It was the 1956 rerelease of Fantasia that rocked my world. I was four years old and Mom took me to a Buffalo, NY theater to see my first movie. The images and the music made a lasting impression, driving a lifelong love for symphonic music.
I already was in love with illustrative art, thanks to the Little Golden Books that my mother brought home from her weekly grocery shopping trips. My favorite was I Can Fly, illustrated by Mary Blair. And on my wall were Vacu-Form Nursery Rhyme characters including Little Bo Peep, Little Boy Blue--which I later discovered were also designed by Mary Blair! And even later in life, I learned that Mary Blair had worked for Walt Disney. And of course, growing up in the 1950s, anything Disney was a favorite.
Especially the 1959 release of Sleeping Beauty. I was still in my 'princess' phase, which came after my 'cowboy gunslinger' phase. Mom took me to see the film. I had the Disney Sleeping Beauty coloring book. I had the Little Golden Book. And I had the Madame Alexander Sleeping Beauty doll! Sadly, my dog chewed it up but in my 40s I purchased one on eBay to satisfy my inner child.
Fast forward to the late 1980s and my husband and I were buying up Disney videotapes for our son, raising another generation of Disney fandom. His first theatrical movie was The Little Mermaid.
My fandom never took me as far as to read books about the Disney franchise or Walt. Until The Queens of Animation: The Untold Story of the Women Who Transformed the World of Disney and Made Cinematic History. I remembered my love of Mary Blair and thought, Nathalia Holt has something here. I wanted to know the names and the contributions of these unknown women.
It was a joyful read, at once a nostalgic trip into the films that charmed and inspired my childhood-- and our son's --and a revealing and entertaining read about the development of animation and the rise of women in a male-dominated culture. I put aside all other books.
Holt concentrates on the women's careers but includes enough biographical information to make them real and sympathetic. I was so moved to read about Mary Blair's abusive marriage.
Holt also does a stellar job of explaining the rising technologies that would impact animation, eventually eliminating the jobs of hundreds of artists. We learn about Walt's interest in each story that inspired the animated movies and the hard work to develop the story, art, and music, along with the conflicts and competition behind the scenes.
I learned so many interesting facts! Like how Felix Salten's novel Bambi: A Life in the Woods was banned in Nazi Germany because it was a metaphor for Anti-Semitism! How Mary Louise Weiser originated the grease pencil, one of the many technologies Disney developed and perfected or quickly adapted.
And I loved the story of Fantasia. Bianca Majolie presented the music selections to Walt, including The Nutcracker Suite's Dance of the Sugar Plum Fairy and the Waltz of the Flowers. Tchaikovsky's The Nutcracker ballet had never yet been produced in the United States at the time! The male animators did not want to work on illustrating fairies (they instead created the Pastoral Symphony's centaurs and oversexualized centaurettes, including an African-American servant who was part mule instead of horse).
Choreographer George Balanchine was touring the studio with Igor Stravinsky, whose The Rite of Spring was included in Fantasia, and he loved the faires in the Dance of the Sugar Plum Fairies. Fifteen years later he debuted The Nutcracker at the new Lincoln Center and it became a Christmastime annual tradition.
I just loved this book for so many reasons! Thank you, Nathalia Holt!
I was given access to a free egalley by the publisher through NetGalley. My review is fair and unbiased.
The Queens of Animation: The Untold Story of the Women Who Transformed the World of Disney and Made Cinematic History
by Nathalia Holt
Little, Brown and Company
Pub Date 22 Oct 2019
ISBN 9780316439152
PRICE $29.00 (USD)
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