American Romantic by Ward Just

Harry had killed a man and it set him apart.~from American Romantic by Ward Just

Another TBR shelf book that was waiting for its time was Ward Just's American Romantic. The passing of the author spurred me to take it down to read. My first acquaintance with Just was his Pulitizer Prize-nominated novel An Unfinished Season. I have been a fan ever since.

Just was a war correspondent in Vietnam; his novels explore the disenchantment of individuals who discover the failings of Washington D.C. politics.

The novels are beautifully written, focusing on the internal growth of the characters, not page-turners with gripping plotlines. My favorite kind of novel!

American Romantic begins with Harry's life-altering experiences in Vietnam and his brief love affair with a German ex-pat nurse. Harry's career takes him across the world as an ambassador. He marries a woman who isn't up to the role of ambassador's wife. His war wounds are constant reminders of his time in Vietnam and the boy soldier he killed. He grows old in a foreign land that is less foreign to him now than America and his Connecticut home. But the lessons garnered at his wealthy father's dinner table, with political guests conversing on Washington D.C. news while sidestepping things that can't be spoken remain the most lasting.

After I read a book I do look at reviews. You can read an excellent review by Jonathan Yardley in the Washington Post here.

Favorite quotes from American Romantic:

We live in a turnstile of lies.

Americans are romantic, she said.
I would not say romantic. I would say optimistic. ..
...They take pride in their makeovers, a nation of actors, or should I say playwrights, each examining her own story. That's the myth, anyhow. A nation in an eternal state of rewrite.

What have you learned, Harry?... What have the years taught you?
At my father's table failure was more instructive, more revealing than success.
...all the stories they told had something missing...To go beyond that certain point might have--would have--undermined faith in the system....they were deep in their memories, pondering what they were unable--not unwilling but unable--to say aloud. The missing piece.

And do you want to know something else? The stakes are not small. This world is filled with mischief, and more than mischief. Time retreats. Time advances. Time is discontinuous. Time is always in motion, like the waves of a great sea. And failure is more commanding than success.

He had the idea that there were rules somewhere and that if you followed the rules things would come out all right...And without warning your world turned upside down. No logic to it.

My Year in Reading

According to Goodreads, I have read almost 200 books this year! I had meant to read fewer books than last year--bit ended up reading more!

Here is a breakdown of my reading, not presented in any particular order except category. You can find my reviews by typing the book title in the search bar on the right side of the blog homepage. Some of the books I read in 2018 will be published in 2019. I have marked them with a *.

My reading was still heavy on current political and social issues, represented by nonfiction and fiction choices.

American History & Politics
My choices favored my interest in Revolutionary War, WWI and WWII eras, and the 1960s. 
Rush by Stephen Fried
The First Ladies of the Republic by Jeanne E. Abrams
Frank & Al by Terry Golway
In the Hurricane's Eye by Nathaniel Philbrick
LBJ's 1968 by Kyle Longley
The Assassination of Robert F. Kennedy by Tim Tate
The Hidden White House by Robert Klara
The Man Who Walked Backwards by Ben Montgomery
Wasn't That a Time by Jesse Jarnow
A Force So Swift by Kevin Peraino

American Inventors and Business
The great creative thinkers and the influence of business and industry on society
Tesla Inventor of the Modern by Richard Munson
Atom Bomb to Santa Claus by Trevor Homer
Wanamaker's Temple by Nicole C. Kirk
American Advertising Cookbooks by Christina Ward
Janesville by Amy Goldstein
Voices From the Rust Belt by Anne Trubeck

True Adventure
The girl in me loves a story of survival against the odds
Adrift by Brian Murphy
White Darkness by David Grann
To the Edges of the Earth by Edward J. Larson

Books on the Current Political Climate
Some pretty scary stuff!
Fire and Fury by Michael Wolfe
Fear by Bob Woodward
How Democracies Die by Steven Levitsky
The Splintering of the American Mind by William Eggerton
Identity by Frances Fukuyama

Books on Inclusion and Justice
Immigration, Civil Rights for all, economic parity
Lighting the Fires of Freedom by Janet Dewart Bell
A Bigger Table by John Pavlovitch
The Opposite of Hate by Sally Kohn
Killers of the Flower Moon by David Grann
Patriot Number One in Chinatown by Lauren Hilgers\
Give People Money by Anne Lowry
Journeys An American Story by Andrew Tisch

British History
Queen Victoria by Lucy Worsley

Memoirs & Autobiographies
Inspiring stories!
The Sun Does Shine by Ray Hinton
Song in a Weary Throat by Pauli Murray
Together at the Table by Karen Oliveto
Tomorrow Will Be Different by Sarah McBride
Surrendering My Ordination by J. Philip Wogaman
The Right to Be Cold by Sheila Watt-Cloutier
My Dead Parents by Anya Yurchyshyn
Call Me American by Abdi Nohr Ifrin
Calypso by David Sedaris
Becoming by Michelle Obama

Environmentalism
The Poisoned City by Anna Clark
Overrun by Andrew Reeves*
The Water Will Come by Jeff Goodell

LGBT Themed Fiction
Southernmost by Silas House
Tin Man by Sarah Winman
A Ladder to the Sky by John Boyne
Sugar Run by Mesha Maren*

Multicultural Fiction
Many are historical fiction. All offer insight into the human experience.
An American Marriage by Tayari Jones
I Have Lost My Way by Gaye Foreman
Gateway to the Moon by Mary Morris
Waking Lions by Ayelet Gundar-Goshen
Sing, Unburied, Sing by Jesmyn Ward
The Mercy Seat by Elizabeth Hartley Winthrop
The House of Broken Angels by Luis Alberto Urrea
The Tea Girl of Hummingbird Lane by Lisa See
The House of Rougeaux by Jenny Jaeckel
Half Gods by Akil Kumarasamy
There There by Tommy Orange
We Hope for Better Things by Erin Bartels
All the Lives We Never Lived by Anuradha Roy
The Tyre by C. J. Dubois
Things Fall Apart by Chinua Achebe

Historical Fiction About Women
The eternal and timeless experience of being female.
Learning to See* by Elsie Hooper
The Falconer* by Dana Czapnik
The Last Year of the War* by Susan Meissner
The Only Woman in the Room* by Marie Benedict
Marlena by Julie Buntin
The Latecomers by Helen Klein Ross
Once Upon a River by Bonnie Jo Campbell
Burial Rites by Hannah Kent
Sold on a Monday by Kristina McMorris
A Cloud in the Shape of a Girl by Jean Thompson
Transcription by Kate Atkinson
A View of the Empire by Sunset by Caryl Phillips
Invitation to a Bonfire by Adrienne Celt
The Only Story by Julian Barnes
The River by Starlight by Ellen Notbohm
The Red Address Book by Sofia Lundberg
Island of Sea Women* by Lisa See

Historical Fiction
Vividly bringing the past to life through fiction.
The Winter Soldier by Daniel Mason
So Much Life Left Over by Louis de Bernieres
The Wreckage of Eden by Norman Lock (a story about Emily Dickinson)
A Long Island Story by Rick Gekoski (set in the McCarthy era)
Warlight by Michael Ondaatje
Lincoln in the Bardo by George Saunders
The Italian Party by Christina Lynch
Dust by Mark Thompson
I Will Send Rain by Rae Meadows
West by Carys Davies
The Perilous Adventures of the Cowboy King by Jerome Charyn* (A novel about Teddy Roosevelt)
Sea Chase by John Braddock (Young readers fiction about John Quincy Adams)
Gilead by Marilynne Robinson

Historical Fiction with Fantasy Elements
The Cassandra* by Sharma Shields
The Bird King* by G. Willow Wilson
Ahab's Return by Jeffrey Ford
A Boy in His Winter by Norman Lock
Farewell Summer by Ray Bradbury
Killing Commendatore by Haruki Murakami
Once Upon a River by Diane Setterfield

Fantasy
Circe by Madeline Miller
The Winter of the Witch by Katherine Arden

Science Fiction
Unholy Land by Tidhar Lavie
Flowers for Algernon by Daniel Keys

Mysteries and Suspense
The Garden of Blue Roses by Michael Barsa
An Anonymous Girl* by Greer Henricks and Sarah Pekkanen
Bring Me Back by A. B. Paris
Jack Was Here by Christopher Bardsley
The Ancient Nine by Ian Smith
Siracusa by Delia Ephron
The Marsh King's Daughter by Karen Dionne
Truly, Madly Guilty by Lianne Moriarity
Feared by Lisa Scottoline
After Anna by Lisa Scottoline
Dead Bomb Bingo Ray by Jeff Johnson
Death in Paris by Emelia Bernhard
Mystery in White by J. Jefferson Farjeon
Marne by Winston Graham

Literary Fiction
Northanger Abbey by Jane Austen
Tinkers* by Paul Harding
Nothing But the Night* by John Williams
Laurentian Divide by Sarah Stonich
Vacationland by Sarah Stonich
Virgil Wander by Leif Enger
Florence Gordon by Brian Morton
Ohio by Stephen Markey
A Land More Kind Than Home by Wiley Cash
The Rain Watcher by Tatiana de Rosnay
Meet Me At the Museum by Anne Youngson
A Collar for Cerebus by Matt Stanley
All We Ever Wanted by Ellen Giffin
The Red Thread by Ann Hood
How to Walk Away by Katherine Center
Hard Cider by Barbara Stark-Nemon
The Family Tabor by Cherie Wolas
Clock Dance by Anne Tyler
The Dependents by Katherine Dion
The Italian Teacher by Tom Rachman
Laura and Emma by Kate Greathead
Maria on the Moon by Louise Beech
Stoner by John Williams
The Promise Between Us by Barbara Claypool White
The Mystery by Matthew Mackintosh

Retellings of Classics
Eligible by Curtis Sittenfeld
Mary B by Katherine B. Chen

Humorous Novels
Limelight by Amy Poepple
#HockeyStrong by Erika Roebuck
High Noon in Hollywood by Warren Adler
Standard Deviation by Katherine Heiny
The Norma Conquest by Warren Adler

Short Stories
You Think It, I'll Say It by Curtis Sittenfeld
Collected Stories by Susan Sontag
We Are Gathered by Jamie Weisman
A Beautiful Place to Die by Sam Bigglesworth

Humor
Lessons From Lucy by Dave Barry
I See Life Through Rose Colored Glasses by Lisa Scottoline

Nonfiction Inspiration
The Dark Interval by Rainer Maria Rilke
A Glad Obedience* by Walter Brueggemann

Poetry
The Flame by Leonard Cohen

Books About Books and Writers and Artists
Meg Jo Beth Amy by Anne Rioux Boyd
J. D. Salinger and the Nazis by Eberhard Alsen
Whistler's Mother by Daniel Southerland
The Rise and Fall of Adam and Eve by Stephen Greenblatt
Louisa At the Front Lines* by Samantha Seiple
Jane Austen for Kids* by Nancy Sanders
Guilty Thing by Frances Wilson
The Library Book by Susan Orlean
Simply Austen by Joan Klingel Ray
The Man Who Wrote the Perfect Novel by Charles J. Shields
The Rise and Fall of Adam and Eve by Stephen Greenblatt


Books About Quilts
Pattern books and quilt histories
An American Quilt by Rachel May
Southern Quilts by Mary Kerr
Landscape Quilts by Ann Loveless
Oh Scrap by Lissa Alexander
Tilda Sewing by Heart
Pin Pals by Carrie Nelson
Quilt Big by Jemima Fiendt
My First Book of Sewing
Whimsical Wool Applique by Kim Schaefer
Creating Art Quilts with Panels by Joyce Hughes
Paint By Number Quilts by Kerry Foster
A Splendid Sampler 2 by Pat Sloan
Pat Sloan's Teach Me to Machine Quilt
Intuitive Color and Design
Allie Aller's Stained Glass Quilts
Stitches from the Yuletide by Kathy Schmitz
Patchwork Loves Embroidery Too
Red and White Quilts
Antique Needlework Tools by Dawn Cook Ronnigen
Art Quilts Unfolding

Genealogy
The Researchers Guide to American Genealogy

Art
Charlie Harper's Birds and Words
The Refrain of Thomas Cole*

Books I did not finish
Sight by Jesse Greengrass
Boomer 1 by Daniel Torday
Princess: The Early Life of Queen Elizabeth II
by Jane Dismore
Imagining Shakespeare's Wife: The Afterlife of Anne Hathaway by Katherine West Scheil
The King's Favorite by John Vance

Tin Pan Alley Sheet Music: Men, Women, and Courtship

My collection of sheet music includes many early 20th c songs that were sung on Vaudeville stages.  Many were written in Tin Pan Alley.

One can learn so much about society in those days from these songs. Let's start what they reveal about men's attitudes toward women. These date from 1909 to 1919.

My Wife's Gone to the Country Hurrah! Hurrah! was written by George Whiting, Ted Snyder and Irving Berlin, published in 1909.

According to an interview with Irving Berlin, the song came to him in a barbershop. George Whiting, a vaudeville actor, was a few chairs down from Berlin who asked him when he needed to be home. Whiting replied, "I don't have to go home, my wife is in the country." Berlin walked out of the shop with those words in his head and soon found them a melody and the chorus worked out. In a few hours the song was completed and two days later it was heard all over the land.

When Missus Brown told hubby, "I just can't stand the heat
Please send me to the country, dear, I know 'twould be a treat"
Next day his wife and fam'ly were seated on a train
And when the train had started, Brownie shouted this refrain:

My wife's gone to the country, hurrah, hurrah!
She thought it best, I need a rest, that's why she went away
She took the children with her, hurrah, hurrah!
I don't care what becomes of me, my wife's gone away

He kept the 'phone a-going, told ev'ryone he knew
"It's Mister Brown, come on downtown, I have some news for you"
He told a friend reporter just why he felt so gay
Next day an advertisement in the papers read this way:

[2nd refrain:]
My wife's gone to the country, hurrah, hurrah!
She thought it best, I need a rest, that's why she went away
She took the children with her, hurrah, hurrah!
I don't care what becomes of me, my wife's gone away

He sang his joyful story into a phonograph
He made a dozen records and I say it was to laugh
For when his friends had vanished and Brown was all alone
His neighbors heard the same old tune on Brownie's graphophone

My wife's gone to the country, hurrah, hurrah!
She thought it best, I need the rest, that's why she went away
She took the children with her, hurrah, hurrah!
Like Eva Tanguay, I don't care, my wife's gone away

He went into the parlor and tore down from the wall
A sign that read "God Bless Our Home" and threw it in the hall
Another sign he painted and hung it up instead
Next day the servant nearly fainted when these words she read:

My wife's gone to the country, hurrah, hurrah!
She thought it best, I need the rest, that's why she went away
She took the children with her, hurrah, hurrah!
Now I'm with you if you're with me, my wife's gone away

He called on pretty Molly, a girl he used to know
The servant said "She left the house about an hour ago
But if you leave your name, sir, or write a little note
I'll give it to her when she comes" and this is what he wrote:

My wife's gone to the country, hurrah, hurrah!
She thought it best, I need the rest, that's why she went away
She took the children with her, hurrah, hurrah!
I love my wife, but oh! you kid, my wife's gone away

He went and bought a parrot, a very clever bird
The kind that always would repeat most anything she heard
So when his voice grew husky and Brownie couldn't talk
While he'd be taking cough-drops, he would have the parrot squawk:

My wife's gone to the country, hurrah, hurrah!
She thought it best, I need the rest, that's why she went away
She took the children with her, hurrah, hurrah!
I knew my book, she left the cook, my wife's gone away

The song was sung by Stuart Barnes, a successful English Music Hall performer whose songs and monologues were usually about marriage and women. He often sang Irving Berlin songs after his monologues. He earned $400 a week in 1909. (Source found here.) He was openly gay.

***

Some men wanted freedom from their women, while others were worried about being thrown over.

 Keep Your Eye on the Girlie You Love by Howard Johnson and Alex Gerber, music by Ira Schuster, was performed by Tin Pan Alley and Vaudeville star Moe Thompson. The March 2, 1917 issue of The Saturday Evening Post has an advertisement for the sheet music and the Pathe recording.

Take a tip from one who knows, all you single men, 
If you've a girl to call your own, Don't ever leave her all alone. 
If temptation comes her way, will she pass it by? 
That's a question, so my suggestion is, Watch her on the sly. 

Keep your eye on the girlie you love, 
There's a beau that you know nothing of, 
Who may be there to call, when you're out of sight, 
Of course, she may not fall, but may be she might. 
Never leave her for more than a day, 
‘Cause there's hundreds that lose ‘em that way, 
So keep your eye upon your girl, Bill, 
If you don't some other fellow will. 

It's a tough thing now-a-days, picking out a girl, 
So when you find your heart’s delight, 
Take my advice and treat her right, 
Girls are fickle as can be, change their minds each day; 
Do a rave to ‘em, be a slave to ‘em, That’s the wisest way. 

Keep your eye on the girlie you love, 
Just be sure that she’s your turtle dove, 
Don’t take a chance and introduce your best pal, 
For if she likes him best, goodbye to your gal. 
She may kiss you goodnight by mistake, 
Call you Clarence, when your name is Jake, 
So keep your eye upon your girl, Bill, 
If you don’t some other fellow will.

***

One way of 'keeping your girlie' was to make love to her at the movies. Couples sitting in a dark room raised the fear of parents who worried about the sexual freedom that might be perpetrated there. Hollywood movie stars had wild parties and scandalous sex lives--evil role models for the young. This was the new world of dating. Courtship no longer took place on front porch swings.

Take Your Girlie To the Movies (If You Can't Make Love At Home) by Edgar Leslie and Bert Kalmar with music by Pete Wendling would have been pretty scandalous in 1919.

The song begins when a boy asks love advice:

When I call to love my girl
Her folks are always there;
That's why I'm blue, 
What shall I do?

The answer is:

Take your girlie to the movies
if you can't make love at home;
There is no little brother there who always squeals
you can say an awful lot in seven reels.

Take your lessons at the movies
And have love scenes of your own;
When the picture's over and its time to leave,
Don't forget to brush the powder off your sleeve.

Pick a cozy corner where it's nice and dark,
Don't catch influenza kissing in the park,
Take your lessons at the movies,
and have love scenes of your own;
Though's she's just a simple little ribbon clerk,
Close your eyes and think you're kissing Billie Burke;
Take your girlie to the movies, if you can't make love at home.

***

Good girls, bad girls--they are all the same according to There's a Little Bit of Bad in Every Good Little Girl by Grant Clarke and Fred Fischer, performed by Brice and King, published in 1917. This sheet music shows Elizabeth Brice and Charles King, performers called some of the "cleverest" in the business. Miss Brice came from Toledo, Ohio and progressed from singing in Sunday School to the town casino.

 This is a truly horrifying song!

Nobody ever sings about the bad girls
Because the bad girls are sad
And everybody sings about the good girls
Because the good girls are glad
Till you've been around 'em once or twice

You can't tell the naughty from the nice

There's a little bit of bad in every good little girl
They're not to blame
Mother Eve was very good
But even she raised Cain
I know a preacher's daughter
Who never orders water
There's a little bit of bad in every good little girl
They're all the same

I had a dream I went to see the devil
There was the devil to pay
He said I'm awful busy on the level
I said the devil you say
Why are you so busy tell me why
He replied and winked his other eye

There's a little bit of bad in every good little girl
They're not to blame
Though they seem like angels in a dream
They're naughty just the same
They read the good book Sunday
And snappy stories Monday
There's a little bit of bad in every good little girl
They're all the same

***

They Go Wild Simply Wild Over Me by Joe McCarthy and Fred Fisher was published in 1917. The song appears in Bullets Over Broadway by Woody Allen.

There is a version for men:

I hate to talk about myself,

But here's one time I must!

Your confidence I'll trust,

I have to speak or bust!

It's funny how I get the girls,

I never try at all;

I seem to hypnotise them,

I'm bound to make them fall!

They go wild, simply wild, over me!

They go mad, just as mad as they can be!

No matter where I'm at,

All the ladies, thin or fat,

The tall ones,

The small ones,

I grab them off like that!

Every night, how they fight over me!

I don't know what it is that they can see!

The ladies look at me and sigh,

In my arms they wanna die!

They go wild, simply wild, over me!

I get so many pretty girls,

I give a few away!

They bother me each day,

They're leading me astray!

There's lots of fellows go with girls

And never get their drift;

I always get the women,

It's just a natural gift!

They go wild, simply wild, over me!

They go mad, just as mad as they can be!

No matter where I'm at,

All the ladies, thin or fat,

The tall ones,

The small ones,

Why, I grab them off like that!

Every night, how they fight over me!

I don't know what it is that they can see!

I can never be alone,

I have to choke the telephone!

They go wild, simply wild, over me!

And for the girls:

I hate to talk about myself but here's one time I must

Your confidence I'll trust, I have to speak or bust

It's funny how I get the boys, I never try at all

I seem to hypnotize them, I'm bound to make them fall

They go wild, simply wild, over me

They go mad, just as mad as they can be

No matter where I'm at, all the fellows thin or fat

The tall ones, the small ones, I grab them off like that

Every night how they fight over me

I don't know what it is that they can see

The fellows look at me and sigh, in my arms they want to die

They go wild, simply wild, over me

I meet so many funny men, no matter where I go

They're waiting in a row, they seem to love me so

There's lots of girlies go with boys but never get their drift

I seem to understand them, why, it's just a natural gift

They go wild, simply wild, over me

They go mad, just as mad as they can be

No matter where I'm at, all the fellows thin or fat

The tall ones, the small ones, why, I grab them off like that

Every night how they fight over me

I don't know what it is that they can see

Why I can never be alone, I have to choke the telephone

They go wild, simply wild, over me

They go wild, simply wild, over me

They go mad, just as mad as they can be

I meet so many kind, I leave a few behind

They love me, they kiss me, why, I guess they must be blind

Every night how they fight over me

I don't know what it is that they can see

I'm very skinny I'll admit but when I when I smile just a smidge

They go wild, simply wild, over me

***

Whatever that guy had in the last song, the man in the next song clearly lacked. To Any Girl by the hugely successful and prolific lyricist Lew Brown with music by the equally successful and prolific Albert Von Tilzer (whose most famous song was Take Me Out To The Ballgame). This song is a lament, for the young lover has no girl to write to. Any girl will do...as long as she cooks and sews and is true.

 I found a picture postal card while on the street today.
A lovesick fellow wrote it, and here's what he had to say,
"O haven't any sweetheart, so I don't know what to do,
I wish I had a girl to send this to.
I won't put on an address, I won't put on a name,
But still I'm going to send it just the same.

To any girl who's feeling lonesome,
To any girl who's feeling blue,
I write these lines today
here's what I have to say
I've got a lot of loving that I'd like to give away,
To any girl who'll love me only
To any girl who will be true,
But if you have a beau,
Is there any girl you know
who's not as lucky as you.

He says he wanta a girl who sews and one who also cooks,
But then he doesn't mention anything about her looks
The boy is not particular,
I think that he's in wrong,
For he'll take any girl who comes along,
He can't expect an answer, 
He doesn't make it plain,
I'll have to read the postal card again. (Chorus) 

***

Harry Von Tilzer, Albert's brother, often worked with Andrew B. Sterling including on this 1915 song, Those Musical Eyes, about Ragtime sex appeal.

Stirling and Von Tilzer are my favorite pair to collect. Learn more about Von Tilzer at The Parlor Songs Academy.

Two big eyes that shine, won this heart of mine,
"Want you near me," they say and sweet is the music they play,
O those great big eyes how they harmonize, 
Even when we're apart, 
They play on the strings of my heart
Ragtime love tunes till I'm almost crazy,
Those "G sharp" eyes they seem to play for me.

Oh, those eyes, those great big musical eyes,
Such "harmony" lies, 
In those sweet "Come and kiss me" eyes
"Say you'll miss me," eyes, 
Roll them, roll them, roll them up to the skies,
Each glance at me, a "Rhapsody,"
Oh, those eyes they say "come on...and spoon!"
Oh, those eyes they play a wedding tune,
Oh, the love that lies and lies, In those musical eyes!

When I'm feeling bad, when I'm feeling sad,
Everything has gone wrong
those eyes, play the cheerfullest song,
They just look at me, strike a chord in "C"
sorrow puts on his hat, 
Those eyes soon will sing in "A Flat"
Every glance starts my heart beating "Forte," (Chorus)

This Tender Land by William Kent Krueger

Set during the summer of 1932, This Tender Land is a story that embraces tragedy and cruelty, kindness and love, murder and salvation. Most of all, it is about hope. Hope that we can find home, hope that we will find love, hope that life offers more than terror and injustice and cruelty. Hope that we can forgive and be forgiven.

This mythic story is a combination of Huckleberry Finn for its river journey and episodic adventures, with characters and events encountered from The Odyssey, and the darkness of The Night of the Hunter with children under threat fleeing downriver. And it recalls to mind the Book of Job as Odie grapples with the nature of God.

In 1932 Minnesota, orphaned brothers Albert and Odie are sent by their aunt to a Native American school, where she believes they are being well taken care of. The Brickmans run the school, siphoning off funds for themselves and allowing cruelty and abuse to reign. The boys befriend the mute Native American boy Mose. Albert and Mose are hard workers, but Odie rebels and is often punished. They have a friend in the teacher Voght, and the kind, widowed music teacher who offers to take the boys into her home to help run her farm. But a tornado takes her life, leaving her daughter Emmy in the hands of the cruel school headmistress. 

The 'tornado god' wrecks more disaster in Odie's life, leading to an accidental death. The children together flee down the Mississippi River in a canoe, pursued by the headmistress of the school and the police who believes the girl Emmy was kidnapped. 

William Kent Krueger writes, "I love this book every bit as much as I loved Ordinary Grace," and that offering this book he is "offering his heart." I, too, loved it every bit as Ordinary Grace, if not more.

It's a big 400-page book, engrossing and beautiful and heartbreaking. There is a lot of 'God talk' between Odie and the people he met who help him understand the timeless problem of why God allows evil in this world. 

I was given access to a free egalley by the publisher through NetGalley in exchange for a fair and unbiased review.

Read my review of Ordinary Grace here.

This Tender Land 

by William Kent Krueger

Atria Books 

Publication September 3, 2019

hardcover $27.99

ISBN13: 9781476749297

Ford Times: July, 1961

Ford Motor Company began publishing The Ford Times in 1908. The last issue came out in 1993.

My brother was given a friend's parent's collection of Ford Times from the 60s and 70s. My brother gave me the duplicates. It's fun to look at the car and travel culture of my childhood.

The 5" x 7" magazine included wonderful artwork by artists including Charlie Harper. Harper's art appeared in over 120 issues of Ford Times! You can more read about it here.

Ford Times with cover by Charlie Harper

The July, 1961 edition included articles on "How to Visit a College," "Down the Canyon on a Mule," "Do Women Lack the Packing Knack?," "They Hunt for Relics of Rogers' Rangers," "Wagon Train East," "Piggyback on Penobscot Bay," "Land of a Million Years Ago" about Montana's badlands, and more. There is even an article about an early San Francisco Ford dealer!

"Wagon Train East" by Charlie Harper, and illustrated by him, is about a wagon train that went into the Cherokee National Forest

 "Piggyback on Penobscot Bay" illustrations

There was an article by Jo Copeland about how to dress to "Look as Smart as Your Car."

 Copeland talks about what she saw at turnpike restaurants as "the most bizarre outfits this side of a beatnik coffee house." Appalled, she offers suggestions on how to travel in style.

Copland calls the coat illustrated above a 'topcoat,' but I grew up calling them 'car coats.'

"When I am at the wheel, I like to wear short cotton gloves, the kind that wash and dry easily, because my hands stay cooler and cleaner. Bare hands perspire and stick uncomfortably," Copeland wrote.

I know Jo Copeland's name from collecting vintage designer handkerchiefs. I have several in my collection.

Jo Copeland handkerchief

Jo Copeland handkerchief

Learn more about Copeland at Living in Fifties Fashion and at  here

"Seeing Detroit" is about the Ford Rotunda's 25th year. The building was built for the 1934 Chicago Century of Progress Exposition. It was dismantled and relocated to Dearborn, MI.

 In November, 1962 a fire destroyed the building!

The article "How to Beat the Heat" promoted air conditioned cars but also suggested parking in the shade, the use of tinted glass, woven upholstery, opening the vent windows, and the wearing of skirts for women.

"Digger in Velvet" by Franklin M. Reck, illustrated by Charles Culver, was about moles. "He 'hears' with his snout and his tail rather than his ears. He can neither walk nor run," Reck informs. "Next time you catch one of these unrelieved nuisances, pause to admire the world's most efficient sapper with the silk fur and one-track mind."

"The Ford Times Dictionary of Automotive Terms" included expected terms like 'air cleaner' and 'additive.' Then there is 'A-bomb', a hot rod term for a Model A Ford, and 'balloon-foot,' an overly cautious driver. 'Beach buggy' was a car with oversized tires that could drive on the sand, and 'brain box' was slang for a crash helmet.

Of course, there had to be an article on a Ford car. The Falcon achieved over 32 miles per gallon in an Economy Run! Shell Oil reported that a 'skilled driver' with a 'specialized car' could get 168 miles per gallon! 

Another travel destination highlighted was Guilford, CT.

 The illustrations were by Sasha Maurer

"Comforts of Home...Outdoors" touted the latest camping gear.

Travelers would want to know the best places to eat so every issue included "Favorite Recipes of Famous Taverns." This issue included The Red Barn in Fort Scott, KS and its Heavenly Hash and Santa Cruz's Shadow-Brook's Sauce Philippe.

Heavenly Hash
1 can fruit cocktail drained
one or two sliced bananas
2 tablespoons sugar
1 cup miniature marshmallows
1/2 cup halved seedless grapes
1/2 cup whipped cream
lettuce
Combine fruit, sugar, and marshmallows. Fold whipped cream into mixture and keep chilled. Serve on lettuce.
The Henry Ford includes digital copies of Ford Times found here.