Hidden Treasures: Early Quilts from the Poos Collection

The 100 quilts in Hidden Treasures: Rarely Seen Pre-Civil War Textiles from the Poos Collection are so memorable and gorgeous, antique quilt lovers are warned against heart palpitations and turning green with envy! These are quilts in a private collection. Lori Lee and Kay Triplett have previously shared quilts from the collecting in Indigo Quilts, Pioneer Quilts, Chintz Quilts from the Poos Collection and Red and Green Quilts from the Poos Collection. 

The Poos Collection is one of the largest privately held quilt collections in the world with a concentration on pre-1860 quilts from American, Britain, and France.

Baltimore Album Quilt with Rose Border, American, 1848

The quilts are presented in groupings:

• Album Quilts
• Wool Quilts
• Birds of a Feather
• Starstruck
• Paper-pieced Quilts
• Red and Green Quilts
• Chintz Coverlets and Quilts
• White Wholecloth Quilts

Crewel Curtains Quilt, English, c. 1750s

Early quilts often repurposed textiles. Chintz was a glazed fabric made in India with woodblock printed or painted images. Europeans used the fabric for home decor and clothing. Early Chintz quilts had little piecing, using the fabric whole. Later the naturalistic motifs were cut out and hand appliqued to a plain background.  Crewelwork drapes, quilted petticoats, and other textiles were also cut up to make quilts.

Thrush Family Crewel Quilt, English, 1810

Pictorial applique quilts often include images important to the quilter, her historical setting, and contemporaneous historical events. These quilts are not only a thing of beauty but also offer insight into other times.

The Veray Settlement Table Cover, c. 1820, includes intarsia, applique, and embroidery on wool to depict the history of the settlement. Intarsia is one of the earliest techniques found in pieced textiles. Over ten pages, each panel is reproduced and the image's representation explained.

The Sarah B. Dales Damascus Mission Quilt, American, 1854, consists of blocks with beautifully inked drawings and names, sew together 'pot holder' method. In this method, individual bocks were layered, quilted, and bound off,  then sewn together to form the quilt. The presentation quilt was given to Miss Dales before leaving to be a missionary teacher in Damascus.

Wholecloth Quilting is the oldest style, dating to the 13th c. Sometimes the quilt top was made of printed fabrics. Most are white with white quilting, sometimes with stuffing between the stitches to raise quilted motifs, called trapunto. Photographing these quilts is problematic as it is hard to show the elaborate stitching. The images in this book are excellent. I appreciated the use of backlighting to better show quilt details.

The Applique Gone Wild Coverlet, English, c. 1825, combines applique motifs with pieced blocks and cut-out chintz motifs. 

In the 1820s English Medallion style quilts had layers of pieced blocks and squares, triangles, and rectangles of fabrics. 

English Paper Piecing is one of the oldest quilt methods Fabric is sewn around a paper template and the shapes stitched together. The technique is in revival with contemporary quilters. I was very inspired by the fussy-cutting use of printed fabric motifs in the Lewis Family Hexagon Quilt, American, 1825-1850. 

Hexagon Diamonds Quilt, American 1850 is a paper pieced quilt

The Rose Sampler Quilt, American, 1860, has an improvisational quality and a personality all it's own. The medallion-type setting is off center, the outer border bud motifs are each different. It is a quilt that brings joy to the viewer.

I thank the collectors and authors Lori Lee Triplett and Kay Triplett for sharing their amazing collection through this book. Follow their blog Quilt & Textile Collections at https://www.quiltandtextilecollections.com/blog

This is a 'must' for your personal quilt history collection!

I was given access to a free ebook by the publisher in exchange for a fair and unbiased review.

Hidden Treasures, Quilts from 1600 to 1860: Rarely Seen Pre–Civil War Textiles from the Poos Collection
Lori Lee Triplett and Kay Triplett
Available on July 1,  2019
Book ( $39.95  ) eBook ( $31.99 )
ISBN: 978-1-61745-807-1
(eISBN: 978-1-61745-808-8)

Poems for the Very Young Child: Summer

Today I am sharing summer poems from Poems for the Very Young Child, compiled by Dolores Knippel and illustrated by Mary Ellsworth, Whitman Publishing Co., 1932

Helen Korngold Diary June 23-29, 1919

Helen Korngold, December 1919, New York City

In 2001 I discovered a diary in a Lansing, Michigan shop. I was charmed by the writer and brought the diary home with me. I spend years researching Helen Korngold. This year I am sharing the diary every week along with my research notes.

Helen recently graduated from Washington University in St. Louis, MO.

June

Monday 23

Riding

Tuesday 24

Unexciting

Wednesday 25

Jr. Council Card Party at Highlands. Karol & Hyman took us home.

Thursday 16

Big night. Went slumming. K & Sofie Stampfer – Clara Marx & Hyman Stein – Bill Weiser & myself – we had a wild time – Hop Alley & all low-class cafés.

Friday 27

Cleaned up & slept

Saturday 28

Party at Levy’s

Sunday 29

Ida came over - Aunt B.

NOTES:

June 25

Karol Korngold, Helen's brother

June 26

Hop Alley was the name for Chinatown. It may have gotten that name for the opium addicts, or hop heads. See articles here and here.

Hop Alley in 1925. St. Louis Post-Dispatch

June 28

Mae Hannah Levy (born 1897) appears in the Washington University class of 1918, and was active in hockey, the Woman’s Athletic Assoc, the YWCA and French Club. She appears on the 1916 and 1917 City Directory as a student living on Waterman St. Alfred Levy on the 1920 St. Louis Census is a president of a white collar manufacturing factory. His family included Gussie, son Moe and daughters Mae H. age 23, Adele, and Ruth. Alfred has an ancestry.com family tree. Mae married Perez Falk in 1923 and he died Dec. 11, 1923. The 1930 St. Louis Census shows Mrs. Mae Falk, widow, living with her parents.

The 1900 St. Louis Census shows Perez, age 13, living with his parents Max and Laurie and siblings Kenna and Edmund. Max was a traveling salesman for a hat wholesaler. Perez Falk’s WWI Draft Registration shows he was born July 20, 1886, in Joplin, Mo and worked as a traveling salesman. He had black hair and blue eyes. A family tree on ancestry.com shows she also married Isodore Miller. Mae died in 1981.

June 29

Aunt Beryl Frey, her mother's sister

*****

On June 28 the Treaty of Peace was signed, formally ending WWI.

Note also the article "Women to Attend Ratification of Suffrage Measure"

June 23, 1919, St. Louis Post-Dispatch. College pranks.

June 23, St. Louis Post-Dispatch ads include this rather risque photo for sports fashions

And my favorite ad!

Using Newspapers for Patterns

On the free table was a paper bag filled with homemade clothing patterns using newspapers and magazine pages. The pattern for an oven mitt still had fabric pinned to it.

I believe the magazine page dates to the 1950s based on the Palmolive illustration style and the article on the back about WWII Flying Tigers pilot Jack Cornelius.

The photo caption reads, "Stocky Jack Cornelius left an airline job to take over the engineering of the Conest..." The story talks about the Flying Tiger Line founder Prescott hiring the Texan Cornelius who was working for a New York Airline. Prescott started the first scheduled cargo airline and named it for the WWII Flying Tigers unit, a 100 man unit that "compiled the greatest air combat record in history" according to a 1991 article in the LA Times, inspiring a John Wayne movie.

Other pattern pieces were for a child-sized shirt. And there were several heart shapes as well.

 Snippets from the newspapers showed an Indiana connection.

Frankfort, Indiana perhaps?

I loved seeing the vintage advertisements! Roman Meal Bread was promoted as a way to keep thin. Now we are all about low carb diets.

 Esther Williams in Million Dollar Mermaid came out in 1952.

 The television guide line up gives an idea of the date for some pieces.

Frugal sewers are still around. When I started quilting in 1991 I joined a group of quilters who were older with years of experience. One lady used cereal boxes to make her cardboard templates. A friend in my current group uses flexible plastic cutting mats from the dollar store instead of those sold at the hobby stores.

Rilke in Paris: Rainer Maria Rilke and the Writing of The Notebooks of Malte Laurids Brigge

"I am in Paris; those who learn this are glad, most of them envy me. They are right. It is a great city; great and full of strange temptations." from The Notebooks of Malte Laurids Brigge by Rainer Maria Rilke

I was in my late 20s when I discovered Rainer Maria Rilke. Although I have revisited his poetry over the years and read biographies and books about Rilke it has been forty years since I last read The Notebooks of Malte Laurids Brigge, the composition of which figures in Rilke in Paris.

I opened up my copy of Notebooks and was amazed to find underlinings and notations and bent pages and bookmarks. How could I have forgotten this book?

"I have succumbed to these temptations, and this has brought about certain changes, if not in my character, at least in my outlook on the world, and, in any case in my life." from The Notebooks of Malte Laurids Brigge by Rainer Maria Rilke

Rilke in Paris focuses on Rilke's time in Paris beginning in 1902 when he was a young man. By 1926 he had died of leukemia. Betz plumbs letters and excerpts from Rilke's works to illustrate the city's influence on Rilke, forming his artistic vision, especially as related to his writing of the highly personal Notebooks.

Also included is Rilke's poem essay Notes On the Melody of Things. 

The book is a concise overview of Rilke's life from the young poet seeking a mentor through his development as a writer, including his influences. I was interested to read how Nietzsche's The Birth of Tragedy influenced Rilke.

Beautiful black and white photographs of Rilke's Paris illustrate the text.

An entirely different conception of all things had developed in me under these influences; certain differences have appeared that separate me from other men, more than anything heretofore. A world transformed. A new life filled with new meanings." from The Notebooks of Malte Laurids Brigge by Rainer Maria Rilke

We encounter Rilke as a solitary whose quest for authenticity separated him from others so that even when they were in the same city he only dined with his wife weekly. He believed his mentor, the sculptor Rodin, when he preached that artists must give up personal life and happiness for their art. Rilke had presented himself to Rodin and was taken in, working as a personal secretary in exchange. A break forced Rilke on his own and he took residence in Paris, and over the next twenty years, he returned to "the same Paris" between his wanderings across Europe.

Rilke spent time in the Luxembourg Gardens, observing and learning from the beauty and the ugliness he saw. I recalled one of my favorite paintings from the Philadelphia Museum of Art, In the Luxembourg Gardens by John Singer Sargent, painted in 1879. I always wanted to be transported into that scene.

In the Luxembourg Gardens by John Singer Sargent, PMA

"For the moment I find it a little hard because everything is too new. I am a beginner in my own circumstances." from The Notebooks of Malte Laurids Brigge by Rainer Maria Rilke

I love to learn how writers work. Betz offers us a detailed look into the "genesis" of The Notebooks. First came Rilke's encounter with the story of a poet who had lived in Paris for some time, and feeling a failure, died at age thirty-two. Rilke saw the Notebooks as a "sequel to The Stories of God." He became haunted by his imagined poet Malte.  He worked on the book for years; "Prose must be built like a cathedral," he wrote Rodin.

"My God, if any of it could be shared! But would it be then, would it be? No, it is only at the price of solitude." from The Notebooks of Malte Laurids Brigge by Rainer Maria Rilke

The Notebooks "is a confession and a lyrical novel of sorts, a study in psychology and a treatise on the interior life," Betz wrote, "a moving example of maturation through solitude and lucid contemplation of the loftiest problems in life." I am glad to have read Rilke in Paris for it has brought The Notebooks back into my life.

I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.

Rilke in Paris
by Rainer Maria Rilke and Maurice Betz*
Translated by Will Stone
Steerforth Press/Pushkin Press
Published 06/25/2019
$15.95 paperback
ISBN: 9781782274742

*Maurice Betz was Rilke's translator.

Hap & Hazard And the End of the World by Diane DeSanders

No one will tell me anything.~ from Hap and Hazard and the End of the World by Diane DeSanders

The world is a mystery to a child. Adults are the most mysterious of all.

I once wrote a poem about how I loved a child's "fragile questionings." I remembered that line while reading Hap & Hazard and the End of the World.

Most adults don't want to answer a child's questions, especially if the question threatens to upset the web of protection adults spin around a child. We tell them to believe in Santa Claus, in the Tooth Fairy, in the Easter Bunny--even when other children reveal they are not real.

I remember being horribly embarrassed when a Third-Grade boy explained that there is no Tooth Fairy. Too late--I had already shared the silver dollar I found under my pillow, proudly exclaiming it was from the Tooth Fairy. And I remember how our son pretended to believe in Santa Claus because it was expected.

The girl in this book pushes adults to tell her the truth. She desperately wants to understand the world and her life.

The book shares the loneliness of a girl who does not fit in."It seems there is something wrong with me," she cries out, "other people do not appear to be having this problem...other kids seem to know what to do and join in." What's wrong with me, she wonders. Oh, I remember feeling that way after a move when everything was so foreign, right down to the playground games.

When adults have problems, we think that ignorance protects the children. What is wrong with Daddy? the girl asks. He was off to war during her first years. He returns a bitter, angry man. How can her parents explain what they don't even understand themselves? The horror of war and the blasted bodies of comrades in arms, and the horrible pain of mutilation and the months of rebuilding what once was a strong and young body? Being crippled, self-medicating?

Set in the post-WWII years, so many things the girl observes were familiar. Vivid details of lipsticked cigarettes and willow trees, which were also in my childhood yard. Make-believe stories about The Girl recalling my own make-believe stories about being an orphan in Scotland or the star of the Nancy Show. The girl's mother retreats to her sewing room, a feeling I know well.

There is humor in the novel.

I recently realized that grown-ups don't know what you're doing if they're not looking at you. Although you have to watch out for the sides of their eyes. ~from Hap and Hazard at the End of the World by Diane DeSanders

And a horrible scene when an older boy abuses her trust and admiration.

There is a change in the universe. There are no more witches and goblins out there. There is no Blue Fairy. The world is plain and flat now, more gray, the mystery and brilliance gone out of it And all of the darkness is inside of me.~ from Hap and Hazard and the End of the World by Diane DeSanders

The novel left me with an ache.

I received a copy of the book from the publisher in exchange for a fair and unbiased review.

Learn more about the author and book at
http://vol1brooklyn.com/2018/01/09/revisiting-the-post-war-moment-diane-desanders-on-writing-hap-and-hazard-and-the-end-of-the-world/
including the author reading from the novel at
https://www.youtube.com/watch?v=9maS7Vn1hgs&feature=youtu.be

Haop & Hazard at the End of the World
by Diane DeSanders
Bellevue Literary Press
Ebook
ISBN: 9781942658375
Trade Paper
List Price US $16.99
ISBN: 9781942658368

Helen Korngold Diary: June 16-22

100 years ago in St. Louis, MO, a Washington University student kept a diary. I found it in an antique shop in 2001. I was so taken by the author that I spent years researching her, her family, and the people and places she wrote about. This year I am sharing weekly posts from Helen Korngold's diary along with my research.

Helen's school days are over. The weather has turned hot. There isn't much to write about over the next weeks.

June
Monday 16
Haven’t recovered from effect of last night – Hope I get to sleep all afternoon.

Tuesday 17
Tired.

Wednesday 18
Picnic of Y.H.T.S.S. Highlands – Bernard Spiro came out in evening and took me riding on all the things & swimming & home. Had a dandy time. From now on will not be very full in my notes – too hot.

June 18, 1919 ad from St. Louis Star

Thursday 19
Tired. Slept 2 hrs.

Friday 20
Nothing exciting

Saturday 21
Downtown – lunch at Leader

Sunday 22
Nothing doing.

Notes:

June 18
YHTSS is likely her Sunday School class. A history of the movement for Jewish religious education patterned after the Christian Sunday School can be found here.

June 15
Forest Park Highlands was an amusement park located in St. Louis. It was the sight of the former St. Louis World's Fair and is today the site of The Forest Park Community College.
http://www.forestparkhighlands.com/
http://fox2now.com/2013/07/18/remembering-forest-park-highlands-amusement-park/

June 22
The Grand Leader Department Store tea room in downtown St. Louis. Learn more about its history here.

Read about the history of Stix, Bauer and Fuller, previously known as The Grand Leader, and the tea room here.


Other news this week in 1919:

The Uncle Wriggly Coloring Contest had a huge response!

June 18, 1919 St. Louis Star article

Daylight Savings Time was controversial.

And so was the Mexican Border.

June 21, 1919 from St. Louis Star

Alcoholic Blues was a popular song by the Tin Pan Alley hit writer Albert Van Tilzer. I have the sheet music in my personal collection. Listen to Bill Murray sing it here.

The Alcoholic Blues

(Albert Von Tilzer / Edward Laska)

I love my country, 'deed I do

But oh, that war has made me blue

I like fightin', that's my name

But fightin' is the least about the fightin' game

When Mister Hoover said to cut my dinner down

I never even hesitate, I never frown

I cut my sugar, I cut my coal

But now they dug deep in my soul

I've got the blues, I've got the blues

I've got the alcoholic blues

No more beer, my heart to cheer

Goodbye whiskey, you used to make me frisky

So long highball, so long gin

Oh, tell me when you comin' back agin

Blues, I've got the blues

Since they amputated my booze

Lordy, Lordy, war is well

You know I don't have to tell

I've got the alcoholic blues

Some blues, I've got the blues

Prohibition that's the name

Prohibition drives me insane

I'm so thirsty, soon I'll die

I'm simply goin' to 'vaporate, I'm just that dry

I wouldn't mind to live forever in a trench

Just if my daily thirst they only let me quench

And not with Bevo or Ginger Ale

I want the real stuff by the pail

I've got the blues, I've got the blues

I've got the alcoholic blues

No more beer, my heart to cheer

Goodbye whiskey, you used to make me frisky

So long highball, so long gin

Oh, tell mw when you comin' back agin

Blues, I've got the blues

Since they amputated my booze

Lordy, Lordy, war is well

You know, I don't have to tell

I've got the alcoholic blues

Some blues, I've got the blues