of mothers,
Some of them old and gray
I've heard the prayers of others
For those who went away

Oft times a prayer will teach one
The meaning of good bye
I felt the pain of each one,
But this one made me cry

Just a baby's prayer at twilight
When lights are low
Poor baby's years
are filled with tears

There's a mother there at twilight
Who's proud to know
Her precious little tot
Is Dad's forget-me-not

After saying "Goodnight, Mama"
She climbs up stairs
Quite unawares
And says her prayers

"Oh! kindly tell my daddy
That he must take care"
That's a baby's prayer at twilight
For her daddy, "over there"

The gold that some folks pray for,
Brings nothing but regrets
Some day this gold won't pay for
Their many lifelong debts.

Some prayers may be neglected
Beyond the Gold Gates.
But when they're all collected,
Here's one that never waits;

Just a baby's prayer at twilight
When lights are low
Poor baby's years
are filled with
There's a mother there at twilight
Who's proud to know
Her precious little tot
Is Dad's forget-me-not

After saying, "Goodnight, Mama"
She climbs up stairs
Quite unawares
And says her prayers

"Oh! kindly tell my daddy
That he must take care"
That's a baby's prayer at twilight
For her daddy, "over there."
***
After the War is Over Will there Be Any "Home Sweet Home" by E. J. Pourmon and Joseph Woodruff, 1917, has none of the bravado of the patriotic songs. THe lyricist instead writes about the somber realities of war. The composer's photo is featured on the cover.

Listen to a piano version here

Angels they are weeping o'er the foreign war,
Transports are sailing from shore to shore.
Brace heroes are falling to arise no more,
But will the bugle's calling every man to war.

After the war is over and the world's at peace
Many a heart will be aching after the war has ceased
Many a home will be vacant,
Many a child alone,
But I hope they'll all be happy 
In a place called "Home sweet Home."

Changed will be the picture of the foreign lands,
Maps will change entirely to diff'rent hands.
Kings and Queens may ever rule their fellow man,
But pray they'll be united like our own free land.
(Chorus)