Showing posts with label 1960s. Show all posts
Showing posts with label 1960s. Show all posts

Sunday, May 9, 2021

A Theater for Dreamers by Polly Samson

There are no bigger secrets than our parent's lives, unless it is the secrets kept between lovers.

When Erica's mother dies she discovers she didn't know her mother at all. She had only seen the woman who stayed with an abusive husband and father. How did she secretly stash money away for her daughter's future, and where did that secret car come from, and how was it used?

Erica is nineteen and in love with the older, beautiful, wannabe writer Jimmy. When Erica's previous neighbor, her mother's friend Charmain, sends her newest book and invitation to visit her on the Greek island of Hydra, Erica uses her inheritance to take her and Jimmy to Greece.

Hydra is paradise on earth, nestled between the cliffs and the sea, with marble streets and exotic foods and floral odors competing with the smell of sponges piled on the fishing boats.

Charmain and her husband Gordon are the center of a group of ex-pat young people, artists and writers and poets and their muses. Erica finds a surrogate mother in her, and Charmain tries to guide the teenager to prepare for a fuller life, warning her of the pitfalls of love and men and being bound to a supporting role.

In the early 1960s, these Bohemians are seeking meaning in a world threatened by Atomic destruction, rejecting the conformity of the 1950s. And yet, the men still hold to old fashioned ideas about women and love and sex, and the women comply to keep their men. Charmain imagines another way of living, not merely being a man's muse and caretaker to protect his creative process. 

A natural observer, Erica tries to puzzle out the twisted relationships around her, noting the tension in the marriages of Axle and Marianne Jensen and Charmain and Gordon. When Leonard Cohen arrives on the island, already published at age 25, he is ready to claim Marianne when her husband abandons her and their son for another woman. She is the perfect muse and compliant help-meet for a creative man.

As relationships topple, and alcohol and drugs fuel craziness, Erica is forced to alter her idea of her future.

Hydra is central to the novel, with lush descriptions vividly rendering its beauty and challenges. The Greek traditions are observed, the seasonal changes described. I dreamed of it at night, especially after viewing photographs online of the historical denizens of Hydra during this time. Samson's descriptions of these people, their clothing, is so detailed, arising from these photographs.

I also dreamed of Cohen's music, So Long, Marianne, That's No Way to Say Goodbye, and especially The Stranger Song, from Cohen's 1967 record album that I purchased at age 16. I was surprised to learn that the songs Cohen sang at the group gatherings were folk songs like I Ride an Old Paint. I always loved that folk song, and had a 45 record of it when I was a girl. 

I read this book during a cold spell in spring, immersed in the bright light and sea air of a place I will never see, but feel as if I had. I loved this book for taking me to another place, and for the interesting and deeply flawed characters, and for its insight into women's role in men's lives.

I received a free ebook from the publisher through NetGalley. My review is fair and unbiased.

A Theater for Dreamers
by Polly Samson
Algonquin Books
Pub Date May 11, 2021
ISBN: 9781643751498
hardcover $26.95 (USD)

from the publisher

"Sublime and immersive . . . If you wish you could disappear to a Greek island right now, I highly recommend."

—Jojo Moyes, #1 bestselling author of Me Before You

"This gorgeous, glimmering summer read is itself perfect summer: irresistible and deep, Samson's lyric sentences pulling you into unforgettable sunlight and shadow."

—Amy Bloom, New York Times bestselling author of White Houses

It’s 1960, and the world teeters on the edge of cultural, political, sexual, and artistic revolution. On the Greek island of Hydra, a proto-commune of poets, painters, and musicians revel in dreams at the feet of their unofficial leaders, the writers Charmian Clift and George Johnston, troubled queen and king of bohemia. At the center of this circle of misfit artists are the captivating and inscrutable Axel Jensen, his magnetic wife Marianne Ihlen, and a young Canadian ingenue poet named Leonard Cohen.

When eighteen-year-old Erica stumbles into their world, she’s fresh off the boat from London with nothing but a bundle of blank notebooks and a burning desire to leave home in the wake of her mother’s death. Among these artists, she will find an unraveling utopia where everything is tested—the nature of art, relationships, and her own innocence.

Intoxicating and immersive, A Theater for Dreamers is a spellbinding tour-de-force about the beauty between naïveté and cruelty, chaos and utopia, artist and muse—and about the wars waged between men and women on the battlegrounds of genius. Roiling with the heat of a Grecian summer, A Theater for Dreamers is, according to the Guardian, “a blissful piece of escapism” and “a surefire summer hit.”

Saturday, April 1, 2017

The Music I Grew Up With, 1966-1972

It was the music of Simon and Garfunkel that brought me to admit I liked popular/rock music. Sounds of Silence wasn't silly and it wasn't about love. I have no idea what it is about. But it seemed deep. Sounds of Silence was the first 45 record I ever bought and the album was one of the first albums I ever bought.

I soon was buying records with most of my allowance. I bought record boxs at K-Mart to store them in and wrote all the records on the index card provided.
I had record boxes like these

Index cards with the records I bought
Some were great records; others have been long forgotten.

Missing from my collection were the songs so often played I didn't need to buy them, especially The Beatles, and living in Metro Detroit, Motown.
Sheet music cover For Once In My Life by Stevie Wonder
Here are the records I bought between January 1966 and 1972. I have links for the songs that are not as well known.

1967
  • Sounds of Silence, Simon and Garfunkel. Simon says he was inspired by Bob Dylan.
  • Michelle, Billy Vaughn's cover of the Beatles hit.
  • Lightnin' Strikes, Lou Christie.
  • Flowers on the Wall, the Statler Brothers. My mom liked this one.
  • Ebb Tide/I Love You for Sentimental Reasons, the Righteous Brothers.
  • Elusive Butterfly, Bob Lind. Learn more about it here.
  • Can't Grow Peaches on a Cherry Tree, Just Us. Very folk-rock.
  • The Ballad of the Green Berets, St. Barry Sadler. The patriotic hit just before the anti-war movement.
  • Homeward Bound/Leaves that are Green, Simon and Garfunkel. I still sing both of these.
  • What Now My Love, Tijuana Brass. Mom was a big Herb Alpert fan. We had all the records and Mom bought me the piano music to learn.
My music book of Herb Alpert

Sheet Music cover of Bang, Bang
  • Bang, Bang, Sonny and Cher. Mom liked this one.
  •  Message to Michael, Dionne Warwick. What a voice!
  • Sloop John B, The Beach Boys. Still singing this one. Love it.
  • Norwegian Wood, George Edwards. Folksy with an ethnic flair.
  • Monday, Monday, the Mamas and the Papas. I loved their harmonic singing.
  • Sweet Talkin' Guy, The Chiffons. Upbeat girl band song.
  • I Am A Rock, Simon and Garfunkel. I told you I was a fan. This song is my antithesis.
  • Strangers in the Night, Frank Sinatra. So sweet I didn't realize it was about getting laid.
  • Paint it Black, The Rolling Stones. I was getting edgy in my music taste.
  • Rainy Day Women, Bob Dylan. And getting edgier!
  • You Don't Have To Say You Love Me, Dusty Springfield. Schmaltz for sure.
  • He, The Righteous Brothers. The girl who bought this also bought Rainy Day Women?
  • Red Rubber Ball, The Cyrkles. Bubble Gum Music.
  • Little Red Ridding Hood, Sam the Sham and the Pharaohs. Warning girls about boys.
  • Tar and Cement, Verdelle Smith. Loss of country beauty.
  • Sweet Dreams, Tommy McLain. Rockified Country.
  • The 1812 Overture by Tchaikovsky came free from Puffed Rice.
  • Out of this World, Chiffons. Another upbeat song from the girl band.
  •  Reach Out, I'll Be There, The Four Tops. So good. That driving beat.
  • The Dangling Conversation, Simon and Garfunkel. Love the poetry.
  •  I've Got You Under My Skin, The Four Seasons. I love this so much. "So deep in my heart, you're really a part of me...I've got you under my skin." Those bells. "Never win." That pause before the coda. Sigh.
  • Hazy Shade of Winter, Simon and Garfunkel. Remains one of my favorites; I sing it every November.
  • I Who Have Nothing, Terry Knight and the Pack. Written by Ben E. King. Performed by a local DJ. Overwrought.
Sheet music cover for Born Free with Roger Williams
Sheet music cover of Stand By Me, Ben E. King

Sheet Music cover of Easy to Be Hard from Hair

1968
Sheet music cover for Witchita Lineman by Glen Gampbell

Sheet music cover of Don't Let Me Down by the Beatles

1969
Sheet music cover for theme from Love Story
Sheet music cover El Condo Paso, Simon and Garfunkel
1970
  • Indiana Wants Me, R. Dean Taylor. Man murders to protect his woman's honor.
  • Peace Will Come, Melanie. Hippie folk rock from Woodstock.
  • El Condor Paso, Simon and Garfunkle
  • Fire and Rain, James Taylor
  • Ticket to Ride, The Beatles. An old one I found somewhere.
  • If You Could Read My Mind, Gordon Lightfoot. Lovely.
  • Deja Vu, Crosby, Sills, and Nash
Sheet music cover for Leaving on a Jet Plane
performed by Peter, Paul and Mary
written by John Denver

Sheet music from Carly Simon

Albums were expensive. But I bought quite a few, there were lost by accidental water damage. Here are the ones I remember:
  • Happy Together by the Turtles
  • Sounds of Silence by Simon and Garfunkel
  • Rubber Soul by the Beatles
  • Beach Boys album--but I forget which one
  • Procol Harem. A Whiter Shade of Pale, Reid said, is 'evocative,' not about sex or drugs.
  • Bob Dylan's Greatest Hits (1967)
  • Sgt Pepper's Lonely Hearts Club Band
  • Songs of Leonard Cohen. I loved Suzanne.
  • Realization by Johnny Rivers. It had a great sound.
  • Beggars Banquet by The Rolling Stones. Sympathy for the Devil.
  • Remember the Wind and the Rain by folk singer Jamie Brockett
  • Abby Lane by the Beatles. Everyone was so excited when it came out.
  • Candles in the Rain by Melanie
  • Bookends by Simon and Garfunkel
  • Crosby, Sills and Nash. It was so fresh.
  • Chicago, the big Chicago band sound was all the rage at college that September, blaring out of the dormitory windows.
  • Sweet Baby James, James Taylor
  • Tommy, The Who
  • Jesus Christ Superstar
Sheet music cover of Colour My World, Chicago
Some of my piano sheet music didn't make it through 14 moves, including Sounds of Silence and Yesterday by the Beatles, but they were easy piano versions. I started collecting sheet music in the late 1970s and the photos in this post are from my collection of over 1,000.

Some recordings have grown on me over the years. Like Unchained Melody. That longing. Sigh.
I heard a college friend sing The Boxer by Simon and Garfunkel and I've loved it ever since.
"In the clearing stands a boxer
And a fighter by his trade
And he carries the reminders
Of ev'ry glove that laid him down
Or cut him till he cried out
In his anger and his shame
"I am leaving, I am leaving"
But the fighter still remains"
Much later I bought CDs of music I grew up with, including The Temptations. I sang, "Sugar pie honey bunch/You know that I love you/I can't help myself/I love you and nobody else" to my baby son. Marvin Gaye's What's Going On album also ended up on my shelf. I also bought piano music books of many artists, including Paul Simon.

I met my husband at Adrian College. We both loved classical music and choral singing. He also liked folk rock including The Kingston Trio, The Irish Rovers, and Peter, Paul and Mary. We became John Denver fans in the early 70s and saw him in concert several times. In 1978 we attended the Philadelphia Folk Fest and discovered many wonderful artists, including Stan Rogers, Priscilla Herdman, Roberts and Barrand, Eugene O'Donnell, and Jean Redpath. By this time the Disco/Philadelphia Sound was big and I wasn't keeping up with popular music.

For a long time, I avoided classic rock because the memories associated with the music was so strong, and too often so sad. I didn't want to think about those tortured teen years or the painful memories of the social and political upheaval of the '60s.

But to this day, when I hear a classic rock song on the radio I can tell you what year it came out and what was going on in my life at that time. It was, after all, the music I grew up with, interwoven in my life.

What music is part of your story?




Saturday, January 28, 2017

Eugene Gochenour's Memoirs: Working at Chrysler's Road Test Lab & Installing a HEMI for Petty

Dad's first job at Chrysler was in Road Testing. His initial pay was low and he took a temp job--working on race cars! No wonder he loved 'muscle cars' and was proud of the HEMI engine in his RAM-1500.
Gene Gochenour
"On many days two mechanics would work together. One of the mechanics was named Herman Jacobs. Herman was old. he had worked for the Oakland Car Company when he was young. As old as he was, he was a very hard worker. He would work all day without taking lunch or other breaks, then leave about an hour before everyone else. Herman was the Police Chief for the town of Frazer, and when he left he went to work there. I don't know when he slept! Whenever we finished a job and took [the car] for a road test he always insisted on paying for the coffee because he said he had an expense account. Herman retired soon after. He had worked for the company for fifty-two years!

Another mechanic I worked with was John DiV***. Whenever we were on a job, John would work for a few minutes then say he would be back in a few minutes and leave. I would continue working. In a while he would come back and work a few minutes and leave again. This went on all day long and he spent more time gone than working. I later found out he was selling numbers, gambling tickets. I soon decided working with John was like working alone. Even though this always went on, I never heard a foreman complain.

Working at the Road Test Garage was an African American floor sweeper. His name was Sam. His job was to keep the floor clean of oil, grease, and water and other spills. Sam and I often talked and he was a fairly well educated man. He told me he had always sold the numbers because he knew he would never earn much money on the job because of his color. He said the money he made on the side had put his son through college and that he was a doctor.

No one ever approached me at work to sell me a number for gambling, and I never did buy one.

Ed Kasky was a very large Polish mechanic who worked in the Engine Buildup Room. He was pretty old when I started working at Road Test but was an expert at anything to do with engines. One day I was given a work-sheet and Ed and I were given the job of installing a Chrysler six cylinder engine into an American Motors car. This meant making special engine mounts, exhaust system, and other adaptations. It took a while but when it was completed it made a good submission. I don't know if Chrysler sold them the engine, but everyone liked it.

One day the foreman asked if any of us would be interested in assembling some race cars at a private conversion company as an after work job. The job paid ten dollars an hour, and about four of us said we would.

So every day for a week, after our day job, we would work at a shop in Birmingham until ten o'clock at night. When Saturday came we felt like zombies. We were all worn out. These cars had a big Hemi engine and plastic body parts. They were on a tight schedule, and Saturday they had to ship the cars to California, even though they were not completed. Richard Petty thanked us for the work we had done. After we left that Saturday we went to a bar and had a drink to celebrate the end of the job. I had to pay because the others had no money on them! The place where we had worked on the race cars normally converted large cars like Cadillac into hearses and ambulances.

At Road Test every day was a new experience. Sometimes we would spend all day auditing new cars as they came from the factory. If we found anything wrong we were to fix it. At other times we would go to a competitor's dealer and pick up one of their new cars, bring it back to the garage, and completely strip every part from it. The parts were measured, weighted, and cost evaluated, then displayed for anyone to check out. We were always picking up competitive vehicles for comparison and to find any new ideas or features they had.

Many of our own [Chrysler] cars were stripped of their parts and stored to be put back on later. Experimental parts were installed and tested, then later the original parts were reinstalled and the car was taken to a lot where it was sold as a used vehicle.

If we installed a new engine in a vehicle we had to drive it at least a hundred miles to break it in, so we would usually drive to Port Huron.

One day another mechanic and I were asked to go to where a retired executive's car had broken down, take him home, and wait for a dealer to come and pick up the car. When we got there the other mechanic took about fifty pounds of meat and groceries from his trunk and took the man home leaving me with the car until the tow truck came. When it came I went to the dealer and I waited until my buddy came, and then we went back to work. This guy had some pull even after he retired!

When I went to work for Chrysler I started at the lowest pay for a mechanic, and after a few months of work I thought I had proved my worth and went to my foreman and asked him to see if I could get a raise. His name was Pete and he and another foreman named Al Ferrari went to the department manager and tried to get me a raise, but he would not give a raise to anyone. but a few days later they told me of an opening at the Air Conditioning Lab.

I went there and talked with them and got transferred there. This put my pay to $113 a week. On top of that they were working overtime, so I was finally drawing a decent pay."

*****
Herman Jacobs was indeed a Frazer, MI chief of police. In the 1950s he was asked to patrol the village after his days working at Chrysler. Later he was promoted to Constable and then Chief of Police overseeing six officers and two patrol vehicles.
*****
Richard Petty's Plymouth with a Hemi engine won the 1964 Daytona 500. Sadly, the Hemi engine was boycotted by NASCAR and in 1965 his Barracuda with a HEMI crashed and killed a child, leading to a lawsuit against Petty and Chrysler. Read about the HEMI and Petty at