Friday, February 5, 2016

Valentines and Romantic Quilts


For February our local library has a display of vintage valentines and 'romantic' quilts have been hung.



 


 Shirley L. made this vintage handkerchief quilt embellished with machine embroidery.
 My handkerchief/pillowcase/embellished wall hanging.
I used an embroidered pillow case as my surface
I love that handkerchief so much when I saw another I snatched it up!

And my Vintage Rose is there, made from an embroidered doily, vintage quilt pieces, and embellishments.
I have some vintage valentines in my collection. I made turned several images into embroidered patterns; one has handkerchief points in the border. I sell the patterns at Rosemont Needle Arts on Etsy.


Some of my vintage valentine cards:





Wednesday, February 3, 2016

Quilts Presidential and Patriotic by Sue Reich, Including My John Quincy Adams Contribution!

Sue Reich's book Quilts Presidential and Patriotic is out! In 2015 Sue asked for people to take on making a 24" x 24" quilt for a president to be part of a traveling exhibit of President quilts. I jumped at the chance to do John Quincy Adams, having just read a biography of his wife Catherine Louisa. I proceeded to read books about JQ in preparation, including The Remarkable Education of John Quincy Adams by Phyllis Lee Levin;  The Stranger and the Statesman by Nina Burleigh about JQ's championing the Smithsonian legacy being used to institute a national museum; and Mr. Adam's Last Crusade by Joseph Wheelan The last was the most exciting, telling of his post-presidential career in congress and his Supreme Court win for the freedom of the Amistad kidnapped Africans. When I read thank you letters to JQ from the Africans I knew I had discovered the 'hook' to make JQ appealing and relevant.

The quilt exhibit has been traveling the country this year and Sue will present a paper at the American Quilt Study Group in September 2016.
John Quincy Adams by N. Bekofske
Quilts Presidential and Patriotic includes the President quilts, information about each president and quilt, including quilt styles of their administration, an artist's statement, and quilts, textiles, and news articles relating to the president's time in office. There is a whopping 330 photographs and illustrations in the 192 page book! I was thrilled when Sue asked to include my original Redwork quilt of the First Ladies, Remember the Ladies. Laura Bush from my quilt is featured on her husband's pages.
Hilary Clinton and Laura Bush from Remember the Ladies by N. Bekofske
Sue is the author of World War I Quilts, World War II Quilts, Quiltings, Frolics, and Bees, and Quilting News of Yesteryear.

Sunday, January 31, 2016

Wuthering Heights Revisited: Nelly Dean by Alison Case

NetGalley sometimes lists books not available but with a button to tell them "I Wish it Were." I clicked on that button for Nelly Dean: A Return to Wuthering Heights by Alison Case and a few days later was surprised to find my wish had been granted--I was given the ebook to read!

I immediately opened the book up and started reading. Just for a taste, since I had two other books I was reading already, plus my book club books. But I didn't stop reading it. I was hooked.

In Emily Bronte's Wuthering Heights, Mr. Lockwood tells the story of  Cathy Earnshaw and Heathcliff as told him by housekeeper Nelly Dean. In Case's novel,  years have passed and Nelly Dean decides to reveal all her secrets to Mr. Lockwood in the form of a long letter. Nelly tells of her relationship to Hinton Earnshaw and his son Hareton, her binding ties to the troubled and violent family, and the unexpected revelation that was the root cause of all her sorrows.

I enjoyed the novel as it stands on its own, and for another view of the classic Bronte story. Readers do not have to be experts on Wuthering Heights to enjoy this book.  I would have liked Case to have offered a little more than references to important scenes Lockwood already knew, to make it richer for those who don't know Emily's book. There are some sections that could be trimmed to advantage, especially concerning breastfeeding. The Big Reveal stretches credulity. Then, probability isn't a feature of the original novel.

I have gone back to reread Emily Bronte's novel once again after reading Nelly Dean.

Wuthering Heights by Emily Bronte was published in 1847. Emily's book was anti-Victorian in every way! I first read it in my 20s, when I found it quite romantic and sexy. Twenty years later and found it Gothic and improbable. In 2012 I read all the Bronte sisters works while reading a biography on the family, my post found here.

I thank the publisher and NetGalley for the free ebook in exchange for a fair and unbiased review.

Nelly Dean
by Alison Case
Pegasus Books
Publication February 8, 2016
$25.95 hard cover
ISBN: 9781605989617

"A gripping tale of familial turmoil and thwarted passion...Alison Case has created a world so real, so grounded in visceral detail, that no prior knowledge of the Bronte classic is required. However, I suspect her debut Nelly Dean will entice many (including this reviewer) to reread the original, with fresh and knowing eyes." Irish Independence.


Friday, January 29, 2016

Aunt Carrie's Quilt & New Finds


My Aunt Pat Ramer had three of my Great-Aunt Carrie Ramer Bobb's postage stamp quilts, which my grandfather wrote about in an article for his hometown paper. One sadly met its end in a washing machine mishap. The other two were were coming unsewn and some fabrics had shredded. Aunt Pat took one quilt apart to repair it. And there it sat in her closet.

I brought the quilts home with me to see what I can do.
Aunt Carrie made the quilts in the 1960s with fabric scraps. 1" squares of fabric were sewn by hand into nine-patch units. Colors are repeated to make larger "x" patterns.


 Below is the top of the quilt Aunt Pat took apart. There are several more pieces as well.

Read my article on Aunt Carrie's quilt making and Chive Dumpling recipe at
http://theliteratequilter.blogspot.com/2015/10/the-quilts-and-chive-dumpling-recipe-of.html
See more about Aunt Carrie, including more of her quilts owned by Sidney Bobb at
http://theliteratequilter.blogspot.com/2012/09/our-heirloom-quilts.html

Thursday, January 28, 2016

Lit Up: One Reporter, Three Schools, Twenty-four Books that Can Change Lives

Does teaching literature to 10th graders make a difference in their lives? How do we instill an appetite for serious reading in an age of smart phones, graphic novels, social texting, and computer gaming?  Does economic class, home life, school district, environment, or teacher effectiveness, make a difference? Can literature impact the lives of young people?

In Lit Up David Denby set out to explore these questions by visiting three classrooms in three schools. He chose Tenth Grade because fifteen-year-old's minds are still plastic, they are grappling with identity and their future, and are still 'reachable'. An age, perhaps, when it it not too late for them to learn to read literature for the sheer pleasure of it and perhaps begin to see literature as art.

Denby visited Sean Leon at Beacon High in Manhattan whose reading list was heavy on existential classics; James Hillhouse High in inner-city New Haven, a public school with many troubles; and a Marmaroneck, wealthy New York City suburb school. Each class differed in books and teaching practices. We follow the classes through the reading lists as Denby reports on how the works are taught and student's responses as individuals and as a class. Denby interjects his own opinions and thoughts about what he observes. I don't always agree with Denby, or the teachers, but was drawn into formulating my own ideas in response.

Sean Leon's class emphasized good writing and independent thinking. His reading list was grim, rooted in "the fears and disasters of the last century," as Denby notes. Leon pushed his students to totally engage with life and evaluate societal expectations, their addiction to social media, and the fast food diet of Internet fodder. Denby describes Leon as "a radical in spirit, a conservative in values."

Jessica Zelenski taught at the worst performing school in the state. Social Justice was the theme that year. Her book choices also precluded 'feel good' books. She instituted "Read Around"; students were to chose one of four books: A Long Way Gone: Memories of a Boy Soldier by Ishmael Beah, Reading Lolita in Tehran by Azar Nagisi, Night by Elie Wiesel, and Amy Tan's The Joy Luck Club. The students at first rejected the selections. Zelenski explained what the books were about and read from each before asking a volunteer to continue reading. Most students decided to read Beah's book. Zelenski bought extra copies with her own money. The kids soon requested silent reading period to work on their books. These kids understood troubled families, poverty, trust and safety issues, and had a deep sense of justice. Yale University had a college promise program but Hillhouse had no office to help kids navigate college entrance. Zelenski knew that studying literature might not get them into college, but it could help them live. When the students demanded reading time it was a huge leap. Not only were they enjoying reading, they enjoyed reading together. At the end of the school year students were able to meet Beah who was in town. They knew his journey, they knew he had come through and flourished, and now they actually met

The best part of the book are the students. I enjoyed meeting them, hearing their words, watching them grow. There is nothing more amazing than watching a young person's understanding blossom and burst open like flowers in spring.

Reading this book I felt my inadequacies as a writer and as a reader. These 10th grade students were prodded to levels of critical thinking I had only experienced in honors and 400-level classes. I spend hours writing a book review or blog post. Have I become self-satisfied and lazy? It's been nearly 40 years since I graduated university. Have I settled for 'good enough?'

This was an interesting and thought-provoking book.

The Reading Lists

The 10th grade reading list at Beacon, taught by Sean Leon, included A Rose for Emily by Faulkner and Hawthorne's The Minister Back Veil, poems by Sylvia Plath, Brave New World by Huxley, Siddhartha by Hesse, Vonnegut's Slaughterhouse-Five, Frankl's Man's Search for Meaning, Notes from the Underground by Dostoevsky, No Exit by Sartre, and Beckett's Waiting for Godot. (As a teen I read Brave New World, Siddhartha, and Man's Search for Meaning and saw Waiting for Godot performed. Slaughterhouse-Five I encountered in a college course on Black Humor. I didn't read Plath until I was post-college.)

At Beacon, Mary Whittemore's 11th graders read Middlesex by Eugenides, excerpts from Emerson, Thoreau and Whitman, The Scarlet Letter by Hawthorne, Fitzgerald's The Great Gatsby, Morrison's The Song of Solomon, One Flew Over the Cuckoo's Nest by Kesey, The Things They Carried by O'Brien, Ceremony by Silko, and Diaz's The Brief Wondrous Life of Oscar Wao. ( I read Kesey in the Black Humor college class, Gatsby on my own as a teen, And Eugenides and O'Brien as an adult.)

At Beacon, Daniel Guralnick's 11th graders read Rip Van Winkle by Irving, Hawthorne's The Birthmark, Poe's The Cask of Amontillado, Twain's The Celebrated Jumping Frog of Calaveras County, Daisy Miller by James, Crane's The Open Boat, Capote's In Cold Blood, The Great Gatsby by Fitzgerald, The Sun Also Rises by Hemingway, and Invisible Man by Ellison. (I read Hemingway, Capote, and Poe as a teen, and later Crane and James as an adult. I never read any of these in a classroom setting.)

James Hillhouse 10th teacher Jessica Zelenski taught To Kill a Mockingbird by Lee, Ursula LeGuin's The Ones Who Walked Away from Omelas, Woman Hollering Creek by Sandra Cisneros, Shakespeare's Sonnets, Vonnegut's Harrison Bergeron, and Hemingway's the Short Happy Life of Francis Macomber. Students chose to read Beah's A Long Way Gone, Tan's Joy Luck Club, Night by Wiesel, or A Thousand Splendid Suns by Khaled Hosseini. To prod students to actually finish reading one book was victory. (I only read the Sonnets in a classroom. I read Lee, Tan,  and Wiesel as an adult. My son read Beah in college.)

Mary Beth Jordan at Mamaroneck high taught 10th graders Wall's The Glass Castle, Night by Weisel, Macbeth by Shakespeare, East of Eden by Steinbeck, The Flowers by Alice Walker, Cheever's The Reunion, Saunders's Sticks, and poetry by Shelley, Frost, Eliot, Roethke, and Kumin. Students chose to read Orwell's 1984 or Bradbury's 451, and The Kite Runner by Hosseini or King's The Body. (Again, I read none of these in a classroom setting. I read Wall, Hosseini and Eliot as an adult, and Night, Steinbeck, Orwell and Bradbury as a teen.)

Denby, a movie critic, wrote Great Books in 1996.

I received a free ebook from the publisher in exchange for a fair and unbiased review.

Lit Up by David Denby
Henry Holt & Co
Publication Date: February 2, 2016
$30.00 hard cover
ISBN: 9780805095852

Wednesday, January 27, 2016

Some New and Old WIP

I have many projects going. Of course, Love Entwined by Esther Aliu, but I also made the first part of Little Hazel, a new quilt by Esther Aliu. She has a great tutorial on her blog and I gathered up my courage to make the star center.

I also have Kona Fox Kits in process. I have the tree leaves done and am ready to start the fox.

Shiba owners love foxes because Shibas look fox-like.
Kamikaze and Suki
And I am going to do a modified version of Vintage Baseball featuring the Detroit Tigers. I am reverse appliquéing the "D" and have reversed the colors to blue on white. I will use those big white corners for some embroidered Tiger Hall of Fame stars!
I am still machine quilting a row by row quilt. (Ran out of thread!)

Of course I have loads of blocks waiting to be made into quilts and quilts waiting to be quilted. Pretty normal situation for quilters! Like my Redwork Alice in Wonderland and Pan American blocks, some Wizard of Oz embroidered blocks, and American History embroidered blocks.
Mirkwood Studios Alice in Wonderland Redwork blocks
Pan American Redwork blocks
Love Entwined


Tuesday, January 26, 2016

The Classics, Literary and Musical: Sister Carrie and Star Turns and Cameo Appearances

Two Reviews today! Sister Carrie by Theodore Dreiser and Star Turns and Cameo Appearances by music critic Bernard Jacobson.

The Classic American Novel

Our local library book club read Sister Carrie by Theodore Dreiser, a book I had never read. It is considered one of the 100 best novels by The Guardian. Dresier's style, called 'Naturalism', was hugely influential. His books had to be a big 180 for readers used to Victorian novels. His characters lacked morals, followed their baser desires for love or material things, and they don't all get their just desserts in the end.
"The critics have not really understood what I was trying to do," Dreiser said later. "Here is a book that is close to life. It is intended not as a piece of literary craftsmanship, but as a picture of conditions done as simply and effectively as the English language will permit … It makes one feel that American criticism is the joke which English literary authorities maintain it to be. When [the novel] gets to the people, they will understand, because it is a story of real life, of their lives."
Sister Carrie was published in 1900 and the book begins in 1880 when unsophisticated, pretty Carrie leaves her rural Wisconsin home for her sister's home in Chicago. On the train she meets a 'masher,' Drouet, a traveling salesman with a golden tongue who eventually sells Carrie on the idea of moving in with him when she can't make it in the big city. Under Drouet's protection Carrie enjoys nice clothes, good food, and a comfortable apartment. Her prettiness becomes beauty, her provincial simplicity is replaced with more worldly manners. She also badgers Drouet about marriage, which he deftly rebuffs with hollow promises.

I had trouble with Dreiser's writing style. I was being told about the inner lives of the characters and their personalities instead of being shown. Until this point I "had" to read the book. Then Hurstwood comes into the picture. He manages a swell bar that Drouet frequents, and the two have an informal friendship. When Hurstwood meets Carrie he becomes infatuated with her. He is wealthy, a workaholic, with a distant wife and children with whom he shares little but a house and income. Hurstwood decides he deserves a little love and pursues Carrie. Carrie gets starry eyed. Hurstwood is not only of a higher class than Drouet; she believes he will bring her social legitimacy and give her the life style she covets. Hurstwood has one problem: his money is in his wife's name as a tax protection and divorce means impoverishment, loss of social standing, and employment. One night he has an opportunity to steal money from his boss.

It is the best scene in the novel, bringing the character to life. Carrie has kicked Drouet out, and he tells her that Hurstwood is married. Hurstwood can't let Carrie go. He grabs the money and lures Carrie away on false pretenses. Carrie is ignorant of what he has done, and blames him for their fall into poverty.  Hurstwood's story and tragic end makes Sister Carrie a page-turner. And Carrie? She ends up on stage, becomes famous and wealthy, but is distrustful of men and lonely.

We had a great discussion of the book. Themes of class and the lure of upward mobility especially interested us, as well as how women's options have changed in 100 years.

One lady said she couldn't put the book down. Another said she would had never chosen to read Sister Carrie, but was glad she did.

"Oh, Carrie, Carrie! Oh blind strivings of the human heart!...Know, then, that for you is neither surfeit nor content."

*****
A Career in Classical Music

Bernard Jacobson's memoir of a life in music, Star Turns and Cameo Appearances, has an index over 20 pages long. "Blessed or cursed" with "nearly total recall," he drops that many names, performances, and works. 

I requested the book because he was as the Philadelphia Orchestra's  "Manager, Publications and Educational Programs," later changed to "Program Annotator and Musicologist," under Riccardo Muti. Our family joke was that we moved to Philadelphia for my husband's favorite orchestra, then under Eugene Ormandy. Muti succeeded Ormandy and we enjoyed several years of his conducting before leaving Philly.

I enjoyed his stories about Muti. It was interesting to learn more about the man behind the baton.

I was thrilled when Jacobson mentioned the Choral Arts Society of Philadelphia which he joined for a while as a Bass singer. Sean Diebler organized Choral Arts in 1982 as a 120-200 voice choir. My husband and I had been singing with The Mastersingers choir under Bob and Gail Reilley for years when we auditioned for Choral Arts. We sang with them in their second and third seasons, 1984-5. This was before Jacobson's joining.

The Choral Arts Society participated in a Concert for Humanity at the Academy of Music. The Concert was organized as part of the Nuclear Arms Control Movement. Riccardo Muti conducted members of the Philadelphia Orchestra, the Pennsylvania Orchestra, and Concerto Soloists.  On November 11, 1984 my husband and I were on stage as the chorus sang Kodaly's Hymn to St. Stephen, and two pieces we had sung before, Virgil Thompson's Alleluia, and Vaughn Williams' O Clap Your Hands. The concert ended with Ravel's Bolero. The program notes for several pieces, including Bolero, were written by Jacobson! I am writing this right after seeing Leonard Slatkin conduct the Detroit Symphony Orchestra in Bolero last evening. Very cool!




As Jacobson notes, Deibler was demanding but exciting. We sang The Messiah with the Philadelphia Orchestra under William Smith at the Academy of Music, an incredible experience. We also sang in a  Rodgers and Hammerstein pops concert at the Mann Music Center under Erich Kunzel. I was used to Masses and Requiems and enjoyed letting loose with Oklahoma! Another highlight was singing Ralph Vaughn Williams' A Sea Symphony. Incredible. We also enjoyed singing The Brahms Neue Liebeslieder. My husband took a position in New York City, commuting from Philly, and we left the choir. Soon after I became pregnant and my choral singing days were over! Interestingly, Diebler graduated from my grandfather's alma mater, Susquehanna University. Diebler died in 2009.

I also got a kick out of Jacobson's mention of David Grossman of the Temple University Cinematheque screening private viewings for Riccardo Muti. We frequented the Cinematheque and loved seeing those classic films on the large screen. It was here that I first viewed classic films like Casablanca. Grossman's introductions enhanced our enjoyment. We started attending while I was still a Temple student and before the showing Grossman would encourage us to enjoy a cup of coffee without payment. He knew we were poor students. 

Frankly, most of what Jacobson talks about is beyond my ken and made me quite dizzy and overwhelmed with information. His career took him from his native Britain to Holland, Chicago, Philadelphia, and the West Coast. Those intimately involved in the world of orchestras and classical music will better appreciate his stories. But from the start he has an upbeat, excited voice and you feel a sense of his personality and love of music. 

I received a free ARC from the publisher through NetGalley in exchange for a fair and unbiased review.

Star Turns and Cameo Appearances: Memoirs of a Life Among Musicians
by Bernard Jacobson
University of Rochester Press
$34.95 hard cover
ISBN:9781580465410