Tuesday, April 12, 2016

The Joy of Margery Sharp

I have adored the novels of Margery Sharp since I came across Cluny Brown in a Philadelphia used book store some 30+ years ago. When I saw it along with Sharp's The Nutmeg Tree offered on NetGalley I knew they were just what I needed to read. One needs to read all the witty, funny, lovely books one can, especially during this presidential campaign season.

Margery Sharp (1905-1991) started her career writing for Punch and serialized magazine stories. Her first novel appeared in 1930 and her last in 1977. Her novels are comedic yet insightful, witty with a deep humanity. Several of her novels were made into films, including Disney's animated versions of her children's Rescuer series. Open Roads Media is publishing ten of Sharp’s novels as ebooks, and I hope she finds a new generation of fans.

Set in pre-war Britain, Cluny is an orphan living with her uncle, a stolid plumber who loves but does not understand her. He describes twenty-year-old Cluny as 'plain as a boot'. He complains that she 'does not know her place'. Cluny is either very naive and unworldly or game for any new adventure.

When her uncle is away and a plumbing emergency is called in she decides to tackle the job herself.
"The correct costume for a young lady going to fix a gentleman's sink on a Sunday afternoon has never been authoritatively dealt with: Cluny had naturally to carry her uncle's tool-bag, but as an offset wore her best clothes."
She fixes the problem and requests to clean up. She is coaxed into trying out the upscale bath in the customer's bachelor pad, and then to indulge in a cocktail, and was to stay for a party when her uncle arrives. He decides that Cluny must go into service where, perhaps, she will learn her place--and stay out of trouble.

At least going into service would be an adventure.

Cluny had height and a blank expression, the making of a Tall Parlour-maid. Inexperience is a plus: she will be properly trained on the job. She is sent to Friars Carmel. Col. Duff-Graham who has met the train to pick up a Golden Labrador takes her to Friar Carmel. Cluny and the dog bond and she is invited to visit on her day off to walk the dog.

Cluny is to serve a household consisting of two Old English types: a master who has retired from hunting and now writes letters to chums across the British Empire, and a mistress whose passion is her garden. Their son Andrew is concerned with the situation in Europe and has brought home a Polish refugee, Adam Belinski. No one quite know what Belinski does, but he becomes 'The Professor' and is treated royally; he quite likes it but feels it is undeserved. His escape from Europe was not just because he was a Pole in Germany--he is also an inveterate Ladies Man.
"Within a few days Friars Carmel, for perhaps the first time in its history, boiled with passion."
Andrew is in love with Betty Cream, whose beauty attracts every male who sees her. And Belinski is one of them. On the other hand, Belinski and Cluny seem to be at odds with each other--the Pole even throws Gulliver's Travels at her from a window!

Meanwhile walking the Colonel's dog Cluny meets the village chemist who arranges his schedule so he can walk with her every week. Cluny's very plainness and simplicity meets the chemist's approval. She encourages his attention.

In an unexpected twist ending, which includes a man stealing into a woman's bedroom, screams in the night, a quick getaway, and couples ending up with their proper mate, the novel wraps up with Cluny finding her place in the world.

Cluny Brown is about a young girl discovering who she is; in The Nutmeg Tree we meet a woman who believes that her past choices limits her future.

It begins with Julia in the tub singing The Marseilles while her furnishings are being repossessed. A curvaceous thirty-seven year old, Julia loves people and men love Julia. She is broke and soon will be homeless. The bath also holds a grandfather's clock, dishes, and other things with some value--to be sold to the local antique dealer for travel funds. For after sixteen years apart Julia's daughter Susan has requested her mother's presence. Susan is in love but her paternal grandparents and guardians have other plans for her.


Julia was a nineteen-year-old chorus girl when she woke up with Sylvester Packett, a WWI soldier who was passing through. When she told him about her pregnancy he wanted to do the 'right thing' and marry her. She was sent to his parents in the country while he went France and his death.

Julia tried to fit into the refined and quiet country life. She tried for a year and seven months before returning to London and the 'bad' life of the theater. The Packetts tried, too. After Julia was fully out of Susan's life, the Packetts offered to make Susan their heir and gave Julia seven thousand pounds in stock. Mrs. Packett thought Julia should open a cake shop. Of course, Julia tried her hand at staging plays and lost everything.

Julia knows her failings and faults. Now recalled by Susan she wants to appear respectful. She buys Galsworthy's The Forsyte Saga to read, the first novel she has ever bought. She fancied it was the right sort of book for a lady to be reading.

On the trip she meets a traveling trapeze artist who falls for her, and she is quite smitten herself. He wants to marry her, and a regretful Julia must leave him behind and go to her daughter.
"if she [Julia] took lovers more freely than most women it was largely because she could not bear to see men sad when it was so easy to make them happy."
She endeavors to reform herself during the visit to the Packetts and her daughter.
"She had often wanted to be good before. She had a great admiration for goodness, she loved it sincerely and humbly, as a peasant loves a saint. if she had never been good before it was not because her spirit was unwilling, but because the flesh was so remarkably weak."
She passes pretty well until she meets Susan's young man Bryan and realizes they are two of a kind, both a 'bad' sort. He is not good enough for Susan. It is an unsuitable attachment. Bryan also recognizes a fellow free spirit in Julia.  The battle for Susan is on.

Susan is a prig and a perfectionist, a college student who needs a project. Bryan has become her project. She just knows she can help him make something of himself. Bryan just wants to knock about a bit.

Julia is a delightful character, flawed and feckless and bright and joyful. There are hilarious scenes with Julia secretly reverting 'to type' and handling the men who pursue her. Both Julia and Susan undergo an experience of self-recognition, necessary to their development. Very Jane Austenish! The novel ends with a true wish fulfillment happy endings.

I am delighted to have revisited Sharp.

I received an ARC through NetGalley in exchange for a fair and unbiased review.

Read more at the Margery Sharp blog at https://margerysharp.wordpress.com

Cluny Brown, ISBN: 9781504034258
The Nutmeg Tree, ISBN: 9781504034326
by Margery Sharp
Publication April 12, 2016
Open Road Integrated Media

Sunday, April 10, 2016

Not Just Another War Novel: Lilac Girls by Martha Hall Kelly

Why did I request one more novel set during war? I had read two books set during WWII and one during WWI in the last two months! But the novel was a "wish it were available" request--which was granted me. I asked for it! And was glad I did.

Lilac Girls is Martha Hall Kelly's first novel. When she learned about the experimental surgery inflicted on female inmates at Ravensbruck she began researching. The product is a whopping big novel that begins in 1939 and ends with a war crimes tribunal in 1959.

Based on real people and events, the story is told through the voices of three very different women brought together by the war.

Caroline Ferriday is a retired actress and philanthropist comfortable hobnobbing with New York City high society. At the start of the war she is working for the French Consulate and embarking on a love affair with a French actor. Her life is irrevocably changed when her lover returns to France while Caroline continues the battle at home to help war victims.

In Poland, German/Polish Kasia becomes involved with the resistance, locally lead by Pietrik Bakoski. Her sister Zuzanna is studying medicine; their father works in the post office and their nurse mother is an artist. Kasia is apprehended, arrested, and with her sister and mother is sent to Ravensbruck, a concentration camp for women.

Herta Oberheuser desperately wants to practice surgery and takes a job at Ravensbruck, unaware of what she will be asked to do. She justifies her work as her patriotic duty. Dr Oberheuser is instructed to perform experimental surgery on Kasia and other girls which leaves them crippled and gives them the nickname 'Rabbits', both for their hopping gait and their use as lab animals. After the war, Caroline learns of the Rabbits and works to bring justice and healing into their lives.

Caroline's story is an excellent foil to the horrors, privation, and starvation of Europeans during the war. Hall notes the clothes, jewels, food, and lifestyle of the rich. An amazing party set in 1942 New York has movie stars and American 'royalty'. Caroline solicits funds to bring the Rabbits to America for medical treatment. The party goers are tired of hearing about the war.

Kelly's extensive research spanning ten years is interesting to read about on her blog.

I appreciated that the book addressed the fate of Poland and its citizens and also allowed us to understand how Herta could do what she did. Bringing the story of the Rabbits to attention alone makes the book worth reading. In a subtle way the story also touches on modern concerns of immigration and American response to refugees of war. Kelly lets readers know that boat loads of European refugees were turned away. Our isolationism meant a slow response to Hitler's military take over of Poland, France, and most of Europe. We villianize Hitler and sing the praises of our Citizen Soldiers but forget our inaction early in the war enable Hitler's military conquest.

Hall is now working on a prequel to Lilac Girls.

I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.

Lilac Girls
Martha Hall Kelly
Random House
Publication April 5, 2016
$26.00 hard cover
ISBN:9781101883075

*****
But I have a special reason to like the book. For Pietrik Bakoski's surname is phonetically like my married name Bekofske. I have found multiple spellings in genealogical records: Pikarski, Pinkoske, Pikorsky, Pinkowski, Bekeski, Pekoski, Pekovski to name a few. "P" and "B" are phonetically similar. So is v and f. The sky, ski, and ske endings are related to translations into Polish, German or Russian.

My husband's German ancestor Christoff was living in Poland when he married Polish Carolina Reinke; they moved to Volhynia in modern day Ukraine. Political strife was behind the families immigration eastward, looking for a safe haven. Then as tensions between Germany and Russia increased, persecution of the Germans in Russia increased.

The family tried to immigrate to America in 1909. The youngest daughter had an eye infection and all but one daughter, whose husband was already in America, returned to Germany. Later sons Gustaf and Herman did immigrate to America. One brother became Bekofske and the other Pekoske. After WWII Christoff, Carolina and the three daughters were in East Germany and their American family lost contact with them. As Russian Germans it is likely they were removed to Siberia or a concentration camp.

My Beckers ancestors were also German Russians who left Volhynia like the Bekofskes.






Friday, April 8, 2016

Anything For Success: Three Martini Lunch by Suzanne Rindell

"Three Martini Lunch does for publishing what Mad Men did for advertising," wrote James Magnuson. So of course I requested the ARC from NetGalley! The author's previous novel The Other Typist had good reviews and is slated to be a movie. 

"Nobody ever became a writer by just wanting to be one," wrote F. Scott Fitzgerald to his daughter Scottie. With this quote Rindell set the novel's theme. 

Told in first person by the three main protagonists, the book starts with Cliff talking about Greenwich Village in 1958. Cliff channels Holden Caulfield (The Cather in the Rye by J. D. Salinger) with his crummy, lousy, swell slang and direct address to the reader. I was charmed by this voice. Cliff has big dreams and little self control, enjoying the Village life style and ambiance, hanging with 'wannabes" and feeling superior to his Columbia buddies. When Cliff meets man of the world Swish, a bicycle courier along with Harlem native and Columbia student Miles, he thinks he has found his true peer group. He tells the Old Man, an important editor and 'king of the three-martini lunch', that he is dropping out of college to write. No problem. The Old Man cuts off funds and Cliff finds himself sleeping on Swish's couch. 

Cliff has dreams of being a writer, but Miles is actually writing. As a black man with an education his prospects in 1958 are limited. From the start, when Cliff reads what Miles writes he rewrites it his way with the 'right' endings. He is jealous. 

The second voice is Eden, a Midwest girl with dreams of becoming an editor. Eden faces blocks and walls, men and women who take credit for her work and tell her a woman has no place beyond the secretarial pool. After losing a job she tries again, remaking herself with a new look and identity. Eden's story becomes entwined with Cliff's and they appear to be the main characters. But really, they are only the instruments of fate to the real center of the novel--Miles.

Miles is conflicted and searching, intelligent and insecure. His journey takes him from Harlem and the Village to the West Coast in search for his father's lost journal. Yes, it is a search for the father. Along the way he faces decisions about sexual identity and family commitments. The elderly, lonely man who hires him to do odd chores warns him about the pitfalls of denial. 

As the novel progresses we see Cliff is a sham and a loser. Eden hitches to falling stars until she finds her own inner strength and a mentor. Miles betrays all his lovers, and himself. We see a world in which people will do anything to succeed. 

For a 500+ page novel it was fast reading. Rindell has a lovely facility with words and her character's voices showed their unique identity. 

I don't begrudge spending three days with this story. But I am troubled by several things. First, starting the novel with Cliff's story made me think he was the book's main character, especially as we learn he and Eden become involved. Their story takes up a lot of space early in the book. We learn about Cliff's father's betrayal and why Cliff never really had his love. 

Second, Mile's sexual identity and relationships take up a large part of his story, more than his writing interest. The forces that batter Miles and how he buckles under societal pressures in 1958 shape the betrayal that is the most horrific in the novel. The portrayal of the gay characters did make me uncomfortable since none were healthy, whole individuals--Probable, given the times, but unsettling.

Last of all, when at the end of the book twenty years have passed and Miles is asked to write about the 50s Village scene I realized it was THAT BOOK, the one Miles is asked to write, that I really wanted to read! 

Looking back I feel there were too many stories for one book. I would have liked a tighter focus and a tighter book. Or several books, as the characters are all really interesting ones.


I received a free ebook through NetGalley in exchange for a fair and unbiased review.

Three Martini Lunch
Suzanne Rindell
Penguin
Publication Date April 5, 2016
$27.00 hard cover
ISBN:9780399165481

Thursday, April 7, 2016

The Poetry of Anne Sexton

The Complete Poems of Anne Sexton is now available in ebook from Open Road Integrated Media. The book includes the complete poems and posthumously published work. It is a substantial volume of work. Sexton plumbed her own life as a woman, mother, daughter, wife and lover, addressed her struggle with depression, institutionalization, and suicide attempts.

The Publisher's Note explains how the poems were adapted to the ebook form. And How It Was: Maxine Kumin on Anne Sexton,  a revealing essay about Kumin's professional and personal relationship with Sexton.  Kumin writes that an elderly priest told Sexton that "God is your typewriter"; those words kept Sexton going for another year as she wrote her last book of poetry, The Awful Rowing Toward God.

I found The Awful Rowing Toward God by Anne Sexton shortly after it's publication in paperback. I did not have much money in those days, and buying a book was a thoughtful decision. I did not know Sexton. I did not know about 'confessional' poetry or about Sexton's demons and suicide. The title caught my attention and I brought it home.

Sexton was a revelation. Her imagery was so novel and individualistic, unlike anything I had ever read before. Her voice was clear and honest. I fell in love with these poems. She impacted my own poetry more than I care to admit, but I was young and trying new things.

The volume begins with Rowing with its imagery of God as an island the poet endeavors to reach, an imperfect island but where

"there will be a door
and I will open it
and I will get rid of the rat inside of me
the gnawing pestilential rat.
God will take it with his two hands/and embrace it."

She tells us she is on a quest.

In the poem Courage she writes about what courage means in life, "it is in the small things we see it./The child's first step,/as awesome as an earthquake," to the courage of enduring despair, and the courage of old age when "at the last moment/when death opens the back door/you'll put on your carpet slippers and stride out."

At times the poems reflected me back to other poets. For instance, in The Poet of Ignorance Sexton writes,

"I try to forget it, go about my business,
cook the broccoli, open and shut books,
brush my teeth and tie my shoes."

And I recalled Emily Dickinson's poem about performing the mundane as a way of carrying on:

"I tie my hat--I crease my shawl--
Life's little duties do--precisely--
...
Therefore--we do life's labor--
Though Life's Reward--be done--
With scrupulous exactness--
To hold our senses on--"

Sexton refers to an animal, a crab clutching fast to her heart; Dickinson to a Bomb held to her bosom.

The last poems were my favorites.

Not So. Not So.,  beginning "I cannot walk an inch/without trying to walk to God" and ending "You have a thousand prayers/but God has one."

In The Rowing Endeth, the poet has arrived "at the dock of the island called God" and plays a game of poker with the deity. God wins and laughs, "the laughter rolling like a hoop out of His mouth/and into mine,/and such laughter that He doubles right over me/laughing a Rejoice-Chorus at our two triumphs." And as the whole universe laughs, she ends, "Dearest dealer/I with my royal straight flush/love you for your wild card/that untamable, eternal, gut-driven ha-ha/and lucky love."

The Christian faith is a comedy: God always wins for out of death comes the joy of resurrection. Death brought Sexton death respite from her demons. I  pray that she found peace.

I received a free ebook through NetGalley in exchange for a fair and unbiased review.

"[Her poems] will be understood in time--not as 'women's poetry' or 'confessional poetry'--but as myths that expand the human consciousness." Erica Jong

The Complete Poems of Anne Sexton
Open Road Integrated Media
Publication Date: April 5, 2016
ISBN: 9781504034364
$9.99 ebook

Wednesday, April 6, 2016

1857 & Little Hazel

Over the last month I have been glad to have many book reviews already reviewed and scheduled. A cold virus was wrecking havoc on my system, moving from head to chest to throat. I did not accomplish very much on my quilt projects but here is what I did get done.

I made the sawtooth outer border on the center of Little Hazel by Ester Alui. Twice. It didn't fit because I was impatient and querulous while ill and did a lousy job. I had to tear it apart, resize the pieces, and sew it together again. I am about halfway through appliquéing the circle to the background square.
Little Hazel center
The 1857 Sampler blocks of the month from Sentimental Stitches had motifs that did not speak to me: woodworking and carpentry tools. I switched them for a quill pen and inkwell and sewing tools on another block. I inserted a toile print in the center of one block instead of a cross. Nothing against the religious symbolism, but I thought it was a perfect frame. I need to size the blocks and add the corner motifs.

I also sewed together blocks I had made before our move nearly two years ago, and intend on having the quilt machine quilted--a first for me as I have always hand quilted. The blocks incorporate shirts from my father-in-law, culled from his closet after his passing to make a memory quilt. I don't have a photo yet!

While looking through old photos I chanced upon these from 1973. We were living on campus while my husband was in grad school and participated in the community garden. While cleaning up we found a rabbit nest. My husband and I raised them until they could eat grass. Every two hours we hand feed them with an dropper. All but one survived.

Seeing this photo my brother asked, "who is that hippie chick?" Lol, I was far from being a hippie but today all my generation are called 'hippies.' 

 

Hope your spring is warmer than ours in Southeastern Michigan! The bird feeder froze solid for two days. Brrr. 

Tuesday, April 5, 2016

The Bard with a Thousand Faces

My dad did not understand why I had to read William Shakespeare. I was fourteen and reading Julius Caesar for English class. I was lucky; my teacher had a Master's degree in English and explained all the jokes and helped us understand what we were reading. Four years later he taught King Lear in World Literature class. I liked Shakespeare.

Shakespeare's words pervade our conversations and his stories are adapted into modern retellings. Consider King Lear, the inspiration for Akira Krosawa's film Ran and the novel A Thousand Acres by Jane Smiley. Or The Taming of the Shrew, the basis for the musical Kiss Me Kate and the movies Ten Things I Hate About You and John Wayne's McLintock! Bernstein's musical West Side Story is an updated Romeo and Juliet. The Forbidden Planet sci-fi classic movie is based on The Tempest.

It is more amazing to know that Shakespeare has crossed bigger language barriers than archaic to modern English. World's Elsewhere: Journeys Around Shakespeare's Globe follows Andrew Dickson on five trips across world cultures to explore the legacy and reinvention of Shakespeare across cultures.

Dickson went to Danzig, where actors performed Shakespeare in the 16th c. We learn how German Romantic culture--and the Nazis-- claimed the Bard as their own, and how today German professional troupes perform more Shakespeare plays than in the UK.

Shakespeare's plays and the Bible were often the only books found in American pioneer homesteads. Traveling actors performed his plays in mining camps. Henry Folger amassed the largest collection of Shakespeare Folios and manuscripts in the world, more than in England.

Where ever Britain had colonies, they brought Shakespeare. His stories have been reinvented for 150 films in India!

My favorite journeys to read about were to South Africa and to China.

Dickson goes on a quest to learn about the Robben Island Bible, a cheap complete works that was passed among the prisoners of the island penal colony. Thirty-six inmates inscribed their signatures in the book, including Nelson Mandela. Mandela signed his name to the highlighted text from Julius Caesar "Cowards die many times before their deaths; the valiant never taste of death but once..." Dickson also searches for Solomon Tshekisho Plaatj, a journalist and political activist who was the first to translate Shakespeare into a African language. Dickson's journey into contemporary South Africa while researching translators from the Boer War and Apartheid eras is a fascinating read.

Shakespeare in China may seem strange and doubtful. Translation issues alone are horrendous, plus the plays were repressed during the Cultural Revolution. Amazingly China is experiencing a surge of interest in the Bard, with so many traveling to Stratford-in-Avon in homage that the nearby airport has set up direct flights from Beijing. I was very taken by the story of Zhu Shiqiu whose life work was translating the plays. He lost his manuscripts three times, starting over until he had finished 31 at the time of his death.  Dickson discovers how the Cultural Revolution shut down Much Ado About Nothing; twenty years later the original actors brought back the play, same scripts, same costumes, same choreography.

Dickson struggles with questions of what Shakespeare means: a bridge of shared humanity, or a free-floating symbol whose ownership could be claimed?

Read Dickson's blog here: http://worldselsewhere.com

I received a free ARC through NetGalley in exchange for a fair and unbiased review.

World's Elsewhere: Journeys Around Shakespeare's Globe
by Andrew Dickson
Henry Holt
$35 hard cover
Publication date: April 5, 2016
ISBN:9780805097344

Sunday, April 3, 2016

Forgeries and Fakes: The Last Painting of Sara de Vos

Ellie was a twenty-six-year-old grad student working in art conservation when she was asked to make a copy of a 17th c painting by a female Dutch painter. The copy is her masterpiece. Ellie is complicit when the original painting is stolen and replaced with Ellie's copy. 

The painting's owner Marty recognized that his heirloom had been replaced with a forgery. He hired a private detective who leads him to Ellie. Marty assumes a fake identity to get close to Ellie. Each is hiding a truth, but find themselves drawn to each other. Their deceptions bring ruin into both their lives.

Forty years pass and Ellie and Marty are reunited when he loans his painting to the exhibit she is curating. Marty is full of regret as he faces coming death. Ellie's complicity haunts her; she knows she has built a house of cards and is certain her youthful indiscretion will be revealed.

The Last Painting of Sara de Vos by Dominic Smith is related in three time periods, tracing the history of a painting over four centuries. The struggles and losses of Sara de Vos, a painter during the Dutch Golden Age, is told interspersed between the storyline of Marty and Ellie in the late 1950s when Ellie forges Sara's painting, and in the 2000s when Ellie and Marty are reunited.

I enjoyed reading this book. The writing is beautiful with lovely turns of phrases and memorable epigrams. Rooms 'bloat with darkness', a lie 'comes effortlessly, a deadbolt sliding into a groove." Ellie 'tries to uncover a breadcrumb trail of moral failure" in her history. 

There is psychological depth to Marty and Ellie as they struggle with moral decisions and their consequences. Regret, Marty says to Ellie, doesn't eat you alive; it keeps you alive. Marty's reflections on old age are darkly humorous. I do wish there had been a fourth time period in the novel; the missing 40 years would have been profoundly interesting, a time when Marty and Ellie hit rock bottom and had to rebuild their lives.

Sara de Vos was inspired by a real Dutch female painter. Sara's paintings are vividly described. Descriptions of the craft of painting in the 17th c and when Ellie makes her copy reveal the fatal flaw in Ellie's forgery. 

To read more about Dutch female painters of the 17th c. check out

I realized I had read this author's book The Mercury Visions of Louis Daguerre some years ago and had enjoyed it.

I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.

The Last Painting of Sara de Vos
Dominic Smith
Farrar, Straus, and Giroux
$26.00 hard cover
ISBN: 9780374106683
Publication Date: April 5, 2016