Vintage WWI Sheet Music: America to the Rescue

Many WWI songs roused American pride to rally support for the war. 

Liberty Bell It's Time to Ring Again by Joe Goodwin and Halsey K. Mohr, 1917, with illustration by Barbelle, was a call to arms. Listen to Arthur Field's recording here, which reached No. 5 in the hit song charts.

You have rested, Lib-er-ty Bell, for a hundred years and more,
End your slum-ber Lib-er-ty Bell, ring as you did before,
It's time to wake 'em up, it's time to shake 'em up,
It's a cause worth ringing for:

CHORUS:
Lib-er-ty Bell, it's time to ring again,
Lib-er-ty Bell, it's time to swing again,
We're in the same sort of fix, we were in seventy-six,
And we are ready to mix and rally 'round you like we did before, oh!
Lib-er-ty Bell, your voice is needed now,
Lib-er-ty Bell, we'll hear your call, one and all,
Though you're old and there's a crack in you
Don't forget Old Glor-y's back-in' you,
Oh! Lib-er-ty Bell, it's time to ring again.

Once you rang out, Lib-er-ty Bell, as we watched Old Glory wave,
You have made us, Lib-er-ty Bell, Land of the Free and Brave,
It's time to sing again, it's time to ring again,
For the cause you've got to save:
CHORUS

****

When Yankee Doodle Marches Through Berlin There'll Be a Hot Time in the U.S.A. by Andrew B. Sterling and Arthur Lange, 1917, illustrated by Stammer, is another example of American surety of victory. 

The whole population of the big French nation 
Were lined up on the street one day. 
Ev’ry flag was flying, ev’ry heart was sighing, 
For the Yankee boys were coming down that way. 
When suddenly a Yankee voice cried out. 
They could tell it was a Yankee when they heard the shout. 

Refrain: Here they come, here they come, 
And the drums are beating there’ll be no retreating 
They’ll be there, they’ll be there. 
For there’s a victr’y in the air. 
And they’ll win, yes they’ll win. 
Then they’ll flash the news to old Broadway, 
And when Yankee Doodle marches thro’ Berlin 
There’ll be a hot time in the U.S.A. 

Just picture them dashing, 
when the news comes flashing, 
“We’ve hauled the Kaisers ‘Black Flag’ down.”
To set bonfires burning for the boy returning 
From the trenches to his little old hometown. 
“Just take a look,” they heard that Yankee cry, 
“Then go tell the Kaiser he can kiss himself goodbye.”
Refrain

****

Just Like Washington Crossed the Delaware General Pershing Will Cross the Rhine by Howard Johnson and Geo. W. Meyer, 1917, contends that America will "tell the world it simply has to be" that they will preserve Democracy. Listen to a recording here.

Looking backward through the ages, 
We can read on hist’ry’s pages, 
Deeds that famous men have done, 
We are told of great commanders 
Wellington and Alexanders, 
And the battles they have won. 

Take our own great Revolution 
That began our evolution, 
Washington then won his fame, 
Today across the sea, 
They’re making history, 
The Yankee spirit still remains the same. 

Refrain: 
Just like Washington crossed the Delaware, 
So will Pershing cross the Rhine, 
As they followed after George, 
At dear old Valley Forge, 
Our boys will break that line. 
It’s for your land and my land 
And the sake of Auld Lang Syne, 
Just like Washington crossed the Delaware, 
Gen’ral Pershing will cross the Rhine. 

Verse: 
There upon the roll of honor, 
Ev’ry one the soul of honor, 
We find heroes of the past, 
Like the ones who’ve gone before them 
To our native land that bore them, 
They were faithful to the last. 
As they fought for Independence,
You and I and our descendants
Must preserve Democracy,
In God above we'll trust.
Our sword shall never rust,
We'll tell the world it simply has to be.
(refrain)

****

Not all the songs were rallies and calls to arms. A real heartbreaker, War Babies by Ballard McDonald, Edward Madden, and James F. Hanley, 1916 has a cover photograph of children in front of a destroyed village. Al Jolson sang it at the Winter Garden. It amounts to an anti-war song.

Forsaken, alone, amid tumbled down stone, ‎
In the dust of what once was a home, ‎
Two little tots lay, as the close of the day ‎
Cast its shadow o'er Heaven's blue dome, ‎
From afar in the gloom came the cannon's dull boom, ‎
The roar of its shells filled the air, ‎
And it lulled them to rest tightly held ‎
to the breast of the mother who died for them there 

Little war babies, our hearts ache for you,‎
Where will you go to, and what will you do?‎
Into a world full of sorrow you came,‎
Homeless and helpless, no one knows your name.‎
Gone is the mother love tender and true,‎
Gone is your dead daddy, too;‎
But you’ll share in the joys
Of our own girls and boys,‎
War babies, we’ll take care of you

While sitting some night by your fireside bright, ‎
With the children you love and adore, ‎
Just let your thoughts roam to that tumbled down home ‎
That once stood in the pathway of war, ‎
As the vision appears, you can see thru your tears ‎
The two little tots all alone, ‎
Will you wait till they plead for the things that they need? ‎
Just suppose those two babes were your own 

Little war babies, our hearts ache for you,‎
Where will you go to, and what will you do?‎
Into a world full of sorrow you came,‎
Homeless and helpless, no one knows your name.‎
Gone is the mother love tender and true,‎
Gone is your dead daddy, too;‎
But you’ll share in the joys
Of our own girls and boys,‎
War babies, we’ll take care of you

A Fabric Challenge!

My weekly quilt group held a fabric challenge. Two of us choose a challenging fabric at a local quilt shop. People had to use the fabric in any kind of project. The variety of projects will amaze you!

Bev O saw rock houses in the design and embroidered faces and doors on the fabric

When our member Joanne proposed the fabric challenge the group was willing to give it a try. Joanne and I went to a local quilt shop to select a fabric. We worked with the shop owner to find a fabric with lots of color and something most would not have chosen. When the group saw the fabric many were perplexed about what to do with it! But as you will see, they figured it out!

Shirley W. made multiple projects including a purse, a candle mat, a rug mug

Shirley W. used every bit of her fabric in these projects!

Lucy L. made a placemat 

Shirley L. made a color wheel

Linda W. made a pillow case

Linda P. made notebook covers

Karen C. made a baby quilt

Joanne B. made an original applique design. Note the use of the doily!

Sue S. made a sewing machine organizer; it goes under the machine and had pockets for tools

Theresa N. made a small quilt

Theresa N. also made a table runner

Verna's table runner

Madeline made a steering wheel cover for her car!

Cheryl's purse

Betty C. saw gumdrops in the fabric and found this Gumdrop quilt pattern

Sharon made a mug rug to match her favorite mug

Jan used the fabric in a Christmas ornament

Lucy made several projects including this fabric pin

Shirley K's wreath shows how the fabric against white becomes light and airy

Shirley K. transformed a Christmas wreath pattern into a spring-like wreath

Ladies saw turtles, houses,or gumdrops in the print; I saw mushrooms. I searched for vintage illustrations of wee folk painting mushrooms for my design.

I made an applique based on the illustration. I used fusible and hand applique, machine quilting, and also used colored pencil.

Quilt by Nancy Bekofske

The ladies look forward to doing this again! What will be next year's fabric challenge?

Almost everyone in the group participated!

A Beautiful Place to Die by Sam Bigglesworth

Sam Bigglesworth's collection A Beautiful Place to Die demonstrates his ability to capture a character's pivotal moment. I often found myself invested in the characters to the point I wished their story continued.

The fourteen stories are quite diverse. Some are open-ended, some have a surprise or shock ending. Characters have a moment of life-altering clarity, lessons are learned, frailties uncovered, alliances made or severed. Shocking conclusions come in several of the stories.

The Watcher Woman is set in a dystopia where starving women living in urban decay encounter a callous, well-fed man.

The Soldier of Luxury is about a competitive, self-satisfied man trusting in the wrong things.

In The Wizard of the Forest a son watches his idolized father wield 'tree magic' but soon learns the limits of influence. A father teaches a life lesson to his daughter in The Coral Tailed Waffle Bird.

A dementia patient challenges her care workers in Where's Amit. A Beautiful Place to Die tells the heartbreaking story of a dying woman endeavoring to control her last days, cast out by a cold world.

The protagonist in The Dog Whisperer needs a purpose in life and adopts a rescue dog. The story recalled my own experience of adopting a troubled but lovable puppy mill rescue dog.

The writing is very descriptive and engages all the senses. Each story is illustrated with quality black and white art.

The stories are set in and around Manchester, England, where Bigglesworth lives.

I asked Bigglesworth to talk about his writing.

My writing career started in 2014 with a blog; in 2015, I decided to commit to writing fiction long term. 

Towards the end of the year, after a few online courses and a great deal of time writing, I self-published my first novella, a character based comedy about one man’s love affair with nature, entitled ‘The Woods, The Jungle, The Sea’. It was inspired by experiences I had visiting remote parts of Patagonia, Bolivia, and Colombia. It has sold one-hundred copies and received generally positive reviews. 

From that experience, I decided to wait longer and take each project through more edits before self-publishing it. I wanted to try writing in different voices, from a variety of characters' perspectives, and develop my writing style, so I began writing this short story collection.

I wrote this collection because I love stories which humanise people and show their flaws. Many people who appear unremarkable from the outside have remarkable stories to tell. Pain and growth are common to all our lives. 

It began as 23 stories, then I picked the very best fourteen stories of those and polished and re-wrote them until I was proud of them. Add a set of illustrations from Henry Boon and editing advice from a professional editor and we have something really special that I am very proud to show the world.

Some of the stories are literal, but most of them have a hidden deeper meaning which take a little thought to understand. I really hope you enjoy them and I would love to hear what you thought and how you interpreted the stories!

I received a free ebook from the author in exchange for a fair and unbiased review.

Find A Beautiful Place to Die at Amazon for $2.99.

Whimsical Wool Applique by Kim Schaefer

Many of my friends LOVE wool applique. When I saw the cover for Kim Schaefer's Whimsical Wool Applique I loved the cheerful and bright flowers and knew my friends would, too.

Whimsical Wool Applique cover

Kim offers seven quilt projects and 50 blocks, all with complete instructions and color photos of each block. Along with her whimsical flowers there are blocks for birds and butterflies, bugs and bees, a snail and caterpillar.

Whimsical flower by Kim Schaefer

On the lower left side of the cover photo is pictured Garden Whimsey, a 32 1/2" x 40 1/2" quilt made with 6" x 6" flower blocks.

Her second project is Sweet Tweets, a wall quilt 36 1/2" x 12 1/2" with a line of six birds, including the one pictured below.

Bird from Sweet Tweets by Kim Schaefer

Snug as a Bug, a 22 1/2" x 32 1/2" wall hanging, features garden denizens with a caterpillar and butterfly, dragonfly, bee, ladybug, and snail, all too cute to resist. Schaefer captures a 70s Mid-Century vibe in her designs.

Bloomin' Beauties, 28 1/2" x 22 1/2", has six floral blocks and a vine leaf border.

Enchanted Garden, below, is 33 1/2" square and includes nine floral blocks with a traditional vibe.

Enchanted Garden by Kim Schaefer

A small one-block project that measures 12 1/2" square is Ring Around the Bluebell, a nice size for beginners. Another good beginner project is the Flower Power Pillow, 14 1/2" square, with nine daisies.

Every one of the fifty blocks has its own page with the pattern and close-up details of the embroidery used to finish the block. The blocks are fusible applique and the embroidery makes them really pop. My wool applique friends enjoy the embroidery part of their projects.

Visit Schaefer at Little Quilt Company and see her other books and patterns at
http://www.littlequiltcompany.com/index.htm

I received a free ebook from the publisher in exchange for a fair and unbiased review.

WHIMSICAL WOOL APPLIQUÉ: 50 Blocks, 7 Quilt Projects
Kim Schaefer
C&T Publishing
Book ($24.95) eBook ($19.9
ISBN: 978-1-61745-655-8
UPC: 734817-113010
(eISBN: 978-1-61745-656-5)

About Kim from the publisher's website: 

Kim Schaefer began sewing at an early age and was quilting seriously by the late 1980s. Her early quilting career included designing and producing small quilts for craft shows and shops across the country.

In 1986, Kim founded Little Quilt Company, a pattern company focused on designing a variety of small, fun-to-make projects.

In addition to designing quilt patterns, Kim is a best-selling author for C&T Publishing. Kim also designs fabric for Andover/Makower and works with Leo Licensing, which licenses her designs for nonfabric products.

Marlena by Julie Buntin

As a girl, I'd had a friend who died. We were close. I didn't talk about it. When you grow up, who you were as a teenager either takes on a mythical importance or its completely laughable. I wanted to be the kind of person who wipes those years way; instead, I feared, they defined me. from Marlena by Julie Buntin

After reading Ohio by Stephen Markley and Once Upon a River by Bonnie Jo Campbell, books about Midwest small towns, drugs, abuse, and growing up, I decided it was the right time to read Julie Buntin's Marlena. The novel focuses on Marlena, a teenage girl in Northern Michigan caught in a web of poverty and drugs, and the lasting impact Marlena had on the narrator, Cat.

Buntin's novel caught so many things for me. The painful nostalgia for a moment in time, the haunting loss of a loved one, how in youth our naivety blinds us to darker realities.

I want to go home--a phrase that's stuck on a loop, that I hear before falling asleep, waiting in line for my coffee, tapping at the elevator button and rising through the sky to my apartment, worrying the words like a lucky stone, and yet my desire is not attached to a particular places--not to Silver Lake, not to Marlena, not to Mom or Dad or Jimmy. I want to go home, I want to go home, but what I mean, what I'm grasping for, is not a place, it's a feeling. I want to go back. But back where? from Marlena by Julie Buntin

The narrator, Cat, is living in New York City with a good job and a loving husband. She is an alcoholic. Cat tells the story of being the new girl in a small Up North town, looking for a new best friend. She develops a girl crush on a charismatic and beautiful older teen who lives next door. Cat, fifteen, wants to be like Marlena--cool, daring, exciting, experienced.

After her dad left them, Cat's mom moved the family from Pontiac to her childhood vacation spot, Silver Lake. Silver Lake is a half hour away from the school and Walmart and the nearest mall is ninety miles downstate. It is also down the road from the mansions along Lake Michigan where the 1% come to play, and a historic, elite Methodist enclave. Cat's mom has a drinking problem and with no job skills is lucky to get a job cleaning a summer estate.

Catherine had been on scholarship at a private school, a good student, college-bound, a bookish loner. Her older brother walked away from a college scholarship to help take care of his mom. Moving is a chance to reinvent herself as Cat, an edgier and more risk-taking girl.

Marlena's mom disappeared years back and her addict dad has a meth lab in the woods. Marlena cares for her younger brother as best she can, but he is often alone with no food in the house. Already at seventeen Marlena is an alcoholic, she trades sexual favors to obtain drugs, and although smart she skips school.

For eight brief months, Cat became a part of Marlena and her world-- the 'best days ever'-- with a group of friends who accepted her, her life with filled danger and excitement.

****

By July we, like twenty percent of Michigan's population--Mom loved that statistic--were on food stamps. from Marlena by Julie Buntin

Michigan ranks 4th in the country for drug problems, with heroin and cocaine in Detroit and opioids everywhere else. An estimated 20% of Michigan adults drink to excess and 24% of young men are binge drinkers. Beer is everywhere; the state ranks number 10 in the number of IPA breweries in the country.

The Pere Marquette River in Baldwin, Lakes County, the poorest county in Michigan

Michigan has its urban centers mired in job loss and poverty, the racist legacy of redlining and 'urban renewal' with its wholesale destruction of African American neighborhoods. Pontiac, Cat's hometown before they move to Silver Lake, has a poverty rate of 34%.

But the rural Up North communities also are impoverished. I just returned from a trip to Lake, Roscommon, and Ogemaw Counties with poverty rates over 28%, higher than the state average of 24%. Michigan ranks as one of the worst six states in the nation for the number of children living in poverty--one in five.

There are also pockets of great wealth located in Oakland County where I live, including Bloomfield Hills, one of the top 20 richest cities in the country.

Meadowbrook Hall, the second largest private home in America, built in Oakland Co, MI by the heir to the Dodge fortune

The city where my grandparents lived in the 1960s is now one of the ten wealthiest cities in the state, where I grew up is number 15, and my current city is number 30. These suburbs were built to house workers in the auto industry, from the top brass to the union workers like my dad. Their playground became the small 'Up North' towns--modest cabins for the middle class, posh resort homes and yachts in a marina for the 1%.

My dad's cabin

These remote villages and towns became dependant on tourism, the hunters and fishers and snowmobilers and skiers and family vacationers. So that side by side, for a few weeks each year, the very wealthy live amongst the local poor. And then the economy plummeted, and the working and middle classes could not afford the cabins and vacations Up North.

Summertime transformed northern Michigan. Kewaunee swelled to twice its normal size. from Marlena by Julie Buntin

Pentwater Lake

We spent two years in a resort community on Lake Michigan. Between July 1 and the end of August the town was filled with campers at the state park and the Methodist campground, cottagers, bed and breakfast tourists, and people living on their sailboats in the marina. At summer's end, everything closed. Anyone who had enough money left town for their winter homes in Texas or Arizona or Florida or even Metro Detroit. Several bars were open, and the bank and post office. The one grocery store that catered to the marina kept half the store open for basics. In winter 193 inches of snow fell.

Years before we lived there, we used to go to the Methodist family camp. We were impressed by the beauty of the lake and marina, the channel feeding into Lake Michigan with its gorgeous sand beaches.

The beach at Pentwater

One day when I was in town checking out the tourist shops and ice cream parlors I remarked to a teenager that it must be a beautiful place to live. He scowled in answer. It wasn't until we lived there that I realized how isolated and boring a place it had to be to grow up in. Graduation class sizes were in the teens, the entire K-12 school system had about 260 students.

Lake Michigan at Pentwater

When we left Philadelphia when our son was two I thought a small town would be a wonderful place to raise our son. It turns out that Mayberry doesn't exist. Maybe it never did exist.

*****

As I read Marlena I wondered how much I had missed, all the different places we had moved and stayed a few years, never really understanding the community that deeply. I worked with teens but what did I know about their lives? One boy in the inner city of Philadelphia told me I did not understand real life. Pacifism did not work on the streets where one didn't get mad, one got even. In a small rural town, our son would ask why classmates could not read, had no telephones or books at home, or why their dads were in jail.

I remembered 'my' Marlena, a gregarious and confident girl from a well-to-do family who took the 14-year-old me under her wing--I was the new girl in school--and encouraged me to be outgoing, lose weight, have fun. She dropped me, age 15, and a year later I saw her going through the school hallway, her books held close against her chest, eyes straight ahead, slightly leaning forward in a fast walk. She put purple chalk on her eyelids in the restroom before school. She had changed. Years later I stopped by her home. Her brother told me she had married three times and lived in an Up North small town; her mother didn't remember which one, but it started with an M.

Cat is filled with nostalgia for that moment in time when she first felt alive and a part of something. And she is filled with survivor's guilt and regret. She struggles with alcoholism which might destroy the life she has built. What she experienced was horrendous; she saw the destruction of a smart and beautiful and courageous girl, a girl she wanted to be.

Just one girl, one fictional girl.

How many thousands across Michigan are we losing today? To human trafficking. To opioid addiction, meth, heroin, alcohol. To poverty, sexual abuse... How many across the country, the world?

What impressed me about Marlena was the story and the voice and the Michigan places and the heartbreaking REALNESS of it all. I am glad I finally read it.

The Man Who Wrote the Perfect Novel--John Williams, Stoner, and the Writing Life

I was fascinated by the life of author John Williams as told by Charles J. Shields in The Man Who Wrote the Perfect Novel. Learning about William's life and influences helps me to better understand and appreciate his work. 

I discovered William's book Stoner after purchasing a Kindle when I received an email of ebooks on sale. I was drawn to the novel by the cover, a detail of Thomas Eakins's painting The Thinker, Portrait of Louis H. Kenton. And I was drawn by the description of the novel.

I loved Stoner and it became one of my all-time favorite novels. It was about this time in 2013 that Stoner was labeled "The Greatest American Novel You've Never Heard Of" by Tim Krieder in the New York Times.

On December 23, 2013, I reviewed Stoner on my blog and this past winter I reread the book with my local library book club. I raved about Stoner so much that my son bought me Augustus as a Christmas gift, the book for which Williams won the National Book Award in conjunction with John Barth's Chimera.

Who was this man, this John-Williams-not-the-composer, this writer who I never heard about? I read Barth in an undergraduate college class, including his Chimera. Why had I not heard of Williams before?

I was very pleased to read the e-galley of The Man Who Wrote the Perfect Novel by Charles J. Shields, which answered my questions, how Williams was overlooked and later rediscovered, and how readers and book clubs have brought Stoner to its proper place in the canon.

Williams shared attributes with his protagonist Stoner; they both came from humble roots and grew up poor and worked in academia. Both were smitten with language and poetry. Both had unhappy marriages and an affair (or more, for Williams). Both stayed true to their ideals. Both died without the recognition they deserved.

But in other ways, Williams was very different from his character. Stoner stuck with his one, failed, unhappy marriage; Williams married multiple times. Williams thrived in an academic network based on alcohol and drinking. Williams's father abandoned his family and his stepfather was a drinker who was lucky to snag a New Deal job. And whereas Stoner never completed his thesis, Williams published three novels after several failed attempts.

The literary influences on Williams were diverse, from pulp magazines filled with adventure and romance to Thomas Wolfe. Williams was inspired by Eugene Gant in Look Homeward, Angel. (Wolfe was my favorite as well when I first read him at age 16.)

Seeing the movie A Tale of Two Cities starring Ronald Coleman impacted Williams also, and he tried to channel Coleman's style and panache, down to the thin mustache.

Williams became involved with theater (as did Wolfe before he turned to novels). He then discovered Conrad Aiken and psychological fiction, and then Proust, altering his writing style.

Dropping out of college, Williams became a radio announcer and jack of all trades in radio broadcasting. A whirlwind romance sped into marriage. Then, in 1942, faced with the draft, Williams enlisted in the air corps and became a radio technician. He ended up on planes flying over the Himalayas to bring supplies to General Chaing Kai-shek. He received a 'Dear John' letter.

In 1945 Wiliams returned to the States and found work at a radio station in Key West, Florida. Here he wrote his first novel, Nothing But the Night, "steeped in psychological realism" and filled with pathologies. He sent the manuscript to Wolfe's last editor Edward Aswell of Harper and Brothers, who rejected it.

Alan Swallow of Swallow Press in Denver, CO also found much to critique in the novel but also saw in Williams a spark of genius. Swallow was part of the New Criticism movement. He suggested that Williams come to the University of Denver. Williams was admitted and then was married a second time. His writing still suffered from "a lag between thought and emotion." Marriage No. 2 also ended and soon after Williams married a third time.

The work and philosophy of Yvor Winters, who held to a classical style of writing over the modern tendency of self-expression and obscurity, influenced Williams and he declared himself a 'Winterarian." Williams realized his writing was "overwrought" and embellished.

Williams turned his attention to the myth of the West and began researching for a novel about a young Romantic who experiences the real West. The book was promoted as a Western, a dismal and fatal choice that upset Williams. It never found its proper audience.

John had several affairs, including a woman who became his next, and last, wife. Meanwhile, he was working on the novel that became Stoner. The literary world was going in other directions, but Williams stuck to his ideals. Bestsellers included The Moon-Spinners by Mary Stewart and Daphne du Maurier's The Glass Blowers. Up and comers included Saul Bellow, Ken Kesey, and Thomas Pynchon. Stoner was "unfashionable." It lacked emotion, was too understated.  Williams's agent warned his book would never sell well. That wasn't his goal. The novel was quite overlooked for a year when a review finally hailed it.

Williams began thinking about "the paradoxes of power" and about Cesar Augustus. By this time, in the late 60s, the counterculture was making its mark on academia. In 1971 Stoner was republished. In 1972 Augustus was finally published and won the National Book Award in 1973. Williams' drinking was becoming a problem but he started on a new novel set during the Nixon years. A lifelong smoker, he was on oxygen. He won awards and his books were brought back into print. In 1986 at a farewell dinner Williams read from his manuscript, a book he couldn't finish. In 1994 Williams died of respiratory failure.

But his novels kept popping up as new readers discovered them. In 2006 the New York Review of Books Classics reprinted Stoner and "Stonermania" took the literary world. The novel was first popular in Europe, Waterson named it Book of the Year in 2013. In America, readers began sharing the book with each other.

Williams was a complicated man with a complicated personal life. Like his protagonist, he stuck to his ideals. He learned to write the hard way, by writing unsellable novels before writing the novel that would sell a million copies worldwide.

I received a free ebook from the publisher through Edelweiss in exchange for a fair and unbiased review.

*****

from the publisher:

Charles J. Shields is the author of Mockingbird: A Portrait of Harper Lee, a New York Times bestseller, a Literary Guild Selection, and a Book-of-the-Month Club Alternate. His young adult biography of Harper Lee, I Am Scout, was chosen an ALA Best Book for Young Adults, a Bank Street Best Children's Book of the Year, and a Junior Literary Guild Selection. In 2011, Shields published And So It Goes: Kurt Vonnegut, A Life, a New York Times and Washington Post Notable Nonfiction Book of the Year.

The Man Who Wrote the Perfect Novel is an expert uncovering of an American master who deserves the larger audience this biography will help give him. With his characteristic insight into the ligatures between life and art, and in his own enviable prose, Shields brings Williams into full-color relief. This is a major accomplishment by a major biographer, a gift for which Williams’s admirers will be most grateful." -William Giraldi, author of Hold the Dark and The Hero’s Body

"Charles Shields’s biography of John Williams is every bit as impressive as his subject’s book, the not-so-underground classic (and international bestseller) Stoner, a gripping and compulsively readable tale of an ‘unremarkable man.’ Shields brilliantly recreates Williams’s outwardly ordinary life as an English professor eager to balance his scholarship with a creative writing career, revealing fascinating psychological depths in a man who on the surface doesn’t seem to have any. The reader is carried along by this masterful, finely honed biography."-Mary V. Dearborn, author of#xA0;Hemingway: A Biography

"A masterful depiction of the generation of burnt-out alcoholic American writers who survived WWII. Shields comes about as close as humanly possible to recreating the crucible of chance, devotion, genius, and circumstance that produced ‘the greatest novel you have never read.’ His brisk, fluent biography will change this." -J. Michael Lennon, author of Norman Mailer: A Double Life

The Man Who Wrote the Perfect Novel
by Charles J. Shields
University of Texas Press
Publication Date: October 15, 2018
ISBN: 9781477317365, 1477317368
Hardcover $29.95 USD

The Library Book by Susan Orlean

I remember when I first heard there was a place where one could borrow all the books one wanted to read.

My elementary school, Philip Sheridan, was brand new and filled with recently published children's books. There was a small library in my second-grade classroom and after the teacher read a book out loud to the class I would borrow it and read the book myself. Then I started to pick up other books, like the biography of Robert Louis Stevenson which I read over and over. I knew his book of children's poetry A Child's Garden of Verses--now I knew there was a man behind the words.

When the teacher said there was a whole building of books called a library I went home and asked my mother if she would take me to the library.

She said I was too young and a year passed before we walked down the road to the Sheridan Parkside Library and I got my first library card. It was so hard to choose my three books! I borrowed Follow My Leader, which our teacher had read to the class, a history of Australia because I had an Australian pen pal, and D'Aulaire's Book of Greek Myths.

Wherever we moved, I continued to frequent libraries. And when our son was born, I would put him in the stroller and walk to the local library. As a preschooler, he would borrow 15 books a week. As a high schooler, he volunteered at the library resale bookstore. I joined book clubs at the local library wherever we moved. I made friends with librarians at the smaller libraries and the staff would know us. But I had never given much thought about everything that goes on to make a library run.

I had enjoyed Susan Orlean's book Rin Tin Tin: The Life and Legend and that motivated me to want to read The Library Book. As I read it I found myself thinking about the many libraries in my life, appreciating them more and more.

Orlean begins with stories of libraries in her life growing up and how she wanted her son to have the same experience. Going to the Los Angeles Central Library, one of the most beautiful buildings she had ever seen, she learned about the April 29, 1986 fire that destroyed a million books.

Why don't we remember this event? Chernobyl took over the news that week.

Orlean's book is a history of the Los Angeles Central Library, the investigation into the fire, the extraordinary work to save the books, and an exploration into the role of libraries in society today.

When investigators can't determine the cause of a fire it is considered arson, and then comes the search for the person who started the fire. The case centered on Harry Peak, a fabulist with a deep need for attention.

We meet the memorable people who make the library run and see how the library functions in today's society as a democratic, open, public space. The LA library has developed outreach programs to the homeless and unemployed and offers a safe place for teenagers.

Libraries everywhere are changing to meet the needs of its community. Digital books audiobooks are available to download to electronic devices. In our small suburban city full of young families the library has intergenerational coloring days, reading to pets, speakers and concerts, Lego days, movies, card making, scrapbooking, magic shows, and of course book clubs and summer reading programs.

I enjoyed the book as history and for its insights into an institution sometimes considered outdated, but which the Millennial generation has embraced. Most of all, I am grateful that Orlean has made me better appreciate librarians and library staff for their contributions.

I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.

The Library Book
by Susan Orlean
Simon & Schuster
Pub Date 16 Oct 2018 
ISBN 9781476740188
PRICE $28.00 (USD)