Sunday, January 27, 2019

The Peacock Feast by Lisa Gornick

Lisa Gornick's The Peacock Feast is a multi-generational historical fiction novel with a deep and universal theme that can speak across the generations. Gornick's characters take the burden of the past into their futures, cutting them off from a full life. Suppressed memories are as constricting as those which consume us; neither allow us to risk a full life.

The Peacock Feast was Louis Tiffany's "performance art" dinner for a select group of top-tier society men, every minutia controlled by him. Prudence is in her nineties and the event is her earliest memory, watching the parade of girls carrying the cooked fowl redressed in their gaudy feathers. She recalls her hand over the mouth of a small boy.

Prudence's parents were employed by the Tiffany family at Laurelton Hall, the Oyster Bay home Tiffany designed. Her father was his gardener and her mother worked as a housekeeper. After Tiffany blew up the breakwater that created what he believed was his private beach, and which the town insisted was for all, Prudence's family left. Her older brother Randall couldn't stand their father's drinking and ran away from home, never to see Prudence again.

Prudence made a career, married a man because she'd be crazy to say no to, and later in life fell in love but was afraid to say yes. Now, in her last months, Randall's granddaughter Grace has sought Prudence out and together they piece the mystery of their family's history and the traumatic incident that divided them.

The story skips back and forth in time between generations; a family tree on your bookmark may be helpful to keep track of them. Reoccuring choices appear in the family, generations unwittingly mirroring each other. 

Gornick has given us a beautifully written book, complex with characters' stories across four generations. For all the sorrow and heartbreak in her character's lives, we are left with understanding and hope.

I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.

Read an excerpt and find a reading guide here.

The Peacock Feast
by Lisa Gornick
Farrar, Straus and Giroux
Sarah Crichton Books
Pub Date 05 Feb 2019
ISBN 9780374230548
PRICE $26.00 (USD)

Saturday, January 26, 2019

The Diary of Helen Korngold: January 20-26, 1919

Helen Korngold, December 1919, New York City

January


Monday 20
Up—eat—Wellston—good lesson. Class—Dr. McKenzie is too sweet for words. Suggested that we indulge in Shakespeare a few minutes after wasting almost whole hour. Home. Folks all gone. To bed early.

Tuesday 21
Up—dressed—eat.
Wellston—kids act awfully cute. Met Ruth on car—nice conversation. Classes. Wells & I had argument over possibility of being blind and not knowing it. He’s too dogmatic about it. Basket ball. Senior luncheon—good. Refreshing shower—tease Paul. Home—dinner—Kroeger lecture. Summer came, loves McKitrick! Uncle Sam & home.

Wednesday 22
Up—dressed-eat. 8 a.m. Dan phones—made a date for a party at Orpheum on Sat. eve. Dates so easy—popular—oh gee! Wellston school—best pupil is absent—arms  broken. Too bad. School all day—Senior meeting—discuss caps & gowns. Home—practice—Study—date with Falstaff! Dr. [Hubler/Huebler] called up 9:30 P.M.! He knows my late hours!

Thursday 23
Wellston—pretty good—Class—topic in Ed. 12 O.K. home with sore throat. I have to write a theme, but oh gee! Such excitement! Kale & pop have just tried on their handsome robes! I’ll say they’re good-looking! Summer just phoned—Dewey located—K.C. Kale & I have a little tête-à-tête over Dewey. Karol looks cute in his robe—We’re in his rooms.

Friday 24
Wellston—rotten lesson. Class. Dr. McKenzie has yet to settle class hour. Dancing. Morris, Sam & Summer came over in evening. Played penny-ante. Summer brought me a variety of cotton samples. He’s a good kid. Morris is so clever. Sam’s a regular kid. Loaned Summer my copy of Return of the Native.

Saturday 25
First morning I slept until 8:30 this week. Pictures of kids party good. Class—home—a good bath and a refreshing nap. Box party at Orpheum. Harris girls and Anson K., Phil J., Dan Wolf & myself. Chop Suey and dancing at Ciardi’s. Home at 3 A.M. oh, boy! But we had one swell little time! I wish it on myself again—getting ambitious.

Sunday 26
Up at 10:30. Fool around—dinner and study. Expect to go to concert this evening. Rose R. going with us. Karol [her brother] says I’m stepping out—poor boy complains that he isn’t in my class anymore! Well, Annette Kellerman certainly thrilled me last night. I’m trying to imitate her—K. says I’m deluded!

*****
Notes:

January 20

McKitrick perhaps the John Collins McKitterick in Helen's class at Washington University. In 1915 as a freshman he was on the interclass football team. He was also in the Obelisk honors society.

January 21

Wesley Raymond Wells, Ph.D., Asst. Prof. of Education


1913 U of Vermont. 


From the 1927 Lake Forest yearbook

Earnest R Kroeger was the head of Kroeger School of Music. He talked on The Emotional and the Picturesque in Music that day.

Unc Lou was Louis Lieberstein (Dec. 18,1879-1931), husband of Helen's Aunt Beryl. He was a pharmacist. His parents were Max and Bertha, first-generation immigrants. His WWI draft card shows he lived at 4720 Newberry Terrace in St. Louis. His work address was on Euclid. He was stout, of medium height, with brown hair and brown eyes.

January 22 (Washington’s Birthday; school holiday)

The Orpheum Theatre was built in 1918 at the corner of 9th and St. Charles Sts. It was a vaudeville theater built in the Parisian style at a cost of $500,000. Annette Kellerman was playing there.
http://www.robertsorpheum.com/about.php

Dr. Huebner may be the Gustavus A. Huebner who appears in the 1887 City Directory as a teacher.

January 23

Kale may be a family nickname for her brother Karol Korngold. 

January 26

Annette Kellerman (1886-1975) was an Australian competitive swimmer, vaudeville star, and movie actress whose movie Queen of the Sea (http://www.imdb.com/name/nm0445807/ ) was just out.  

According to a Reno, NV newspaper article on January 14, 1919, Kellerman played a naiad in a ‘submarine fairy story’ that was ‘packed with thrilling stunts’ and ended in a high-wire act with an 85-foot plunge into the sea. 

Her 1907 performance in the Hippodrome’s glass tank led to the popularity of synchronized swimming.  

Kellerman ’s movies include The Mermaid in 1907, in which she was the first to wear a swimmable mermaid costume, and A Daughter of the Gods in 1916 which included the first filmed nude scene. She is on the Hollywood Walk of Fame. 

Kellerman was the first to design and wear a one-piece bathing suit, which led to her arrest.  She marketed her swimwear. 
http://thehairpin.com/2011/05/bathing-suit-shopping-with-annette-kellerman-the-australian-mermaid

She never used a double but did all her own stunts. She was a vegetarian and a writer about fitness and beauty. She has a star on the
http://au.lifestyle.yahoo.com/marie-claire/features/society-celeb/article/-/5887692/em-annette-em-em-kellerman-en-australias-forgotten-icon/
http://www.imdb.com/name/nm0445807/
https://wfpp.cdrs.columbia.edu/pioneer/ccp-annette-kellerman/

Friday, January 25, 2019

Maid: Hard Work, Low Pay, and a Mother's Will to Survive by Stephanie Land

"Poverty was like a stagnant pool of mud that pulled at our feet and refused to let go." from Maid by Stephanie Land

I'll be brutally honest, and you can "unfollow" me if you want, I don't care, but ever since Presidents Roosevelt and Johnson created social programs to help the poor there have been politicians determined to slash, limit, and end them. And one of their methods is to vilify the poor as blood-sucking, lazy, ignorant, "self-entitled" criminals who live off the hard earned tax dollars squeezed from hard-working, honest, salt-of-the-earth, red-blooded Americans.

I have known some of "those people," and yes, they sometimes made bad choices, but they also worked to improve their lives. Like my cousin who ran away at sixteen and returned, pregnant, without a high school degree. She was on welfare and food stamps. She also got a GED and learned to drive and found a job...which was eliminated by budget cuts. After floundering for some time, she found work again, and even love. Then died young of a horrible autoimmune disease.

Or the couple who worked abroad to teach English as a second language to pay off their school debts, then returned to America and could not find jobs. The wife returned to school for an advanced degree. She graduated after the economy tanked and still could not find work in her area. They relied on WIC when their child was born. They have lived in poverty their entire marriage, the woman working for ETS and online tutoring.

Stephanie Land had dreams, hoping some day to go to college. Her parents had split up, her mom's husband resentful and her dad broke because of the recession. She was self-supporting when she became pregnant. When she decided to keep her baby her boyfriend became abusive. She was driven to take her daughter and leave him. 

And so began her descent into the world of homelessness, poverty, the red-tape web of government programs. She worked as a maid, even though she suffered from a pinched nerve and back pain and allergies. The pay was miserable, her travel expenses uncovered. She found housing that was inadequate, unsafe, and unhealthy. Black mold kept her daughter perpetually sick with sinus and ear infections.

I know about that. Our infant son was ill most of the year with allergies, sinus infections, ad ear infections. It made him fussy and overactive and every time he was sick it made his development lag. We were lucky. We could address the environmental causes. We found a specialist who treated him throughout his childhood.

Maid is Stephanie Land's story of those years when she struggled to provide for her daughter. She documents how hard it is to obtain assistance and even the knowledge of what aid is available, the everlasting exhaustion of having to work full time, taking her daughter to and from daycare, and raise her child on a razor-thin budget. All while cleaning the large homes of strangers.

And that is the other side of the book, the people who hire help at less than minimum wage, some who show consideration and others who like her invisible. How a maid knows more about her clients than they can imagine. 

Land worked hard. Really hard. She had to. Finally, she was able to go to school and write this book. She crawled out of the mire. What is amazing is that anyone can escape poverty. You earn a few dollars more and you lose benefits. 

Land is an excellent writer. She created scenes that broke my heart, such as when her mother and her new husband come to help Land move. Her mom suggests they go out to lunch, then expects Land to pay for the meal. Land had $10 left until the end of the month. Even knowing this, they accepted it. Then, her mom's husband complained Land acted 'entitled'. I was so angry! I felt heartbroken that Land and her daughter were shown so little charity. 

I think about the Universal Basic Income idea that I have read about. How if Land received $1,000 a month she would have been able to provide her daughter with quality daycare or healthy housing. She would have been able to spend more time on her degree and work fewer weekends. She would have been off government assistance years sooner.

But that's not how the system works. Because we don't trust poor people to do the right thing. We don't trust them to want to have a better life. We don't believe they are willing to work hard--work at all.

Remember The Ghost of Christmas Present who shows Scrooge the children hiding under his robes, Ignorance and
Want? We have the power to end ignorance and want. We choose not to. Instead, we tell people to pull themselves up by their bootstraps, even when they are without shoes.

That's my rant. Yes, progressive liberal stuff. But also in the spirit of the Christ who told us that if we have two shirts, give one to the poor. The Christ who said not to judge other's faults and ignore your larger ones--judging being the larger one. The Christ who taught mercy to strangers. 

Perhaps Land's memoir will make people take a second look at mothers on assistance. Under the cinders is a princess striving to blossom. 

I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.

Maid: Hard Work, Low Pay, and a Mother's Will to Survive
by Stephanie Land
Hachette Books
Pub Date 22 Jan 2019 
ISBN 9780316505116
PRICE $27.00 (USD)

Thursday, January 24, 2019

Marmee & Louisa by Eve LaPlante

Marmee & Louisa by Eve LaPlante
Little Women quilt by Nancy A. Bekofske
pattern by Marion Cheever Whiteside Newton
Marmee & Louisa by Eve LaPlante was the perfect book to read after reading the ARC Louisa on the Front Lines by Samantha Seiple and Meg Jo Beth Amy by Anne Boyd Rioux. LaPlante, who is a distant cousin to Louisa May Alcott, had access to family documents and letters. Her book concentrates on the relationship between mother Abigail May Alcott and daughter Louisa while also covering the entire family and Louisa's career.

I very much enjoyed the book, but I didn't always like all the characters...okay, one character...Bronson Alcott, the patriarch.

The March girls, Little Women quilt
Abigail May worked her entire life for women's rights and equality and abolition. Her brother was a leader in the Unitarian church, suffrage movement, and an ardent abolitionist.

Abigail was unable to have the formal education her brother  Samuel enjoyed, but read his books and educated herself with his help. She aspired to be a teacher, someone who contributed to the world.

Then she met the charismatic Bronson, a self-educated man with big ideas and a golden tongue. They fell in love and Abigail hitched her wagon to his star. Samuel was smitten, too, as eventually was all the Transcendentalists who later supported Bronson...even when they became weary of him.

That support was not just in philosophy and friendship but financial. Bronson was too radical to keep his teaching positions and too intent on "higher things" to worry about how to put food on the table or a roof over the heads of his growing family. And he traveled--a lot--leaving his family to fend for themselves.
Marmee learning her husband is in a prisoner of war camp
Little Women quilt
Abigail relied on the compassion of their friends and family but also found any work she could--sewing, teaching, social work, nursing. Young Louisa felt for her mother and pledged to aid the family. She took jobs she disliked but also as a teenager started to write stories for magazines. They were sensational, Gothic thrillers that brought in quick cash. She was particularly adept at imagining these tales.

Perhaps because she was so familiar with the powerlessness of women from watching her mother's toil, hardships, physical exhaustion and decline, mental anguish, while also indulging in acts of charity and working for abolition and women's right to vote.

Louisa was an active girl and young woman, wary of love and thirsting for the wider world, when at thirty she signed up to work as a nurse caring for the wounded men of the Civil War. Within six weeks she became ill and was near to death when Bronson came to take her home. Abigail nursed Louisa back to life, if not health; for the rest of Louisa's 56 years, she suffered from ill health, perhaps from Lupus.
Marmee and Louisa packing for Louisa's trip
Little Women quilt

Louisa kept writing and when Little Women was published became a sensation. She was able to finally support her family as she had always wanted, taking the burden off Abigail.

For the rest of her life, Louisa took care of her mother and family. She fulfilled her mother's dream by voting in an election.

The love and care between these women, Abigail and Louisa, is touching and inspiring, their strength of will humbling, their story timeless.

Learn more about the book and author and discover reading guides at
https://www.simonandschuster.com/books/Marmee-Louisa/Eve-LaPlante/9781451620672

Wednesday, January 23, 2019

A Ruby McKim Bird Life Quilt Top

I was thrilled when a Ruby McKim pattern showed up at my quilt group's weekly show and tell. I perked up as soon as I saw that red, and when I saw one of the embroidered blocks I knew right off what my friend had: Bird Life, also called the Audubon Quilt.
The pattern was published in newspapers in 1928. This quilt top is a family heirloom made by a woman who passed in the 1950s. So she likely saved the pattern and made this quilt in the late 20s or early 30s.
The embroidery is amazing. For the penguin, the artist used a strand of white and a strand of black and the iceberg in blue and white.


You can find the pattern newly issued at McKims Studios:
http://www.mckimstudios.com/04treasures/quiltspecial/quiltspecial.shtml

Tuesday, January 22, 2019

Learning to See by Elise Hooper: A Novel of Dorothea Lange, the Woman who Revealed the Real America

I knew the photography of Dorothea Lange but little about her personal life so I was glad to be given the opportunity to read Learning to See by Elise Hooper.

Hooper's novel offers an accessible narrative of Lange's life from her point of view. Lange's childhood polio left her with a limp from a deformed foot. She established a successful portrait photography career until the Depression when her work dwindled. With two children and an artist husband, Lange had to give up her studio to work for the Farm Security Administration.
Migrant mother photo by Dorothea Lange

Using her portrait experience, Lange created iconic photographs that recorded the devastation of the Dust Bowl and the misery of farm migrants. During WWII she was employed by the Office of War Information to document the internment of Japanese Americans.
Internment camp photo by Dorothea Lange

Through Lange's eyes, readers experience the human suffering of poverty and systemic racism.

Lange's marriage to her first husband, artist Maynard Dixon, was strained. Her extensive traveling meant leaving her sons and the book addresses her son's anger and acting out. While photographing for the OWI she worked with Paul Taylor who became her second husband.

Famous photographers appear in the story's background, including Ansel Adams.

The novel is "inspired" by Lange's life. Hooper offers a woman filled with doubts and remorse while facing up to the authorities who repress the photographs that too honestly recorded atrocities and the forgotten.

Lange's life as an artist and a woman will enthrall readers.

Learning to See
Elise Hooper
William Morrow
On Sale Date: January 22, 2019
ISBN: 9780062686534, 0062686534
$15.99 USD, $19.99 CAD, £9.99 GBP

Learn more about Lange at

American Experience:
http://www.pbs.org/kenburns/dustbowl/bios/dorothea-lange/
MoMA:
https://www.moma.org/artists/3373
The J. Paul Getty Museum
http://www.getty.edu/art/collection/artists/1656/dorothea-lange-american-1895-1965/
The Library of Congress:
https://www.loc.gov/exhibits/wcf/wcf0013.html

Sunday, January 20, 2019

A Glad Obedience: Why and What We Sing

As a young minister's wife in an aging congregation, I was asked to play the piano for the weekly pre-worship hymn sing. They handed me a 1930s hymnal and called out hymn titles.
I did not know the hymns that meant something to this older congregation: Trust and ObeySoftly and Tenderly Jesus is CallingStanding on the PromisesI Need Thee Every Hour.

The people were confounded. I was asked, "If you don't know these hymns what will you think of on your deathbed to bring you comfort!" Other hymns, I responded.

As my husband was moved from church to church there was an adjustment to each congregation's most beloved hymns and the challenge of teaching hymns from the new hymnal.

Hymn singing is a communal act that reinforces a congregation's identity and faith commitment. It is often the highlight of worship for most in the pews. The hymns comfort and they confirm and they spur to be better.

As choral singer since childhood, I have long understood that to sing is to be part of a community, working together toward a common goal. Singing in worship is an act of praise, a confirmation of faith, and can spur a recommitment of intent.

Walter Brueggemann's A Glad Obedience examines the tradition of song in worship, beginning with the Psalms and then considering classic and contemporary hymns including “Blest Be the Ties That Binds,” "Holy Holy Holy,"“God's Eye Is on the Sparrow,” "Love Divine, All Loves Excelling," "O For a Closer Walk With God," “Once to Every Man and Nation,” “Someone Asked the Question,” and “We Are Marching in the Light of God.”

In Part I, he asks, Why do we sing this psalm? Beginning with Psalm 104, a creation hymn, he breaks down its parts to explain what it meant to its original singers. For instance, "the song is sung in an arid climate" and uses water imagery (You make springs gush forth in the valleys) as affirmation that all life, human and plant and animal, "stand together before the life-giving gifts of God."

As Brueggemann walks us through the Psalms he leads readers into a deeper understanding of the text and faith.

"We sing our penultimacy as an act of resistance and as a proposal of alternative. The resistance performed by this singing is against the reduction of creation to a series of commodity transactions because it is all gift...It is the affirmation that we live in a generous context of abundance in which there is enough for all of God's creatures." from A Glad Obedience by Walter Brueggemann

Part Two, What We Sing, Brueggemann considers traditional and contemporary hymns. He "relishes the words, phrases, and images that lie deep in our faith tradition" to show how attentiveness to the hymn lyrics challenge the "dominant worldly ideology" and can lead to"joyous risk-taking obedience."

One of my favorite hymns, God of Grace and God of Glory by Harry Emerson Fosdick, is included. "Grant us wisdom, grant us courage, for the living of these days," "Cure thy children's warring madness, bend our pride to thy control," "Save us from weak resignation to the evils we deplore," are lines that seem to be always relevant.

Brueggemann first presents the hymn's historical context, written in 1930, during the depression and in a time when the world "struggled with systemic disarmament." He considers the theological bent of Fosdick's Social Gospel and how the hymn's theology is related to that of his contemporaries Paul Tillich and Reinhold Niebuhr (author of the well-known Serenity Prayer). Then he breaks the hymn down with a commentary.

A neglected hymn which Brueggemann admires is based on James Russell Lowell's 1845 poem "Once to Every Man and Nation." Lowell wrote the words as a protest against President Polk's expansionist war with Mexico as a way to add slave states to shift the balance of power.

Once to every man and nation
Comes the moment to decide,
In the strife of truth with falsehood,
For the good or evil side;
Some great cause, God's new Messiah,
Offering each the bloom or blight,
And the choice goes by forever
'Twixt that darkness and that light.
            from Once to Every Man and Nation

Brueggemann relates the hymn's time and purpose to the current president's immigration policy. Brueggemann writes, "...when we sing this hymn...we also sing concerning our own moral crisis in which the quality and future of our common humanity is at stake."

Brueggemann prods us to pay attention to what we sing, to let the words deepen our faith and make manifest in our actions the values we proclaim to hold.

The Rev. Dr. Walter Brueggemann is the author of over 100 books. Read a sample of this book at
https://www.wjkbooks.com/Products/0664264646/a-glad-obedience.aspx

I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.

A Glad Obedience
Why and What We Sing
by Walter Brueggemann
Westminster John Knox Press
Pub Date: 15 Jan 2019
ISBN: 9780664264642
PRICE: $18.00 (USD)