My Literary Quilts: Portraits of the Poets

In 2016 I woke and a quilt flashed into my head. I went to the local quilt shop, bought fabric, and by day's end had the quilt designed and started. I finished it the next day.

My William Shakespeare portrait quilt started me on a new quilt series. 

I sketched the image on a large sheet of paper and cut it out for templates for the head, hair, and body. 

The portrait was made with snipped fabrics fused to a black background. I then cut the portrait out, leaving some of the black which I folded over and hemmed. Then I placed the portrait on the background. I printed Sonnet 116  on fabric to include. The flowers in the foreground were also lined are folded for a three-D effect.

It was so much fun that I next made an Edgar Allen Poe portrait quilt. I made the image the same way, hand snipping prefused fabrics to build the face. I made a pieced background and added a 'silken purple curtain' of gently folded fabric. I attached the portrait onto the background, adding Poe's poem Annabel Lee and a real feather in the inkwell.

For T. S. Eliot I searched for cat fabrics. I printed his portrait to the size I wanted and traced it onto my fabric. I used permanent marker pens to create the portrait. I found an image of a cat and then reversed. And printed out The Names of Cats on fabric.

I typed the names of the cats in the poem and printed it on fabric which is used in the pieced background.

I have been reading quite a few books on the Brontes and a few years back read all their novels and poetry. 

I used the image of the sisters painted by their brother Branwell as my model for the Bronte Sisters quilt. 

This time I directly fused the fabrics onto the Jane Sassaman fabric background, then fussy cut flowers from Sassaman and Kaffee Fassett fabrics. I wanted to show the women's romantic and wild sides.

I have been working on an Emily Dickinson quilt but need more fabrics and I haven't found what I want. Since the pandemic I have only shopped online.

My idea was to show the many images we have of the poet: the recluse in white, the lover of flowers and gardens, her darker side that wrote about death and pain, and the romantic lover and writer of Valentine poems.

My techniques include fusible applique and permanent marker and colored pencil. I have a lace overlay to represent a curtain at her window.

This has been a fun series to make. 

Literary Quilts 3: Embroidered Fairy Tales and Stories

The third kind of literary quilt I make are embroidered fairy tales and children's stories.

Some of the quilts I made I neglected to photograph! I made the Ruby McKim Peter Pan quilt.

Most recently I completed the Alice in Wonderland redwork quilt. The patterns were from Mirkwood Studios and are base on the original book illustrations.

Alice in Wonderland by Nancy A. Bekofske
Mirkwood Studios pattern

The Little Red Riding Hood redwork quilt patterns were reproduced from 1918 patterns. I hand embroidered and hand quilted it and used Riley Blake's Little Red fabric line.

Little Red Riding Hood by Nancy A. Bekofske

I drew my own images for the Wizard of Oz embroidered quilt. It was a fun process of drawing and revising the drawings.

Wizard of Oz designed by Nancy A. Bekofske

The finished  quilt.

Pale Morning Light with Violet Swan by Deborah Reed

If she told her family the truth, death would get on everything.~from Pale Morning Light with Violet Swan by Deborah Reed

Secrets. Children who don't really know their parents. Parents who don't really know their children. Trauma, consciously forgotten or unspoken, eating their souls.

Ninety-one-year-old Violet Swan's secret was not just the cancer killing her; guilt had dogged her life since a girl. A fire had killed her beloved father and sister. Evil men took advantage of the unprotected child. She escaped, a teenage vagabond crossing the country to the West Coast, pursuing a fragile dream of finding her place in the world.

Violet became famous for her abstract paintings. She lived in her art studio tower, her loving husband Richard protecting her solitude and running her business.

Their son Frank (Francisco, named for Francisco Goya) grew up imprisoned in himself, his silence smothering his marriage, his dutiful wife growing increasingly resentful. Their son Daniel had loved his Grand, Violet, but also felt his father's distance and had stayed away from home for years, living in LA as a filmmaker.

An earthquake begins the story, a premonition of the changes that will shake their relationships nearly to the breaking point. Daniel returns home bearing a secret. Violet finally agrees to allow her grandson to make a film interview; she will spill her secrets at last.

Deborah Reed saturates Pale Morning Light with Violet Swan with visual details, seen through an artist's eye. Music and literature enrich Violet's life.

Violet's story is unravelled throughout the novel, lending an urgency to keep reading, like a mystery novel; we want to understand the intricacies of life experiences that have brought this family to crisis.

I will warn that Violet's life includes trigger events. Violet is a survivor, a resilient woman. She finds salvation in the beauty of this world and in her art that endeavors to capture it.

Frank is mired in anger, addicted to television news. "How on earth was a person supposed to live a normal life?" he wonders, in despair.

Into their lives comes a small child and she changes everything and everyone.

An ordinary happiness runs through me...This is everything beautiful, this is love. Are you listening? Do you hear?~from Pale Morning Light with Violet Swan by Deborah Reed

I was very taken by this novel that glows under Reed's capable hands and beautiful writing.

I was given access to a free ebook by the publisher through NetGalley. My review is fair and unbiased.

from the publisher: 

The story of a famous abstract painter at the end of her life—her family, her art, and the long-buried secrets that won’t stay hidden for much longer.

 Ninety-three-year-old Violet Swan has spent a lifetime translating tragedy and hardship into art, becoming famous for her abstract paintings, which evoke tranquility, innocence, and joy. For nearly a century Violet has lived a peaceful, private life of painting on the coast of Oregon. The “business of Violet” is run by her only child, Francisco, and his wife, Penny. But shortly before Violet's death, an earthquake sets a series of events in motion, and her deeply hidden past begins to resurface. When her beloved grandson returns home with a family secret in tow, Violet is forced to come to terms with the life she left behind so long ago—a life her family knows nothing about.

 A generational saga set against the backdrop of twentieth-century America and into the present day, Pale Morning Light with Violet Swan is the story of a girl who escaped rural Georgia at fourteen during World War II, crossing the country alone and broke. It is the story of how that girl met the man who would become her devoted husband, how she became a celebrated artist, and above all, how her life, inspired by nothing more than the way she imagined it to be, would turn out to be her greatest masterpiece.

 Pale Morning Light with Violet Swan: A Novel of a Life in Art
By Deborah Reed
Houghton Mifflin Harcourt
Publication October 6,  2020
ISBN: 9780544817364
paperback and audiobook  $15.99 (USD); $9.99 ebook

Magic Lessons by Alice Hoffman

I came to the Owens family story through Rules of Magic, published years after the first Owens family novel, the immensely popular Practical Magic. I had liked the characters in Rules and realized their story was rooted in the very real struggles of young adulthood. Afterward, I finally read Practical. 

The prequel to Practical Magic, Magic Lessons, begins in 1664 in Essex, England. It is the story of the first Owens witch who cursed all the Owens women's loves.

The teenage witch Maria tragically loses her mentor and adopted mother. Her biological parents send her to the New World as an indentured servant. On St. Kitts, she honed her craft as a healer. Maria falls in love with the New England merchant John Hathorne, who abandons her without knowing she is pregnant. Maria travels to New England to find John.

She finds passage in exchange for nursing and healing the pirate Samuel Dias, whose Jewish family had fled Portugal. He falls in love with Maria.

Her troubles increase when she does find John. Her very life is threatened by the witch hunters of Salem, her daughter stolen from her.

John Hathorne in the novel is based on the actual magistrate who condemned women accused of being witches to death. (Nathaniel Hawthorne, our great early novelist, added that 'w' to his name to disassociate himself with his ancestor.)

Oh! the ways women have been controlled and punished for overstepping the narrow lives men ordained for them. If a woman reads, she must be a witch. If a woman stands up for herself, she must be punished. If a man is attracted to a woman, she has bewitched him and is evil. Bind them in iron and drown them! Nail their feet to the ground and burn them!

And women are still fighting this battle.

Maria understood that a woman with her own beliefs who refuses to bow to those she believes to be wrong can be considered dangerous.~from Magic Lessons by Alice Hoffman

The heart of the novel is, of course, love. How women love the wrong men and suffer for it. "Love someone who will love you back," Hannah advises. But how do we know love when we find it? Young people confuse lust with love, always have. We ignore the signs that later seem obvious. Maria rejects her true love, first because of her passion for John, and later because she vows never to love again.

Love was risky, for marriage required women to abdicate all self-determination and choice. Maria's magic helps women from men who abuse them.

I had a neighbor who said, "What goes around, comes around." Hoffman's rule of magic is similar: you get back threefold whatever you do. Best to do good! What magic you bring into the world becomes your responsibility.

Hoffman weaves her stories with flawed characters whose struggles we recognize, for even if they have magic at their command, they are very human. It is no wonder these books are so popular with readers. They offer romance, challenges, strong female characters, life lessons, and in this book a heavy dose of history.

I received a free egalley from the publisher through NetGalley. My review is fair and unbiased.

Read my review for  Rules of Magic
Read my review for Hoffman's novel Faithful here.
See my review for Hoffman's novel The Marriage of Opposites here.

Magic Lessons: The Prequel to Practical Magic
by Alice Hoffman
Simon & Schuster
Publication Date October 6, 2020
ISBN: 9781982108847
hardcover $27.99 (USD)

from the publisher

In an unforgettable novel that traces a centuries-old curse to its source, beloved author Alice Hoffman unveils the story of Maria Owens, accused of witchcraft in Salem, and matriarch of a line of the amazing Owens women and men featured in Practical Magic and The Rules of Magic.

Where does the story of the Owens bloodline begin? With Maria Owens, in the 1600s, when she’s abandoned in a snowy field in rural England as a baby. Under the care of Hannah Owens, Maria learns about the “Unnamed Arts.” Hannah recognizes that Maria has a gift and she teaches the girl all she knows. It is here that she learns her first important lesson: Always love someone who will love you back.

When Maria is abandoned by the man who has declared his love for her, she follows him to Salem, Massachusetts. Here she invokes the curse that will haunt her family. And it’s here that she learns the rules of magic and the lesson that she will carry with her for the rest of her life. Love is the only thing that matters.

Magic Lessons is a celebration of life and love and a showcase of Alice Hoffman’s masterful storytelling.

Beautiful Ruins by Jess Walter

It was time for a new book.

The first book I picked up was full of horrors and war. 

The second book was full of fears of horror and war. And the war was shortly coming.

I could feel my blood pressure shoot up. I am trying to control my blood pressure. I scanned through my hundreds of unread ebooks, downloading anything that might be uplifting, fun, or happy. Beautiful Ruins came up. Why not this one? It had that lovely photo, exotic and unfamiliar. I heard heard great things about it. 

I downloaded it and two days later swiped to the last page, completely content with my choice.

From the opening sentence to the end, Walter weaves a beautiful story about love and doing the right thing and fame and finding true happiness. 

Oh, and my blood pressure has been remarkable.

Jess Walter, I thank you. 

from the publisher:

The story begins in 1962. On a rocky patch of the sun-drenched Italian coastline, a young innkeeper, chest-deep in daydreams, looks out over the incandescent waters of the Ligurian Sea and spies an apparition: a tall, thin woman, a vision in white, approaching him on a boat. She is an actress, he soon learns, an American starlet, and she is dying.

And the story begins again today, half a world away, when an elderly Italian man shows up on a movie studio's back lot—searching for the mysterious woman he last saw at his hotel decades earlier.

What unfolds is a dazzling, yet deeply human, roller coaster of a novel, spanning fifty years and nearly as many lives. From the lavish set of Cleopatra to the shabby revelry of the Edinburgh Fringe Festival, Walter introduces us to the tangled lives of a dozen unforgettable characters: the starstruck Italian innkeeper and his long-lost love; the heroically preserved producer who once brought them together and his idealistic young assistant; the army veteran turned fledgling novelist and the rakish Richard Burton himself, whose appetites set the whole story in motion—along with the husbands and wives, lovers and dreamers, superstars and losers, who populate their world in the decades that follow.

Gloriously inventive, constantly surprising, Beautiful Ruins is a story of flawed yet fascinating people, navigating the rocky shores of their lives while clinging to their improbable dreams.

Day of Days by John Smolens: A Novel of The Bath School Disaster

You believe in reward. That's what they teach you in that fancy new school we all pay for. In church, too. They tell you if you work hard you earn your reward...It's a lie. It's all a lie.~from Day of Days by John Smolens

The Day of Days was May 18, 1927. The place was the small farm town of Bath, Michigan. 

Andrew Kehoe blew up the Bath Consolidated School, killing 44 people, including 38 schoolchildren--one of the worst terrorist acts in American history. He murdered his wife and horses and blew his farm and himself up while he was at it.

John Smolens has wrapped this horrific event in a novel of great beauty and wisdom through the experience of surviving school children.

After WWI the chemical companies were left with stockpiles of explosives which they sold to farmers to help them clear fields. 

Andrew Kehoe was smart and inventive. He studied electrical engineering. After an accident left him in a coma his personality changed. His wife inherited a Bath farm but Kehoe found himself in financial straits. He blamed the tax burden for the new school. 

In Smolens' novel, Kehoe hires the boy Jed. He takes Jed with him as he removes tree stump with explosives. Jed was impressed by this farmer who wore a suit. 

Bea, the narrator of the novel, works for Mrs. Kehoe. She tells her story from her death bed, of life before the incident, the horror of that day, and the broken lives it left behind. There is survivor's guilt, broken people carrying on, and eventual healing. 

I first heard of the Bath school bombing when living in Lansing.  Smolens fills the novel with Michigan places and references. Kehoe travels to Lansing and eat at Emil's Italian restaurant, a place we knew well. The children are given Vernors ginger ale. The historical setting is given, the innovative changes happening in science. Electricity. Biplanes. Lindbergh's famous Atlantic crossing concluded while citizens were frantically looking for survivors.

I loved Smolens writing and how he handled this story. Accurate in historical details, Smolens demonstrates the benefit of fiction's ability to delve into the depth of human experience to bring the past to life. 

I received a free ebook from the publisher through NetGalley. My review is fair and unbiased.

Day of Days
by John Smolens
Michigan State University Press
Pub Date  October 1, 2020   
ISBN: 9781611863819
hardcover $29.95 (USD)

from the publisher

In the spring of 1927, Andrew Kehoe, the treasurer for the school board in Bath, Michigan, spent weeks surreptitiously wiring the public school, as well as his farm, with hundreds of pounds of dynamite. The explosions on May 18, the day before graduation, killed and maimed dozens of children, as well as teachers, administrators, and village residents, including Kehoe’s wife, Nellie. A respected member of the community, Kehoe himself died when he ignited his truck, which he had loaded with crates of explosives and scrap metal. 

Decades later, one survivor, Beatrice Marie Turcott, recalls the spring of 1927 and how this haunting experience leads her to the conviction that one does not survive the present without reconciling hard truths about the past. In its portrayal of several Bath school children, 

Day of Days examines how such traumatic events scar one’s life long after the dead are laid to rest and physical wounds heal, and how an anguished but resilient American village copes with the bombing, which at the time seemed incomprehensible, and yet now may be considered a harbinger of the future.

JOHN SMOLENS has published eleven works of fiction, ten novels and a collection of short stories. He is Professor Emeritus at Northern Michigan University, where he taught in the English Department and served as the Director of the Master of Fine Arts Program in Creative Writing. In 2010 he was the recipient of the Michigan Author Award from the Michigan Library Association.

 

My Literary Quilts Part I: Inspired by Marion Cheever Whiteside

I am a lifelong reader and a quilter since 1991. When I read about the Story Book Quilts of Marion Cheever Whiteside Newton I was inspired.

My introduction was an article by Naida T. Patterson in a 1997 Piecework magazine. 

Peterson's article was based on the Volume 16, 1995 Uncoverings paper on her research into the Story Book Quilts. The quilts were on display at the Museum of the American Quilter's Society at the time.

The Piecework article included applique blocks from the quilts, including Pinocchio, Peter Pan, Christopher Robin, Peter Rabbit, and Little Women.

In 2002, Issue 38, the American Patchwork & Quilting Magazine had an article by Merikay Waldvogel with research from Patterson. The article included a photograph of Marion Cheever Whiteside, Story Book quilt examples, and the original Ladies' Home Journal ads for the quilt patterns.

I searched the Internet for more information, photographs, and patterns.

I purchased two patterns on Etsy from CraftyCharlie that had been scanned from the originals, Little Women and Pinocchio. 

The Little Women Quilt was published by the Ladies Home Journal in 1952--the year of my birth! It was the first Story Book Quilt I made.

Little Women quilt by Nancy A. Bekofske

Little Women quilt detail by Nancy A. Bekofske

I used Civil War era reproduction fabrics for the applique.

Little Woman quilt detail, by Nancy A. Bekofske

I saw a version at a local quilt show a few years ago. 

Little Women quilt by Rebecca Mangus

It is interesting to see interpretations of the pattern.

Little Women quilt detail by Rebecca Mangus

Little Women quilt detail by Rebecca Mangus

I was able to purchase several original patterns.*

I was in Sixth Grade when I picked up James M. Barrie's Peter Pan books. I had loved the Mary Martin musical that aired on television when a child. When Riley Blake printed Peter Pan fabrics, it was my inspiration to use Newton's patterns to make my own Peter Pan quilt.

The Ladies Home Journal ad for the Peter Pan Quilt

Peter Pan quilt by Nancy A. Bekofke

I did not use all of the patterns in my quilt.

Peter Pan quilt by Nancy A. Bekofske

Early on, I decided to make my own Story Book quilt and chose Jane Austen's Pride and Prejudice. My appliques were based on copyright free book illustrations, art, and Regency era fashion illustrations and dance manuals.

Pride and Prejudice Story Book Quilt
by Nancy A. Bekofske

The quilt is hand appliqued and hand quilted. I sell the patterns on Etsy.

Pride and Prejudice quilt detail by Nancy A. Bekofske

Pride and Prejudice quilt detail by Nancy A. Bekofske

I then did a Redwork version including some different illustrations.

Regency Redwork quilt by Nancy A. Bekofske
a Pride and Prejudice Story Book Quilt

detail Regency Redwork by Nancy A. Bekofske

detail of Regency Redwork by Nancy A. Bekofske

After reading Maureen Corrigan's book on teaching The Great Gatsby, And So We Read On, I reread F. Scott Fitzgerald's novel. I thought it would make a wonderful Story Book Quilt.

I found fabrics printed at the time of the last movie. I used 1924 advertisement images for the basis of my applique patterns.

The Great Gatsby Story Book Quilt
by Nancy A. Bekofske

Even the eyeglasses!

detail of The Great Gatsby quilt by Nancy A. Bekofske

I may make another Story Book Quilt in the future. Who knows when inspiration may strike?

*Original patterns I have found include The States Flower Quilt, The Circus Quilt, The Fireman Quilt, and Brides of the World Quilt.

Rose Lea Alboum created an Index to Marion Cheever Whiteside Newton and her Story Book Quilts. It is a marvelous resource that includes hand drawn images of the quilt blocks for each quilt.

Finally, here is Marion herself. She was an artist who had a cottage industry of people making the quilts she designed. They sold in New York City to important people including the Eisenhowers and Mrs. Vanderbilt.

You can see an Alice in Wonderland Quilt at the MET website 

https://www.metmuseum.org/art/collection/search/13649