Showing posts sorted by relevance for query song of myself. Sort by date Show all posts
Showing posts sorted by relevance for query song of myself. Sort by date Show all posts

Tuesday, May 30, 2017

The Reminders by Val Emmich: Love Victorious Over Death's Oblivion


Memories and remembering are at the heart of Val Emmich's first novel The Reminders. The Beatles music provides the thematic structure. The heart of the novel is love.

Nine-year-old Joan Lennon can't forget anything that has ever happened to her. When her grandmother Joan's Alzheimer's disease took away her memory it frightened Joan to be forgotten. Now she wants to create something so no one will forget her again: she wants to write a song.

Joan's father is a struggling songwriter; her mother works to pay the bills. Her parents have decided to close her father's studio and rent it out; her father will work in his dad's construction business. Joan is despondent. She hopes to win a songwriting contest so her dad can keep the studio.

Joan's parents' friend Sydney has died, and his partner Gavin, a television show actor, underwent a very public meltdown. Joan's mother had introduced Syd and Gavin. They invite Gavin to come stay for a while.

Gavin thinks he wants to forget everything about his true love Sydney. When he learns that Joan can recall every time she met Syd, down to the details of his clothes and conversation, they agree to help one another. Joan will tell stories about Syd. Gavin, who had been in her dad's band, will help Joan write a song.

Gavin's grief over Syd's death is complicated by doubts about Syd's activities prior to his death: he made several secret trips, meeting with a woman he never mentioned. Was their life a lie?

The story is told from Joan and Gavin's viewpoints in alternating chapters which offer a nice balance between Gavin's grief and doubt and Joan's determined, naive, hopefulness.

Joan is beautifully drawn, a lovable, adorable, kid. The book is worth reading just to know Joan! The story is about grief and yet what remains after reading is the joy. I am sure this uplifting book will become a best seller, well beloved by book clubs.

Emmich draws from his career as an actor and singer/songwriter, and his life as a dad, to create a charming and warm story of the power of friendship.

I was excited when Emmich agreed to answer some questions for me in February.

Nancy: What motivated you to write The Reminders? What came first--story, character?

Emmich: The character came first. Specifically, the character of Joan. I was a new father and I was frustrated by the lack of progress I'd made in my life and in my career as an artist. Fatherhood felt like an impediment to where I wanted to go. That finally changed when I attempted to write from the point of view of a little girl. If I wasn't the father of a girl (two little girls now), I probably wouldn't have tried something like that. Once I did, though, all sorts of new possibilities opened up for me, both creatively and as a parent. Drawing on my family life for materials finally put me in a place where I could start to accept my new reality and embrace it.

Nancy: Is the creative act for you an endeavor to, as Joan believes, ensure people remember you?

Emmich: No. I create because I have to create. I feel compelled to. It's probably the only time I feel happy. And at times, it doesn't even feel healthy. It can feel like an obsession or addiction. But after I create something, if I think it's any good, I feel this strong desire to share it with people. I created the thing first for myself--to try to process life and understand it better--but I still feel I need some validation from others. I shouldn't need it. But I do. I crave applause and feedback. I wish I didn't.

The whole idea of being remembered, which is a huge part of the book, is related to the above (and certainly in the book, the two are directly linked), but it's also, for me, a whole separate problem. It bothers me that we're so focused on what's happening today and what will happen tomorrow that the past is often too easily forgotten. I'm certainly guilty of forgetting. And I'm not talking about the distant past only, but even the recent past, as in last week, or yesterday. Now, when someone close to us passes away, which is what happens to the character of Gavin in the book, there's a feeling of guilt that comes with forgetting. Forgetting feels like a betrayal. That's how it feels for Joan. To forget her is unfair, because she would never forget you. But some amount of forgetting is helpful, and even necessary. It allows us to heal. It's a complicated thing, which is why I love the quote by James Baldwin that begins the novel: "it takes strength to remember, it takes another kind of strength to forget, it takes a hero to do both."

Nancy: We know so much these days--the relationship between Gavin and Joan could have been considered suspect. What considerations helped you ensure the purity and healthiness of their relationship?

Emmich: I understand what you mean, but I also hate that I understand what you mean. In other words, it's a shame that's where our minds go. I've always loved stories where two very different sorts of people are placed together. It's a good starting point for conflict and misunderstanding. So I didn't want to avoid that uneasy feeling completely. But in one of my earliest drafts, the character of Gavin was straight and I did find that there were moments between his character and Joan's that felt strained in a way that was distracting from the narrative. Once I decided to make Gavin gay, I found that it relieved a lot of that unintended pressure. Also the fact that Gavin is pining for his lost love and Joan is helping him reach that lost love helps, I think, maintain that feeling of purity that you mentioned.

Nancy: What were the challenges and rewards of writing a book as compared to writing and performing your songs and acting?

Emmich: There are different challenges with each, too many to list here. But I will say that so far writing a novel has been the most challenging thing I've ever attempted in the arts. In terms of rewards, a song can be written in minutes, recorded in a few hours, and uploaded online where it can be streamed instantly. So, it's a much more immediate sense of satisfaction, both with the creative act and the sharing.

Writing long-form fiction is a slog that can stretch for many years. And it's a lot lonelier. I can write and perform songs with others, but a novel is written alone Writing prose is rewarding in a different sort of way than more communal activities like music and acting. Maybe it requires a little more confidence and faith, I don't know. You'll have to ask me this question again when I'm a little farther along. My book still hasn't been published yet. Most people in m life still haven't read it and I've yet to do my first public reading. So, I haven't had much feedback from readers. All this buildup scares me. Wish me luck.

Val Emmich
I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.

See the trailer at http://ew.com/books/2017/02/14/reminders-book-trailer-val-emmich/

The Reminders
Val Emmich
Little, Brown & Co/Hachette
Publication May 30, 2017
$26 hard cover
ISBN: 9780316316996

Tuesday, September 15, 2020

The Writer's Library: The Authors You Love on the Books that Changed their Lives by Nancy Pearl & Jeff Schwager


Nancy Pearl and Jeff Schwager's book The Writer's Library lets readers in on their favorite authors' reading history, what they keep on their bookshelf, and how those books impacted their lives and their craft.

Pearl writes, "Our consciousness is a soaring shelf of thoughts and recollections, facts and fantasies, and of course, the scores of books we've read that have become an almost cellular part of who we are." I found myself thinking about the books that were on my shelves across my lifetime.

I was happy to see books I have read mentioned but there were also many books new to me that I will add to my TBR list.

Certain books were mentioned by more than one writer.

Jonathan Lethem talked of "the poetic, dreamy, surreal stuff like Bradbury" and his favorite TV show The Twilight Zone. He said that Butcher's Crossing by John Williams is better than Stoner, so I have to move it up higher on my TBR shelf.

Susan Choi also mentions Bradbury, as well as F. Scott Fitzgerald's The Great Gatsby and J. D. Salinger's "A Perfect Day for Bananafish."

Michael Chabon also lists Bradbury, and my childhood favorites Homer Price by Robert McCloskey and Johnny Tremain by Esther Forbes. He calls The World According to Garp by John Irving a bombshell; I do remember reading it when it came out. He is another fan of Watership Down. Also on his list are Saul Bellow's Herzog.

One more Bradbury fan, Dave Eggers was in the Great Books program in school, just like me. He also loves Herzog. As does Richard Ford.

Amor Towles begins with Bradbury and adds poetry including Prufrock, Whitman and Dickinson, and a long list of classics.

Another Dickinson fan, Louise Erdrich also loves Sylvia Plath and Tommy Orange's There There.

Jennifer Egen loved Salinger's Nine Stories. As a teen loved Rebecca by Daphne du Maurier and The Magus by John Fowles. "Then Richard Adams' Watership Down took over me life," and she got a rabbit. Oh, my! My husband and I also loved that book when it came out and WE got a pet rabbit--house trained to a liter box. I share a love for many of her mentions including Anthony Trollope.

Andrew Sean Greer included Rebecca and also loves Muriel Spark.

Madeline Miller also notes Watership Down as one of the "great favorites of my entire life." She is a fan of King Lear, The Love Song of J. Alfred Prufrock by T.S. Eliot, and Charlotte Bronte's Jane Eyre. 

Laila Lalami mentioned Waiting for the Barbarians by J. M. Coetzee as a favorite.

I would not have guessed that Luis Alberto Urrea had fallen hard for Becky Thatcher (from The Adventures of Tom Sawyer) or that he fell in love with Stephen Crane's poetry.

At college I read The Sot Weed Factor by John Barth; it is  one of T.C. Boyle's favorite historical novels. He calls Remains of the Day by Kazuo Ishiguro "one of the greatest books ever." And he brings up John Gardner, whose novels I read as they came out.

Charles Johnson also studied under John Gardner whose book On Moral Fiction appears on his shelf along with Ivan Doig.

Viet Thanh Nguyen was blown away by sci-fi writers like Isaac Asimov and fantasy writers like J. R. R. Tolkien. He liked Michael Ondaatje's Warlight.

Jane Hirshfield was "undone" by Charlotte's Web by E. B. White and loved Water de la Mare's poem "The Listeners" and reads poetry including Emily Dickinson, Walt Whitman, W. H. Auden, and Gerard Manley Hopkins. Philip Levine is a poet on my TBR shelf that she mentions.

Siri Hustvedt read Dickinson and the canonical English poetry early. Flannery O'Connor shows up on her shelf, also found on shelves of T. C. Boyle, Erdrich, Ford, and Tartt.

Vendela Vida is "indebted to Forster," including A Passage to India. Also on her shelf is Coetzee's Disgrace.

Donna Tartt read Bedknobs and Broomsticks by Mary Norton, James Barrie's Peter Pan, and other classic children's literature. Oliver Twist particularly moved her and it also appears on Urrea's shelf.

Russell Banks loved Toby Tyler by James Otis and loves to read the classics.

Laurie Frankl's books are not ones I have read. Along with all the other books on these author's shelves, I can extend my reading list past my natural lifespan!

Readers will enjoy these interviews, comparing book shelves, and learning the books that influenced these writers.

I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.

The Writer's Library: The Authors You Love on the Books That Changed Their Lives
by Nancy Pearl and Jeff Schwager
HarperCollins Publishers/HarperOne
Pub Date September 8, 2020
ISBN: 9780062968500
hardcover $27.99 (USD)

from the publisher:
With a Foreword by Susan Orlean, twenty-three of today's living literary legends, including Donna Tartt, Viet Thanh Nguyen, Andrew Sean Greer, Laila Lalami, and Michael Chabon, reveal the books that made them think, brought them joy, and changed their lives in this intimate, moving, and insightful collection from "American's Librarian" Nancy Pearl and noted playwright Jeff Schwager that celebrates the power of literature and reading to connect us all.
Before Jennifer Egan, Louise Erdrich, Luis Alberto Urrea, and Jonathan Lethem became revered authors, they were readers. In this ebullient book, America’s favorite librarian Nancy Pearl and noted-playwright Jeff Schwager interview a diverse range of America's most notable and influential writers about the books that shaped them and inspired them to leave their own literary mark. 
Illustrated with beautiful line drawings, The Writer’s Library is a revelatory exploration of the studies, libraries, and bookstores of today’s favorite authors—the creative artists whose imagination and sublime talent make America's literary scene the wonderful, dynamic world it is. A love letter to books and a celebration of wordsmiths, The Writer’s Library is a treasure for anyone who has been moved by the written word. 
The authors in The Writer’s Library are:
Russell BanksT.C. BoyleMichael ChabonSusan ChoiJennifer EganDave EggersLouise ErdrichRichard FordLaurie FrankelAndrew Sean GreerJane HirshfieldSiri HustvedtCharles JohnsonLaila LalamiJonathan LethemDonna TarttMadeline MillerViet Thanh NguyenLuis Alberto UrreaVendela VidaAyelet WaldmanMaaza MengisteAmor Towles

Sunday, May 29, 2016

For the Glory: Eric Liddell's Journey from Olympic Champion to Modern Martyr

I was barely into my twenties when I met Dr. Maybell Marion Holmes. She had been born to missionaries in China and later returned to China as a missionary. Her parents fled China during the Boxer Rebellion. Her father Rev. Thomas D. Holmes wrote a book, China Stories, about his experiences. Marion lived into her nineties. I only knew her for a few years before my husband's work brought a move.

While reading Duncan Hamilton's biography on Eric Liddell For the Glory I chastised myself for not having probed Dr. Holmes for stories. She had first hand experience of events of which I was totally ignorant. To think of what I could have learned!

The Chinese resented how the Western was influencing their country. Comprised mainly of peasants, the Boxers rebelled by destroying railroads, killing missionaries, and attacking foreign enclaves and diplomats. President McKinley joined Europeans in sending in troops. The Manchu Dynasty joined with the Boxers. It was the beginning of the Chinese Revolution.

Eric Liddell's parents were missionaries in China during the Boxer Rebellion until his father suffered a stroke. Eric idolized his father. "Be ye perfect" became Eric's goal, an example set by his father's embodiment of the ideals taught by Jesus.


Most people know Eric Liddell only from the 1981 movie Chariots of Fire which follows his career as a runner in the 1924 Paris Olympics.  The movie portrays Eric as a high minded idealist, adamant about keeping the Sabbath; he will not race on Sunday. A friend exchanges races; Eric runs feeling God's pleasure and wins a medal. The movie ends with a few lines about Eric becoming a missionary and dying in China.
1925 Liddell as painted by Eileen Soper http://www.weihsien-paintings.org/NormanCliff/people/individuals/Eric01/p_painting.htm
The story behind Eric's Olympic win is set forth in the first part of Hamilton's book, and he brings Liddell's personality and gifts to life. He comments on ways the movie altered truth for the sake of story.

But it is Eric's life after winning the gold that becomes most riveting, especially the last third of the book about his missionary career in China while under Japanese occupation during WWII. The author is certain he is writing about a saint, and makes us believe too.
Liddell returning to Japanese occupied China as a missionary
The man in these pages has the mind of a winner, the determination and drive to push himself beyond endurance. It is a trait he takes into all his life.

Eric was sent to an isolated village mission which fell under Japanese occupation. After a vacation break the mission society sent Eric back to the mission. It was a fateful decision. The missionaries were put under house arrest then rounded up and sent to a concentration camp in a run down former mission school. In over crowded, unsanitary, and claustrophobic conditions, the internees struggled to deal with the waste and developed a Black Market to supplement their scanty food supplies.

Eric kept up a public face of encouragement while teaching in the camp school, but also hauling water, cleaning excrement, offering non-judgmental counseling, and organizing sports events and races. His health steadily declined, and he died in the camp, emaciated and weak, after suffering several strokes. He had brain cancer.

For the Glory is a wonderful biography, inspiring and glorious, horrifying and sad. But beyond the sadness there is hope. Liddell's example of loving your enemies inspired a camp internee, Steve Metcalf, to become a missionary to Japan. Metcalf called it 'passing the baton of forgiveness.' To have witnessed the atrocities the Japanese inflicted on the Chinese, and yet forgiven them, came out of their deep faith and obedience to the teaching of Jesus.

Eric's daughter, whom he never saw, grew up resentful until she realized her father was meant to be in that camp, touching the lives of many, part of a bigger plan. She realized her family was meant to share him.

Eric's favorite hymn was Be Still My Soul, translated by a fellow Scott. Did he know these words would be needed to comfort him during his earthly trial?

Be still, my soul: the Lord is on thy side.
Bear patiently the cross of grief or pain.
Leave to thy God to order and provide;
In every change, He faithful will remain.
Be still, my soul: thy best, thy heav'nly Friend
Through thorny ways leads to a joyful end.

Be still, my soul: thy God doth undertake
To guide the future, as He has the past.
Thy hope, thy confidence let nothing shake;
All now mysterious shall be bright at last.
Be still, my soul: the waves and winds still now
His voice Who ruled them while he dwelt below.

Be still, my soul: when dearest friends depart,
And all is darkened in the vale of tears,
Then shalt thou better know His love, his heart,
Who comes to soothe thy sorrow and thy fears.
Be still, my soul: thy Jesus can repay
From His own fullness all he takes away.

Be still, my soul: the hour is hast'ning on
When we shall be forever with the Lord.
When disappointment, grief, and fear are gone,
Sorrow forgot, love's purest joys restored.
Be still, my soul: when change are tears are past
All safe and blessed we shall meet at last.

Be still, my soul: begin the song of praise
On earth, believing, to Thy Lord on high;
Acknowledge Him in all thy words and ways,
So shall he view thee with a well-pleased eye.
Be still, my soul: the Sun of life divine
Through passing clouds shall but more brightly shine.

http://www.hymnary.org/text/be_still_my_soul_the_lord_is_on_thy_side

I received a free ebook through NetGalley in exchange for a fair and unbiased review.

For the Glory
by Duncan Hamilton
Penguin
Publication May 10, 2016
$27.95 hard cover
ISBN: 978159420627

Sunday, April 11, 2021

The Twelve Lives of Alfred Hitchcock: An Anatomy of the Master of Suspense by Edward White

Alfred Hitchcock. His name alone can brings chills, fond spooky memories, discomfort, and nostalgia. 

I was still ten years old in 1963 when I saw The Birds from the back seat of the family car, parked at the local drive-in movie theater. My parents thought I would fall asleep.
 
I didn't. The scene of a man missing his eye balls gave me nightmares for years. 

The next year, in 1964, I was nearly twelve when I saw Marnie. I am sure my folks did not expect me to be asleep that time. I did not understand it, I had no concept of sexual dysfunction, so of course watched it every time it came on television, trying to puzzle out the feelings it raised in me. 

Alfred Hitchcock Presents (1955-1962) was a childhood staple. I learned the theme song, The Funeral March of the Marionette, on piano. It impressed the neighbor boy who was also a Hitchcock fan. I had story collections like Alfred Hitchcock's Ghostly Gallery: Eleven Spooky Stories for Young People.

Over the years, watching the classic films I had seen in the movie theater with my folks, including Vertigo. Rear Window, and North By Northwest, and those I only saw later on television, like Psycho, I understood things I could not as a girl.

And I wondered why in the world did Mom take me to see those films! Today, scenes of rape, obsession, murder, and suicide would not be considered proper fare for the under-13-year-old child.

As far as I can tell, the only harm these movies did me, other than nightmares about eyeless men, was a penchant for stylish suspense stories.  I knew that birds would not flock and attack me in reality, or crop dusters chase me. 

"He was a child, you know, a very black-comedy child" screenwriter Arthur Laurents said of Hitch. Perhaps that was his appeal to children. Raised on Dick and Jane while undergoing 'duck and cover' drills and watching adults glued to the news during the 1962 Cuban Missile Crisis, we were ready for the safety of theatrical horror.  War became daily television fodder and political assassinations punctuated our teen years and watching Hitchcock movies on television were not as shocking any more.

I had never explored the man behind the persona. The nine-line sketch Hitch walked into on his show was all I needed to know. The sketch, I learned in The Twelve Lives of Alfred Hitchcock, Hitch himself drew and propagated as part of his image.

Edward White's biography considers the man through the lens of twelve aspects of his personality, each fully explored through Hitchcock's life and art. 

On the one hand, the book is hugely informative and gave me a full picture of the man and the artist.

On the other hand, Hitchcock remains a mystery. He carefully controlled his persona, as deliberately and thoughtfully controlling our image of him as his films controlled our responses.

Was his marriage to Alma platonic? Did he remain a virgin expect for once, resulting in the birth of his daughter? Did he lunge at actresses and ask his secretary to 'erotically entertain' him? I saw Tippi Hendren talk about her experience. Can we tell the difference between the persona Hitch offered and truth?

He grew up with WWI air raids, the 1918 flu pandemic,  in a rough part of town, with a Catholic Education. There is a lot of horror to draw from with that background. 

And yet, Hitch was averse to conflict and could not deal with "complex emotions."  He would not use animal cruelty in his films and preferred to have his victims thrown off a building than shot as in American films. 

Still,  he was fascinated by violence and cruelty, grew up reading classic British crime fiction including G. K. Chesterton and John Buchan. He once expressed his belief that he would have made a great criminal lawyer.

I learned about his  middle class, Catholic childhood, his struggle with his appearance, the art and film and stories that inspired him.

The book is always fascinating, always interesting, and often disturbing. Especially when I ask myself what kind of person is a Hitchcock fan, as perhaps it reveals things about myself I would rather not consider.

I received a free galley from the publisher through NetGalley. My review is fair and unbiased.

The Twelve Lives of Alfred Hitchcock: An Anatomy of the Master of Suspense
by Edward White
W. W. Norton & Company
Pub Date: April 13, 2021 
ISBN: 9781324002390
hardcover $28.95 (USD)

from the publisher

A fresh, innovative biography of the twentieth century’s most iconic filmmaker.

In The Twelve Lives of Alfred Hitchcock, Edward White explores the Hitchcock phenomenon—what defines it, how it was invented, what it reveals about the man at its core, and how its legacy continues to shape our cultural world.

The book’s twelve chapters illuminate different aspects of Hitchcock’s life and work: “The Boy Who Couldn’t Grow Up”; “The Murderer”; “The Auteur”; “The Womanizer”; “The Fat Man”; “The Dandy”; “The Family Man”; “The Voyeur”; “The Entertainer”; “The Pioneer”; “The Londoner”; “The Man of God.” 

Each of these angles reveals something fundamental about the man he was and the mythological creature he has become, presenting not just the life Hitchcock lived but also the various versions of himself that he projected, and those projected on his behalf.

From Hitchcock’s early work in England to his most celebrated films, White astutely analyzes Hitchcock’s oeuvre and provides new interpretations. He also delves into Hitchcock’s ideas about gender; his complicated relationships with “his women”—not only Grace Kelly and Tippi Hedren but also his female audiences—as well as leading men such as Cary Grant, and writes movingly of Hitchcock’s devotion to his wife and lifelong companion, Alma, who made vital contributions to numerous classic Hitchcock films, and burnished his mythology. And White is trenchant in his assessment of the Hitchcock persona, so carefully created that Hitchcock became not only a figurehead for his own industry but nothing less than a cultural icon.

Ultimately, White’s portrayal illuminates a vital truth: Hitchcock was more than a Hollywood titan; he was the definitive modern artist, and his significance reaches far beyond the confines of cinema.

Tuesday, July 9, 2019

The Fourteenth of September by Rita Dragonette

The Fourteenth of September by Rita Dragonette is rooted in Dragonette's personal experience in 1969 and 1970 when daily body counts from Vietnam and the looming Draft Lottery was met by youth anti-war protests, culminating in the horror of the Kent State massacre.

The protagonist is a young woman on a WRAIN scholarship to become an army nurse, her meal ticket out of her dead-end town. But Judy decides she must understand the war and her values first by becoming involved with the campus Freaks in the anti-war movement.
circa 1968-9 art by teenage me

For Boomers like me, the novel covers familiar territory, rife with personal associations, from the long hair and the rock music to the political and social events.

The approach is fresh--the story of a young woman grappling with her future, her attitude toward the Vietnam War, pushing herself to determine what she believes.
May 7 student protest against the escalation of war and Kent State
in the Herald, Kimball  student newspaper
I got Judy's motivation.

In 1969 as a high school junior, I wrote anti-war poetry for the school paper but dated a boy in the Civil Air Patrol, the armed service in his future. He needed the structure and discipline CAP offered him, his home life dysfunctional.
1969 Herald with my poem
In 1970 at a small college campus divided into Greeks, Freaks, and GDIs (God Damed Independents) I found myself friends with a Freak with long hair and long fringed coats, kids who smoked pot, clean-cut Vietnam Vets returned to finish their education, long-haired Vietnam Viets with jaded stories, Sorority girls, and everyone in between. I wanted to know all kinds of people, to be nonjudgmental, but stay true to my values.

But Judy was grappling with more than me; I knew I would not be drafted, while I knew the boys were worried. I felt guilty. But I was 'safe.'

The post-war generation was not the first or the last to question the judgment and decisions of those in authority. Each generation must find their moral compass, and chose how to respond. Today's young heroes stand up for gun control and women's rights and inclusion.
Kimball High School, Royal Oak MI newspaper photograph
of October 15, 1969 Moratorium demonstration in Memorial Park

I asked Dragonette questions about her motivation for writing the novel, if it was cathartic to have written the events in fiction, and how her story relates to the current youth-led protests.

I lived through many of the incidents of the time period and, probably because I was always the participant-observer writer, I knew that there were things that happened that absolutely had to be recorded and remembered. I waited years to see if they would be by other novelists, but no. 

I had a friend (he's on my acknowledgments page) who sent me a letter after graduation telling me that there was a story to be told and I was the one to tell it.  Well, if you tell someone like me--who is ridiculously responsible something like THAT---it's quite the monkey on your back.

I've always been very interested in the role of women in war. My mother was a nurse in WWII who did really amazing things (i.e. she was in Patton's Army doing meatball surgery on the front in a tent, helping to liberate Stalag 11 in Germany) and saw far more action than my father, but was undervalued because she was "only a nurse," versus my father whose life was on the line.

When I heard the stories they didn't make sense. I had two parents, both of whom were doing something equally patriotic, important, and dangerous, and it didn't seem logical to value their specific experiences differently.

When it came to the war of my generation I saw the same issues--[women told that] you can't possibly understand what we men are going through-- and I wanted to present a case to make it clear that we are in wars as a generation, a country---not as a gender.

I wanted to pose a female dilemma that was every bit as fraught and intense as the decision that had to be faced by the men of the time (1969-70).

There are two articles in the Featured Articles section of the Media tab in my web site that also talk about this at www.ritadragonette.com. Specifically, there is a highly-fictionalized version of an actual incident in the book where a vet is dissed in an anti-war meeting. I remember that, and how I felt that someone needed to stop it but it couldn't be me because I was a girl and no one would listen to me. It was the only time in my life I ever felt like a coward---and yes, writing about it--and the whole book--was cathartic--did help me understand it better as an adult and dissect the impulse.  I never let myself feel that way again.

I think we write--which is arduous  and why would we choose to do that?--because we have stories that must be told to bear witness, to instruct. When we write we share our personal experience and point of view on an issue we feel is significant and not yet explored.

It's not therapy (though I'm sure that helps), but it gives value to experience and feelings. I feel that we learn our history from facts and nonfiction but we understand it through narrative.

My story is based on some of the things that happened in my life and some of it was easier to write about than other parts. The mother scenes were excruciating. She wasn't exactly my mother, but any time you write about a parent real life comes through. I still cry over the fate of certain characters--one was real and another was made up whole-cloth.

I also don't feel this time in history has been sufficiently covered. Vietnam is the Voldemort of wars--we feel bad because we lost, there were atrocities, we treated our vets badly. So we don't teach or talk about it. But there are important lessons to be learned.

Thank God for the time frame (it's been 50 years), Ken Burns, and the availability of unclassified information. Now we can look at it dispassionately, more like WWII.

I'm glad that part of the legacy of Vietnam is that we've been extra cautious about getting involved in other conflicts (not totally, but we don't rush in to save the world) and so far there has never been a draft; we've learned that we owe vets the world, etc.

WRAIN was like ROTC but I'm not sure the guys had to enlist before graduation; WRAIN members did. They were told it was an unbreakable commitment unless they got pregnant. Part of the absurdity is that you see it really wasn't. Later I found out more than a few guys got out of ROTC. I also learned that you could get out of WRAIN if you just told them you didn't want to be a nurse--they didn't want to be shafted for all that tuition without payback. Lots of Catch 22 stuff still goes on in the military but Judy took it seriously, her dilemma is dead serious--she believed more than they did. Just like the war. Just like young people do and should. What's the parallel?  Guys were drafted and went because they were told they had too. Yet many bought their way out...

See my MS. magazine story (click here to read) about how the activists of my time were similar to the Parkland kids. It says it all. Social media beats the streets. Our issue was the war--there was death (no draft means no marches), and civil rights, early feminism. I love how [today's young adults] care about climate change (we could barely get Earth Day going in l970), LGBT, etc. As far as women's rights--it's an ongoing battle. We should go to war over men trying to control women's bodies--we are re-litigating issues settled long ago. It's the hamster wheel of history. We need to go forward not backward.

Progress is hard-won but fragile. If that's true, we are doomed to the hamster wheel of history and we're capable of more than that. We can STILL change the world.

Rita Dragonette
*****
The novel has won six awards including the National Indie Excellence Award for new fiction and book cover design.

Visit Dragonette's website to learn more about The Fourteenth of September. You will find excerpts, the song playlist, the trailer, an more.

I received a free book through a giveaway on the Facebook group American Historical Novels. My review is unbiased.

The Fourteenth of September (Paperback)
By Rita Dragonette
She Writes Press
ISBN: 9781631524530
Publication Date: September 18, 2018
Paperback $16.95, Kindle $8.69
*****
Further Reading:
Read my review of 67 Shots: Kent State and the End of American Innocence
by Howard Means here
The Given World by Maria Palaia tells about a woman whose brother is MIA in Vietnam, my review here

Saturday, July 15, 2017

A Home Of Our Own

We would spend seven years in this house. To put this in perspective, I moved from Tonawanda before I was eleven. I lived in Royal Oak for seven years, at Adrian College for two, in my parent's new home in Clawson for two weeks, at the seminary for three years, Morrisville for two, Darby for three, and Kensington for under two years. Seven years represented real stability in my life!

Gary had found us an affordable post-WWII rowhouse in East Oak Lane/Olney, a northern Philadelphia neighborhood. The block's original owners were primarily WWII refugees from Europe, including Polish Catholics and East European Jews. This home's original owner had died, and her daughter, a social worker, wanted to meet with us and talk about the community.

We bought a home at the worst possible time, with an interest rate of 15%. 
She called it a 'pocket' community, an economically stable neighborhood surrounded by lower income areas. The neighborhoods to the south, east, and north were primarily African American of varying economic status. To the east was Olney, the location of a burgeoning Korean community.
view of our block looking north from the front door
View of  our block looking south
Our block was made up of original owners in their golden years, policemen and firemen and nurses, and several young childless two-career couples. There were families of all nationalities and color, and even a house rented by students attending the nearby Philadelphia School of Optometry.
Our home
A few blocks down our street was the northern terminal of the Broad Street Subway, offering an easy ride into Center City. A train station was a block away.

Our new home was three stories: the ground floor was accessed from the 'alley' where the garage, laundry and furnace room, and a family room was situated. The first floor held a living room, half bath, dining room and kitchen. The second floor held three bedrooms and a full bath.

The house had been beautifully maintained by proud homeowners. But not our style! There was a pink master bedroom with a very bright, deep pink carpet. Every year we redecorated a room. We took up the worn living room carpet to discover pristine oak hardwood. We installed the first dryer in the house.

My full-time sales job was with a family business. They had hired a female intern who had proved very successful. The owners wanted to recruit more women salespeople. The present salesmen were coming to retirement age but held major accounts like Jefferson Hospital. Another woman, Darlene, and a young man were hired soon after me.

My boss's daughter was a writer for Saturday Night Live; his wife knew I was writing and seriously suggested I divorce Gary to marry a rich Jewish doctor who would support me so I could write!

I was given thick books with all the local businesses and told to drum up new accounts. I have never liked talking on the phone. I tend to be shy in new situations and around new people. Women were just beginning to enter careers in outside sales. The 1980s would see a huge growth of women salespersons. I found several books on women in sales and worked up my courage.

It was the 80s and a power suit for women was required. I bought a navy blue Brooks Brothers suit, oxford cloth button down shirts with ribbon ties, a good pair of heels, and a briefcase to hold my order sheets, pens, calculator, and catalog of office supplies. At night I read the catalog over and over, memorizing important price lists.

Most of the buyers were men and I was met by smirks. One man held up his pencil and asked about costs. "Ticonderoga HB2--" I identified the pencil and told him the price breakdown by units. He held up his tape dispenser. I rattled off the brand and the prices by units. I got a sale.

I went into the working class areas, playing the sales game the way I did Monopoly: lots of steady small clients instead of a few big ones. One client was Neatsfoot Oil in Port Richmond. The woman who ordered supplies liked me, and I had to always come on the day her church had a luncheon and she would treat me. But I also visited Center City businesses with plush offices.

Darlene recruited me to be a Mary Kay saleswoman, so I also had a side business and several recruits of my own.

Gary worked for the life insurance company only for several months. He realized he was not able to close a sale. His pastoral skills did not translate to business. He applied for a job at the Glenmeade Trust Company, part of the Pew Memorial Trusts, for a position as a Religious Grants Officer. The interview seemed to go well, but he waited for several months before he heard back and was hired.

Gary's new job was situated at Rittenhouse Square, one of the five public squares in the original city plan by William Penn. Across the street was the Curtis Institute of Music. This location is the setting for the beginning of the movie Trading Places!

When I was in Center City I would meet Gary at the end of the workday in the Rittenhouse Square park. One day a silver-haired man in a business suit sat down on the bench next to me and we chatted. The conversation took a turn when he asked what my plans were for later in the day. I said I was meeting my husband. The man asked what my husband did for a living and I said he was a clergyman. The man turned a bright red and was soon off! It was then I realized he was not just being friendly. My Midwest friendliness often was misinterpreted!

I was very naive but also nonplused when encountering men with indecent objectives. Mary Lou and I were meeting up at the Free Library on the Benjamin Franklin Parkway and I was looking at display cases of rare books. An elderly, respectable but shoddy, man started chatting with me. He invited me for a drink, and when I declined he invited me to his apartment, explaining he had an old-fashioned European regard for women. The more I resisted, the more explicit he got! I was in near laughter when Mary Lou finally arrived. Another visit I ran into a man I knew from Temple and we walked back to Center City. On the way, he said he had an apartment nearby and perhaps we could meet up for sex!

One day I was shopping at Encore Books downtown, totally immersed in the books. I heard heavy breathing behind me and turned to find a business man exposing himself. He apologized. I went to the counter to inform them of this man's presence. Another Encore location brought another encounter of the same type, but this time a teenager. After graduation, I did research at Temple's library. One time a man came up and asked if I wanted to meet at the end stacks. Another visit and I realized a man was following and watching me. I began to think I should not be around books without an escort.

During 1983 and 1984 Gary was asked by the Conference to be an interim pastor for churches that were closing. Ebenezer UMC was in the Fairmont section of Philly; Taylor Memorial was in North Philly and was being reopened as a Hispanic church. So he had a second job as well, helping churches celebrate their past and make peace with the future.

In 1982 the Mastersingers performed the Mass in B Minor by Bach and in 1983 Elijah by Mendelssohn and Hodie and Dona Nobis Pacem by Vaughn Williams.

One of the soloists that The Mastersingers had hired, Noel Velasco, was in The Tenor’s Suite by Joseph Summer. We saw Virgil Fox perform on the University of Pennsylvania organ, the Peking Opera, and in 1983 Concert for Humanity with conductor Ricardo Muti, Andre Watts, and an address by Jonas Salk. We saw Peter Pan starring Sandy Duncan at the Academy of Music. Also, a one-man play about Woody Guthrie, several plays by Federico Garcia Lorca, and Dracula: A Pain in the Neck.

Philadelphia Museum of Art
We were members of the Philadelphia Museum of Art. I had my favorite paintings: Fish Magic by Paul Klee; Carnival Evening by Rousseau; In the Luxembourg Gardens by John Singer Sargent; the Impressionist gallery; and paintings by Corot, Courbet, and Van Gogh.

We still sometimes visited Longwood, but also went to Valley Forge, and Temple University's Ambler Arboretum.

Just north of us and outside the city limits in Abingdon we discovered a shop that sold British imported foods and bakery items. I loved Eccles Cakes and pork pies. We drove out to Plymouth Meeting and King of Prussia malls. We bought chairs and tables at the first American IKEA store in 1985.

In my poetry, I was still dealing with Nature vs the Manufactured and urban life. A visit to a nearby park resulted in this poem:

Tookany Creek

By the waters of Tookany Creek
late summer, the oak and tulip
dipping low over the scattered gold
of a late afternoon's sunlight
and dry burnt grass,
the air cooling, nearly pleasant:

Children's voices split the air from far off,
the furtive sounds of cruel games.
They hide in the tunnels of the trash-strewn river-side
shouting words gratefully unheard.

Downstream, the river pools brackish
caressing the carcass of an abandoned automobile,
a strange island, the scarred victim
of youth's dark, incommunicable terror.

By the endlessly journeying singing creek
whose ageless song wafts gently
upwards through the leaves
and down the dry beaten paths,
angels and devils united play
mocking those who search for divisions
in what by nature was created one.

Pippin and I on vacation to the Finger Lakes
We took Pippin on walks to the Philadelphia School of Optometry campus just a block away. There were large green lawns and a tennis court. Pippin loved to find lost tennis balls to bring home. Sometimes we let him run off the leash.

One beautiful, glorious, morning I took Pippin for a walk to the school and let him off the leash to play fetch. He saw a stay dog on the sidewalk near the busy street, quite a way off, and he started to run to the dog. I called him and he stopped, but then when I caught up but before I could hook the leash on, he ran off again. 

Pippin ran into the street and was hit by a car. He died instantly. The driver of the car and his family were shocked. I lifted Pippin up and wrapped him in my military surplus trench coat and carried him home in tears. I had to tell Gary, who was completely unprepared. I felt completely guilty for Pippin's death. I lost confidence in my judgment and became super vigilant.

We soon went to another pet store where another black and tan dachshund claimed us. He had Kennel Cough, but we didn't know it. We named him P.J. or Pippin Junior. He was so unhappy alone in his box that we brought him into our bed. He never left. Night after night after we were asleep he would burrow under the bedding at our feet and crawl into bed with us. When he grew hot he came up at our heads and walked back down to lay at our feet. P.J. would be the last dog allowed on the bed!
P.J.

P.J.
After P.J. got over his Kennel Cough we discovered his true personality. He was not cuddly and needy. He was Top Boss and was ready to run the household. P.J. loved to have his belly scratched. He would get on my lap and flip onto his back, legs in the air so I could tickle his belly. It was humiliating!
P.J.'s X-rated sleeping preference
P.J. needed stimulation in the form of playing fetch. He was deadly serious about the game. He would get into position, his eyes never off the ball as we hid it behind our backs and changed which hand it was in. We would pretend to throw it. We could not fool P.J. The moment we finally tossed the ball he would jump up and catch it.

The Harrison Building from an article in the Philadelphia Inquirer.
My employer was in the Harrison Building on Filbert St. The building was old, dusty, and antique. In 1984 the Harrison Building burned down and it was no surprise. The desks were on a balcony overlooking the main floor, once a showroom. Some days I was in the building for a short time and I parked in the alley behind the building. A delivery truck backed up and crumpled my Bug's fender. We took it to a body shop and fixed it up. A few months later another truck backed into it again.

One hot summer day I found a dead dog under the car. Some employees took the body and threw it into the excavation where the Gallery mall was being expanded just in front of our building. You can see the Galley building site in the movie Blow Out with John Travolta. In fact, that movie is full of the Philly we knew at that time.

My employer moved into a newer place and converted to a stockless system. Customer's orders came right from the supply company. No longer could I grab orders for personal delivery. Customers were disgruntled about the wait time. Monthly parking rates were much higher near this location. 

I was told it was time to go on straight commission. My sales amounted to about $20,000 a month then, but my take-home pay would be $12,000. If sales declined, so would my income. Our VW was about ten years old and we needed a new car. I didn't see how I was going to make that $20,000 advertised when I applied to the job. There was too much competition in town. I decided to find another job. My boss offered me an inside sales job. 

Instead, I applied for a job as an assistant manager at a Center City stationary supply store, Ginns. I could commute to work. There would be little need for a car. We could walk to a grocery store at Broad Street, and being the only white face didn't bother us. We could walk to downtown Olney to CVS. Who needed a car?

I was on the new job only a few days when a call came into the store asking for me. It was my old boss's wife checking up where I was employed. She reminded me of the non-compete clause in I had signed-- under pressure, being told I was not to talk to anyone about it. I explained to the regional store manager that I could not contact my previous customers. I am sure he hoped I would bring my business with me.

The store manager and the other assistant manager were younger men. I had outside sales experience, which made them envious. We all had stocking jobs to do, and I was given the worst job in the store: hauling cartons of paper upstairs to restock the shelves.  I wore a skirt and was not a strong person, but I was not going to let those men prove me weak. I just carried those heavy boxes upstairs. They hated preparing the end of day accounting and gave me the job. I was never a whiz at math and it took all my concentration to add the daily sales and money and make them match. I only had an adding machine to work with. One young sales clerk loved to interrupt me while I was working. 
Gary and I at a Ginn's office gathering
One day Nero Wolfe the conductor stopped in while in town. When I saw him sign his charge card I was so excited.

The experience of riding the Broad Street Subway into Center City every day gave me a lot of time for observation and quiet time to think. People did not talk to each other, or even look at each other. I wrote this rather abstract poem:

Summer

sun
     light glints,
                    springs
from glass
                     blindingly.

Sun-blind
              herds forge
       into civilization
wild as humanity.

Diesel aroma
          and cacophony calls
                 craze
like old porcelain

                                until perception,
                       overwrought
pleads for blinders

seeking
           singular solitude
 an autistic aura
                       of aloneness.

Fast racers delve into dank dimness
willingly compressing
the sea into Fundy,
maw of a Cyclops hungering for their fullness.
Inside the belly of the beast
reduction reigns
all are without form and
void.

(Breathe on me breath of
God? One puff to make me
human anew. )

Strobe-lit travelers,
angels unawares,
I ask you:

do the lilies neglect to notice
sisters shooting sunward,
brothers budding
from the common bulb of birth?
And the leaves of the sycamore,
do they cringe when breezes
crush them into common branch?
Even the ants salute one another,
and the bees dance their story.
And if God’s early attempts out-distance us---
well, what then?

Cyclops heaves a sigh
opening
spewing forth its heavy portion.
All scatter
like wind-blown thistledown
or water spewed by the fountain.
Emptiness.

The sun is still high.
Glass glistens in gutters.
A child’s shout
pierces humid heat,
echoes down the empty street.

I was always scanning the want ads for a better job. I saw an ad that a weekly alternative newspaper was looking for an advertising sales person. I was hired. 

The editor attended the church we were going to. The owner had been a professor at the University of Pennsylvania. The paper covered Philadelphia nightlife, the arts, restaurants, and news. Advertisers included a tarot card reader, macrobiotic retailers, colonic flush providers, and many restaurants.

At first, I worked from the Germantown office, calling clients and setting up visits. Several things impacted my decision to become an independent contractor, working from a home office.

First, my boss used language while talking to friends on the phone that was unprofessional. I did not want that talk in the background when talking to clients. And he made several suggestions that were inappropriate. What was it about the 80s? Later we would call this behavior harassment. 

For two years I worked an extra job in October through December to raise Christmas gift money. I did telephone surveys in the evening. 

Gary and I both got free tickets through our jobs. We saw Issac Stern from a balcony seat above the Academy of  Music stage, close enough to see the sweat on his brow. Gary was working with grants for the National Cathedral in Washington, D.C. and The Bronx Zoo, and took me along when he made visits. I got tickets to see the Preservation Hall Jazz Band playing Zydeco.

We had joined the First United Methodist Church of Germantown, known as FUMCOG. We both attended when Gary was not an interim pastor, otherwise, I went by myself. Dr. Ted Loder was minister for 37 years at FUMCOG. He was known for his sermons, original prayers, and for addressing social issues of civil rights, integration, poverty, and world peace. He had attracted liberal minded persons from within and outside the church and the congregation was integrated racially and economically.

One of the associate pastors, George, was a friend from The Methodist Federation for Social Action. He asked me to help him with the youth Sunday school class. The teens were a diverse group drawing from the top schools and included unchurched, Christian, and even a Jewish member. After a year George went on sabbatical and I led the class alone. The kids would decide what they wanted to study and I created lesson plans. 

Around 1984 I changed jobs again when I saw an opening at the Lutheran Publishing House at 2900 Queen Lane--the same location where I sent so many orders when I was managing the seminary bookstore! I was hired as a copywriter-copyeditor.

Meantime Gary was under pressure at his job. There were changes in leadership and staff were being replaced.  A clergy friend alerted him to an opening at the United Methodist Committee on Relief, part of the denomination's mission board. The job was in New York City, near Grant's Tomb, Columbia University, and Riverside Church. He got the position in November 1984. 

The coming years were some of the most stable of our married life.




Monday, March 13, 2017

Reading The Barrowfields by Philip Lewis

Phillip Lewis's first novel The Barrowfields is so beautifully written, so evocative, that I can arbitrarily open the book to a random scene and be transported.

I received a hardcover copy of the novel through Blogging for Books. I opened the book to a scene where the protagonist, Henry, is celebrating at a going-away party with his law school friends. They have rented a house at the beach. The girl of his dreams has invited herself, Story of the golden hair.

There is a lot of drinking going on and Henry's friend J.P. is pontificating about writing, which "made it all sound so easy and color-by-numbers" that it "drove nails into the palms of my consciousness." What his friend does not know is that Henry's father had been a failed writer, and as his early promise was snuffed out by depression and alcohol abuse, he had ended his life.

Story finally arrives, "her hair wild and windblown, and I was stricken. Hard to say I would have been more impressed if the clouds had parted and the lord god himself, the King, Elvis Arron Presley had appeared in her place. I stood there barely able to speak." She walks over to Henry to greet him, but he is "unable to conjure a single syllable out of the space between" them.

That evening the gang "decided to caravan over the bridge to Charleston for dinner even though not one among us should have been driving." J.P. is still drunkenly bending Henry's ear about writing. On the way back to the beach house, Henry sits next to Story in the back seat of the car, the radio playing "one good song after another. The music was perfect." Story was smiling. And then Lewis writes,
"Back at the beach house, someone proposed in honor of the luminous night and clear sky that we all walk out to look at the stars. The doors on the back of the house facing the ocean were open, and the rush and hum of the mighty rolling waves called in through the doors and pulled us out to the sea.
"There is something extraordinary about standing on the shore at night under such circumstances. It is the closest one can come to feeling immortal--or to recognizing the euphoria of insignificance at the edge of the immortal sea. On a clear night the effect is more pronounced, for the stars burn numberless in the sky and remind us that time is beyond our understanding and that the universe is indeed indifferent to us--yet hardly benign."
I was transported to my own vivid memories of nights under the multitudinous stars, aware of the vastness of the universe, and suffering the fearful knowledge of my own smallness.

Henry identifies the stars, learned at his father's side. And J.P. recites Byron's Darkness, depicting a fatalist view of end of the world under an indifferent, blind universe, which begins, 

"I had a dream, which was not all a dream.
The bright sun was extinguish'd, and the stars
Did wander darkling in the eternal space,
Rayless, and pathless, and the icy earth
Swung blind and blackening in the moonless air" 

After which a girl sings from Schoolhouse Rock, "Lolly, Lolly, Lolly, get your adverbs here"--my favorite Schoolhouse Rock song. Henry defers an opportunity to recite, then in his "weakened state of nostalgic drunkenness" imagines his father there and feels "gut-sick and benumbed. In a moment's time I hear it all, as if ten million words from as many books fell at once onto my ears in a drowning yet intelligible cataract. I hear my father's voice and his incantations. A flood of prose, remembered, unremembered, leftover like hellish debris from a writer's son's childhood. Every word he'd ever said to me. Every poem. Every paragraph he'd written and said aloud. Put that away, I tell myself. Put that away."

And, dear readers, there you have Henry's story: the ghost of a failed father he wants to forget, the girl he wants in his future just beyond reach-- or waiting to be touched--and the universe's indifference arching overhead.

I will revisit this novel many times.

Read Lewis discussing the 'easter eggs' written into his novel at
http://www.signature-reads.com/2017/03/phillip-lewis-on-the-literary-easter-eggs-in-his-novel-the-barrowfields/

Listen to a clip from the marvelous audiobook at
http://www.penguinrandomhouse.com/books/539538/the-barrowfields-by-phillip-lewis/9780451495648/

I received a free book in exchange for a fair and unbiased review.



Thursday, October 3, 2013

Sea Shanties

In 1978 I took a class in folklore and a fellow student told me about the Philadelphia Folk Song festival held in Schwenksville, PA every year. He worked at the show every summer. Gary and I went that summer and the also the following summer. It was like Woodstock but for folk music. You camped in a farm field. There were porta-potties, food stands, and pumps for water. Yes, there were people smoking funny cigarettes during the concerts. I found out about contact highs. You sat on the ground. None of which I would do today!

But the music!!! We saw Pete Seeger and Dave Brubeck. Taj Mahal and U. Utah Phillips. We saw Roberts and Barrand with traditional British folk, and Gordon Bok with American sea shanties and original songs about Maine and fishing. We saw Stan Rogers, a Canadian singer, and Priscilla Herdman whose voice was remarkable. And that is just some I recall right away.

Hearing Gordon Bok, Stand Rogers, and  Roberts and Barrand left us with a love for sea shanties.

Roll and Go, Songs of American Sailormen by Joanna C. Colcord, published by Bobbs-Merrill in 1924, was another book I found in the basement boxes.


Sea Shanties were basically work songs, often call and response with a leader or shantyman singing a solo and the chorus sung by the sailors.The oldest is probably "Haul on the Bowline"(pronounced bo-lin) perhaps in use in the reign of Henry VIII. The slow melody ends with a jerk as the men 'fall back' on the rope. 


Halliard Shanties were used for longer and heavier tasks, like hoisting sail. Blow the Man Down is a familiar example, with a chorus followed by "Give me some time to blow the man down!"

A favorite of ours was Reuben Ranzo, a mythical sailor who was quite a failure.We loved to sing along. In the end Ranzo learned navigation and married the captain's daughter. A fine end for a guy who was unable to do his duty and was flogged for it!


The Windlass or Capstan Shanty was for continual process work, like pulling and hauling. The author writes that it is a glorious thing to hear the chain clanking below in rhythm  to the shanty. The well beloved Shenandoah falls into this category.

One of my favorites is Lowlands, a song that has been through many changes. Gordon Bok sings a version that I love.


His version goes:
Lowlands, lowlands, away me boys,
I thought I heard the captain say
Don't go to sea no more.
A dollar a day is a sailors pay.

I also love "Leave Her, Johnny", a melodic and melancholy tune where the sailors complain about their treatment.


Forecastle Songs were shared at the end of the day, when the men gathered round with a fiddle or concertina. One old ballad we always loved was The Derby [or Darby] Ram, which was sung by John Roberts and Tony Barrand. It is a humorous song and quite fun. 

Perhaps the most memorable Forecastle song I learned was the ancient The Golden Vanity, which we first heard sung by Richard Dyer Bennett around 1973, along with the Turkish Revelry version. Many versions exist, but they all tell the story of a cabin boy who offers to sink the enemy ship for a price. The captain offers his daughter and a fortune. The boy takes an auger and sinks the enemy galley, then swims back and calls to be hauled back aboard. The heartless captain refuses to save a mass murderer! The cabin boy replies, "If it were not for my love for your daughter and your men/I would do unto you as I did unto them."And the cabin boy perishes in the sea. Here is Burl Ives' version:   http://www.youtube.com/watch?v=8aQdX9k4BmI

Hear clips of these and other sea shanties at Smithsonian Folkways: Hear a clip at Smithsonian Folkways: http://www.folkways.si.edu/TrackDetails.aspx?itemid=4701 and also at http://www.folkways.si.edu/TrackDetails.aspx?itemid=42557

Perhaps my first favorite shanty was Sloop John B, sung by the Beach Boys, and was one of the first 45 record i ever purchased. Now that dates me! I still find myself singing that song, especially "I feel so broke up, I wanna go home."