Friday, February 19, 2016

Encountering African American Quilts at the Flint Institute of Arts

detail Lone Star attributed to Mary Duncan c. 1950
The Flint Institute of Arts has an exhibit of African American quilts through April 10, 2016. The thirty quilts are beautifully presented. The highlight of the show is the display of quilts by Yvonne Wells whose pictorial quilts depict icons such as Rosa Parks, Helen Keller, Jackie Robinson and Elvis. She also has story quilts relating to Civil Rights, one of which brought me to tears.

Lone Star
From Heart to Hand includes 30 quilts on loan from the Montgomery Museum of Fine Arts that showcase line, color, and pattern in traditional, improvisational, and appliqué quilts. Materials employed include clothing, feedsacks, new fabric, ties, and jeans. The quilts are hand quilted, often in the Baptist (or Methodist) Fan, concentric arcs of quilting across the surface, or following the seam lines.
Log Cabin variation, Sallie Gladney, 1989
Housetop quilt, Plummer T. Pettway, c. 1960-70
Patriotic Stars, Mary Maxtion, c. 1992
Roman Stripes, Lureca Outland,c. 1989
detail Everybody Quilt, Addie Pelt, c. 1988
African American quilts are generally identified by their color use, asymmetry, improvisation, and over-sized design patterns. 'Tweaking' a pattern is a part of their creative self-expression.  Many quiltmakers also look back to African textile roots for inspiration.

The Gees Bend quiltmakers have become identified as representative of African American quilts. But African American quilts include all kinds of quilts and you can not identify the cultural background of a quilt just by looking at it. Many fall into the realm of Folk Art, a term which today is even being stretched as quilt artists are inspired by 'folk' traditions. In the end, only provenance can identify a quilt as made by an African American, Southerner, folk artist, or quilt artist.
Nora's Necktie Flower Garden, Nora Ezell, 1994
Pig Pen Quilt, late 20th c
Log Cabin/Pig Pen variation, Catherine Somerville, c. 1950-60
Crib quilt, c. 1945
I toured the exhibit with my local quilt guild. The quilts challenge conventional wisdom about quilts, and art, what materials are 'suitable' for quilts, and if precision is better than naive improvisation.
The Lord is My Shuper, Sarah Mary Taylor, c. 1989
detail The Lord is My Shuper
Yvonne Wells was a high school teacher when she made her first quilt in 1979. She progressed from abstract quilts to free form cut appliqué pieces sewn raw edged to the quilt surface. I had a visceral reaction to her quilts. When at lunch the question was raised, "but are they art?" I quickly reacted and said, "If it changes your perception, it's art."
detail Humpty Dumpty, 1988 by Yvonne Wells
Leaving the first room of the exhibit, which included geometric and more traditional quilt patterns, and entering the second room with Well's art was a real shift. I had to LOOK at the quilt and understand the message. I heard people asking what motifs stood for, deciphering the image and the message. Here was Humpty Dumpty, there was Elvis with his sequins. Jackie Robinson's bat was huge and shiny with buttons, representing the impact of his skill and life. Helen Keller sat with her book of Braille, appliquéd cocktail napkins shining white against the dark background. The Higgenbottoms were a happy, well dressed pair. They make you smile.
Elvis, Yvonne Wells, 1991
detail Elvis
Helen Keller by Yvonne Wells
detail Helen Keller quilt
 detail Jackie Robinson by Yvonne Wells
The Higgenbottoms II, 1989, Yvonne Wells
The last quilt I looked at had a striking blood-red background with stick figures and scenic motifs scattered around the surface. I noted a grave yard, a circle of figures around a large man at a podium, a bus with white stick figures in front and a lone black stick figure sitting in the rear. Then I saw the stick figure hanging from a tree, My knees buckled, and I collapsed on a nearby bench and shuddered. And had a good cry.
Civil Rights in the South III, 1989, Yvonne Wells
I had not expected, ever, to see a lynching depicted on a quilt. Quilts were warm and cozy and pretty. Quilts showered you with love. In the hands of an artist a quilt is art that shouts to the world, "you must change your life." Or at least change your perception. Art shows us what we know and cannot bear to observe. It takes us by the throat and draws our breath and leaves us weak with realization of what has been waiting to be understood all along.

The title of the quilt is Civil Rights in the South.
detail Civil Rights in the South III
Detail Civil Rights in the South III
Detail Civil Rights in the South III
Then I noted that a figure in the circle was being hit by a spray. I learned it was a fire hose, held by the yellow figure. There are slaves picking cotton, a dog waiting to be unleashed for attack, George Wallace baring the door to the school. And along the left the figures of the martyred boys Michael Schwerner, James Chaney, and Andrew Goodman laying behind the dam where buried after being murdered because they worked for voting rights.
detail Civil Rights in the South III

Before we left the museum we visited Jacob Lawrence's The Legend of John Brown prints based on his 1941 paintings in the collection of the Detroit Institute of Art.


Before we left we visited the gallery with landscapes, including works from my favorite Hudson River and Luminist school paintings. After delving into the depths of evil humans can plumb I was glad to be reminded of our proper place in the world, in nature. We are insignificant in the large scheme of things. If only that knowledge brought the wisdom that we are all in this together, sisters and brothers for our short time, and endeavor to bring love and mercy and empathy to all our interactions.

Jasper Cropsey, Hudson River View, 1872
detail Hudson River View

Martin Heade, Sunset on the Marshes, 1863

Pierre Damoye, Flooded Meadows, 1880
Dove Descending, Yvonne Wells, 1993

Tuesday, February 16, 2016

WIP and A New Hanky

I have been motivated to get some work done.

I have been making Esther Alui's new pieced quilt Little Hazel. She is now on Facebook and we have been sharing photos of our progress. I am using reproduction fabrics in red, indigo, and ivory. I thought it would be much harder than it is! The star was done last month. This month we are doing the two concentric circles.

 The leaf vine strip fabric is better than I imagined! I love what it does!

I finished the last side of the first border on Love Entwined and am eager to get it finished! I sewed the first solid border and the top and bottom borders together. You can see how wonky my appliquéd zig zag borders turned out. I have finished the last border and just need to complete the corner blocks!

And I have been preparing appliqué blocks for the reproduction 1857 Sampler from Gay Bomer of Sentimental Stitches. Some gals are using such wonderful creative color and fabric choices. I am using colors similar to the original quilt. Interestingly, the quilt is similar to the Houseman Quilt in Florence Peto's article is shared here. Both have blocks with various appliqué' motifs and leaf shapes in the corners that make a secondary design.


My quilt guild has a challenge: a 24" x 24" quilt showing your favorite season. I used printed fabric to creative a 'typical' Michigan autumn scene. I need to quilt and bind it before May.


My Fox quilt is stopped until I find the right fabric for the fox. The trees branches and leaves part is done.

I bought a Faith Austen handkerchief of mushrooms. So cute! I organized my collection and counted over 1,000 handkerchiefs. About 200 are designer/signed hankies.

It has turned bitter cold again. Our doggies have been sleeping in. They don't want to get up in this weather. But just wait until it turns warm, and Kamikaze (White Dog) will be barking at 5:30 eager to enjoy the day!
Perfect weather to stay in and stitch.

Sunday, February 14, 2016

A Doubter's Almanac by Ethan Canin

In the Woods of Michigan 
It was serendipity; I was Up North in Michigan, a stone's throw from a spring fed pond, two hours away from Cheboygan--reading a book whose character's life took him from Cheboygan to a cabin on a small inland lake in Michigan. The character also lived in Lansing, where I lived for many years, in a small Ohio college town similar to where we lived when my husband was in seminary, a half hour's drive from OSU, and in Princeton, a half hour's drive from where we first lived in Pennsylvania. The landscape was all so familiar.

The book was A Doubter's Almanac by Ethan Canin  who also wrote America, America which I read several years ago, an impressive book which has stayed with me. When Canin's new book appear on NetGalley I immediately requested it and was pleased to get an ARC.

The book revolves around an unforgettable character and the son who struggles to understand him. It is about the search for one's father, a quest to understand life and how to live, an exploration of existence.

A Savant from the Woods
In the 1950s Milo Andret grew up fifteen miles inland from the resort town of Cheboygan. His parents were insular and joyless. Milo spent his free hours in the woods surrounding his home, preferring to be alone than with people.

On the Straits near Cheyboygan, MI
When Milo was thirteen he found a beech tree felled in a storm. Inside the tree he envisioned an interlocked, continual chain and he spent the summer carving it out. Over 25 feet long, each link twisted upon itself like a Mobius strip, he secreted it away in a hollow tree behind a cover with reversed screw threads. It would be his life's great work.

He eventually showed the chain to his shop instructor who warned that no one would believe he made it. The year the freighter SS Carl D. Bradley sank along with the fathers of many of his classmates Milo was targeted and beaten by bullies who had heard of his remarkable achievement. His father's response was, "Welcome to the world."

A teacher identifies Milo's special ability and pushes him into a mathematics competition; his winning would bring fame to the school. He won.

Milo attended university in East Lansing and after years of pumping gas in Lansing is accepted into U.C. Berkley. It is the 1970s and Milo discovers love and ambition, addiction and competition.

Pressed into topology by his advisor Milo solves a mathematical problem and finds fame and a position at Princeton. Milo is expected to conquer another mathematical question. His days are spent deep in thought, imagining and testing and failing to find another big idea. His life becomes a slow dance of unraveling into darkness, alcoholism, and decline. He loses his position at Princeton and slides down the scale until he is at a small Ohio private school. Milo has won the Field Medal in Mathematics but his theory is challenged. As Milo tells his son, mathematicians are destined to lose, never able to find what they are looking for.

The Son, Fellow Mathematician, Addict, Lonely Yet Ever-hopeful Soul
The first part of the novel is Milo's early story; in the second part we learn his son Hans has related the story as his father told it to him. We now view Milo through the eyes of the son who desperately wants to understand his father and we learn about Han's own struggles with genius and addiction.

When Hans was thirteen his father takes the family to a wreck of a cabin on a muddy Michigan lake. It was in the Michigan woods that he completed his first great work, the continual chain of wood. He thinks that here he will find his way again. Nature surrounds them. The children watch a pair of red ants drag their prey across the sand and realize the truth about life.

Milo is incommunicative and prey to his demons while his wife plays Pollyanna, looking for the bright side, trying to make choices right. But she is wearing out, ruing the loss of the glamor of being married to an important man, living in Princeton. Her bitterness is expressed in wise insights. When Hans remarks that the Mayflies seem to be committing suicide in pairs she responds that he is right: they are mating. And later when daughter Paulie asks why clean a rented house her mother replies because that's what life is--cleaning a rented house.

The story ends with Hans returning to the lake cottage to be with his father who is in his last days, Everyone who ever believed in Milo, for however short a time, and everyone who ever doubted him, for however long a time also come. It is a time of reckoning.
On a lake Up North in Michigan
*****
Milo Andret is not an easy man to live with, and I mean both within the novel and for the reader. While I was reading The Doubter's Almanac I would wake, at night, and in the morning, puzzling over Milo and wondering if he would solve the questions tormenting him.

It is a dark novel, a hard story. Milo is a failure. He dies over a long time, beginning with the first drink he takes at grad school. Unable to meet his own high expectations and the expectations of his mentors he lashes out indiscriminately. It isn't easy being a genius; people hold them to unreasonably high standards. He holds on to his alcoholism more ardently than he does his lovers.

Days have passed since I finished the novel but the somber and sorrowful feeling lingers. I think of the alcoholics of my family. I think of my father's slow death from cancer, and how my mother asked for morphine knowing she'd never wake again, but unwilling to suffer any longer. After such things sorrow remains, and the questions of life's meaning or lack thereof. I wonder if having a special ability necessitates extraordinary achievement. Had Milo chosen his own path would he have been dissatisfied and driven? I want to read the book again. It is deep and rich and revealing.

The novel offers hope: one can learn, we can become wise, we can choose a good enough life, we can decide that fun and happiness are more enduring than awards and prizes.

Never give up, Milo has instructed Hans. What is it we should hold to, to not give up? Our decision will form our life.

I received a free ebook in exchange for a fair and unbiased review.

A Doubter's Almanac
Ethan Canin
Penguin Random House
Publication Date: February 16, 2015
$28.00 hard cover
ISBN-13: 978-1400068265

Read excerpt from America, America from NPR at http://www.npr.org/2008/08/26/93722689/writer-ethan-canin-tackles-the-american-dream
"I've been reading Ethan Canin's books since he first burst on the literary scene...I thought he could never equal the power of...America, America, but...With A Doubter's Almanac, Canin has soared to a new standard of achievement. What a story, and what a cast of characters. The protagonist, Milo Andret, is a mathematical genius and one of the most maddening, compelling, appalling, and unforgetable characters I've encountered in American fiction..." Pat Conroy, author of The Prince of Tides

Saturday, February 13, 2016

Queen Victoria Jubilee Souvenir Linens

Bobby Brown of Backstreet Quilts in Bad Axe, MI (yes that is a real town name!) spoke to my guild and shared her embroidered and wool appliqué quilts. She also shared  an embroidered linen towel or 'splasher' that I knew right away commemorated Queen Victoria's Diamond Jubilee, 60 years on the throne. A boy is blowing a trumpet with a banner reading "God Save the Queen" over a banner reading "1837- Jubilee-1887".
  

 One edge has a hand knotted fringe.

 
There appears to be initials in red embroidery.

I have a handkerchief celebrating the Golden Jubilee ten years later in 1897.
In 1837 eighteen-year-old Queen Victoria came to the throne.
At the bottom of the handkerchief is, "Four generations, the longest reign on record." The flags include all the countries of Great Britain.

The Queen passed in 1901, the second longest reigning British monarch.