Sunday, August 7, 2016

What is left when you cease to distinguish truths from fiction? And Other Existential Questions

Alan Thier's novel Mr Eternity probes the philosophical questions that each generation struggles to answer. What is freedom? What is truth? Can we trust individual or corporate memory? Was there a Utopian age, and can we recreate it? Can--will-- we find our own version of El Dorado? Or the Anna Gloria woman of our dreams? What is the meaning of life? Can we find happiness?

Survivor of 24 shipwrecks, Daniel Defoe/Old Dan/The ancient mariner--his name changing over the centuries--tells stories dredged from his jumbled memories. He has seen the world change and change back again. Myth and history become fused in his memory. Generations of young adults hope he holds answers:

  • A college drop-out in 2016 wants to make a film on 'the ancient mariner'. At twenty-seven years old, he 'is nothing', popping pills and worrying about global warming and the future. He travels with Dan on a treasure quest.
  • In 1560 a native Indian Pirahoa girl travels with Daniel de Fo, 100 years old, and the Christian conquistadors who seek El Dorado. Her world is about to collapse. 
  • In 2200 Jam is traveling down the coast from Boston to Florida with Old Dan, 750 years old. Dan seeks his long lost love Anna Gloria. Jam is nineteen, a poor orphan, angry and lusting for the past world of air conditioners and mosquito repellent. 
  • Dr. Dan Defoe was 300 years old in 1750 when John Green meets him in the Bahamas. John was the child of his slave mother and her master. With his death and rebirth Dr. Dan helps him find freedom and love.
  • In 2500 Jasmine Roulette, the daughter of the King of St Louis and president of the Democratic Federation of Mississippi States, is a powerless political pawn living in decadent luxury. An anachro-feminist and insatiable reader, she is obsessed with the lost American civilization. She was 26 when her father bought an old slave named Daniel Defoe who remembered the glory of the United States. 

Daniel Defoe's long life has brought wisdom: kingdoms come and go; civilizations are destroyed. Each generation must learn to let go of what they cannot control and enjoy life, even a life lived when the world is ending. True love should be each man's El Dorado, even only spun from imagination.

I was fascinated by this book. I found each character engaging. Daniel DeFoe shares aspects of the title character in his namesake's novel Robinson Crusoe, surviving shipwrecks and being sold into slavery. The young adult characters voices and perceptions are distinct and clear.

I loved the wacky, mishmash stories Dan tells of the past; they were hilarious, but also chillingly revealing. Thomas Jefferson is remembered as a revolutionary terrorist in the jihad against Great Britain. Dan says he knew a space captain named Robinson Caruso who built farms and cities on Mars.

Daniel explains the collapse of American civilization: it was more economical to allow the destruction of the world than to save it. In the future Georgia becomes the pineapple state, St. Louis is surrounded by arid desert and camels.

Readers who prefer a novel that is plot or character-driven, or following a linear time line, will find this book a challenge. Although it deals with philosophical issues, the issues rise out of the characters struggles.

The theme of the book is eternal, the specific concerns timely.

I received a free ARC through NetGalley in exchange for a fair and unbiased review.

http://cannellagency.com/portfolio/mr-eternity/

Mr. Eternity
Alan Thier
Bloomsbury Books USA
$26 hard cover
Publication August 9, 2016
ISBN 9781632860934


Thursday, August 4, 2016

It's a Dark Night Inside: The Language of Dying by Sarah Pinborough

Caring for a dying parent is a universal and timeless experience. Some children hover, an administering angel, while others stay in distant denial; some vent their anger at the gods or fate that they are being left, or being left to care, while others eagerly await the freedom that parental death can sometimes bring to a child. It is a time when we face the past and the future, forgive or hold on to resentment, become the child our parent always wished for, or being cut loose can finally become ourself.
The Language of Dying is an honest and moving journey into the soul and heart of a daughter caring for her father's last days. Her dysfunctional family, which has "so much colour that the brightness is damaging", comes together briefly to the family home.

There is the older sister Penny, a 'glowing' woman who hides behind a 'Gucci persona', full of excuses why she did not take on their father's care.

Older brother Paul is a dominating and charming man addicted to excesses. and who disappears for months at a time.

The twin boys are the youngest, beset with demons. Davey, dually addicted, tenuously holding onto sanity and sobriety, and lost Simon whose self-destructive dive began when abused by a trusted older man.

And our heroine, victim of an abusive marriage, struggling to repair her life, who cares for her dying father day and night.

Their shared past is their parent's alcoholism and break-up, but our heroine alone sees the wild, red eyed creature, wonderful and waiting for her.

"Love is hard to kill," she thinks, like life, and the family bounds hold tenuously.

Pingborough's insightful writing captures the emotional life of her narrator. It is also beautiful and memorable writing.

My father died of non-Hodgkins lymphoma and spent over two months in the hospital and one day in the hospital Hospice. Every day I went to the hospital at 9 am and left when my brother arrived at 5 pm. My brother and I were with dad his last days. The language of dying, the special lingo of death, the practices of caring for the terminally ill and the strange rituals that become everyday is captured in this moving novel.

But there is another level to the story, the wild creature that comes in the night to lure our heroine to another world.
"Well, now that we have seen each other', said the Unicorn,/'If you'll believe in me, I'll believe in you.' Lewis Carroll, Through the Looking Glass, and What Alice Found There
She first saw the vision the night her mother left the family. It haunts her at pivotal moments in her life, a summons to come away. Call it fantasy, magic, or projection, in this novella the unicorn represents a place of belonging and the freedom of new life. "This creature and I belong together. I know it and so does he," she thinks. He is nothing like the archetypal unicorn, he is black not white, his horn is twisted and deformed. He brings her "joy, pure and bright" before disappearing into the night. She knows it waits for her. When will she be ready to follow?

I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.

The Language of Dying
Sarah Pinborough
Quercus
Publication August 2, 2016
$9.99 ebook
ISBN: 9781681444345



Tuesday, August 2, 2016

Quilts and Gardens


Children's time at the Blair Memorial Library

This month our Clawson library quilt display includes two that I made quite a while back.

 Children of the World is a vintage pattern which I crayon tinted and embroidered and hand quilted.
Saucey Senoritas is a commercial pattern that uses handkerchiefs for the skirts of lovely Spanish ladies.

Quilts by my Tuesday quilt group include:







The library is next door to the Clawson Historical Museum which has lovely gardens courtesy of the Garden Club.
Blair Memorial Library

Garden Path at Historical Musem
 

I am progressing on the MODA Bee-autiful Quilt-A-Long blocks. They are a great summer project!







Sunday, July 31, 2016

Dreams and Dust: I Will Send Rain by Rae Meadows

I Will Send Rain by Rae Meadows is a beautifully written portrait of a family and a community struggling to survive during the early Dust Bowl days in Oklahoma. The characters are memorable and complicated, their story heart breaking and vivid.

Annie left her parent's parsonage home to follow Samuel's dream. Starting life out in a sod hut, they built a farm and a family, a life that brought them joy until the death of their child brought a distance between them. Now in 1934 everything they had built together is being torn apart by dust storms and crop failures.

Their eldest, Birdie, at nearly sixteen has fallen in love with a farmer's son but dreams they will leave Oklahoma for a better life. Their youngest, Fred, does not speak but has a great heart and deep understanding.

Samuel loves farming, and watching all he worked for drift away in the wind leads him to wonder what sin must be atoned for. Dreams haunt him day and night until he decided God has spoken and called him to show his faith by building a boat.

Annie lost her faith with the death of her child. She dreams about another version of herself, a woman who wasn't reduced to sharp angles by the endless hardships of the failing farm. The mayor's attentions offer an escape to seek that other woman.

Families flee silently in the night, men kill themselves in despair, and society breaks up. And this part of the story I find most intriguing.

The community comes together to hire a charlatan who promises that shooting fireworks into the sky will bring rain. The magic does not work.

The mayor's assistant comes up with a way to deal with the proliferation of rabbits that destroy the struggling gardens: the community will round them up and kill them. The killing of the scapegoat rabbits is like a primitive ritual, an appeasement to the God who has punished them with dust, locusts, and eventually even the death of the son.

At once particular point the authorial voice breaks through with an omniscient prophecy of what it will take to save the land, including tapping the Ogallala aquifer-- a limited resource. And at that moment the book is not just about the past but our future, a prophecy of life to come if we do not change our ways. When that ancient water source is gone---it is gone, and the cycle could start all over again.

I had just read The Water Knife about the Southwest water wars after climate change. This historical novel has as much to tell us about the future as any dystopian novel. Because if we don't learn from the past we will repeat it.

I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.

I Will Send Rain
by Rae Meadows
Henry Holt
Publication date August 9, 2016
$26.00 hard cover
ISBN: 9781627794268

Saturday, July 30, 2016

The Heartland's Grass Roots Movement of Barn Quilts

Ogemaw County, Michigan is a few hours drive away. The primeval forest land was logged off in the 19th c and Amish and Mennonite farmers from Ohio and Indiana moved in. Farm land, open fields, and snug towns cuddle between rolling hills. Just off the expressway is West Branch with its smilely face water tower, voted the favorite tourist sight for those traveling 'up north'.

West Branch has a deep history in quilts. The historical musem has several 19th c quilts in its collection. Quilt pattern designer and teacher Kay Wood lived here while her PBS show demonstrated how to simplify quilting. I have attended the annual Quilt Walk Hospice fundraiser (read about it here and here).

Inspired by Donna Sue Groves, whose first Barn Quilt was erected on her Adams County, Ohio barn to honor her mother, Ogamaw County created their own Barn Quilt Trail. (Read my post about the Ogamaw County Quilt Trail here. )

Since 2001 Donna has inspired communities across the country to organize Barn Quilt Trails, with the movement now crossing international borders.

In 2008 Suzi Parron was on holiday when she noticed a painted quilt block on the side of a barn. She had to return and find it. It led her on a journey, discovering Donna Sue Groves and the first Barn Quilt installations.

There was little information available about Barn Quilts and Parron decided to document the art grass roots movement. It involved extensive travel across the nation, photographing the barns and their quilt blocks and interviewing hundreds to learn the stories behind each installation.

Parron's efforts have yielded two books, Barn Quilts and the American Quilt Trail Movement and Following the Barn Quilt Trail.

Barn Quilts and the American Quilt Trail Movement documents Suzi's journey to discover the origin of the movement and its growth. The book is an homage to America's heartland farmers and farm wives, their barns and quilts symbolizing root American values and a heritage of industry and family.

The quilt blocks are painted on wood and attached to the barns. A form of communal art,  Donna Sue Groves likens the trails to quilts on a clothesline strung across the land. The quilt blocks often represent a beloved heirloom family quilt and Suzie's interviews are full of heartwarming personal stories.

Suzie's first book includes travels to Adams County, Ohio, Tennessee, Kentucky, North Carolina, Ohio, Iowa, Illinois, Wisconsin, and Michigan.

The Barn Quilt Movement spread like wildfire. Suzi quit her job and moved into a bus to travel full time to research her second book, Following the Barn Quilt Trail. This books is more relevetory about Suzi and Glen and the ups and downs of traveling. Beginning in Michigan, she includes Canada, New York, Ohio, Indiana, Pennsylvania and Vermont, West Virginia, Virginia, North Carolina, Louisiana, Kansas, Nebraska, Louisiana, Minnesota, Iowa and Illinois, Wisconsin, and finally west to Washington and California, and south to Texas, Kentucky, South Carolina, and the Deep South.

The books are beautifully presented with an attractive layout, quilt block chapter heads, and every page or two includes glossy color photographs of  barns and quilt blocks. They are not comprehensive picture books; it would be impossible to show every Barn Quilt. What Suzi does is capture the human side of the movement, the women and men, and sharing their stories. Most come from generations of farmers. Often a Barn Quilt saved an old family barn from loss, inspiring its preservation. But the movement also inspired towns to create quilt blocks for family businesses and shops.


The Barn Quilt movement's speaks to America's nostalgia for simplier times, the pride, independence,  hard work and satisfaction of the family farms of our grear-grandparents.

Tourists now pick up Quilt Trail brochures and seek out Barn Quilts down dusty lanes and two lane roads, driving past fancy modern farms and the farms of  Plain people, searching for an America few of us today know.

The movement has peaked and Suzi does not plan a third book on the subject.

This spring my quilt guild hosted Suzi for a lecture and a workshop. A former teacher, Suzi has a wonderful presence, articulate and personable, with a great sense of humor. Her worskshop was well organized and we had a marvelous time making our own mini-Barn Quilt.

Following the example of so many I chose an heirloom quilt to reproduce: Gary's great-grandmother's Single Wedding Ring quilt in Turkey red and white, made about 100 years ago.

My Barn Quilt, Single Wedding Ring block
We suburbanites mount our blocks in yards and on houses. Just a few blocks away is a Mid-century ranch house with two 'barn quilts' already!

I received free books from Ohio University Press in exchage for a fair and unbiased review.


Thursday, July 28, 2016

Memoirs of Eugene Gochenour Part I

My father Eugene Gochenour wrote a memoir about his life growing up in Tonawanda, NY. I will be sharing excerpts. Over the next months I will share what Dad wrote, starting with his memories of his father.

Alger Jordan Gochenour was born on March 25, 1904 on a farm at the community of Fairview, Virginia, located in the Shenandoah Valley.

The first Gochenour came to America in 1735, years before we were a nation. Jacob Gochenour and his family were Mennonites who came to America to avoid religious persecution. He acquired 400 acres in 1735 in the valley.

Henry David Gochenour, Dad’s father, was a fifth generation descendant and he was born on December 5, 1861 and died May 28th, 1924. He married Mary Stultz, born on June 4, 1864 and died on April 23, 1927. Her nickname was Mollie.

Dad’s father had operated a tanyard which had been operated by his father. Most of my father’s decedents of his lineage are buried at the Mount Zion Lutheran Church cemetery, located near the farm. I never met my grandparents, as they had died before I was born.

Father never told me why he ran away from his home as a youth but I was told that he only had an eighth grade education. He and a friend ran away together and their travels took them to New York City. They earned money by cleaning and polishing office furniture far business people. Dad was a good salesman and he and his friend had unique skills.

Dad, dressed in a suit and carrying a briefcase, would go into an office building and ask the receptionist if he could talk to the person responsible for cleaning the office furniture. Since no one had ever done this service for them before he would often be taken to talk to the owner or manager of the office. Dad knew that their office was the showplace where business people met with their clients, and that their office furniture and desks were very expensive. Many of their chairs were upholstered with leather, and the desks were made from cherry wood.

After he introduced himself, he gave them a demonstration on one of the office chairs. To show that the cleaner would not harm the finish, he drank some of it. This impressed the customer, but it was harmless, since it was only water with baking soda. I don’t know where Dad learned about the cleaner but it did a great job. After he cleaned the chair, he took a clean white cloth and wiped it dry, and showed all the dirt he had removed. Then he applied the polish, and when he buffed it, it looked like new. He explained that he was aware how important the clothes business people wore were, and that the polish he used would not soil them. Dad told them he would work in the evening after they had left for the day, and would not expect to be paid until the job was finished.

Dad and his friend had many jobs at New York City but eventually he went to Tonawanda, leaving them behind. I don’t know why father left New York City, or how he came to live at Tonawanda, but once there he became an insurance salesman. In those days insurance salesman went from door to door to collect the money for the policies and that is how I suspect he met Mother. Mother at that time was living at home with my grandparents and worked at the Remington Rand Company that was located at Wheeler Street and Military Road. [Note: I heard that Al and Emma meet because Al went to the factory and he noticed her. He asked her out several times before she agreed.] Father lived at the Lincoln Hotel in North Tonawanda.
Emma Becker and Al Gochenour seated; wedding photo

Al Gochenour, 1927

They were married on December 24, 1927. Mildred Behner was the witness for mother at the ceremony, and she also became mother’s lifelong friend. It was just a small wedding. Times were good and since Dad made good money as an insurance salesman, they bought a new car and a new house. The house they bought was built by my grandfather and it was located across the street from his own on Morgan Street.
Tonawanda, NY 

Mother quit working and sister Mary was born in 1929. The Depression started in 1929 when the stock market fell and in 1930 I was born. The insurance business deteriorated and Dad lost his income and in 1935 my parents lost their new car and the house and they had to move.

Before we moved Dad wanted to take us all to his childhood home in Virginia. The trip was made in an Erskine automobile. To me the trip was an attempt to temporarily escape the problems they had left behind. Mother, Father, Mary, and I visited relatives that lived on the farm that had been Dad’s boyhood home. Both his mother and father had died years before, and a brother and his family lived in the old homestead.
1865 Military Road in 1935

After the trip to Virginia we moved to an old farmhouse on Military Road in the Town of Tonawanda. The house was [made into] a duplex and there was a family living in the large side; their name was Morrow. Roy and Winnie Morrow had five children: Buster, Audrey, June, Sunny, and Tommy. Tommy was my age, the rest were older. I was five years old when we moved there but I still remember how impressed I was with the huge grassy front yard.

Our side of the house had not been lived in for years, but the rent was only ten dollars a month. In the kitchen was a wood burning cooking stove that also heated the house. An outhouse served as our toilet. During the winter blankets were hung over the doors to keep the heat in the living room and kitchen. The upstairs bedrooms where we slept were unheated. Thick comforters made it hard to roll over when sleeping since they were so heavy. Chamber pots were kept under the beds during the winter. As a boy I do remember opening my bedroom window and urinating outside. There are some advantages boys have! Mother never questioned why she never had to empty the pot.

Dad worked jobs like cutting fire wood and at a cemetery until he was hired at the Buffalo Bolt Works located in North Tonawanda.
Mother would  take Mary and I to visit our Becker grandparents and mother’s brother Levant who lived at 520 Morgan Street in the City of Tonawanda. It was a fairly large house with a porch that went across the whole front. When you walked in the front door there was a large banister that went to the upstairs bedrooms. It had a large living room, a dining room, and in the kitchen sat a large wood burning cooking stove. During the winter shoes were all around the stove drying.
John and Martha Kelm Becker, German refugees from Russia

One of the favorite foods my grandmother cooked she called perugans [pierogies]. They were about the size of a ping pong ball and consisted of a cheese coated with ground up potatoes then deep fried.

Grandfather raised pigeons and would occasionally kill some young ones for dinner. One day when I was back by the garage where the pigeon coupes were I stumbled on to a hornet nest. I had never seen hornets before and when one stung me I just jumped up and down, and hollered. This caused more hornets to sting but I finally ran away from them. Grandfather heard all the noise, and came
back to see what had happened. When he saw that I was all bit up he put on some mud on to take the sting away.

Sometimes when we would visit I would play with the neighborhood kids. We played kick the can, hide and seek, and sometimes we would stomp on cans till they stuck to our shoes then klomp around the street.

I am not sure how old I was when my grandmother died but I do remember she was laid out in the dining room of their home. After a few years grandfather married a lady called Mrs. Pete. Grandfather also outlived her and spent the rest of his life a widower. My uncle Lee was still living with grandfather when he married Mrs. Pete but soon after joined the army, and served in Korea. He was the youngest, and the last of the children to live on Morgan Street.

Tuesday, July 26, 2016

Amish Quilts: How 'Ugly' Quilts Became High Art and Changed Quilting

Amish Quilts: Crafting and American Icon by Janneken Smucker was a revelation.

My quilt life began in 1991. My mother-in-law quilted in the 1980s. I saw quilts being sold at Philadelphia's Head House Square in the 1970s. I taught myself to sew, and dabbled in macramé and needlepoint. But it was that first quilt that changed my life. I quickly became interested in quilt history and antique quilts, which meant reading books because I was too poor to collect, and making quilts inspired by antique quilts.

Over the years I learned about the quilt revival, how quilts became 'art' and not just 'craft'. I saw the names of people whose books I have read (Roderick Kiracofe, Julie Silber), and who now I follow on Facebook. I thought I was pretty savvy about the history of quilting in the 20th c. But Smucker's book on Amish Quilts took all I knew and put it in a narrative that enlightened me and broadened my knowledge.
http://www.antiquesandthearts.com/amish-quilts-from-the-espirit-collection-return-to-lancaster/

The book begins with an introduction to the Amish and their life and values. She tells how antique Amish quilts, relegated to closets as old fashioned and ugly, suddenly were valued for their simple 'modern' minimalist design and deemed worthy for walls and art galleries. Pickers and dealers went door to door buying the quilts, which they resold for increasingly higher prices.

The demand for affordable quilts for home decorating brought in cottage industries, and the cottage industries hired out to non-Amish, including the Hmong people who settled in the Lancaster, PA area. (Read about the Hmong here.)
1990s cheater cloth quilts which I hand quilted
Oddly, while the black and solid color minimalist quilts were becoming identified with the Amish, contemporary Amish quilters were using new easy-care fabrics and designs for their homes.

Quilts were created to meet the demand for affordable quilts for home decorators. The Country Bride Quilt, developed by Rachel Pellman of Lancaster's The Old Country Store, was in the popular country rose and blue colors and had an appliqué design of hearts and birds.
'Amish' made 1990s quilt owned by Diane Little
My Disselfink, a pattern from a 1990s Old Country Store publication
With 100 color photographs of Amish quilts, this book on quilts, art, and economics is a must-have for anyone interested in the history of quilting in the 20th c.

I received a free ebook from the publisher through Edelweiss in exchange for a fair and unbiased review.

Amish Quilts
Janneken Smucker
John Hopkins University Press
Hard cover $36,95
ISBN: 9781142141053