That Summer by Jennifer Weiner

Don't let the pretty pastel cover art fool you into thinking That Summer is a lightweight read. Jennifer Weiner's latest novel delves into the #MeToo movement, showing how toxic masculine culture impels conformist behavior that ruins women's lives. Her protagonist, Diana, struggles with how to hold her rapist and his friends accountable.

Understanding how young men make bad decisions does not exonerate them. 

Weiner's portrayal of a teenage girl destroyed by someone she trusted and cared for, and her long path to recover her derailed life, is a page turner. Diana decided on a plan of revenge, assuming a fake identity to infiltrate her rapist's family. But nothing turns out the way she expects, especially when she bonds with the wife of her rapist.

Diana's experience is handled carefully, showing the resulting emotional scars. The one sexual encounter described is one that models true care and respect, if too graphically detailed for my taste; it seems a model of the behavior women should demand of a lover.

I previously read Weiner's novel Big Summer, reviewed here, and Mrs. Everything, reviewed here.

I received a free gallery from the publisher through NetGalley. My review is fair and unbiased.

That Summer
A Novel
by Jennifer Weiner
Atria Books
Pub Date May 11, 2021  
ISBN: 9781501133541
hardcover CA$37.00 (CAD)

from the publisher

Daisy Shoemaker can’t sleep. With a thriving cooking business, full schedule of volunteer work, and a beautiful home in the Philadelphia suburbs, she should be content. But her teenage daughter can be a handful, her husband can be distant, her work can feel trivial, and she has lots of acquaintances, but no real friends. Still, Daisy knows she’s got it good. So why is she up all night?

While Daisy tries to identify the root of her dissatisfaction, she’s also receiving misdirected emails meant for a woman named Diana Starling, whose email address is just one punctuation mark away from her own. While Daisy’s driving carpools, Diana is chairing meetings. While Daisy’s making dinner, Diana’s making plans to reorganize corporations. Diana’s glamorous, sophisticated, single-lady life is miles away from Daisy’s simpler existence. When an apology leads to an invitation, the two women meet and become friends. But, as they get closer, we learn that their connection was not completely accidental. Who IS this other woman, and what does she want with Daisy?

From the manicured Main Line of Philadelphia to the wild landscape of the Outer Cape, written with Jennifer Weiner’s signature wit and sharp observations, That Summer is a story about surviving our pasts, confronting our futures, and the sustaining bonds of friendship.

Better Luck Next Time by Julia Claiborne Johnson

I had heard good reviews of Julia Claiborne Johnson's debut novel Be Frank With Me. I was intrigued by the cover of Better Luck Next Time, the vintage photo of women at play. I am so, so happy that I put in my name in to win an ARC. This was a bright, warm, and happy light in the midst of Michigan's dismal winter and COVID-19 self isolation.

I laughed out loud, starting with the first page with the narrator's epigram, "Some men are born gigolos; others have it thrust upon them." 

In 1988, Dr. Howard Stovall Bennett III (Ward) tells his story to an unnamed interviewer, recalling six weeks in 1938 that changed his life. 

He took any job he could find during the Depression after his family lost their wealth and home. A Cary Grant look-a-like, he leaves his manual labor work to become a fake cowboy on a Reno dude ranch that offers wannabe divorcees a six-week residency to qualify for a quick divorce.

Ward was hired to perform ranch chores, provide eye-candy, and to "squire rich, brokenhearted ladies around Reno," which he proclaims was good experience for his future career as a doctor.

But that career was far in the future in 1938 when Nina and Emily arrive at The Flying Leap ranch. Nina is a 'repeat customer' with all the vibe and audacity of a Flapper, and she determines to help Emily loosen up and live a little.

OK, actually live it up a LOT. Like teenage schoolgirls, they go on larks and involve Ward as their chauffeur and partner in crime. Over-the-top scenes involve skinny dipping and Bottom's head and fairy wings from the theater department.

I loved all the women at the ranch, and the other cowboy Sam, and the ranch owners, and even the husbands and insolent daughter; it's an ensemble that lends itself to insight and humor.

The writing is so clever, the setting so unique and bizarre, the characters flawed and zany but human and lovable. 

Warm and generous, with a heartwarming twisted ending, this was a real delight. 

I received an ARC from the publisher through LibraryThing. My review is fair and unbiased.

Better Luck Next Time

By Julia Claiborne Johnson

ISBN: 9780062916365

ISBN 10: 006291636X

Custom House

On Sale: January 5, 2021

hardcover $28.99

from the pubisher

It’s 1938 and women seeking a quick, no-questions split from their husbands head to the “divorce capital of the world,” Reno, Nevada. There’s one catch: they have to wait six-weeks to become “residents.” Many of these wealthy, soon-to-be divorcees flock to the Flying Leap, a dude ranch that caters to their every need. 

Twenty-four-year-old Ward spent one year at Yale before his family lost everything in the Great Depression; now he’s earning an honest living as a ranch hand at the Flying Leap. Admired for his dashing good looks—“Cary Grant in cowboy boots”—Ward thinks he’s got the Flying Leap’s clients all figured out. But two new guests are about to upend everything he thinks he knows: Nina, a St Louis heiress and amateur pilot back for her third divorce, and Emily, whose bravest moment in life was leaving her cheating husband back in San Francisco and driving herself to Reno.

A novel about divorce, marriage, and everything that comes in between (money, class, ambition, and opportunity), Better Luck Next Time is a hilarious yet poignant examination of the ways friendship can save us, love can destroy us, and the family we create can be stronger than the family we come from.

The Dearly Beloved by Cara Wall

Holy Week. When the enemies have decided to gather at the gate. Attack is on. I think I will stay home. Someone should stay battle-scar-free. To care for the wounded. ~ April 16, 2014

Six years ago, I wrote that on my Facebook timeline. A few months later my husband retired after spending over 30 years of his 38-year career as a parish minister.

We are different people now. I can be outspoken when I want to be, although diplomatic phrasing of my opinion has become a force of habit. Our home is a private sanctuary without yearly walk-through inspections and we can repair and upgrade without trustee approval. We are not required to attend social gatherings or bring a casserole to potluck dinners.

Our roles had run our lives. And my husband bore the weight of hundreds of souls, and the bickering and power plays, the groupies and the critics.

It is a life that few write about realistically. The narrative is dominated by idealized, charming stories and cult horror memoirs.

"A minister," she said. "It seems useful, doesn't it? It seems like a pleasant way to spend a day."~from The Dearly Beloved by Cara Wall

I was interested in reading The Dearly Beloved by Cara Wall when I learned it concerned the relationship between two pastors and their wives.

Wall's characters come from different backgrounds and experiences.

There is the scholarly Charles who accidentally stumbles upon faith and holds it without question. Suffering a devastating loss, Lily angrily rejects the idea of God or 'a plan,' and the reliability of happiness rooted in others. Charles pursues Lily, in spite of her rejection.

There was only circumstance and coincidence. Life was random, neutral, full of accidents...the prerequisite for love was trust; and Lily did not trust anything. ~from The Dearly Beloved by Cara Wall

Nan is a Pastor's Kid with a naive and untested faith. James escapes his dysfunctional environment with a scholarship to university. His interest in Nan brings him to church. He struggles to believe while embracing the pastoral call as a vehicle to address societal problems.

"I may not believe in God, but I believe in ministry." ~James in The Dearly Beloved by Cara Wall

Charles and James represent the pastoral and the prophetic roles and are hired by Third Presbyterian Church in a coministry. They balance each other. When parishioners complain that James was "asking us to change views we've held all our lives," Charles replys, "That's what you hired him to do."

The wives are a different story. Lily pursues a PhD and academic career and leaves the traditional, constricted role of pastor's wife to Nan. Their differences are further shown when Nan is devastated by miscarriages and Lily struggles with an unwanted pregnancy--twins.

One of the twins is born with autism, leading Charles to depression while Lily crusades to find the best life for her son. James steps up with a life-changing idea.

The couples become a remarkable community, learning from each other and changing each other. Their story is a microcosm of how the church should work.

****

There was only one call. They were, the four of them, married to each other, in a strange way.~ from The Dearly Beloved by Cara Wall

Casey Cep's review in the New York Times wrote, "Rather than seeming like two ministers, James and Charles sometimes read as if the pastoral teachings of Henri Nouwen and the political theology of Reinhold Niebuhr were fighting for control of one parish..."

I was intrigued by the identification of the characters with the theologians Nouwen and Niebuhr, both of whom I have read. 
But I did not see Charles and James as 'fighting' for control as much as the parishioners splitting over their differing messages and styles.

In our experience in the itinerant ministry, where pastors with differing styles follow each other, some section of the parish will reject the incoming pastor for not being the previous pastor. Humans have a preference for leaders who align with their set of personal beliefs and reject those who offer a different perspective.

I have known pastors like James. We joined the Methodist Federation for Social Action in the mid-1970s. Some pastors  took controversial actions. Ending the nuclear arms race was an important issue at the time and people were chaining themselves to the gates in protest. Men who became pastors during Vietnam and the Civil Rights era carried their message throughout their career, even when the church had become more conservative politically and religiously, resulting in rejection.

I do not agree with Cep when she writes, "Instead of discussing soteriology or theodicy or even Jesus, they talk in the blanched terms of bad things and good people, even with one another."

Sure, at seminary classes we talked about soteriology and eschatology and all the other 'ologies'. (I audited six classes over three years.) But real-life pastoral ministry is about leadership, team building, financial planning, budgeting, pastoral care, listening, crisis management, and the nuts and bolts of running a nonprofit organization run by volunteers. People want answers to real life issues not theology talks. Like why does God allow bad things to happen to good people.

****

I had to wonder how Wall came to understand the 'inside story' of ministry.

In an article, I learned that Wall’s small town, Nazarene,  parents moved to New York City where they became a part of the First Presbyterian Church, the model for the church in her novel. The church had a history: it was here that Rev. Harry Emerson Fosdick's radical ideas riled dissent and led to his resignation. He moved on to Riverside Church.

First Presbyterian had two ministers. “The ministers I grew up with at First Presbyterian were very dynamic and charismatic,” Wall says. “We were close to them."

Learn more about the novel here, where you can listen to an excerpt and hear Walls speak about her novel. 

I purchased an ebook. 

In Hoboken by Christian Bauman

In Hoboken by Christian Bauman centers on a returning army vet and folksinger "born fifty years too late."

The novel is a study of a group of diverse friends bound by a shared history and a love of music and is informed by Bauman's experience as a vet and "itinerant guitar player." (You can hear the author sing online, including Waiting for the Fun here.)

The novel is set in 1995 in Hoboken, NJ and the city comes alive through the characters and story. I was reminded of Seinfeld or Friends, how the story keeps your interest because you like these characters.

The focus is on Thatcher, army vet and son of a famous mother and secretly the son of a famous folk singer. His old bandmates are forming a new group. They have day jobs so they can live, but music gives them life. Thatcher finds work at a mental health clinic, friending the patient Orris.

Bandmates include Thatcher's old friend James and the older, talented but crippled Marsh. Thatcher has a warm relation with the talented female singer Lou.

Even the supporting characters are terrific such as the landlady Mrs. Quatrone with her memories of Hoboken in the 1970s and 1980s, the decline and resurrection of flowers in the window boxes signifying the economic and social changes.

Bauman has a subtle wit that brought chuckles.

By the time first rounds were drunk and guitars tuned it was 1:30 A.M. They put themselves into a loose circle in the middle of the room, eyeing one another. Thatcher couldn't decide whether it reminded him of Old West gunslingers or lonely hearts at an eighth-grade dance.~ from In Hoboken by Christian Bauman

Crisis moments come to my favorite characters with a death and near death and accident. In the end, Thatcher must face his demons.

Tell me, what part of any of this isn't disturbing?~from In Hoboken by Christian Bauman

Thanks to the 'Net, I was able to find a copy of this 2008 novel. Bauman's other novels include The Ice Beneath You and Voodoo Lounge.

 book description:

The son of a feminist icon and a folk singer whose suicide gained him cult status, Thatcher Smith was born potential royalty in New York’s music scene. Instead, he keeps his parentage secret first by disappearing into the army then by taking his guitar across the river to working class Hoboken, New Jersey to form a band. There, amidst the dive bars and all-night diners of 1995, Thatcher and his friends struggle to make meaningful music in a culture turning away from it. A wicked sense of humor is key for the motley crew: Marsh, the beloved, polio-stricken local rock and roll kingpin; lesbian songwriting chanteuse Lou, to whom Thatcher is both deeply attracted and loves like a sister; James, guitar virtuoso, daytime World Trade Center employee, and owner of the floor Thatcher sleeps on; and locals like Orris, the overweight, half-blind, mad prophet of Hoboken’s west side, and patient at the mental-health clinic where Thatcher is a clerk. As in Roddy Doyle’s The Commitments and Nick Hornby’s High Fidelity, music is the heart of the story, but in In Hoboken the place and the people are what make it vibrantly come alive.
 
“While the book is a work of fiction, it aptly captures the early music scene—namely the musicians who came to Hoboken with little else but a dream and a guitar strapped over their shoulders.” —Hoboken Reporter

The Light After the War by Anita Abriel

Inspired by her mother's story, Anita Abriel's The Light After the War takes readers across the world following the paths of girlhood friends Vera and Edith from Budapest to escaping the Nazis and hiding out in Austria, to Italy and Venezuela.

Believing they had lost their families and loved ones, the girls try to move on with their lives after the war. Edith dreams of becoming a fashion designer and Vera had hoped to be a playwright but settles for copywriting.

The background of Jews migrating to more tolerant societies was new and interesting. There is referred violence and death relating to the Holocaust and the girls must resist predatory men, but there is nothing graphic in the story. The concentration is on their determination and friendship, and the charmed luck their beauty brings in the form of helpers and aides along their journey.

Easy to read and easy to digest, with star-crossed lovers and jealousy, the novel felt more like a romance than heavier WWII-era historical-fiction fare. The resolution will satisfy those who believe in fate and true love.

I was given access to a free book by the publisher through NetGalley. My review is fair and unbiased.

The author has published under Anita Hughes with several books becoming Hallmark Channel movies.

The Light After the War
by Anita Abriel
Atria Books
Pub Date 04 Feb 2020
ISBN 9781982122973
PRICE $36.00 (CAD)

A Secret Sisterhood: The Literary Friendships of Jane Austen, Charlotte Bronte, George Eliot and Virginia Woolf

Writers Emily Midorikawa and Emma Claire Sweeney were teaching in Japan when they met. They immediately connected and soon were regularly meeting and critiquing each other's writing.

As they collaborated on writing A Secret Sisterhood, they found happiness in spite of the stress. Their unfounded feared was that their 'bond between equals' would be threatened if one achieved success before the other.

When Margaret Atwood offered to write the forward for the book, it was proof that women writers do forge friendships of encouragement and support, in spite of historic stereotypes.

Jane Austen was mythologized into a happy spinster who hid her writing and relied only on her sister for support. Suppressed was her friendship with her rich brother's impoverished governess Anne Sharp, an amateur playwright.

Charlotte Bronte's friendship with boarding school friend Mary Taylor had its ups and downs, but it was Taylor who inspired Charlotte to travel abroad to continue her education. The intrepid Taylor became a feminist writer.

George Eliot, living 'in sin' with a married man, corresponded with clergyman's daughter and literary sensation Harriet Beecher Stowe. Over years, their closeness was stressed by life events, yet their regard for each other as artists prevailed.

Virginia Woolf and Katherine Mansfield are remembered as rivals, their mutual regard and friendship overshadowed.

A Secret Sisterhood was an interesting book about the "rare sense of communion" between literary friends. One does not need to be well informed about the writers discussed for enough biographical information is included to understand the friendships in context of the authors' personal and professional lives.

I enjoyed the book and learned something about writers I am quite familiar with and a great deal about those I knew little.

I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.

A Secret Sisterhood: The Literary Friendships of Jane Austen, Charlotte Brontë, George Eliot, and Virginia Woolf
by Emily Midorikawa and Emma Claire Sweeney
Houghton Mifflin Harcourt
Publication Oct. 17, 2017
ISBN: 9780544883734
Hard cover $27.00

The Animators: Enduring Friendship

When Thomas Wolfe used his home town of Ashville, NC in his first novel Look Homeward, Angel his portrayals of its residents were offended. You Can't Go Home Again, his posthumous novel, describes the less than warm homecoming he received afterward.

The artist's problem of how to use one's own life experiences in one's art remains a problem. Because we don't live or grow in a vacuum, telling our story necessitates talking about our relationships--and other people.

Where is the dividing line between an honest memoir and harming others? Do we have an obligation to tell our truth, unvarnished, or must we gloss over, alter, or lie to protect the innocent? Can we live with the consequences when we cause pain?

Kayla Rae Whitaker's novel The Animators is about two women who use their life stories in their animated films and bear the consequences.

The novel took me on a journey with unexpected twists and turns as I followed the friendship and working partnership of animators Sharon and Mel over ten years.

Sharon has escaped her Kentucky childhood when she wins a scholarship to an Upstate New York college,and  never looks back. She is internal, diffident, and controlled. Mel is a city girl, a party girl--talented, unvarnished, unpredictable.

They quickly bond as outsiders, becoming best friends and artistic partners. It is a relationship that both reinforces their darkness and supports them in their need.

Their animated movies flay open their souls, which Mel insists is therapeutic.Their first movie is Mel's story growing up with a mother who sold tricks or drugs to get by. Mel insists their second movie will be Sharon's story, beginning with a traumatic childhood incident, going on to her stream of bad relationships, to the stroke that nearly ended her life.

The first pages were so funny. Sharon's parents are resigned to life and their failing marriage. As she leaves for college her father thumps her on her back as if she were another guy; her mother hugs her too hard while whispering, "don't come back pregnant."

Sharon feels disassociated from the wealthy students at the private school until she meets Mel and feels a kinship to her forthright honesty, come what may. They love the same things and recognize in each other a talent for animation.

Sharon is the grounded one who keeps things in order, the clean-up lady when Mel crashes. Mel is the idea girl, the wild kid whose addictions to women, alcohol, and drugs wears Sharon down. But it is Sharon who suffers the health meltdown, and Mel reels herself in to become caretaker.

As the women deal with the burdens of their childhood, the struggles of the artistic life, and a series of failed relationships the reader is pulled into their world like a boat in a whirlpool. We don't always like Sharon and Mel, but we come to learn their burdens and respect them for their strengths.

The path to adulthood, which takes some thirty years, is hard. Sometimes we survive growing up. Sometimes we do not.

I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.

The Animators
Kayla Rae Whitaker
Random House
Publication January 31, 2017
$27 hard cover
ISBN: 9780812989281

Mini-Reviews: Another Brooklyn, Eight Hundred Grapes, and The Rosie Project

The Rosie Project by Grame Simsion was my book club's January pick. My hubby read it before e, and frankly, his constant guffaws and laughter reverberated throughout the house, and he frequently interrupted my reading to share a scene with me. He was having a great time. So, I knew it was a funny book before I opened it up.

And it is a very funny book. It is a romantic comedy with a happy, tied-up-with-a-bow ending. It is a nice anodyne to the worries of the world.

Still...I have to say the ending seems too idealized and improbable, and I had great concern about laughing at a man with Asperger's syndrome. I felt it was in bad taste to laugh at Don.

If the author hoped to make Asperger's a relatable and charming personality trait to promote understanding I might feel differently, but I don't know his motivation for creating Don Tillman. I wondered how the book would be received by those who treat Asperger's or have a family member with Asperger's. At book group a friend shared the story of her daughter who has Asperger's. She loved the book. Frankly, she admitted a lot of things her daughter did were funny.

The group gave the book high ratings and discussion was lively.

I had heard so much about Another Brooklyn by Jaqueline Woodson that when I saw it at the library I brought it home. The librarian's eyes shot up--did I have time to read it? she asked. Its a small book; I'll fit it in, I replied. 

I read it in an evening. 

What a beautiful book. I loved it. Woodson wanted to write about growing up a girl in this country, drawing from memories of her teenage years. She created four girls whose friendship creates a safe haven.

August came north to Brooklyn with her father and little brother. She watches and envies the girls who play on the street below their apartment. When she finally meets them, they claim her, saying, "You belong to us now."

 "And for so many years, it was true," Woodson writes. 

"What did you see in me? I'd ask years later.

You looked lost, Gigi whispered. Lost and beautiful. 

And hungry, Angela added. You looked so hungry. 

And as we stood half circle in the bright school yard, we saw the lost and beautiful and hungry in each of us. We saw home."

And with that scene I was caught in Woodson's story-web, wishing I had been one of those girls who had so early found a home in a threatening and changing world.

Adult August returns to Brooklyn for her father's dying and death, the memories return of growing up, of changing bodies attracting men, the discover of hidden talents and gifts. It is a story of 'white flight', addict war vets lurking in hallways and accosting young girls, and of parents who want the best for their daughter or who are incapable of caring for their children. The girls grow up, imagining 'another Brooklyn,' another reality to be claimed.

Woodson writes. "Creating a novel means moving into the past, the hoped for, the imagined. It is an emotional journey fraught at times with characters who don't always do or say what a writer wishes...in many ways, the characters a writer creates have always existed somewhere." 


These girls will live in my heart for a long time.

When Off the Shelf offered a giveaway for a book they promised would make me feel good, I entered. I really, really needed an escape for a bit. They understood, and I won Laura Dave's Eight Hundred Grapes.

So many on Goodreads call this novel a "beach read,"  which usually sounds an alarm for me, being (in my head) short for a plot driven romance with little staying power, the literary equivalent of hooking up. 

Instead I discovered a solid Literary Romance with good writing, nice characterization, an interesting family, and a heroine who at the tender age of twenty-five discovers what her "has to have" is in life. The importance of family is the enduring message.