Showing posts with label vaudeville songs. Show all posts
Showing posts with label vaudeville songs. Show all posts

Saturday, September 22, 2018

Vintage Sheet Music: Romance Under the Trees

Decades before the WWII hit song Don't Sit Under the Apple Tree with Anyone Else But Me, trees figured in courtship songs. Gardens and orchards and the great outdoors were places where lovers could coo in sweet privacy. Love and Gardens have associated with love since Adam and Eve.

Is There Still Room For Me Neath the Old Apple Tree by Edgar Leslie, Lew Brown and Maurie Abrahams, 1915, has a man telephoning his sweetheart back home. The recording even includes a ringing phone! Hear a Victor recording performed by the Peerless Quartet here.

Hello there long distance, please don't make me wait in vain
I asked you to connect me with a homestead down in Maine
I hate to hold the wire, don't get mad if I complain
I long to hear my sweetheart's voice again
Oh, hello dear, yes, this is me, I'm many miles away
I'm lonesome and I just called up to say

Is there still room for me
'Neath the old apple tree
Where there once was a bench for two
Oh, that bench wasn't long
And you know it wasn't strong
When I sat there with you

I've got fare back to Maine
And I'll jump on a train
If your heart beats as fond and as true
Is there still room for me
'Neath the old apple tree
If there is I'll come back to you

Listen operator, what's the matter with this phone
It seems to me you never had a sweetheart of your own
You say there's wire trouble and you've got the numbers mixed
Well, hurry up and get the wires fixed
Is that you dear? Yes I can hear, they cut us off somehow
I'm waiting and I want your answer now

Is there still room for me
'Neath the old apple tree
Where there once was a bench for two
Oh, that bench wasn't long
And you know it wasn't strong
When I sat there with you

I've got fare back to Maine
And I'll jump on a train
If your heart beats as fond and as true
Is there still room for me
'Neath the old apple tree
If there is I'll come back to you
***
After their hit In the Shade of the Old Apple Tree, Williams & Van Alstyne gave us Neath the Old Cherry Tree Sweet Marie by Williams & Van Alstyne, 1907, performed by Josephine Gassman,  Hear it here.

Gassman (1882-1962) was a "coon shouter" who performed "coon songs" with African American children, the act known as Josephine Gassman and her Pickaninnies. They toured from 1898 to 1906 across America and the world, playing the Orpheum with Will Rogers. One notice mentioned the "pickanninies" antics and their cake walk as well received. Acts with female singers and African American children were popular and included Louise Dresser and her Picks.
The drowsy robin to his mate was calling,
The sun was slowly sinking in the West,
The creeping shadows to the East were falling,
'was then I felt a throb within my breast,
For it was with you I used to wander,
And court you in the good old fashioned way,
But now I sit alone at night and ponder,
And wonder if we'll meet another day.

'Neath the old cherry tree, sweet Marie,
Where you first gave your heart, love, to me,
Not a word did you say,
But as you turned away 
I could see, sweet Marie, I could see,
Though your lips were as still and as red
As the cherries that hung over head,
Both your eyes told me well,
What your lips dared not tell,
'Neath the old cherry tree, sweet Marie.

In loneliness I turn the picture over,
And in my mind I see you painted there,
As fresh tonight as were the stems of clover
I wove in to the tangle of your hair
Perhaps another sits beneath the tree, dear,
Perhaps you're telling him you love him too,
Or maybe you have saved a thought of me, dear,
And dreamed I might again be there with you. (chorus)
***
The hit song Take Me Back to the Garden of Love by E. Ray Goetz and Nat. Osborne, 1911, performed by Cario Portello, says his sweetheart's love is a garden in itself. Hear it sung by Walter Von Brunt here.

Sweet thoughts of first love are filling me,
With joy but once we feel;
While thoughts of fear are thrilling me,
Its joy may prove unreal.
Often ‘twould seem love is luring me,
To find that you’re untrue;
To have, you reassure me,
In hope I long for you.

[Chorus]
Take me back to your Garden of Love, dear,
Once again let me bloom in your heart,
Take me back to the beautiful spring time,
Where sunshine and love never part.
To the rose in my heart that is dying,
You are just like the dew from above,
I need you, I want you, I love you,
Take me back to your Garden of Love.

If in your heart you regret me not,
Renew each vow to me;
Just like a sweet forget-me-not,
Once more each word will be.
If in your dreams you could understand,
Your love’s a fragrant bow’r;
Your heart’s my key to wonderland,
Come claim this fading flow’r. (chorus)
***
Continuing the fruit tree theme, here is When It's Apple Blossom Time in Normandie by Mellor Gifford and Trevor, 1912, sung by Kathleen Clifford, Hear an instrumental recording here and a vocal recording here.


On a farm in Normandy,
There resided Rose Marie,
She was the pride of the country side,
Fair as a maid could be.

Came a lover bold one day,
When a most persuasive lay,
Tho’ she was grieving, when he was leaving,
He consol’d her in this way.

Chorus

When it’s apple blossom time in Normandy!
I want to be in Normandy,
By that dear old wishing well,
With you, Marie!

When it’s apple blossom time in Normandy,
I’m coming back to woo,
And the spring will bring a wedding ring,
Little sweetheart to you!

Said Marie “It’s clear to me,
Tho’ sincere you seem to be,
I am afraid of the promise made;
You may not come back to me.

By the wishing well today,
I shall wish that you will stay”
Said he despairing, “Love, I’m declaring,
I’m in earnest, when I say. (chorus)

Apple blossom time soon came,
Rose Marie then chang’d her name,
For with the spring he had brought the ring,
His loving bride to claim.

By the wishing well they stray,
Happiness is theirs today,
‘Mid blossoms falling, he is recalling,
What he fondly used to say. (chorus)
***
Another Andrew B. Stirling and Harry Von Tilzer hit was Under the Yum Yum Tree, 1910. Hear an Edison recording here by Collins & Harlan, complete with a spoken interlude of stereotyped African Americans. Even in these love songs, racism was a sad source of humor.

There's a place to go where the breezes blow
And the hum of the bumble bee
As he buzzes by 'Neath a tinted sky
Is a sweet honeyed melody
Take your sweet heart true to this place with you
There's a spot where no one can see,
You can lovey, lovey, love
With your dovey, dovey, dove
Under the Yum Yum tree.

Chorus
Under the Yum Yum tree
That's the Yummiest place to be
When you take your baby by the hand
There'll be something doing down in Yum Yum land;
That is the place to play,
With your honey, and kiss all day,
When you're all by your lonely,
You and your only Yum! Yum! 
Yummy Yummy Yum under the Yum Yum tree.

Yum Yum tree just grew, in the land of "Coo"
It was planted by old King "Spoon"
Even birds that fly, in it's branches high,
Sing a soft little loving tune,
Cupid and his band haunt that goo goo land
And a dart in your heart there'll be
If you spoony, spoony spoon
'Neath the moony, moony, moon,
Under the Yum Yum tree. (chorus)
***
There may not be a tree mentioned, but there is a garden in When it's Ringtime in Springtime Then I'll Bring a Ring to You by Wm. Tracey and Ernest Breuer, performed by Bonita of Bonita and Lew Hern, 1917. I can find nothing about this song. 

Pauline De Landes (b. 1886)  married Lew Hern (b. 1882 in Poland, d. 1965) and between 1904 and 1914 they performed together in vaudeville.
Dearie, Springtime is falling 
I hear you calling too,
Sunshine and flow'rs,
Brighten the hours,
I'll soon be spending with you.

Chorus
When its ringtime in Springtime,
And the birds in the trees hum sweet melodies of love,
To a lonesome heart I'll be returning,
If that little spark of love's still burning,
Yearning, in the gloaming,
oh, my darling Love Ties we'll renew,
When it's ringtime in Springtime
Then I'll bring a ring to you.

Dearie, I know you're lonesome
I'm getting lonesome too,
Don't worry dear 
Soon you will hear,
Wedding bells ringing for you. (chorus)
***
The Garden of Beauty Waltzes by Carl Loveland (the pseudonym of Harry L Lincoln) is a piano solo published in 1913. I liked the segue from trees to garden, and had to share this lovely cover. Not the man waiting on the other side of the pond.

Saturday, September 8, 2018

Vintage Sheet Music: Novelty, Nonsence, and Humor

A hundred years ago people loved a silly song, a song that made one laugh. Today I am sharing a selection novelty, nonsense, and humor sheet music.

No, No, Positively No by Chris Smith and Harry Brown was a 'great hit' in 1907, here performed by Thomas H. Cullen. Hear a 1927 recording here. 'Just say no' is good advice.
If there's such things as Jonahs, I must be one for fair
When good luck had been issued I guess I was nowhere there,
I went to see a hoodoo man to have my fortune told, 
He said, "no give me ten bills, and you'll find a pot of gold."

But I said, "no, no, no, oh, no positively no!
When I say no, no, no, oh, no,
then I mean that word to go
I use some judgment now and then,
I'd be a fool to give you ten,
So no, no, no, oh, no, emphatically no."

How well I can remember when I was but a child,
My mammy had some beehives in the back yard quite a while,
So brother Jim took me with him, one day to steal some hon',
Said sure, I like you, Jim, but I can't agree to let bees make pincushions out of me, (chorus)

Once Barnum Baily circus had come to town one day
A lion and a tiger got a fighting during the play,
Said I, "don't let them fight no more, you folks know right from wrong,
Then one said, "you go separate them, you look big and strong."  (chorus)

Some friends of mine had asked me to go with them to dine
A swell cafe we strolled in, I thought I'd have a scandalous time,
We'd all been drinking gin and beer and were full of fun and glee,
And when the waiter showered the check they all looked right at me (chorus)
***
Humor a hundred years ago was far from 'politically correct;' targets included women and immigrants and African Americans. 

The Preacher and the Bear by Joe Arizona published 1904 manages to be offensive to clergy and African Americans at once. Or at least African American clergy. And yet it was recorded over and over again, including by Andy Griffith and The New Christy Minstrels. Alan Lomax collected it in Kentucky. Listen to a 1908 Victor recording here.
 A preacher went out a-hunting;
‘Twas on one Sunday morn.
It was against his religion,
But he took his gun along.
He shot himself some very fine quail,
And one little measly hare,
And on his way returning home,
He met a grizzly bear.
The bear marched out in the middle of the road,
And he waltzed for the coon to see.
The coon got so excited that he climbed a ‘simmon tree.
The bear set down upon the ground,
And the coon climbed out on a limb.
He cast his eyes to the God in the skies,
And this is what he said to him:

Chorus: “Oh, Lordy, you delivered Daniel from the lion’s den.
Also delivered Jonah from the belly of the whale and then
Three Hebrew children from the fiery furnace,
The good books do declare.
Now, Lord, Lordy, Lord, if you can’t help me,
For sakes, don’t help that bear.”

This coon stayed up in that there tree,
And I think it was all night.
He says, “Oh, Lord, if you don’t help the bear,
You’re gonna see an awful fight.”
Just about that time the limb let go,
And the coon came tumbling down.
You should have seen him get his razor
Before he hit the ground.
He hit the ground a-cutting right and left,
And he put up a very game fight.
Just then that bear, he hugged this coon,
And he squeezed him a little too tight.
The coon, he lost his razor,
But the bear held out with a vim.
He cast his eyes to the God in the skies,
And this is what he said to him: (Chorus)
***
Dance crazes have been around for a long time, and the Shimmie was one of the early ones.

Everybody Shimmies Now by Joe Gold and Edmund J. Porray with lyrics by Eugene West was introduced by Sophie Ticker and her 5 Kings of Syncopation in 1918. Hear the All Star Trio Victor recording here. This Tin Pan Alley song made Mae West famous and the sheet music was also published with Mae on the cover.
Honey baby, won't you come and take a chance,
Sweet tootie, let us do it now
That nervous sort of movement like Saint Vitus dance,
Sweet Mama won't you show me how
That dance that I love best,
The dance the folks are doing with their chests.

'Cause everybody shimmies now
Everybody's learning how
Brother Bill, Sister Kate, Shive like jelly on a plate,
Shimmie dancing can't be beat.
Moves everything except your feet.
Feeble folks mighty old shake the shimmie and they shake it bold
Oh! Honey won't you show me how
'Cause everybody shimmies now.

Honey baby, can't you hear the jass [sic] band play,
Oh, dearie, I just can't keep still
That syncopated music make me feel so gay,
I just must sway against my will
Now babe, don't be afraid
Come on and to the dance that's up to date.
'Cause everybody shimmies now (chorus)
***
The Shimmie was scandalous and sexy. Ragtime was obviously the work of nefarious creatures.

The Ragtime Goblin Man by Andrew B. Sterling and Harry von Tilzer from 1911 was a virtual warning. Ragtime was out to take prisoners and there was no escape. Hear a Victor recording here.

A ragtime goblin man he comes around and softly hums a ragtime tune.
I know he followed me, he'll catch me sure, 
And then there'll be a ragtime swoon,
He's beside me, hide me, hide me, 
I can' feel his breath, Oh I'm scared to death,
He will take me, shake me, make me join his raggedy band.
That goblin man, that goblin man.

Look out for the goblin man, that ragtime goblin man,
Look out for the book in his hand, that great big book in his hand,
There he is, there he is, he is there,
see his eyes, see his eyes, see his eyes glare,
Mister bugaboo, if he catches you, he'll beat you, then he'll eat you,
Run, run, just as fast as you can from the ragtime goblin man.
Hide, hide, or he'll give you a ride, just hear him shout
Look out, look out, for the rag, rag, rag, ragtime goblin man.

That ragtime goblin man was mild, what was it drove him wild?
A ragtime tune, on dark nights just look out
He'll catch you if  you sing about a ragtime moon,
If he grabs you, grabs you, jabs you, you won't get away
Cause you'll have to stay, then he'll bring you, sting you, fling you
To his raggedy band, see, he, want to get me, that goblin man. (chorus)
***
Maggie!"Yes Ma'am" Come Right Up Stairs by Leslie Moore and Johnny Tucker dates to 1922 and was performed by Smith and Stritt in Vaudeville. Hear a 78 recording here.

There's a family right next door
Wakes us up at three or four
When the daughter comes home with her beau
First they stand outside and chin
After they tiptoe in and begin their spooning down below
Then when all is quiet in the hall, downstairs you hear her mother call

Maggie! (Yes, Ma'am?) Who's with you there?
Maggie! (Yes, Ma'am?) Stop that affair!
Why does it take you so long to say goodnight?
You know I've told you always, it's not safe to stand in hallways.

Maggie! (Yes, Ma'am?) Give him his hat. 
Maggie! (Yes, Ma'am?) Just leave him flat
I forgot what mother taught me, that is how your father caught me.
Maggie! (Yes, Ma'am?) Come right upstairs

Maggie doesn't care a bit what the neighbors think of it.
She declares that lovin' is no crime
Even tho' her sweetheart Dan was always a union man
Maggie has him working overtime
Now and then they lean against a bell
Then the whole darn house begins to yell

Maggie! (Yes, Ma'am?) Who's with you there?
Maggie! (Yes, Ma'am?) Stop that affair!
You'll wake the neighbors the way you carry on.
I'm gonna get a copper to chase that young finale-hopper.

Maggie! (Yes, Ma'am?) Give him his hat.
Maggie! (Yes, Ma'am?) Just leave him flat.
Give his face a darn good smacking if he starts to be wisecracking
Maggie! (Yes, Ma'am?) Come right upstairs.
***
One of Tin Pan Alley's greatest hits was the 1920 Oh By Jingo! was written by Lew Brown and Albert Von Tilzer. Listen to recordings here.

It appeared in Linger Longer Letty, sung by Charlotte Greenwood who created Letty as her alter ego. The song has been recorded by many artists over the years. Hugh Laurie sang it as Bertie Wooster in the Jeeves and Wooster television series.

The story is set in San Domingo and the lyrics note the lovers "both were collared" and that "the gang" insisted the fleeing lovers take one of them along.

In the land of San Domingo,
Lived a girl called Oh! by Jingo,
Ja da Ja da da da da da, ump-a, ump-a, ump-a, ump-a,
From the fields and from the marshes,
Came the old and young by Goshes,
Ja da Ja da da da da da da, ump-a, ump-a, ump-a, ump-a,
They all spoke with a diff’rent lingo,
But they all loved Oh by Jingo,
And ev’ry night they sang in the pale moonlight.

Oh! by Gee! by Gosh, by Gum, by Jove
Oh by Jingo, won’t you hear our love
We will build for you a hut
You will be our fav’rite nut
We’ll have a lot of little Oh by Gollies,
Then we’ll put them in the Follies
By Jingo said, By Gosh, By Gee
By Jiminy please don’t bother me
So they all went away singing
Oh by Gee, by Gosh by Gum, by Jove by Jingo,
by Gee, you’re the only girl for me.

Oh by Jingo had a lover,
He was always undercover,
Ta da da da da da da da, ump-a, ump-a, ump-a, ump-a,
Ev’ry night she used to meet him,
Oh how nice she used to treat him,
Ta da da da da da da da, ump-a, ump-a, ump-a, ump-a,
They eloped but they both were collared,
And the gang stood there and hollered,
Don’t raise a fuss, you’ve got to take one of us.
Chorus 

Oh! by Gee! by Gosh, by Gum, by Jove
Oh by Jingo, won't you hear our love
We will live out in a tent
Cheat the landlord of his rent
We'll have a lot of little Jiminy Crickets,
We can use them for meal tickets
By Jingo said, Now boys don't rave
I have put four husbands in the grave
So they all went away singing
Oh by Gee, by Gosh by Gum, by Jove, by Jingo,
By Gee, you're the only girl for me. 

Home they went with spirits wilted
On account of they were jilted
(All the By-Goshes, with hearts down to their galoshes!)
All winter long they brooded—that is, all but very few did
(They left to join a fan club for Lana Toyn-a.)
The rest wrote to Beatrice Fairfax
Got the how-to-make-him-care facts
So came the spring
They sailed once more to sing:
Oh by Gee, by Gosh, by Gum, by Jove
Oh by Jiminy you're the one we love
We will build for you a hut
You will be our favorite nut
Then we'll have a bunch of Oh-By-Gollies
And we'll put them all in the Follies
(Oh) By Gee, by Gosh, by . . . [improv segment]
By Jiminy you're the one for me! 

***
Good-night, Nurse is a Comic Song by Thomas J. Gray and W. Raymond Walker, 1922. Hear a Victor recording here.
Now Sam McKee was sick and he
Was taken to a hospital,
And there he met a swell Nurse Gal
And right away our Sam got gay
He soon forgot about his ills
Made love when she brought him pills,
Ev'ry night when she would go off duty
Sam would hollar out, "Come here, my Cutey,"

Good-night nurse! Tell the doctor I'm no better;
Good-night nurse! write my folks a letter
Say I need a rest and you fear I had better stay here a year,
Feel my pulse, hold my head a little longer,
How's my heart? Don't you think it's getting stronger?
Call me in the morning or I'll get worse!

Kiss your little patient, Good-night Nurse!

This tale they tell, How Sam got well
The day he left his cozy bed he met his old girl and was wen,
But married life, Sam and his wife,
Soon agreed to disagree, 
When he said "That nurse for me!"
Pots and pans his wife then started throwing
Sam'd back in the hospital a crowing (chorus)