The Quilts of Cumberland County

Organized by the LeTort Quilters, The Cumberland County Quilt Documentation project documented over 900 quilts dating before 1970. The documentation database is housed at the Cumberland County Historical Society. 170 of the quilts documented appear in The Quilts of Cumberland County.

Cumberland County, Pennsylvania included 500 square miles west of the Susquehanna River. As the area became more populated Cumberland was divided, creating the counties of Bedford, Blair, Centre, Fulton, Huntingdon, Juniata, Mifflin, and Perry.

The project revealed some interesting facts. Many of the heirloom quilts originated outside of the county, indicative of the migration of peoples through the area. Many of the quilts were in the hands of collectors who had culled their collection nationally. Consequently, the provenance of the quilts was often lost, or was incorrect.

The book includes a history of Cumberland County with maps showing its changing boundaries and the story of a typical Cumberland County quilt and its travels. The photo gallery of quilts documented is divided into design types:

• Whole Cloth and Simple Designs
• Strips, Squares, and Triangles
• Stars
• Diamonds, Hexagons, and Curves
• Appliqué
• Mixed and Variety
• Embroidered Quilts and Sunbonnets
• Signature Quilts and Special Events
• Crazy Quilts

Collecting and caring for antique quilts is covered.

This is a beautifully presented book, nicely designed to showcase the 485 color photos of the quilts. I love how the full photo of the quilt is overlaid on a close up photo as background. The closeups allow readers to see the fabrics used in the quilt. Documenting ephemera is shared when available.

I am very impressed with this book overall for the background information, the gorgeous presentation, and the variety and beauty of the quilts. 

I received a free ebook from the publisher through Edelweiss in exchange for a fair and unbiased review.

The Quilts of Cumberland County
Schiffer Publications
$34.99 hard cover
ISBN: 9780764351099

*****

On a Personal Note:

My grandfather Lynne O. Ramer was born in Mifflin County; his grandfather moved there after the death of his first wife. He married Barbara Rachel Reed. Their daughter Esther Mae was Lynne's mother; his aunt Carrie Viola Ramer Bobb raised Lynne after the death of his mother and grandmother. Carrie was a quiltmaker. Read about Aunt Carrie and her quilts  here and here 

The Kuhn Family of Tonawanda NY

The Depression caused my grandfather Alger Gochenour (1904, Woodstock VA to 1955, Tonawanda NY) to lose his job as an insurance salesman. His customers could not pay their premiums. My father Eugene Gochenour told me that his dad felt bad and paid for some customers for a while. In 1935 the bank foreclosed on Al's Tonawanda city bungalow. The family moved into an apartment in an 1830s farmhouse at 1865 Military Road near Ensminger Rd in Tonawanda.

Across the street was a working farm occupied by John Kuhn and family. The families became close friends and neighbors, so much so that my Aunt Alice Gochenour Ennis was named the executor of the estate when the last Kuhn family member passed in 2004.

The Kuhn homestead on Military Rd, Tonawanda NY 

The Kuhn farm

John Kuhn bringing in the hay

John Kuhn with son Richard. My Gochernour family home in the background.

The Kuhn barn

John Kuhn in his tractor

John and Richard Kuhn

John's German grandfather Henry Kuhn, born November 24, 1824 in Wissembourg, Alsace, France, immigrated to America in 1852. Several months after arriving he married Salomea Schear, another German from Alsace Lorraine. They had ten children before Henry's death in 1898 at age 73.

Henry's son Henry was born November 10, 1853. In 1878 he married Katharina Pierson, whose family were also original area settlers. They had twelve children before Henry's death in 1938 at age 83.

Henry and Katharina had son John Henry, born September 13, 1882. John married Julia Ensminger whose family was one of the earliest settlers. They had one son Richard and one daughter Lucille before Julia died in 1927. John Henry raised his children with the aid of Julia's unmarried sister Alma Ensminger. John died March 9, 1972.

Julia Ensminger

Wedding of John Kuhn and Julia Ensminger

Julia Ensminger Kuhn

John, Alma, and Lucille were familiar family friends when I was growing up.

In 1964 I took this photo with my Brownie camera: Alma Ensminger, John Kuhn,

my grandmother Emma Becker Gochenour, my mother Joyce Ramer Gochenour, and Lucille Kuhn.

John Kuhn holding Alice Gochenour, Alma Ensminger, Alger Gochenour with neighbor girl (Audry Morrow), Lucille Kuhn. About 1937.

Dad said the Kuhn house he remembered from the 1930s and the house I knew in the 1960s was unchanged in most ways. John did install a gas stove in place of the wood-burning one, and also indoor plumbing for a bathroom. But the furnishings, wallpaper, and rugs all dated to the turn of the century. There was an oak library table with plants; cushioned wicker furniture; a chiming clock; floral wallpaper and floral rugs; an upright piano I used to tinkle around on; a front parlor used for funerals that I was forbidden to enter.

The biggest change Dad saw was the selling off of the farmland. Dad grew up driving the tractor for John. And also stealing corn, then roasting it and inviting the Kuhns over to enjoy their own corn! In the early 1950s the Kuhn farmland was turned into postwar housing. In the late 1960s John sold the barn, first to a Rubinstein who wanted to have a theater there. Neighbors objected so the barn was dismantled and rebuilt elsewhere. And after her father's death,  Lucille raised money by selling land around the old farmhouse.

Richard Kuhn was born in 1916. My aunt has a photo of his father showing him the family farm and you can see the pride in John's eyes. All this will be yours, he seems to be saying, this farm which your forefathers built. But after Richard's WWII service he settled in California. John must have been heartbroken. Richard died in 1970 in San Diego, CA.

John Kuhn with son Richard

John's daughter Lucille never married. She was expected to take care of her father's home. When I knew Alma and Lucille they dressed in 1930s fashions. Alma (1900-1995) had long hair under a net, thick flesh colored stockings and sturdy tied shoes, and wore flowered dresses that were below the knee. Much like how my great-grandmother Greenwood dressed. After her father's death Lucille wore slacks.

Alma Ensminger in the 1970s

Lucille Kuhn in the 1970s

Lucille Kuhn was like a big sister to my Aunt Alice

Lucille Kuhn with her brother Richard

Lucille Kuhn in the 1940s

Lucille Kuhn in the 1970s

The Kuhn, Pierson, Shear, and Ensminger families were part of a migration of Germans seeking a better life. Beginning in 1830 German families left Alsace-Lorraine to settle in New York's Mohawk Valley. The 1825 completion of the Erie Canal, ending in Tonawanda, brought settlers westward. In 1836 the township of Tonawanda was established, named for a local Native American tribe. The Military Road settlers built St Peter's German Evangelical church in 1849. The church now houses the historical society.

Hmong Story Cloths: History, Culture, and Art

The Hmong people have struggled to preserve their ethnic identity for centuries, pressured to leave China for Laos in the mid-1800s. During the Vietnam War the Hmong people of Laos assisted the American Troops. America left Laos and in 1975 the royal government fell to the Communists, who persecuted the Hmong. Perhaps 100,000 Hmong died in the conflict and the Communist persecution. The Hmong fled to Thailand where they lived in refugee camps.

In the refugee camps the Hmong women created Story Cloths, appliqué and embroidered art depicting their old way of life, the Communist persecution, and their escape to the refugee camps.

America accepted Hmong immigrants in the late 1970s, with about 150,000 settling in the US; about 5,000 settled in Philadelphia and Eastern Pennsylvania. It was a time of economic distress and many Americans resented the special treatment the Hmong received from the government. The extent of the Hmong people's support to America during Vietnam was not well known.

Since we lived in Philly in the 1970s and 1980s I was familiar with the Hmong and their reverse appliqué and Story Cloths. I requested Hmong Story Cloths by Linda A. Gerdner to learn more about the Hmong and their amazing appliquéd historical documents.

Gerdner has worked with the Hmong and traveled to Laos and has an extensive collection of Story Cloths, cultural artifacts, and photographs.

Gerdner first offers a background to the Hmong people, their history, and how they created their Story Cloths. Beautiful photography of the whole cloths and significant details accompany the text. Chapters address specific Story Cloth themes, including The Hmong People's Journey, Traditional Life in Laos, the Hmong New Year, Hmong Folktales, and Neighboring Ethnic People. The detail in the cloths can be overwhelming but Gerdner's analysis explains the message and significance of the motifs.

In an interview with the Hmong Times, Gerdner gave her purpose for writing this book:

• As a tribute to a special cohort of Laotian Hmong who created a new form of textile art as a means of sharing their cultural heritage
• As a legacy for subsequent generations of Hmong Americans who wish to learn about their historical and cultural heritage
• To promote cultural awareness and understanding for those who do not have a Hmong heritage
• To pay tribute to the extraordinary needlework skills that were used to create this new art form

The book can be enjoyed on many levels: as a social and cultural study, a history, and as a study of a particular art and craft.

I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.

Hmong Story Cloths
Linda A. Gerdner, PhD
Schiffer Publications
$34.99 hard cover
266 color and B&W photos
ISBN:9780764348594

1857 Album Update & More

This month's blocks of the 1857 Album quilt from Sentimental Stitches are done, except for the embroidery.

I have done a little more on the Edgar Allan Poe quilt. I fused with the purple curtain fabric, pleating and getting it just right.

Our son is moving into his first house! The family room furniture all belonged to him so we ordered two chairs:

My friend Theresa has been working on the MODA Bee-autiful quilt. I just loved it and downloaded the patterns. I have one block done. You can find the patterns at the MODA Bake Shop here.

fresh from the hoop, my block one of  Bee-autiful Quilt-a-long

It seems with getting our son packed up, the July 4 holiday, and just life I am slow at getting anything completed. I suppose that is just summer.

Angels of Detroit: Dystopia Now

Detroit is America's poster child of a collapsed rust belt city. Empty houses and factories stare with empty windows, pillaged of anything salable. Crumbling roads lead to grasslands.

Detroit has a vibrant Midtown with a first class orchestra, amazing art museum, historical and science museums, trendy brew-houses and restaurants, and swanky stores that draw suburbanites.

Detroit is rising, reinventing itself. Detroit should be plowed under and forgotten.

The visions of the city and its future clash in Angels of Detroit, Christopher Hebert's sprawling novel charactered by old timers and a child, disillusioned activists from the 'burbs, and people who just stumble into alliances they come to rue.

The novel is not a paen to the past, although some characters remind us of Detroit's glory days. It is not an imagining of a rosy future. Instead Detroit is a battleground of idealism and profiteering.

A group of Millennial drop-out activists plot to bring down a huge Detroit based company whose drone is implicated in the destruction of a school. A man in debt is sent to set up housing for a human trafficking ring. A carpenter moves into his deceased grandmother's house and helps a 70 year old woman create a garden in the urban prairie while imagining the deconstruction of the past.

There are a lot of characters, a lot of back stories slowly revealed, but they are all brought together in the end. As flawed as each character is, we come to understand their journey.

"Set in a city that's either deteriorating beyond hope or rising from the ashes, Angels of Detroit pulls off the magic trick of all great fiction: it makes the world we live in now seem both wondrous and strange." Adam Ross, author of Mr. Peanut

I received a free ebook through NetGalley in exchange for a fair and unbiased review.

Angels of Detroit: A Novel
Christopher Hebert
Bloomsbury USA
Publication Date: July 5, 2016
$27 hard cover
ISBN:9781632863638

One Bundle of Fun: Quilt Patterns from Precuts

Sue Pfau's new book One Bundle of Fun: Turn Any Bundle, Roll, or Pack into a Great Quilt offers 12 pieced patterns using Layer Cakes, Jelly Rolls, and Fat Quarters.

These quilts convinced me: precuts have the benefit of being color and theme coordinated, and they save time since some of the cutting is already done.

Precut fabrics sold by fabric companies include:

• Layer Cakes, 10" squares
• Jelly Rolls, 2 1/2" x 42" stripes
• Fat Quarters, 18" x 21" quarters of a yard
• Charm Squares, 5" squares 

Each precut collection includes all the color ways and designs from a fabric collection.

Precuts should not be washed before using but they should be measured as they may not be true; for instance a 10" square precut pack may actually measure 10 1/8".

Pfau used MODA fabrics in her sample quilts but you do not have to buy precuts for the projects--you can use your own fabrics using Pfau's advice for selection.

Electrified designed and made by Sue Pfau

The patterns are diverse in design and in difficulty. A full color photo of the quilt, materials list, cutting instructions, assembly instructions with steps and illustrations, and finishing are included. Small versions in different color ways offer alternates.  Instructions for enlarging the patterns adapt them for bed size quilts.

Magnetized designed and made by Sue Pfau

I loved these dynamic and colorful quilts.

Bejeweled Nine Patch designed and made by Sue Pfau

I received a free ebook from the publisher through Edelweiss in exchange for a fair and unbiased review.

One Bundle of Fun
Sue Pfau
Martingale
$18.99 soft cover
Publication Date: July 12, 2016
ISBN: 9781604687521

"What's important is the past": Absalom's Daughters by Suzanne Feldman

In the Jim Crow South of the 1950s two girls find their reflection in each other's faces. Although one is black and one white they share the same father-- 'skirt-chasing, adulteratin' white trash'--who has abandoned both families. A rumor comes to town that their father is to inherit a legacy, and being 'progeny' the girls are encouraged to find their father and demand their inheritance.

Sixteen-year-old Judith is white, uneducated, and devastatingly poor. What she possesses is a beautiful talent for singing. Hearing the Negro music aired from New York City--only at night due to its scandalous sexuality--Judith longs to go to New York and become a famous singer.

Cassie, fifteen and cinnamon in color, lives with her grandmother and mother, a hardworking laundress. Grandmother determined that her daughter--and plans for her granddaughter--to take white lovers with the expectation of diluting their African blood until they can pass as white. Cassie's mother hopes to spare her daughter this indignation, encouraging her to follow Judith's quest for the father and leave town.

The story of the girls' road trip across the south is delightful reading, episodic with wonderful characters and twists and memorable characters.

Early in the story Cassie meets Ovid Beale who tells her that mules 'useter be colored folk'; it is easier for colored folk to turn into a mule because they are 'already half one thing and half another.' And it is this theme of passing between two worlds, the legacy of slavery making colored folks black but not black, appearing white while being deemed legally black, that informs the story.

On their travels each sister acts out different roles according to the expectations of the audience and what they need to do to survive. Cassie acts the black servant to Judith, then tries passing as white, learning about herself and deciding on her future. Cassie learns that what is important is the past, to never forget her roots.

It took time for me to get hooked to the story, then it picked up considerably. The characters are interesting and Feldman has an original take on the timeless theme of race and identity in America.

I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.

Absalom's Daughters
by Suzanne Feldman
Henry Holt & Co,
Publication July 5, 2016
$26 hard cover
ISBN: 9781627794534